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Music Rights Holders Sue YouTube Again

bennyboy64 writes "NewTeeVee reports on a criminal investigation that has been launched against senior executives of YouTube and parent company Google in Hamburg, Germany over allegations of copyright infringement. The case started after a complaint was filed by German music rights holders. Hamburg's prosecutor has formally requested assistance from US colleagues to compel YouTube to produce log files identifying who uploaded as well as who viewed 500 specific videos."

30 of 145 comments (clear)

  1. Performance != Observance by LtGordon · · Score: 4, Interesting

    Can somebody please explain to me why it is apparently illegal to simply receive or observe a performance that violates a copyright? I was of the impression that only the distributing party would be liable.

    1. Re:Performance != Observance by Anonymous Coward · · Score: 2, Interesting

      Personally I think this is great. The country I live in (Sweden) has made downloading illegal, as well as uploading. Everyone assumes that copyright infringment is something that only takes place on piratebay. Here is an example that shows how unintelligent it is to criminalize the person downloading something since more or less everyone assumes that if it's on youtube, it must be legal.

      Imagine the law Nicolas Sarkozys is trying to pass in EU (three accusations of copyright infringment and you're banned from the internet) in conjuncture with ordinary peoples use of Youtube.

      But what counts as piracy? If I download the entire Monty Python movie "Life of Brian", I'm definately breaking a law. But what if I want to have a laugh at the Lumberjack song and view it? A copyright holder could definately claim that the uploading of the Lumberjack song is infringement, and thus also the downloading. You can claim it's fair use, but there's no real difference between that and uploading a Britney Spears song to piratebay, right?

      We need examples like this to stop morons like Sarkozy. Or otherwise, we need to start mailing Sarkozy youtube clips until we can prove he too is a "goddamned pirate".

      -- Lars

    2. Re:Performance != Observance by Anonymous Coward · · Score: 2, Funny

      Nice try at appearing multilingual, however, I would suggest using a different internet translator next time as your statement makes no sense.

      If you wanted to say "We are germans, what can you really expect?", that would be "Wir sind Deutsche, was erwarten Sie?"

      P.S. great captcha: condom... he he - the robotic overlord says it in a rather excited way

    3. Re:Performance != Observance by Heppelld0 · · Score: 2, Interesting

      the copyright owners are trying to support a failing system. the laws and rights that applied years ago aren't relevant any more but they're still stupidly being enforced.

      i think the world needs to view the internet as a separate country from the rest of the world. there has to be a set of regulations governing the use of the internet. for that to happen, a group has to be set up to agree what is universally and globally seen as criminal behaviour and then apply it to the internet. it can't be "this country allows this, so as long as the person was in this country, its okay", because that country's resources are accessible from everywhere in the physical world. i believe there's such thing as freedom of speech, and everyone should have a say, but there's just some things that the world would be better without.

      its merely a thought exercise, but where better to air a thought than /.

    4. Re:Performance != Observance by ObsessiveMathsFreak · · Score: 5, Insightful

      Because Copyright is Sacred.

      Copyright now essentially resembles a religious institution. Modern proscriptions on the copying and redistribution of data in the digital age resemble, if anything, proscriptions on the distribution of translations of the Bible in the 1500's at the advent of the printing press. In both cases the technology exists that enables people to transmit information freely and cheaply. In both cases, this new ability threatens the monopoly of an established order. In both cases, that order goes to extreme and unreasonable lengths to defend a status quo that has become farcical.

      So, like the bishops of old, the copyright industry is forced to extreme measures. Attack anyone, at any time, anywhere who seeks to defend or aid or in any way comfort those who break their canon, and do so with the utmost ferocity possible. Our modern legal system enables them to be as vindictive as they like with all the power of the courts behind the. Youtube is and always will be a prime target of their ire, being as it is, the bazaar of modern user content generation and distribution. If they can, they will send the state to smash and tear down the stalls seen here, and send all the meddlers packing. But, they are forgetting the forces that created the bazaar in the first place.

      As the supply becomes infinite, what happens to the price? As people have the ability to copy and now distribute data, text, music and movies at virtually zero cost, why is this data worth anything anymore? Trying to argue about creators rights or fairness or legalities is to sidestep the main issue; the data is fundamentally worth zero. Attempt as you like to construct sophistic or legal or moral arguments around this. But you have sidesteped this main issue, and its fundamental and central issue is aptly demonstrated by the stampede of ordinary people from all walks of life crashing through it and filesharing as they see fit. The public has made its decision.

