Alternative 2009 Copyright Expirations
jrincayc writes "It's nearly the end of 2009. If the 1790 copyright maximum term of 28 years was still in effect, everything that had been published by 1981 would be now be in the public domain — like the original Ultima and God Emperor of Dune — and would be available for remixing and mashing up. If the 1909 copyright maximum term of 56 years (if renewed) were still in force, everything published by 1953 would now be in the public domain, freeing The City and the Stars and Forbidden Planet. If the 1976 copyright act term of 75* years (* it's complicated) still applied, everything published by 1934 would now be in the public domain, including Murder on the Orient Express. But thanks to the Sonny Bono Copyright Term Extension Act, nothing in the US will go free until 2018, when 1923 works expire." Assuming Congress doesn't step in with a Copyright Extension Act of 2017. What are the odds?
I vomit a little bit when I think about the state of copyright. Surely this is advancing the collective cultural repository?
Sent from my PDP-11
Give them 7 years, after 7 years, they have to renew the copyright every year for $50-100. If they fail to renew it it becomes public domain. Prohibit the outsourcing of this process, require the actual copyright holder to submit a signed statement each year with the renewal, change the forms yearly to prevent them from stockpiling 100 years of renewals. This process should have a search-able registry of all active copyrights and who to contact about licensing rights. This would allow economically supported works to continue in copyright as long as it is economically supported, but it would also allow orphan works to enter the public domain much faster. It's called balance, and would be a revenue generator for the Government.
Also they could require the work to actually be available for purchase during the previous year, or else you can not renew it. This would stop the Disney-ish practice of copyright holders removing their their copyrighted works from the market to generate a artificial demand later on for their product.
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It can't happen without amending the U.S. Constitution.
The key word there is limited time. The problem has arisen is that the courts have defined limited as anything short of forever, and I think it stretches the Constitution beyond all meaning. Originally you could register a copyright for 7 years, and renew it one time for another 7. This was when shipping between cities could take weeks, and to cross continents could take years. With modern distribution copyright durations should be decreasing not increasing. Copyright was never intended to be a life time income source, and it definitely was not intended to cover heirs.
"GET / HTTP/1.0" 200 51230 "-" "Mozilla/4.0 (compatible; Setec Astronomy)"
Melancholy Elephants by Spider Robinson. This is the best-written argument I've seen against non-expiring copyrights (and, by extension, copyrights of inanely long duration).
The next copyright extension will be by 2023. Why? Because that's when the Walt Disney Corp will lose it's copyright on Mickey Mouse. And there is no way they would ever willingly lose their symbol. Walt Disney is the largest lobbying force in the Copyright Term Extensions, primarily because of all their older, but well recognized artistic works.
Politicians, from both parties, are easily purchased to vote for Copyright laws. Copyright laws appeal to both Democrats and Republican lawmakers. Democrats, because by keeping copyright laws in effect makes them seem like they are protecting the (copy) "rights" of the people, making their constituents happy. Republicans, because by keeping copyright laws in effect makes them seem like they are protecting the rights of business, making their constituents happy. And when both parties agree... everyone loses.
The biggest problem with copyrights though isn't that it is becoming such a big political issue, at least with some groups of people, or that it is easy to "presuade" lawmakers to side with the copyright holders; it's that Copyright laws are merely a symptom of the disease. Simply rolling copyright laws back to 1790 levels would only be a temporary solution. That fix would be repealed within the decade. The voters need to completely re-shape the political atmosphere of America, perhaps removing the 2 party system entirely (5 political parties, anyone?), or at least reforming the political parties so that Special Interests have much less of a say on future laws and bills. But if we only see more of the same, I expect to eventually see copyrights last an "indetermined" amount of time. Your great-grand-children may live to see the Mickey Mouse copyright expire...maybe.
If our elected representatives no longer represent us, do we still live in a Democracy?
Lawrence Lessig argued that before the SCOTUS, and they wouldn't buy even that basic point, IIRC.
