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Jaron Lanier Rants Against the World of Web 2.0

hao3 writes "In his new book, You Are Not A Gadget, former Wired writer Jaron Lanier bemoans what the internet has become. 'It's early in the twenty-first century, and that means that these words will mostly be read by nonpersons,' it begins. The words will be 'minced into anatomized search engine keywords,' then 'copied millions of times by some algorithm somewhere designed to send an advertisement,' and then, in a final insult, 'scanned, rehashed, and misrepresented by crowds of quick and sloppy readers.' Lanier's conclusion: 'Real human eyes will read these words in only a tiny minority of the cases.' He goes on to criticise Google, Wikipedia, Facebook, Twitter, open-source software and what he calls the 'hive mind.'"

30 of 231 comments (clear)

  1. Can someone summarize this? by Anonymous Coward · · Score: 5, Funny

    I didn't read the article.

    1. Re:Can someone summarize this? by happy_place · · Score: 3, Funny

      You know this is just a stunt to get someone to read his article. Well, we of the internet generation will not be duped so easily!!!

      --
      http://www.beanleafpress.com
    2. Re:Can someone summarize this? by Sockatume · · Score: 5, Funny

      Indeed, if web 2.0 leads to content being scanned, rehashed, and misrepresented by crowds of quick and sloppy readers then we're way ahead of the curve. Go Slashdot!

      I do wonder how many of his concerns are actually unique to web 2.0, and not common to the social use of the web in general. Maybe I should read it.

      --
      No kidding!!! What do you say at this point?
    3. Re:Can someone summarize this? by SanguineV · · Score: 3, Funny

      This is /., you don't need a bot to tell you they don't match.

    4. Re:Can someone summarize this? by Tezcat · · Score: 3, Insightful

      I wouldn't call them unique to the internet. Paper journalists bemoaned the TV news as a bite-size summary of real news, and then as a torrent of summary when 24-hour news networks rolled around.

      In fact, weren't there plenty of people complaining about the growth of first the printing press and then mass-production novels and comic strips? Writers of all stripes seem to have a notion of the 'sanctity of information'... or at least the authority of their opinion.

  2. Regarding his comments on music by suso · · Score: 4, Interesting

    Lanier, being someone involved heavily in the music scene, should know that this isn't the first time music has stalled out. Back in the early 20th century, the classical world of music didn't know where to go, which is what led to atrocities like atonalism and serial music. I love nearly all kinds of music, but 12 tone rows really try my patience. By the late 19th century composers had exausted most of the possibilities with "academic" type of music thinking, forms like Ragtime became popular and it wasn't really until the arrival of early Jazz that it obvious where to go. Thus began an era less rooted in rules. Now we've nearly exhausted all the possibilities of this ruleless era of music and someone (Like Gershwin) will need to show us the way to another era in music. Its interesting that both musical "stallings" have happened around the same time as revolutions in technology. The first one at the height of the industrial era and this one at the height of the information era.

    1. Re:Regarding his comments on music by CRCulver · · Score: 3, Informative

      Seriously, I love classical music, but the turn of the century(ish) atonal stuff is barely music.

      Application of the twelve-tone method appeared well into the 20th century. Mahler is "turn of the century", Romantic-era Schoenberg is "turn of the century", but twelve-tone music really gets its start two decades in.

      And the twelve tone technique is barely theory. It's more of an algorithm to churn out annoying random sounding music.

      Schoenberg turned to twelve-tone rows to impose discipline on his music after some years writing freely atonal music. He felt that what he was doing up to that point was "random-sounding music", while twelve-tone rows make it less arbitrary. I for one find great gestalt in twelve-tone music, even the 1950s Darmstadt bleep-bloop stuff. The only truly random-sounding music in the modern-classical world I've encountered is some Ferneyhough, but at least his scores offer some pleasure for reading.

      It's funny that conservative music lovers think the Second Viennese School were hacks, yet they don't rage against the Japanese and Detroit noise music scenes, which arguably have a larger popular following and influence and are spreading widely. I've ever been to a couple of sold-out concerts in Beijing where it was just two hours of feedback. Compared to this stuff, Schoenberg's twelve-tone period might as well be late Romanticism.

    2. Re:Regarding his comments on music by CRCulver · · Score: 3, Informative

      A claim that the classical music world was somehow taken over by atonalists is just an urban myth. See Joseph N. Straus's famous article "The myth of serial 'tyranny' in the 1950s and 1960s" in The Musical Times Vol. 83, No. 3. (Autumn, 1999), pp. 301-343. He carefully examines the statistics and finds that not only was twelve-tone music not prevalent among music in concert halls (tonal composers like Britten and Copland consistently holding sway), but even in academic ivory towers only a minority of instructors were pushing twelve-tone music.

      Consequently, the idea of minimalism coming in and saving the scene from itself just isn't how things were.

  3. I only read the summary... by erroneus · · Score: 3, Interesting

    ...that was probably enough though. This guy really missed the point. In today's copyright anything and everything climate, people start coming up with some really strange ideas about content and its value. "If someone reads it, I want to get paid!!" They get needlessly bothered when machines read it and process it for search engines. It rather reminds me of some "robot fears" that people may have had.

