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Not All iPods — Vinyl and Turntables Gain Sales
Says the New York Times: "With the curious resurgence of vinyl, a parallel revival has emerged: The turntable, once thought to have taken up obsolescence with eight-track tape players, has been reborn."
Time to get that Betamax player out of the attic!
It may be 7 digits, but at least it's a semiprime
You only have to sell a couple albums more than usual to claim huge percentage increases.
“Common sense is not so common.” — Voltaire
Kids these days and their newfangled "vinyl" cheap rubbish. Give me my Bach on a wax cylinder, and then get off my long-dead lawn.
I hate printers.
and now try put disk copy protection on that!
oh wait...
-- "If A equals success, then the formula is A=X+Y+Z. X is work. Y is play. Z is keep your mouth shut." - Einstein
Sales can't drop below zero, at some point sales bottom out and then increase slightly (which may represent a massive % increase even though sales are still modest).
Every few months the media spits out a story or five about vinyl being more popular than ever. And they conveniently forget about it so they can do it again in another few months!
CDs are naturally dying, because broadband is ubiquitous and digital files are good enough to make the format an annoyance.
If you want to listen to music and have the physical media experience to go along with it, vinyl's a lot better than CDs IMO (and apparently in the opinions of quite a few others, too). Bigger art, more to play with, sounds better, etc.
That's not even taking dance music culture into account. I just didn't like CDJs' and Traktor's downsides, audio quality, and quirks enough to trade the convenience they gain over vinyl turntables. Also, Technics are cooler, and they haven't made a little wind-up truck that plays CDs yet.
Me and my friends have been talking about the resurgence of vinyl DJs for years. A friend who visits Japan every year to sell vintage jazz, soul and funk music (they love it out there) was telling me that DJ shops seemed to be catching up to guitar stores back in 1998. I almost think it's just about peaked myself. Then again maybe DJ Hero will cause a nice spike in sales.
Personally, I prefer to buy my music on vinyl, I like the huge cover art and the tactile interaction of playing a record. The nature of vinyl also doesn't lend itself to the Loudness War. The only things I don't like about vinyl is it weighs a ton when you're trying to get to a gig and when listening at home you gotta get up and flip the record.
I kinda think digital DJing has been gaining a lot of ground lately... there are so many Serato copycats) out there now (some are purely digital while Serto allows the use of timecoded vinyl for control. I've been a hardcore vinyl head and I'm finally considering going the digital route because of the convenience of weight saving and you can make your own remixes. Though it still pisses me off that I spent so much time and money collecting rare tracks when these days laptop DJs can just download them off the net. It's made it a lot harder to have an exclusive track.
Deltron 3030 - Virus (music video)
What did you expect would happen, people would start buying vinyl records, but just look at them instead of playing them? Is there some iPhone vinyl add-on I'm not aware of?
Tomorrow on Slashdot: A sudden increase in the sale of left shoes curiously correlates to a parallel increase in the sale of right shoes.
Name...That...Autocomplete!
for people who think it's not high-quality unless you can hear the artifacts of how low-quality the recording is.
-- 'The' Lord and Master Bitman On High, Master Of All
I recently ordered a copy of 'Them Crooked Vultures' on Vinyl, sounds fantastic! With the Loudness Wars [ http://en.wikipedia.org/wiki/Loudness_wars ] going on for the last while, music is becoming harder to listen to with all the compression, you lose the dynamics of the recording. I've recently gotten back into vinyl because of this. My ears have been thanking me ever since!
Before the anti-audiophile crowd comes in screaming about how digital is a more accurate reproduction vinyls are typically mastered for their audience so they often are not compressed to maximum loudness that you hear in modern CDs so you actually have some dynamic range.
Living in Oslo, Norway, I have been watching this trend for some years. The number of shops selling physical CD's is steadily decreasing - either they close or they are converted to DVD- and/or game-shops. At the same time, the number of shops selling vinyl is increasing. Every self-respecting hifi-shop has turntables on display in their windows. And who even buys CD players anymore ? Some years ago, only niche-titles got a vinyl release. Now even chart-topping big names release on vinyl. This ain't a fad. We will all live to see the death of the music CD. The vinyl will live on, as the sole medium for physical distribution. It will serve a distinct market - people with a keen interest in music, sound/hifi and/or collecting records. For these customers, portability and convenience is not high priority. Cover art and lyric booklets are. The music industry will embrace the trend, as piracy / copying will not be an issue. Vinyl rips are too inconvenient to ever threaten digitally distributed music. The vinyl record has outlived the CD in all respects. Some of my oldest CD's - 20-25 years old - are being refused by my CD player. While I have vinyl records from '65 that sound just as fresh today. I buy 30-40 records a year, around 4 out of 5 on vinyl; I select the titles purely based on musical merit, and buy vinyl if available. Luckily bands within the genres I prefer almost always release on vinyl.
