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BBC Lowers HDTV Bitrate; Users Notice

aws910 writes "According to an article on the BBC website, BBC HD lowered the bitrate of their broadcasts by almost 50% and are surprised that users noticed. From the article: 'The replacement encoders work at a bitrate of 9.7Mbps (megabits per second), while their predecessors worked at 16Mbps, the standard for other broadcasters.' The BBC claims 'We did extensive testing on the new encoders which showed that they could produce pictures at the same or even better quality than the old encoders ...' I got a good laugh off of this, but is it really possible to get better quality from a lower bitrate?"

74 of 412 comments (clear)

  1. Focus group... by gandhi_2 · · Score: 2, Insightful

    ...of blind retards.

    1. Re:Focus group... by Psx29 · · Score: 5, Funny

      FTA: ""Even my wife can see a reduction in picture quality and she's got cataracts," wrote one. "

    2. Re:Focus group... by jasonwc · · Score: 5, Informative

      Yes, it IS possible to get higher picture quality out of a lower bitrate, but not with all else equal. For example, you can get higher quality with CPU-intensive settings using H.264 5.1 Profile than you can with H.264 4.1 (what Blu-Ray's/HD DVDs use), at the same bitrate. You're giving up CPU cycles in decoding for lower video size. This is why x264 can produce near-transparent encodes of Blu-Ray movies at about half the size. x264 uses much more demanding settings.

      x264 at 20 Mbit which high-quality settings is far more demanding than a 40 Mbit H.264 stream from a Blu-Ray.

    3. Re:Focus group... by Anonymous Coward · · Score: 5, Funny

      FTA: ""Even my wife can see a reduction in picture quality and she's got cataracts," wrote one. "

      They must have a pretty big screen if she can see that difference from the kitchen.

    4. Re:Focus group... by postbigbang · · Score: 5, Interesting

      In the US, Comcast uses codex compression to squeeze HD on their cable systems. When people get to see native resolution at the TV store, then get the Comcast version when they plug in their shiny new HD TV, they wonder WTF? That the beeb would put their foot on the garden hose and expect no one to notice is ludicrous.

      I wish the FCC would get involved in the US to force cable companies to limit the number of channels supported and broadcast them in the highest sustainable resolution-- or tell their users the truth about what's happening and why. Maybe we can start to get rid of the excess junk channels.

      --
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    5. Re:Focus group... by dyingtolive · · Score: 4, Funny

      Actually, deary, it's sexist, not racist. I swear it's not making me take you less seriously though.

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    6. Re:Focus group... by Anonymous Coward · · Score: 5, Informative

      1) The alleged wife in the quote is purported to have cataracts. Cataracts typically reduce visual acuity due to the cloudiness they impart to the lens of the eye. How does a reduction of visual acuity translate to "just another racist characterization of women being incompetent with technology"?

      2) If the quote had been ""Even my husband can see a reduction in picture quality and he's got cataracts," wrote one." would you have bothered to make your little rant post?

      P.S. The term you were looking for is "sexist" not "racist".

    7. Re:Focus group... by Anonymous Coward · · Score: 2, Insightful

      As a 43 year old father of a special needs child I find your comment retarded (And I deplore the use of the word). The salient point was that the wife of the commenter in the article has cataracts, not that she is female. If the comment had been "Even my husband can see a reduction in picture quality and he's got cataracts" it would have been no less salient.

    8. Re:Focus group... by kimvette · · Score: 3, Interesting

      Adding to that, Comcast's programming is 720p, with much of it upscaled. The Blu-Ray source you see at the stores are often 1080p, or at least 1080i. You're comparing rotten wormy apples to nice juicy oranges, where Comcast's feeds are the rotten wormy apples.

      --
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    9. Re:Focus group... by brkello · · Score: 2, Insightful

      What a weird post. Would you find it less offensive if you weren't a C programmer? It may be a stereotype, but it is there for a reason. This hits home with my mom who says she can't tell the difference between standard def and high def television. Does that mean all women can't? Nope. But it was an amusing quote...loosen up. Stop looking for things to be offended about.