      You can protest. You can condemn. You can litigate. But ultimately your position is like that of church leaders who protested against the popular printed Bible. People aren't listening. No argument or law or sermon is going to dissuade them from breaking laws they think are silly or unjust. The concept of copyright is too abstract a thing for most people to see breaking it as criminal. The cost of digital distribution too low for most to see its content as being worth anything. The internet has fundamentally changed the nature of content and copyright in a way just as profound as the printing press and the general public has very quickly woken up to this fact. It's time for our legal system to do the same.

      --
      May the Maths Be with you!
    5. Re:Performance != Observance by Jarik+C-Bol · · Score: 4, Interesting

      The problem with this is, say you watch a video on youtube that someone has put music on. Now, you don't know the song or artist, and you watch your video of some cats doing funny stuff, and go on your way.
      Now with what they are trying to do, you might get your happy, cat-loving self sued, because the guy that put the video up was using copyrighted music, and you watched it. Now, i know there is the whole "not knowing the law is no excuse for violating it" thing, but there has to be a practical limit.

      At this point, we know that youtube mutes videos with copyrighted music, or replaces it with music that is public domain, or removes the video entirely at times, just to protect grouchy rights holders. Armed with this knowledge, you expect to be able to watch videos on youtube, without the risk of getting in trouble for 'receiving stolen goods' and/or 'pirating music' (Because it got loaded into your ram in a temporary cache?) Who set this stupid precedent anyways?).

      Hopefully, this case will set some decent standards so that don't treat the public like guilty before proven innocent criminals.

      --
      I've decided to Diversify my Holdings. I've divided my cash between my left and right pockets, instead of all in one.
    6. Re:Performance != Observance by lastchance_000 · · Score: 3, Funny

      If I were a lawmaker, I don't think it would seem so stupid. I support the laws the media organizations want me to support, and they keep sending me money. Where's the problem?

    7. Re:Performance != Observance by DarkOx · · Score: 4, Insightful

      That may be true but if the majority of the rules don't at least maintain a somewhat convincing pretense of being for the good of everyone than everyone starts to loose respect for all the rules not just the stupid and or unjust ones. You end up with the collapse of society into a state of practical lawlessness.

      Then if your lucky you get a fairly popular revolution that leads to a fairly stable new society for a period of time. If you are less lucky you get an endless parade of strongmen slugging it out for power. These folks in turn produce equally abhorrent laws that the majority appear to respect out of fear but passive aggressively work to undermine the system until its weak enough that the next strongman takes his turn.

      You can see the pattern across just about every culture and time period in history.

      --
      Repeal the 17th Amendment TODAY! Also Please Read http://www.gnu.org/philosophy/right-to-read.html
    8. Re:Performance != Observance by icebraining · · Score: 2, Funny

      Well, when I'm forced to go to court, I'll b sure to bring a small boombox so the judge can be liable for copyright infringement too.

    9. Re:Performance != Observance by molnarcs · · Score: 2, Insightful
      Parent's comment must be one of the most insightful ones I saw regarding copyrights. When we look at the scope and significance of change a particular technology can bring about, the significance of Gutenberg's invention's the only one that matches that of the Internet... I know, I know... the Internet has many "dependencies" (electricity, cables, whatnot), but I'm referring to the impact on culture.

      It can be argued that printing made culture possible. Before the invention of printing, the production of cultural artifacts was mostly embedded in rituals: they served 'magical' and religious (sometimes even legal) purposes, and what we now call art or culture were inseparable aspects of other social practices.

      I believe the Internet has the potential to affect a change similar in scope. However, it is yet to be seen if it can reach its potential. They are key areas that are under constant attack (net neutrality, freedom of speech, etc.) - parent sounds optimistic when assumes that these will be fruitless. I hope he's right.

    10. Re:Performance != Observance by Anonymous Coward · · Score: 2, Insightful

      "The copyright system was designed with concepts like the internet in mind."??? No it wasn't bud. It was designed to give the cronies of the crown rights to make money from someone else's work. Then the idea came along that it would be better for the ARTIST to get the rights and not be under the whips of the DISTRIBUTORS so copyright was given to the ARTIST.

      Well 180 years later and we have the distributors again owning the rights and stomping all over both sides.

      Given you got that so horrendously wrong, what's the likelihood anything else you wrote is worth reading?

    11. Re:Performance != Observance by icebraining · · Score: 5, Informative

      This breakdown of the cost of a typical major-label release by the independent market-research firm Almighty Institute of Music Retail shows where the money goes for a new album with a list price of $15.99.