"And you are dying so slowly, you believe to be living" - Bertrand Besigye
A few years ago I worked in a record store where we actually sold more records more than cds. I own a relatively large number of records, contemporary and otherwise. Despite all this, It's my opinion that this is just a fad, one strangely ambling along at a lazy pace. I think the only reason it has been able to gain traction is because people don't realize all the pitfalls of records. To start, yes, records can theoretically sound better, but there are Many things that can get in the way of that: virgin vs. recycled vinyl, cold pressings, warping, dirty or worn stylus, imbalanced tonearm, etc. Even under optimum conditions the quality advantage of a record is gone after 5-8 plays, as friction heat from the stylus literally melts the signal irreparably; from then on, the sound quality will continue to deteriorate with each play. Most people start out saying that they like records because analog sounds better. Then, after I tell them this, their reasoning changes--they like records because the hiss and pops are warm and soothing. The question of quality aside, records are a pain to deal with! You have to handle them carefully, clean them often with specific supplies. After a couple of songs have played, you have to stop what you're doing and flip the record over (don't try putting on a Barry White record, it may set the mood, but only for a few minutes... and hopefully that's regarded as a problem). Some people say they enjoy the whole process involved with records, that by having to do all that work they are able to appreciate the music more. Fine, but personally, having to constantly fidget with the record player interrupts the pleasure I get from listening. Also, consider the weight and space records take up: I estimate about 50 records occupy a cubic foot and weigh at least 25 lbs. On the other hand, you can fit thousands of digital albums in your pocket. Records do have a certain sense of novelty to them, but it wears off fast; digital music is and will remain an incredible thing.
the most powerful intellect is that unbounded by indubitable preconception
It's not really becoming popular because it is better to hear music off one. The vinyl turntable is a performance instrument all of its own.
About a year back I ran into someone who had a vinyl turntable hooked into Ubuntu studio. He'd essentially use the turntable hooked into the MIDI port(?) which lets him control any soundtrack with a touch of his finger.
The guy was explaining how the user interface of a turntable supersedes anything else out there for what he's doing. That in some sense, it's the touch screen of the music man.
Quidquid latine dictum sit, altum videtur
Not until we have Vinyl ROMs.
You'll be able to get Linux distributions on them, of course. Side 1: Kernel. Side 2: Root file system. The system takes 45 minutes to boot, but the quality of the operating system and associated tools is much, much better than what you get on CD or via download. Don't ask me for evidence, because the improved quality is imperceptible unless your computer is connected up with gold Ethernet cables and your PSU is a vacuum-tube model.
You're an immobile computer, remember?
Excellent! That leaves an opening for my half-million dollar turntables with the moonrock platter, musk-ox felt platter isolation pad, maglev suspension, hand-wound drive motor made from .999 fine gold windings and magnets made from civil-war cannonballs, turning a belt made from whale foreskin.
Installation by factory representatives is mandatory. $500/hour per man, minimum crew of 16, travel time included. To ensure that they do the best possible job (you know you can hear the difference), I'll send my crew to you on a private jet.
And of course, that doesn't include the tonearm or cartridge.
-jcr
The only title of honor that a tyrant can grant is "Enemy of the State."
At least for a long while. There now is in the form of Final Scratch. What it does is encode a timecode signal on a record, which you then feed to a soundcard. Final Scratch then interprets that timecode to tell what you are doing with the player and can control the speed and seeking of the digital files associated with it. Works great, I've seen it in action a number of times.
Another factor was the processing power for good resampling. These days that is trivial but it wasn't when digital first came about. If you are going to stretch the sound a lot by slowing it down, you need to properly resample the data to make it sound smooth. You'll get nasty artifacts otherwise.
Net result is non-degraded digital sound, with turntable controls. You can reuse the same timecode record quite a few times before ti becomes damaged to the point of having to get a new one.
These days, however, if you aren't scratching and such, software can beat match way better than you can. Songs can be tagged with BPM (or measured) and you can visually set cut points. Not as much fun though.
The compression on CDs is not manditory, and indeed you find some CDs without it. However if high quality sound is your goal, well then DVD-A and SACD are the places to look. Like records, they are not produced for everything, but they tend to be extremely well mastered for what they are done with. Nice wide dynamic range. They also have the advantage of being all digital, and extremely high resolution: 96-192kHz 24-bit for DVD-A, 2.8MHz 1-bit for SACD (equivalent to about 20-bit 100kHz). You are also usually going to spend less on hardware (a cheap SACD/DVD-A player can be had for less than $200) and your recordings don't degrade every time they are played.
That's the problem I have with the audiophile record crowd: There ARE digital technologies better than CD, much better, and measurably so. Thus, if your goal is highest fidelity sound, then that is probalby what you should be getting. Goes double since most recordings these days are produced digitally, so you are getting "digital sound" like it or not.