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    10. Re:Focus group... by postbigbang · · Score: 3, Interesting

      A codec is a compressor/decompressor piece of code that's used in one of two circumstances-- lossy or non-lossy stream compression, usually (but not always) of audio/video information. The eye and ear can detect certain types lossy compression effects, and some people are better at detecting problems than others. Generally, more compression yields more information loss that is sensed by low quality video (jaggies, weird frame transitions, noise, fewer colors, or distorted sound of various kinds). But more compression means less bandwidth used, so that more streams can be handled per given bandwidth 'space'.

      In the US, the current max horizontal by vertical HD TV resolution is 1080 pixels, and its data rate at full color value is about 16megabits/sec. There are two types, interlaced and progressive scans. Interlaced writes and holds information from frame to frame while progressive writes whole frames (a simple explanation) and progressive is preferred but requires more intelligent electronics to produce. The 1080p HD picture is preferred. An interim size, 720p, is often what cable companies send down the wires to your set. The native resolution refers to the uncompressed data rate, or one that's used with a non-lossy compressor (meaning that the decompressor can re-interpret the compressed stream to reproduce the original image 100%).

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    11. Re:Focus group... by BForrester · · Score: 5, Funny

      As a 3 yo lesbian, father of seven, socialist COBOL programmer, I'm not sure which of your stated attributes qualify you to be racially offended.

    12. Re:Focus group... by Maxo-Texas · · Score: 2, Informative

      I left comcast because their *digital* signals were worse than standard TV over the antennae.

      Dish has gone the other way-- their signal *looks* crisp, but there is a lot more blockiness than there used to be. I used to have blocky outbreaks perhaps 1 or 2 times in 40 hours of viewing. Now I get blockiness 1 or 2 times per 10 hours of viewing.

      --
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    13. Re:Focus group... by bkr1_2k · · Score: 3, Informative

      Theoretically, perhaps. In reality either one could look better given other factors.

      --
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    14. Re:Focus group... by nacturation · · Score: 2, Interesting

      Codex is the plural of 'codec'. It could also be stated 'codecs'. It's an abbreviation of COmpressor/DECompressor, in the plural.

      Saying "Comcast uses codex compression" without specifying any particular type of compression/decompression is rather awkward. "Comcast uses compression" is no less accurate, unless you specifically wanted to distinguish the type of compression that uses a compressor/decompressor from the type of compression that doesn't, if that's even possible.

      Besides which, I don't believe you that codex is the plural of codec.

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    15. Re:Focus group... by dkh2 · · Score: 5, Funny

      My cranium nearly exploded while attempting to parse

      "3yo lesbian, father of seven"

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    16. Re:Focus group... by PIBM · · Score: 3, Informative

      Actually, the bandwidth at 8bits per channel not including the 5.1 sound is 16,588,800 bits per FRAME not per second, so at 60 FPS you get a 950 mb/s bandwidth requirement for the video alone, and that`s why we need to use a compressed distribution method...

    17. Re:Focus group... by jasonwc · · Score: 2, Insightful

      No, those aren't the only differences. For one, you are limited in the number of reference frames you can use at a given resolution at 4.1. For example, at full 1920x1200 I don't think you can use more than 4 or 5 reference frames at 4.1, but I've seen 5.1 encodes that use 16 reference frames for animated films that achieve very high compression ratios while maintaining transparency.

      4.1's maximum maximum allowed bitrate is not the constraint. Doom9 or Wikipedia can provide much more detailed information about the differnces between levels, but I know from HDBits that the # of reference frames is one of the big differences.

    18. Re:Focus group... by jasonwc · · Score: 2, Informative

      These are the Reference frame limits in Level 4.1

      Resolution | no. ref
      -----------|---------
        1280x544 | 12
        1280x720 | 9
        1920x800 | 5
        1920x816 | 5
        1920x1080 | 4

      If none of the resolutions above match your source, use the following equation to work it out for yourself:

                                8388608
                      __________________

                        (width x height)

      However, I've seen Level 5.1 encodes with 16 ref frames at full 1920x1200.

