Salon.com Editor Looks Back At Paywalls
Techdirt pointed out an interesting retrospective by Scott Rosenberg, former managing editor of Salon.com, about their experiments with paywalls and how repercussions can last a lot longer than some might expect. "More important, by this point the public was, understandably, thoroughly confused about how to get to read Salon content. It took many years for our traffic to begin to grow again. Paywalls are psychological as much as navigational, and it's a lot easier to put them up than to take them down. Once web users get it in their head that your site is 'closed' to them, if you ever change your mind and want them to come back, it's extremely difficult to get that word out."
You don't have to pay to go to Salon? News to me. I haven't visited that site for at least a couple of years.
I wouldn't know, because after dealing with the fucking thing several times I just gave up on the goddamn site. Seriously-- when they started gating their bloody comics section, and the second half of already pretty poor articles vanished behind 'day passes' and interstitial video ads, my interest in dealing with them as a site vanished.
Is that a hairstylist blog or something?
boycott slashdot February 10th - 17th check out: altSlashdot.org
Keep it to yourself, will you? If Rupert Murdoch gets wind of this, he might change his mind about cordoning Fox News off from the rest of the Internet!
Actually, probably not.
Read TFA. (I know, I know, slashdot). He isn't blaming users. He said that after the 9/11 attacks, no advertisers were paying because they didn't want their ads next to 9/11 stories. Salon, after rounds of layoffs before the attacks even happened, was hurting for cash. They used a paywall for some content, which brought in new cash in the short term. However, there wasn't much room for growth since nobody but the current subscribers could see the content to decide if they wanted to subscribe.
You cherry-picked the summary in your little tirade. They put up the 30 second ad "day pass" thing as a way to bring in new eyeballs, but it was so convoluted and poorly executed that users just quit coming to the site. He didn't blame the users, he blamed the paywall.
What I don't understand is paywalls that seem to have been erected without any sane business model in mind. For instance, here is a physics paper that I needed to look up today. It describes a particle-physics experiment from 1979 that, as a side benefit, ended up producing one of the classic high-precision tests of special relativity. I teach at a community college, so we don't have scientific journals at the library. My wife teaches at a university, so she has electronic access to journals, but the access to this particular publisher's journal only goes back to 1995. So I find the article online, behind a paywall, and I'm all set to pay $10 for a copy, just to avoid the hassle of going to a university library and photocopying it. I click through on the link to buy a copy, and they want $31.50. That's just crazy. Since the price was insane, it motivated me to get in the car, drive 20 minutes to a university library, and find the article down in the basement stacks where they put old journals.
To me, this seems like totally irrational behavior on the part of the publisher. For any product you want to sell, there has to be a price that optimizes your profit. Price it too high, and you don't get enough volume. Price it too low, and you get volume, but not enough of a profit margin. I simply can't believe that $31.50 is the sane, profit-optimizing price for a single academic paper from 1979 -- especially not when it's electronic, so the marginal cost of distribution per copy is essentially zero. My guess is that some of these traditional print publishers simply have their heads in the sand. They believe that the advent of digital music has decimated the music business, so the lesson they take home is that anything digital is like dog poop -- don't touch it, or something bad will happen to you and your business.
Find free books.
let the paywalls go up.
i'll be the one to write a firefox extension that double underlines all paywall sites. And we all know by now... you don't dare even mouseover double underlined text.
-- I was raised on the command line, bitch
Fast forward 10 years to the present. I would gladly pay 30 dollars a month if all the stuff I read online was written by a professional with classical training in english or journalism. This web2.0 junk means we're all crappy authors who, as I am right now doing, stream their consciousness into textarea boxes, never a second glance at the same sentence for proofediting; rushing to the submit button to beat my peers in the subtle effect that I will feel smarter than everyone who posted thereafter.
slashdot: where everyone yells sarcastic metaphors to themselves to understand the issue
Part of the problem was also part of Salon's strength: they were started and run by writers. Old-school, ink-and-paper writers.
And their writing was and is very good, some of the best online. They raised the bar on the quality of online writing in the late 90's. I still regularly read some of their columnists (especially Glenn Greenwald, and their film reviews are among the best anywhere.) The intersection of the literati who would follow Salon and the tech-geeks who populate Slashdot is pretty small, so I don't expect this to resonate with many of them. They haven't fallen off the web; they've largely recovered from the hemorrhaging of readers from the paywall-period, but they won't get back the revenues they've lost in the meantime.
There was an article? News to me. I haven't looked at an article for at least a couple of years.
Python coder | PyQt Applications | Writer
Paywalls are bad, so are Register Walls.
What is a Register Wall? The kind of nonesense you get if you go to the New York Times website.
I have no idea if they still require me to login to view their content, but they used to.
The fact that I have no idea if they still require me to login shows just how entrenced the damage to your reputation is..
I simply won't visit the New York Times website because I don't want YET ANOTHER PASSWORD to remember. Any site that wants me to register just to view content, I don't join.
Apart from Amazon, any site that wants to create an account just to purchase, I pass. I recently tried to purchase "Getting Real" but Lulu.com wanted me to register to make a purchase.
Why can't I just provide my name, address, credit card info, etc, then purchase? Why do I need to waste time creating an account, then have that information stored by them forever?
They did not get the sale. Their loss. I can read Getting Real online for free.