      $0.17 Musicians' unions
      $0.80 Packaging/manufacturing
      $0.82 Publishing royalties
      $0.80 Retail profit
      $0.90 Distribution
      $1.60 Artists' royalties
      $1.70 Label profit
      $2.40 Marketing/promotion
      $2.91 Label overhead
      $3.89 Retail overhead

      http://www.rollingstone.com/news/story/6558540/walmart_wants_10_cds

      When the label _profits_ are greater than the artist royalties, and when online retailers want to charge me almost the same as if they were selling me a CD, the moral urge to buy music is weak.

    12. Re:Performance != Observance by Daengbo · · Score: 2, Informative

      Calm down. I'm prety sure he's talking about the long history of copyright law:

      • Crown-authorized copyright given to printers, c. 1500-1700
      • Modern copyright law, giving the rights to the authors, not the publishers, c. 1700- 1975
      • Work for hire was later codified and artists' contracts typically had a WFH clause, 1976 - pres.

      I'm surprised you didn't immediately identify what he was talking about, since you seem to have spent a lot of time thinking about this subject of copyrights and have strong thoughts on it.

    13. Re:Performance != Observance by Idiomatick · · Score: 2, Insightful

      Relying on the government to be sensible is a horrifying proposition.

  2. If we accidentally watched a German video by Anonymous Coward · · Score: 2, Interesting

    ...can we sue the musician?

  3. Well, nothing new here... by RobertM1968 · · Score: 2, Informative
    Looks like business as usual. Guess they will keep trying until (a) they can no longer afford to or (b) they set a precedent by actually having such a case go through the courts and win.

    Nothing beats a failure like failing again!

  4. Because you copy the work into RAM by tepples · · Score: 2, Informative

    Can somebody please explain to me why it is apparently illegal to simply receive or observe a performance that violates a copyright? I was of the impression that only the distributing party would be liable.

    Because you copy the work into your computer's RAM to view it. There is an exception in countries' copyright laws covering necessary short-term copies, such as 17 USC 117 and foreign counterparts, but a lot of these exceptions cover copies only from those copies that are lawfully made.

  5. Crazy by Mechanist.tm · · Score: 4, Informative

    Logs to get who viewed the videos. Is that not crazy?

  6. i suppose by Heppelld0 · · Score: 4, Interesting

    the way i see it is that there's two types of artist. those that produce works for money, and those that don't and get money anyway. the former tend to be the one's doin' the sue-in'. that doesn't mean to say that they don't produce good works of art, it's more the situation "you WILL pay to enjoy my art" as opposed to "if you like it, pay me to produce more". it just doesn't feel right somehow

  7. They have no business in knowing who viewed them by maxwell+demon · · Score: 5, Interesting

    They have no business in knowing who viewed the videos. After all, since YouTube explicitly disables videos which are infringing, I have to assume that if I see a video on YouTube, I have the right to do so. If a video happens to be uploaded illegally, that's not my fault as viewer, and I cannot be made responsible for the fact that I was shown that video.

    Just for the record: I don't have any idea whether I've seen any of those videos. Since those are just 500 videos, and YouTube has so many more, I suspect I haven't. But even if I have, I have done nothing wrong, and therefore they clearly have no moral right (and I really hope also no legal right, although in these times you never can be sure) to demand to find out whether I've seen any of those videos.

    I hope I'll not have to start using anonymous proxies to protect myself when just doing normal, legal activities!

    --
    The Tao of math: The numbers you can count are not the real numbers.
  8. Pretty much makes Europe offlimits, doesn't it? by ibsteve2u · · Score: 2, Insightful

    ...as well as who viewed 500 specific videos

    The possibility of being dragged into a German court just because you viewed something is a game-changer, I'd say.

    You'd have to weigh the potential time and money lost responding to German legal proceedings against just how bad you want to see any website that is within reach of the German legal system - unless you know the contents of all Flash animations and other media for the entire website in advance .

    Does Google accept !GermanContent as a query modifier?

    --
    Orwell: "In a Time of Universal Deceit, telling the Truth is a Revolutionary Act"
  9. Re:Take it to the extremes by maxwell+demon · · Score: 2, Funny

    You have no idea of modern art. You still think art has to be something traditional like music, paintings etc. Actually they are producing legal art by using the law in creative ways (and creativity is the base of art, isn't it?) and performance art where the performance is done by lawyers in the courtroom.