    19. Re:Focus group... by Culture20 · · Score: 2, Informative

      My cranium nearly exploded while attempting to parse

      "3yo lesbian, father of seven"

      Father of 7, then transgendered 3 years ago?

    20. Re:Focus group... by jonbryce · · Score: 2, Interesting

      In the UK, for tax purposes, the "father" in a lesbian relationship is the one that didn't get pregnant with the child in question.

    21. Re:Focus group... by Znork · · Score: 2, Interesting

      to limit the number of channels supported

      Of course, as long as most storylines are low def, having a lot of channels might not be a bad idea; don't assume they'll necessarily kill off the channels you consider excess junk.

      Personally I can't say I care much about resolution. As long as the format is progressive, digital and anywhere near SD increases in resolution are about the last thing I'll notice in any normal viewing situation. Improved contrast, lack of compression artifacts, sound, content, basically anything is more important than actual resolution. Having run a couple of blind-tests on myself when deciding on what quality to use when ripping my DVD's I could barely tell the difference between 720p and lower progressive resolutions, and lowering resolution in exchange for bitrate usable for artifact reduction was a positive tradeoff down to the ranges of 360p, as long as we're talking actual moving pictures and normal viewing (paused frames and 3 inch viewing distance are another thing, of course).

      I can live with the trade-off. For the Borg with high quality ocular implants, or those with extra eagle in their ancestry (or dashboard), and for the half dozen movies worth the extra space per century, there's non-spectrum-limited media like blu-ray. But given the choice between very high definition crap, or twice the amount of crap, I'll take the extra helping of crap.

      I agree that they certainly should tell their users tho, and preferably be required to demonstrate carefully and repeatedly the exact differences in quality so people can decide for themselves. Perhaps they could even be required to make available lower-quality broadcasts in higher quality under non-prime-time when bandwidth might be available.

    22. Re:Focus group... by MaxQuordlepleen · · Score: 2, Insightful

      I deplore the use of the word

      Really? I don't get that. The reason that people use the word as an insult is because it is a word used to describe people who have intellectual challenges. It doesn't matter what you do, the euphemism treadmill will get you in the end. As evidence I submit this anecdote: I was spending some time with a couple of young gentlmen (kids of a friend of mine) who are 9 and 11 years old. Big kid was teasing little kid, so big kid said "you're a special needs kid!". Does this help you see the futility of rotating in new acceptable terms every couple of decades?

    23. Re:Focus group... by geekoid · · Score: 2, Funny

      That's just wrong and offensive. I can' not believe you would you would say something so neanderthall.

      This is the modern age asshole, and we put TV's in the kitchen~

      No TV in the kitchen, sheesh.

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  2. They suck at math too by Locke2005 · · Score: 4, Insightful

    They also lowered their math standards. From 16MBps to 9.7 MBps is a 40% reduction, not "almost 50%".

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    1. Re:They suck at math too by secondsun · · Score: 3, Insightful

      To one significant figure, they are.

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    2. Re:They suck at math too by gandhi_2 · · Score: 3, Informative

      Technically speaking, they suck at "maths".

    3. Re:They suck at math too by rgo · · Score: 5, Funny

      They use the metric percent.

    4. Re:They suck at math too by zach_the_lizard · · Score: 5, Funny

      Technically speaking, they suck at "maths".

      We Amurkins don't recognize no commie "maths." We want our math to grow up as individuals

      --
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    5. Re:They suck at math too by madsenj37 · · Score: 2, Insightful

      You must use the incorrect term 'aluminium' as well.

      --
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    6. Re:They suck at math too by clone53421 · · Score: 2, Informative

      One generally accepted practice is to put the punctuation inside the quote if the punctuation is part of the quotation, and outside the quote otherwise. According to that rule of thumb, his use of punctuation was correct.

      --
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  3. Yes by Anonymous Coward · · Score: 2, Informative

    Yes, if more time and passes are spent encoding the video, lower bitrate CAN result in a higher quality video. However, this does not appear to be the case in this instance.

