Copyright Troubles For Sony
ljaszcza writes "Daily Tech brings us a story about Sony's run-in with the Mexican police. (Billboard picked up the story as well.) It seems that they raided Sony's offices and seized 6,397 music CDs after a protest from the artist, Alejandro Fernandez. Fernandez had signed a seven-album deal with Sony Music; he completed that commitment and then left for Universal. During the time with Sony, he recorded other songs that did not make it into the agreed-upon seven albums. Sony Music took it upon themselves to collect that material and release it as an eighth album. Fernandez claims that he fulfilled his contract with Sony, and residual material belongs to him. Hmm. Precedent from the Jammie Thomas infringement and distribution case gives us $80K per song. Sony vs. Joel Tenenbaum gives $22.5K per song. So 6,397 CDs at an average of 8 songs/CD is 51,176 infringing songs, with (IMHO) intent to distribute. The damages to Fernandez should be $1,151,460,000 using the Tenenbaum precedent or $4,094,080,000 using the Thomas precedent. Seems very straightforward to me."
You just know they'll find some way to weasel out of it...
Mexico. United States. Not the same thing.
Hold my beer and watch this!
Another point on the same topic. What the fuck does American precedent have to do with Mexico?
Oh whoops
Counting the 8 songs as 8 units seems appropriate, since that is the precedent from other file sharing cases. Jammie Thomas and Joel Tenenbaum did not get to argue that their shared songs should be counted as a smaller number of albums.
Which leaves us with $80K per song (Thomas) times 8 or $22.5K per song (Tenenbaum) times 8. That is $640K or $180K. Looks like appropriate damages because this is large scale infringement as you wrote. In the Thomas and Tenenbaum cases I consider it excessive.
This said, Mexican law counts here and the sums may be much lower. Unless Sony also distributed that CD in the US as well, then Fernandez might want to sue in the US too ;-)
C - the footgun of programming languages
Did Sony provide facilities for recording the disputed songs? Still, what's in the contract is binding...
No. Sony simply provides the artist a loan -- Sony pays all the cost of producing the album up front, but all of the costs must be recouped through album sales before the artist sees any income. Even after that, Sony will still take the vast majority of the profits (usually around 80% if you are lucky), which is why I have an aneurysm every time I hear the RIAA say they are doing something "for the artists".
As ownership of the tracks -- it is all about what is in the contract. I have a sneaking suspicion that Sony lawyers have some sort of loophole written into the contract to protect them from liability in this matter, being the bottom-feeding vermin that they are.
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While I think ljaszcza's claim of precedent is flimsy, at best, I do hope that Sony is absolutely smashed in court over this. This is _commercial_ piracy. This is piracy-for-profit. If non-commercial piracy between individuals carries penalties of tens-of-thousands of dollars per song then commercial piracy damn well carry a significantly heftier fine. After all, _THIS_ is the sort of thing that copyright law is intended to protect against - someone making money off of someone else's work without their permission. _THIS_ is what the law is supposed to protect against. With a hint of luck, the law will actually do something about it rather than look the other way.
Wouldn't it be nice if the group involved in drafting ACTA were made aware of this. After all, I'm sure Sony has been involved in "suggesting" elements of the ACTA proposal so I'm sure any punishments they've suggested they would be comfortable with paying...