It's pretty obvious really. The whole point of copyright was to enable the creator to benefit commercially from their artwork for a limited period so that they would have an income and be able to continue producing works that enrich/entertain society. As distribution has become quicker and quicker, the time needed for an artist to commercially exploit their work has decreased and therefore the time period for which copyright applies ought to be shorter, not longer, than in the past.
What has happened instead is that time periods have been extended, more and more money has been made, which has concentrated the means of distribution into fewer hands, with the net effect of decreasing the amount of art (music, literature etc.) that is widely available. This is now starting to change with digital distribution, although it's quite clear that DRM is not about preventing the pirating of works (because it doesn't stop commercial pirates) but is about maintaining a barrier to entry into the market.
Poor Leto. Killed by *all* those inner voices demanding royalties for the copyright of their memories. Eternal royalties. The Golden Path ends before it could begin.
Colorless green Cthulhu waits dreaming furiously.
You're focusing on the wrong problem. The issue isn't corporate personhood, but rather with certain legal persons (natural or corporate) having too much power. It really isn't any better for the person "J.P. Morgan" to be able to buy a congressman than it is for company "J.P. Morgan Chase" to be able to do the same thing.
Changing some arcane corporate classification don't help a damned thing.
What will help is limiting how influential a single person can be. Limit the maximum size of corporations. Institute a super-progressive income tax that asymptotically approaches 100% as you reach, say, the 99th percentile of the population.
No man on earth is worth FOUR BILLION times that of another human being, no matter who is he or what he's done.
Yay for living in Europe, where the spirit of the law still counts for something.
I am European, but I am sick of reading claims like this one in Slashdot and elsewere. It makes no sense to pretend that we are better than the Americans, or that our laws are more fair or that our politicians are better. In most areas we are almost as bad as the states (and copyright is one of them), while in other areas we are even worse.
And we both (Americans and Europeans) are seeing our laws changing continuously for the worse, and we will end up with a very similar set of laws in the end: those that are good for the people in power (i.e.: the corporations).
You think "the spirit of the law" counts for something in Europe? Do you trust those currently in power in your country to uphold it? Do you think the European Comission cares about "the spirit" of anything?
It doesn't even matter anymore, does it?
DRM will take care of copyright not playing a role anymore quite soon. And more movies will be added to the lost movies list. Not because we can't find a copy anywhere. Simply because duplicating it to new media is made impossible and any medium deteriorates over time. It's in the hand of the rights holder whether a movie, a computer game, a song gets "lost". At least until accidents happen and the single existing DRM-free master gets destroyed.
If you look at the "lost films" list, you will notice that many movies are "almost" lost, because only a fractioned copy of the movie exists, with missing scenes, torn and worn by years of showing. In other cases, films are rediscovered in a cache somewhere, even if the master has been lost in something like the fire in the Paramount storage.
Take a look at the rediscovered list. It includes such historic material as the first Frankenstein film, W.C. Fields first movie, the first Titanic movie (made 1912), and also important documents of early FX mastery as Metropolis (which was only existing in fragments until an almost complete copy was discovered last year). Now imagine these movies gone.
This means losing history. Art history. And we will see a lot of it happen in the future. And while I tend to agree that with many movies made today it would probably not be a loss to art, for many more it would certainly be. What I personally find especially scary is that it will become trivial for rights holders and even governments to make movies disappear should they become politically or otherwise "unfavorable".
We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
Or present-day Zimbabwe. You're right: uncontrolled, ad-hoc, and chaotic confiscation produces economic mayhem. Granted, in all these cases, the economic populism was also coupled with a thoroughly rotten political system (take, say, Peronism) which confuses the analysis somewhat.
But that's not to say that all wealth redistribution will cause catastrophe. In the 1950s and 60s, we had high top-end income taxes here that worked very well; Europe still does, and they're better off for them, having some of the lowest gini coefficients and the highest standards of living in the world.
In order to make wealth redistribution work:
(By the way: instead of causing hyperinflation, raising our top-end tax rates would substantially reduce our budget deficit, strengthening the dollar.)