    1. Re:Yes by Bakkster · · Score: 2, Insightful

      In other words, lower bitrate can be better, but only if you compare to shitty and inefficient compression.

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    2. Re:Yes by natehoy · · Score: 5, Insightful

      You can also get better compression by specifying a more sophisticated compression method within the same codec, for example, since many codecs support various levels of compression.

      Generally, "better" compression (fitting a higher resolution and/or framerate into a smaller size) requires a lot more power to encode and often some more power to decode. You can use less bitrate to get a quality signal there, but you need "smarter" coders and decoders at the respective ends of the transmission. So the BBC may have upgraded their compression engine to something that can do "better" compression, thereby fitting the same resolution and framerate into a 40% smaller stream. But their customers' television sets might not have the horsepower to decode it at full quality.

      That could easily explain why the BBC's testing went so well but their consumers (with varying brands of TV sets probably mostly tested for British use with the old compression) can't keep up and render an inferior picture.

      It's also possible that, by compressing the video stream into a denser compression method, signal loss is having a greater effect than it did with the old compression method. The viewers may be seeing artifacts that are the decoder's attempts to fill in the blanks. The old compression method might have allowed a certain amount of redundancy or error correction that the new one lacks, and the loss of part of the signal has a more visible effect on the new one.

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    3. Re:Yes by HateBreeder · · Score: 2, Insightful

      > can't keep up and render an inferior picture.

      It's not like there's half-way here. This is the digital age - if it can't keep up you won't see anything!

      --
      Sigs are for the weak.
    4. Re:Yes by Fantom42 · · Score: 4, Insightful

      In other words, lower bitrate can be better, but only if you compare to shitty and inefficient compression.

      And by this you mean compression that is state of the art two minutes ago, vs. today. Seriously, this field is moving pretty fast, and what you call shitty and inefficient was not long ago the best people could do. A few years ago when I was messing with the x264-svn libraries, stuff would get tweaked daily.

      Not to mention there are other factors at play with regards to compression. A well-engineered system isn't necessarily going to go for the maximum compression rate for video quality. One has to look at other limitations, such as the decoding hardware, the method by which the video is being delievered, and even the viewing devices on the receiving end.

      What is disheartening about the article is that it looks like the BBC are just in denial mode, and not really taking the complaints seriously. "Standard viewing equipment"? Seriously, what exactly are they getting at with that comment? On top of that it looks like they are trying to blame the quality of the source material, which certainly muddies the picture, but certainly the customers that are complaining would be used to these variations in quality before the change and not just suddenly notice it at the same time this equipment was rolled out.

      I have respect for them sticking to their guns, but not when they are doing it with such lame excuses. Then again, the BBC spokesperson and reporter may not be the most tech savvy individuals, and its likely some of the message here is lost in translation. Lossy codec indeed.

    5. Re:Yes by GasparGMSwordsman · · Score: 2, Informative

      Despite what many people claim, when you get a garbled digital signal, most systems will give you garbled artifacts on the screen. This is because in any broadcast situation you expect a certain percentage of interference and have to design to deal with that. If you only ever displayed images on a tv if the signal was perfect, you would be amazed at how often your display would blank out.

      On my TV at home I have changed the settings to turn off the "blue screen/bad signal screen". The TV does its best to figure out what it is receiving. I still can get a signal loss if there is enough interference, but for the most part I just get warped images and garbled sound if something happens. (I have a very nice HD tv with tuner built in.) I am at the very edge of two stations in my area and on both of those I have to fiddle with the antenna to have them come in clear. (Plus my cat moves the antenna onto the floor pretty often...)

    6. Re:Yes by EsJay · · Score: 4, Funny

      Just check out the differences between say, x264 and apples encoder...

      Aren't you comparing x264 to oranges?

    7. Re:Yes by zippthorne · · Score: 2, Informative

      Say what?

      f(x) = 1 - x^2/2 + x^4/24 - x^6/720 + ... (where the constant diminishes rapidly, and 0<x<1)

      If you know that the HOT affect the result less and less, you can drop them and still get a "good enough" though less perfect answer. You can keep dropping terms until the error is unacceptable, or in the case of something where the actual value is not critical (i.e. a block of pixels), you can keep dropping terms to reach a target number of operations and hope that the answer is sufficiently precise.