    --
    The Tao of math: The numbers you can count are not the real numbers.
  10. Re:They have no business in knowing who viewed the by Tanuki64 · · Score: 2, Informative

    Whether or not you can be held responsible for viewing the videos does not matter. For all non-Germans who might not know: This is the court in Hamburg. When it comes to copyright and internet you cannot find a more stupid court with more imbecile or corrupt judges than the one in Hamburg. You have enough money? You can get any ruling you like. Usually it does not hold before a higher court, but this is not necessarily expected by the "plaintiffs". The main task for the court in Hamburg is to be used to threaten and intimidate the monetary weaker party. In this case Google is not the monetary weaker party, but at least there is a chance that the "plaintiff" gets the data who watched the videos. It is very unlikely they will be sued directly. Though before the court in Hamburg this might be successful. It is most likely that the people who watched the videos get some sort of 'cease and desist letter', which costs them several hundred dollar. In Germany this is a legal way blackmailing people to pay in order not to get sued. In this case, if they do not pay probably nothing will happen. The legal base is just too weak. But enough will pay out of fear to get sued so that this scam will pay off nicely.

  11. Re:They have no business in knowing who viewed the by Tanuki64 · · Score: 2

    Don't tell me, tell the judges in Hamburg. Good luck. :-)

  12. You know something is seriously wrong if... by drej · · Score: 2

    ...you have to explicitly say "Music Rights Holders" instead of "Musicians".

  13. Price != Value by jonaskoelker · · Score: 3, Informative

    As the supply becomes infinite, what happens to the price? As people have the ability to copy and now distribute data, text, music and movies at virtually zero cost, why is this data worth anything anymore?

    I disagree with your terminology here. Not your argument or conclusion (I have yet to take a stand on those), but your terminology.

    (maybe that makes me a pedantic, but so be it. If the mods don't like this, oh well; I have karma to burn and I'm willing to have it be burned to say what I want to say.)

    Value and price are two differen things. Value is, roughly speaking, how much we like having something and/or how badly we want it. Price is the amount of resources we trade away to get it.

    I value much of the software I run. I value listening to JT Bruce's "A skeptic's Hypothesis". I value watching "Big Buck Bunny". But I pay aprice of 0 for all of these. (There's a transaction cost toall of these, sure, but no price).

    What will happen to the value as supply rises? Pretty much nothing. The price will likely drop to zero. Also, people might get a closer approximation of their real preferences if there is more competition.

    But they'll still like listening to $BAND just as much.

    (someone used to call this "value in trade" versus "value in use"; I think it was a greek, but you're armed with the power of Google, so use it if you need.)

  14. Re:They have no business in knowing who viewed the by TavisJohn · · Score: 2, Insightful

    Plus, how are you (the viewer) supposed to know if the video infringes anything until you have WATCHED it? You can not possibly go by the title! Have you seen how some of the vids are titled? They often have little or NOTHING to do with the video content.

    And even after you have watched it, how are you really supposed to know the legal status of the video? It is not like you know if the uploaded has written permission or anything!

  15. Re:They have no business in knowing who viewed the by Yvan256 · · Score: 2, Informative

    They often have little or NOTHING to do with the video content.

    Not to mention that YouTube always takes the middle of the video for the thumbnail. Some uploaders are abusing that to post completely unrelated videos with the middle few seconds being what they want the thumbnail to be.

    YouTube should make the thumbnails from random places so that uploaders can't fake them so easily.

  16. Re:Hamburg = Texas by Jesus_666 · · Score: 2, Informative

    It's not exactly +1, Funny; +1, Informative applies better. The Landgericht Hamburg is known for their peculiar opinions. For example, they maintain that someone running a website involving user content (like a forum or anything with a comment function) is liable for everything anyone writes on that website. And I'm not just talking about thinfs like hate speech, I'm talking about "a company sues the webmaster because a random user falsely said they have been sued in the past".

    Oh, and if you delete the post and sign an agreement stating that you won't say that ever again (even though you never said it in the first place)? The user just needs to come back and repost his allegiation and you're getting a fine (historically in the five digits).

    The real kicker? The law says that you're responsible for user-generated content on your website only if it's technologically feasible and reasonable to monitor the content. However, the LG Hamburg is of the opinion that it's always reasonable to thoroughly monitor all content, even if your forum generates 200.000 posts a month - as in the "Heise verdict", which has luckily been revised in the next instance so that you only need to remove posts you know contain illegal content. Yes, the LG Hamburg maintained that you're supposed to know for every single post made on your site whether its content is legal or not.


    It's no surprise at all that Hamburg is the venue of choice to sue YouTube and possibly its users over videos infringing on someone's copyrights. I'm positive that the LG Hamburg will come to the conclusion that every user can be expected to be fully aware of the licensing status of all background music in random videos. Before they even watch the video and know which song(s) it contains.

    --
    USE HOT GRITS WITH STATUE OF NATALIE PORTMAN (NAKED AND PETRIFIED)
  17. Re:They have no business in knowing who viewed the by broken_chaos · · Score: 2, Insightful

    You aren't. You're supposed to pay up for each and every item you ever view, hear, watch, or play.