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Alternative 2009 Copyright Expirations
jrincayc writes "It's nearly the end of 2009. If the 1790 copyright maximum term of 28 years was still in effect, everything that had been published by 1981 would be now be in the public domain — like the original Ultima and God Emperor of Dune — and would be available for remixing and mashing up. If the 1909 copyright maximum term of 56 years (if renewed) were still in force, everything published by 1953 would now be in the public domain, freeing The City and the Stars and Forbidden Planet. If the 1976 copyright act term of 75* years (* it's complicated) still applied, everything published by 1934 would now be in the public domain, including Murder on the Orient Express. But thanks to the Sonny Bono Copyright Term Extension Act, nothing in the US will go free until 2018, when 1923 works expire." Assuming Congress doesn't step in with a Copyright Extension Act of 2017. What are the odds?
Give them 7 years, after 7 years, they have to renew the copyright every year for $50-100. If they fail to renew it it becomes public domain. Prohibit the outsourcing of this process, require the actual copyright holder to submit a signed statement each year with the renewal, change the forms yearly to prevent them from stockpiling 100 years of renewals. This process should have a search-able registry of all active copyrights and who to contact about licensing rights. This would allow economically supported works to continue in copyright as long as it is economically supported, but it would also allow orphan works to enter the public domain much faster. It's called balance, and would be a revenue generator for the Government.
Also they could require the work to actually be available for purchase during the previous year, or else you can not renew it. This would stop the Disney-ish practice of copyright holders removing their their copyrighted works from the market to generate a artificial demand later on for their product.
"GET / HTTP/1.0" 200 51230 "-" "Mozilla/4.0 (compatible; Setec Astronomy)"
Melancholy Elephants by Spider Robinson. This is the best-written argument I've seen against non-expiring copyrights (and, by extension, copyrights of inanely long duration).
It's pretty obvious really. The whole point of copyright was to enable the creator to benefit commercially from their artwork for a limited period so that they would have an income and be able to continue producing works that enrich/entertain society. As distribution has become quicker and quicker, the time needed for an artist to commercially exploit their work has decreased and therefore the time period for which copyright applies ought to be shorter, not longer, than in the past.
What has happened instead is that time periods have been extended, more and more money has been made, which has concentrated the means of distribution into fewer hands, with the net effect of decreasing the amount of art (music, literature etc.) that is widely available. This is now starting to change with digital distribution, although it's quite clear that DRM is not about preventing the pirating of works (because it doesn't stop commercial pirates) but is about maintaining a barrier to entry into the market.
... is not to keep commercial rights on these known books that we will still be able to buy by 2020. It is the millions of books that did not achieve enough popularity to still be easy to find. Not edited anymore but forbidden to save for posterity. Really, copyright is nothing to respect anymore.
The Wise adapts himself to the world. The Fool adapts the world to himself. Therefore, all progress depends on the Fool.
Jack Valenti during his MPAA reign actually proposed working around the "limited" line by making it "forever minus one day".
Unicode killed the ASCII-art *
Or present-day Zimbabwe. You're right: uncontrolled, ad-hoc, and chaotic confiscation produces economic mayhem. Granted, in all these cases, the economic populism was also coupled with a thoroughly rotten political system (take, say, Peronism) which confuses the analysis somewhat.
But that's not to say that all wealth redistribution will cause catastrophe. In the 1950s and 60s, we had high top-end income taxes here that worked very well; Europe still does, and they're better off for them, having some of the lowest gini coefficients and the highest standards of living in the world.
In order to make wealth redistribution work:
(By the way: instead of causing hyperinflation, raising our top-end tax rates would substantially reduce our budget deficit, strengthening the dollar.)