      Now, in a video codec, it's probably a vector function, and it's probably not polynomial either (although any more complex functions will still be approximated with polynomials, whose number of terms would be chosen for performance reasons...). The point being that there are lots of opportunities to drop terms and save cycles (and as the compressed data itself is likely an array of coefficients, there are also opportunities to drop terms and save space at the other end) which result in lower quality output as a tradeoff.

      Frankly, I'm not entirely sure whether "drop quality" ought to be preferred over "drop frames" but they're both choices on the spectrum of "making due with whacha got."

      --
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  4. Yes by Unoriginal+Nick · · Score: 4, Informative

    I got a good laugh off of this, but is it really possible to get better quality from a lower bitrate?

    Sure, if you also switch to a better codec, such as using H.264 instead of MPEG-2. However, I don't think that's what's happening in this case.

  5. Of course it is possible by godrik · · Score: 2, Informative

    but is it really possible to get better quality from a lower bitrate?

    If you are changing the compression algorithm of course it is possible. In H264, there are a lot of compression possibilities which are not used by the compression algorithm but which will be recognized by the decompression algorithm.

  6. Yes, of course by TheRaven64 · · Score: 5, Informative

    Any lossy compression works by throwing away bits of the picture that the viewer might not notice. You can lower the bitrate with better psychovisual and psychoacoustic models. You're still throwing away more information, but you're doing it in a way that the user is less likely to notice. This takes more CPU time on the compressor, a more optimised encoder, or a better algorithm.

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    1. Re:Yes, of course by Locke2005 · · Score: 3, Interesting

      Fractal encoding works well in that you can zoom way in on the fractal without noticing obvious compression artifacts. However, there is no straightforward algorithm for doing the compression; as far as I know, you have to brute-force every possibility to get optimal encoding -- not something you can effectively do in real time. But if you've got several days before the segment airs in which to encode it, should should be able to get better quality out of far fewer bits.

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    2. Re:Yes, of course by Andy+Dodd · · Score: 4, Informative

      LAME was a pretty good example of this for MP3 - Eventually it was able to achieve (somewhat) better quality at (somewhat) lower bitrates than the reference encoders.

      Vorbis, similarly, had the AoTUV tuning - This provided significant rate/distortion tradeoff improvements compared to a "vanilla" encoder, without changing the decoder.

      However, 40% reduction in bitrate with an increase in quality is very difficult unless the original encoder was CRAP. (Which is actually a definite possibility for a realtime hardware encoder.) Also, it's far more likely to have such improvements with H.264 or MPEG-4 ASP, not nearly as likely with MPEG-2, which had a far less flexible encoding scheme.

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    3. Re:Yes, of course by TheRaven64 · · Score: 3, Informative

      Yup, fractal encoding is pretty impressive. I played with it a bit on a 386, when it took about ten minutes to compress a 320x240 image. I've not heard of any newer algorithms that improve matters much. More interesting is topological compression, which has most of the same advantages as storing a vector image (resolution independent) and a raster image (can come from a sampled source). You can extend these to video by modelling the video data as a 3D volume, rather than as a sequence of frames. The topological changes in the time dimension are usually quite gradual, and it's easy to trade special and temporal resolution. The really nice thing about this approach is that it's resolution independent in three dimensions, not just two, so it's easy to generate a signal that matches the display's refresh rate.

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    4. Re:Yes, of course by TheRaven64 · · Score: 2, Informative

      Which is actually a definite possibility for a realtime hardware encoder.

      Not just a realtime hardware encoder, but likely a first-generation encoder. Most compression standards are now designed with some headroom. When AAC was first introduced, Dolby provided two encoders, a consumer-grade and a professional encoder. The consumer-grade one was only slightly better than MP3, but ran much faster. The pro encoder was a lot slower but the quality was noticeably better. More recent encoders produce even better quality. A 40% decrease in bitrate is about what I'd expect going from a single-pass to a two-pass H.264 encoder, and it's entirely possible that a newer single-pass encoder can do the same sort of thing just by using a longer window now that RAM is a lot cheaper.