I'm fine with people who like records for nostalgic reasons, but I don't get the "Oh records sound so much better crowd." No, not so much really. Sure, compare a $5000 turntable to a $10 CD player where the CD is limited all to hell, the record player sounds better (unless the record is scratched). However compares that same record player to a $200 DVD-A player and the DVD-A will be better.
First of all, we need to keep this in perspective. TFA says that through November there had been 2.1 million vinyl records sold in the US. That's far less than individual albums once sold, so vinyl hasn't staged some glorious comeback, it's just establishing itself as a minor niche.
That said, I'm a vinyl junkie and am happy for its continued survival, if only because it means that I'll be able to get new parts for my turntable for a long time yet. I think that the biggest advantage of vinyl is the physicality of the product. This includes of course the artwork and liner notes, which will be much larger and usually more attractive than with a CD. But there's more than this. Purchasing records often involves flipping through large bins of vinyl, something you sort of get with CDs, but instead of the clack or platic bins you have a nice soft thwap of cardboard album sleeves. Playing vinyl is also a much more physical act than playing a CD. With a CD you open the tray, put the disc on, then press a couple of buttons. With vinyl you have to open the lid, put the record on the turntable, line up the needle and plop it down, then come back and flip it over in twenty minutes or so. Choosing a specific track involves some pretty careful aligning of the needle. It forces you to become more engaged with what you're doing and promotes a more active listening; you can't so easily slap something on and ignore it, and the 6-disc changer (and, god help us, the random button) don't exist. You have to interact with your music because there will be a little bit of physical labor involved in keeping it going for more than 20 minutes at a time.
Of course, playing 7" singles is even better for this, because you're hopping up every three minutes and constantly having to think, "What would sound good with this?" Vinyl is far better for an evening devoted to listening to music because it really encourages you to make the music the central part of the evening. Too much distraction and there's no more music. That contrasts with CDs, and is entirely different from mp3 listening. Banshee tells me that I can start playing my mp3 library and continue for 22.5 days. That sort of thing promotes an extremely passive kind of listening, music as just something that's there.
A final thing to consider: I have a few CDs that have become scratched and are now unplayable. I have a bunch of LPs that have become scratched and now have a little scratch on them when you play them. My LPs are going to outlast my CDs.
>>>Not until we have Vinyl ROMs..... The system takes 45 minutes to boot...
Not even close. My computer used to store programs like that (by sound) on cassettes. It would take about 5 minutes to load a 40 kilobyte program. Assuming that same speed holds true for data stored as audio on a record, it would take 12,500 minutes, or just over 8 days to boot a modern Linux OS.
"I disapprove of what you say, but I will defend to the death your right to say it." - historian Evelyn Beatrice Hall
- 22-26 minutes maximum playing time per side.
- Rumble. Especially when it came pressed into the record.
- Scratches. A click or pop was forever. Often with the very first playing.
- Warpage. This was especially a problem after 1969-1972, when records became thinner. (Thank you RCA, for that "Dynaflex" nonsense.)
- Playing a phonograph record was a fiddly business. Extracting the record from its jacket and inner bag without getting fingerprints all over it (which could lead to more clicks and rumble). Cleaning the record surface with a brush before playing. You took all those precautions because you didn't want to make things worse, but it was rather like pissing in the wind, as the saying goes. No matter how great your cartridge was or how light your tracking force, your records would inevitably wear, especially your favorites.
Obviously, I'm not in the demographic that wants vinyl today. I was never a DJ (not in the context of a dance club, anyway), and I have no nostalgia, false or otherwise, to bring me back to the medium.
But I can't help but wonder if the problems that plague CDs today parallel the problems that vinyl in its heyday had. Everything I mentioned above were the reasons I was so quick to embrace CDs. (And if you've ever heard Ry Cooder's "Bop 'Til You Drop" or Dire Straits' "Brothers In Arms," you know exactly how wonderful CDs could sound.) But, it was a reaction, and I'm wondering if things like DRM and the "loudness wars" are the reaction people who are migrating to vinyl are having.
Those who can, do. Those who can't, write technology blogs.
Poor Sound Engineering is why CDs do not sound good enough; source recordings should be at least 48khz minimum and they downsample to CD - if done properly, the CD should sound just fine to everybody but the fanatics with good enough hardware, software, and/or imagination to find something wrong with it. My record player didn't have more dynamic range - and it wasn't the cheapest model either.... that is, excluding the pops and scratches which did give it a larger dynamic range.
Besides, LP has many more flaws like how they lack BASS and need it reduced and then boosted on playback. It wouldn't matter if we had 96Khz 32bit sound on DVDs - sound engineers would continue try to wreak everything again. What is needed is an embedded volume code for the player's decoder / amplifier circuit to use to instantly raise or lower the volume so these sound engineers can continue to mess everything up to a ridiculous extreme without actually throwing away sound quality. This would also allow people to ignore the dynamic compression by telling the player to ignore the encoded volume/dynamic range track.
http://en.wikipedia.org/wiki/Dynamic_range_compression
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