      Also, it's far more likely to have such improvements with H.264 or MPEG-4 ASP, not nearly as likely with MPEG-2, which had a far less flexible encoding scheme

      BBC HD uses H.264. It's rebroadcast after transcoding to MPEG-2 if you have Virgin Media cable, because their decoder boxes, unlike the FreeView boxes, can't handle H.264.

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    5. Re:Yes, of course by trb · · Score: 2, Funny
      Lossless compression also works by throwing away data. In a simple case, if you have a still image and you store it in a file that's 1000x1000 pixels and 24 bits deep with 8 bits each of red, green, and blue, you store that uncompressed in 3 megabytes. 24 bits of color isn't infinite, it's a palette of 16.77 million colors. And you're not saving every micron of the image. You are dicing the image into 1000x1000. If you are taking a picture of a scene that's 10 meters by 10 meters, you are stuffing a square 10x10 mm into each pixel. And also, your recorded image isn't perfect anyway, it's not perfectly focused and color reproduction is not exact. Information is lost.

      If you use those same 3 megabytes to store a lossy jpeg, you can store a lot more detail in the same file space - at typical compression rates, it might be 5-10 times more detail. I am often puzzled by folks who hate lossy and love lossless, because lossless isn't simply lossless, it's smarter about what it chooses to lose.

      I understand that the process of uncompressing and recompressing a lossy image is a lossy process, but we're not talking about multiple recompressions here, we're talking about one cycle. This is true for both broadcast video and for playing back your personal music. And especially if you listen with earbuds, it's silly to worry about audio compression loss, since the earbuds are very lossy. I know that this is a discussion of video, but the same rules apply.

    6. Re:Yes, of course by RivieraKid · · Score: 4, Insightful

      You do understand though, that the lost information in your example is lost at the capture stage not the compression stage don't you?

      Lossless compression is just that - lossless. Try compressing your copy of notepad.exe with WinZip, extract it and tell me if it still works. That's lossless compression. The result of compression then decompression is bitwise identical to the original. It has nothing to do with whether the original data is an accurate representation of what it claims to be.

      --
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    7. Re:Yes, of course by BronsCon · · Score: 3, Funny

      So, DVD vs. Blu-Ray is pointless if I'm using eye-buds?

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    8. Re:Yes, of course by daveime · · Score: 3, Funny

      I cmprsd ths pst wth jpg nd thn dcmprsd t, lssy ncdng s jst s gd s lsslss ncdng.

    9. Re:Yes, of course by wagnerrp · · Score: 3, Informative

      A 40% decrease in bitrate is about what I'd expect going from a single-pass to a two-pass H.264 encoder, and it's entirely possible that a newer single-pass encoder can do the same sort of thing just by using a longer window now that RAM is a lot cheaper.

      No, there is no difference in compressibility between a single pass and a two pass encoder. The two pass encoder simply allows you to set the quantizer so as to very accurately hit a target average bitrate.

  7. Bitrate vs. Quality by jandrese · · Score: 5, Insightful

    It's not impossible to get better results out of lower bitrates, but you have to pay the penalty elsewhere, typically in encode/decode complexity.

    If your decode hardware is fixed (it's generic HDTV hardware), then there is much less room for improvement, and half the bitrate is an enormous drop. It's no surprise that the BBC viewers complained.

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  8. Summary rounding error by w0mprat · · Score: 4, Informative

    Nitpick: So 39% is "almost 50%"?? I would have called that "almost 40%". Then again that is a /. summary.

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    1. Re:Summary rounding error by DragonWriter · · Score: 2, Informative

      Nitpick: So 39% is "almost 50%"??

      Yes, its almost 50% -- if you are, e.g., relating it to the nearest 25%. (Rounding it to the nearest 25% it would be just plain 50%, not "almost 50%".)

      I would have called that "almost 40%".

      Its also almost 40% -- if you are, e.g., relating it to the nearest 10% (or 5% or 2%). And, in fact, 6.3/16 is also "almost 39.5%" if you are relating it to nearest 0.5%, and "just over 39%" if you are relating it to the nearest 1%.

      "Almost" means you are giving an approximation (and the direction the value differs from the approximation), not an exact figure. There are infinite number of possible approximations for any given exact value. That something could be described as "almost 40%" does not mean it cannot also be described as "almost 50%" without any "rounding error", since "almost" does not specify the precision of the approximation being used.

    2. Re:Summary rounding error by RivieraKid · · Score: 2, Insightful

      While I agree in principle with you, there comes a time when "almost" is simply hyperbole.

      When the difference between the actual percentage and the "almost" percentage is a quarter of the original figure, then that's just plain silly. (there's a 10% difference between 40% and 50%, which happens to be 25% of the actual value)

      --
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  9. Their new algorithm? by seven+of+five · · Score: 4, Funny

    They just remove the naughty bits.

    1. Re:Their new algorithm? by zygotic+mitosis · · Score: 2, Funny

      Do they leave in the evil bit? I'm not sure whether or not the BBC counts as an evil corporation.

    2. Re:Their new algorithm? by BatGnat · · Score: 2, Funny

      According to Rupert Murdoch they are, but that is a bit like a black hole calling the kettle black!

  10. It is absolutely possible by PhrostyMcByte · · Score: 5, Informative

    Bitrate is only part of the equation -- the H.264 spec allows for a number of different ways to compress video, and it's up to the encoder to find out which is best for your video. Even in the same encoder, you can tweak dozens of settings in ways that dramatically change output quality -- usually a trade off between time and size.

    x264 has beat every commercial encoder out there -- in some cases, on a level that would indeed render higher quality with half the bitrate.

    1. Re:It is absolutely possible by Silverlancer · · Score: 5, Interesting

      The main change in the past year has been the psy optimizations that were added; before the psy optimizations, x264 was roughly on par with Mainconcept, one of the better commercial encoders. The psy optimizations--adaptive quantization and psy-RD (both on by default)--put x264 way over the top. Recently, the new MB-tree algorithm (also on by default) has boosted quality quite a bit as well. The main catch with psy optimizations is that they're nearly impossible to measure mathematically, and in fact, unless you disable them, they will make the "mathematical" measures of quality (mean squared error/PSNR) much worse.

      It's always nice when free software solutions trash the commercial alternatives.

  11. Crap HD Quality by TooTechy · · Score: 3, Interesting

    Try watching a football game here in the US and you will see what crap quality can be. The turf turns into squares of blur when the camera moves, then returns to blades of grass when the picture is stationary. As soon as you spot it you will hate it. If you don't see it then OK for you.

    I used to have a friend who could spot the two little circles in the top right of a movie in the theater telling the projectionist to change the reel. Once he saw them the movies were never the same again.

    1. Re:Crap HD Quality by Brett+Buck · · Score: 4, Informative

      I think you might want to talk to you cable company on that one. I know the effect you are seeing (it's by far the worst on local Public TV since they crammed 7 sub-channels into the same carrier), but network TV coverage of football in my area is pretty pristine for the most part. OTA is even better but cable is still awfully good.

            Of course, by "talk to your cable company", I mean "do nothing" because talking to the cable company is a complete waste of time.

            Brett

  12. It depends on the material by Locke2005 · · Score: 3, Informative

    If you're watching a soap opera, you only need to see a few frames per week to follow the story. If you are watching a live sports event with a lot of action, most people will notice every dropped frame and compression artifact (I've noticed myself while watching the Olympics via satellite feed.) Methinks they did the testing on a relatively static video. Video compression works by (among other methods) creating a key frame, then sending diffs off that key frame for several frames. If every frame is completely different, compression does not work well.

    --
    I've abandoned my search for truth; now I'm just looking for some useful delusions.
  13. Still a way to go... by TheRaven64 · · Score: 2, Informative

    For reference, the BBC HD content on iPlayer is 3.5Mb/s for 720p (no higher quality available). 9.7Mb/s is less than three times as much, so it probably won't be long before the streaming and broadcast signals are the same quality.

    --
    I am TheRaven on Soylent News
  14. Test video by bugs2squash · · Score: 4, Funny

    was the featureless black-screen video to 4'33" from John Cage. Results were far better at the lower bitrate. The absolute darkness was less blurry.

    --
    Nullius in verba
  15. A better model beats higher bitrate every time by Edgewize · · Score: 3, Insightful

    Lossy compression formats depend on an understanding of human perception. Nobody has a perfect model of the human brain, and nobody has a perfect algorithm for deciding what data to keep and what data to throw away.

    If you have a better model of human perception than your competitors, then your encoder will yield higher quality output. If you spend 50% of your bits on things that nobody will notice, and I spend 25% of my bits on things that nobody will notice, then my 650kbps stream is going to look better than your 900kbps stream.

    LAME did not win out as the MP3 encoder of choice just because it is free. It won out because its psychoacoustic model yields better-sounding MP3s at 128kbps than its competitors managed at 160kbps or even 192kbps.

  16. Re:So they starting to act like comcast cable with by Jackie_Chan_Fan · · Score: 2, Informative

    I'll toss FIOS under the bus too. Verizon's HD varies greatly. I'm not sure if its the channel companies themselves or Verizon doing it...

    Either way, I hate watching fast motion movies or tv shows where the bitrate is too low.

    Try watching "How its Made" on discovery HD and watch how compressed things look as fast moving manufactured parts pass through machinery.

    Same for HBO films etc.

  17. Re:BBC evil Jedi by BUL2294 · · Score: 4, Funny

    Public: Shou£dn't you be ta£king in our £anguage?

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    Windows 3.1x calc: 3.11 - 3.10 = 0.00
  18. iPlayer appears to use H.264 by tepples · · Score: 2, Insightful

    But then iPlayer appears to use H.264, which allows for more efficient encoding than the MPEG-2 codec used for digital TV broadcasts.

    1. Re:iPlayer appears to use H.264 by TheRaven64 · · Score: 3, Informative

      BBC HD also uses H.264 for terrestrial and satellite broadcasts. It's only if you have Virgin Media cable that you get the stream transcoded to MPEG-2.

      --
      I am TheRaven on Soylent News
  19. Comment removed by account_deleted · · Score: 2, Funny

    Comment removed based on user account deletion

  20. Doctor Who hit hardest... by jameskojiro · · Score: 2, Funny

    Now when we go to watch the Christmas special it will look like Cardboard sets, that wibble and wobble. The TARDIS will look utterly horrible and the Doctor will revert to a bloke from Liverpool with big eyes, big teeth, curly hair and a long scarf.

    They also lowered the audio rate down to 16Kbps, so that rich orchestral music will sound like it came out of a cheap 1970's Moog.

    Great, just when they updated the look of the show this will undo all of their work and it will look like the viewers were taken back to the 80's in an actual TARDIS.

    Bravo BBC, Just Bravo......

    --
    Tsukasa: All I really want, is to be left alone...
  21. better quality... by bkr1_2k · · Score: 2, Insightful

    Depending upon the configuration settings (frames per second, bit rate, I frame P frame structure etc.) it is most certainly possible to have a lower bit rate setting with better quality video than that of a higher bit rate setting. For example, if you drop the frame rate on a lower bitrate you often increase the quality of the video. So theoretically you can get easily the same quality at say 5 Mbps with a 15 fps as you can at 10 Mbps with 30 fps. I don't have specific numbers but subjectively (and empirically) it's quite possible.

    There are definitely things that do make a difference here though, such as motion or high speed camera work. These types of video often suffer more noticeably than others so anyone watching sports, for example, will see the differences in quality more readily than someone watching a soap opera.

    --
    "Growing old is inevitable; growing up is optional."
  22. Re:Quite a bit left out by lga · · Score: 2, Informative

    They do expect everyone to get a new receiver. Freeview HD has just started it's rollout, although no receivers will be available until next month. It uses H.264 and DVB-T2.