    Why not just come out and say it? "I'm afraid of things I don't understand! Let's kill it!"

  4. maybe.... by pitje · · Score: 4, Insightful

    it just could be that nobody is interested in what he has to say?

  5. Jaron Lanier gives me the creeps by LS · · Score: 4, Interesting

    This dude was the epitome of "digerati" poser hype acting as some kind of digital prophet spouting buzzwords and hot air during the web 1.0 bubble. He's been riding the 15 minutes he got from his work on the failed VRML for way too long.

    Anyone could sit back and smoke a lot of joints and come up with new ways of talking about old things, but it doesn't mean they are necessarily interesting. This dude is the poster boy for what everyone hated about the dotcom era - a lot of hype and no substance.

    --
    There is a fine line between being a cultivated citizen and being someone else's crop. - A. J. Patrick Liszkie
  6. Whining about folk-art webpages... by captainpanic · · Score: 5, Insightful

    In the early days when roads were invented, they were winding romantic sand paths through lush forests, over hills and through valleys, following the path of the creek.

    Now, 6-lane highways cut through mountains - but hey, they can get you from A to B in less than no time.

    If you like to make an original website, this is still possible. You CAN still have your own site, do all the html yourself. Alternatively, you can also spend less than 10 minutes to get your blog online, or less than 15 to have a photo album online.

    Thing is - where the masses previously had no websites, they now have a facebook account... which is equally empty as no website at all. But internet did not lose anything - it just didn't gain anything either.

    1. Re:Whining about folk-art webpages... by betterunixthanunix · · Score: 4, Insightful

      "If you like to make an original website, this is still possible."

      I think his bigger issue is that nobody is doing that anymore, so it is becoming impossible to find such things. Maybe he has weird taste or memory distortion, though, because my memory of personal web pages from the 90s is of horrible marquee text, blink text, animated gifs, and black backgrounds without hundreds of different colors in the text.

      "Thing is - where the masses previously had no websites, they now have a facebook account... which is equally empty as no website at all. But internet did not lose anything - it just didn't gain anything either."

      Actually, it did lose something: openness. Facebook is closed off to anyone without a Facebook account, which is definitely a change from the way things used to be done. Sure, there were places that you had to log in to in order to participate during the 90s, but I have trouble remembering websites that required a login just to see what users had posted.

      --
      Palm trees and 8
    2. Re:Whining about folk-art webpages... by betterunixthanunix · · Score: 3, Insightful

      "That is a feature, not a bug. It is one of the things that make it rather successful. I dont want any random jackass viewing my profile."

      Well, I have to wonder what you are posting that has you so worried about individual people seeing it. Look, I am with you on privacy being important, but why focus on individuals? Facebook does not hide your information from the large organizations that really have the power to invade your privacy.

      "Yeah, yeah, yeah, information wants to be free and I shouldn't put it on the internet if I dont want all to see it."

      Pretty much; why would you post something online, with no encryption whatsoever, if you wanted to keep it between you and your friends? Also, why, if this is personal information between you and your friends, would you need to use the global Internet at all? Do you not see your friends in person? Are you and your friends incapable of using email?

      Really, the whole situation sounds bizarre from where I sit. You have this information that you believe should remain between you and your friends, so you post it on a massive, global network and rely on a massively popular, international website with hundreds of millions of users and a history of failing to respect privacy, to ensure that the data is only accessible by your friends. Yeah, I know Facebook is popular and trendy and whatnot, but I really cannot see why you would post information on Facebook that you did not want to spread beyond a close circle of friends.

      "Well, guess what--I dont want everybody to see it, I only want people I invite to see it. If I can't use the internet for that purpose, what can I use?"

      Well, you could do what I do: show your pictures off to your friends when they are sitting next to your computer, talk to them in person, and engage in non-electronic social interactions. For friends in far away places, there is email, IM, telephone, etc., none of which runs the risk of some "random jackass" stumbling across your conversation (unless the jackass is trying to eavesdrop, but do you really think Facebook is going to protect you from such people?).

      --
      Palm trees and 8
    3. Re:Whining about folk-art webpages... by CrackedButter · · Score: 4, Interesting

      I just pulled myself facebook, I got sick of all that faceless and meaningless interaction. I had nearly 300 friends and I informed everybody I would be leaving so they could give me their details and we could meet up in real life. Out of those 300 people, only 2 people gave me their details. That says a lot to me as it turns out nobody was really bothered, human interaction has become passive activity (when it should be much more important) and probably with a lot of people I was just a number.

  7. Is the summary a trick? by Anonymous Coward · · Score: 3, Funny

    Are they trying to guilt us into RTFA? I, for one, will carry on commenting on articles I haven't read.

  8. Insulting the people who made him by petes_PoV · · Score: 3, Insightful
    The hypocrisy!

    This guy got his reputation from our technology - now he goes around insulting the people who read his gushings.

    misrepresented by crowds of quick and sloppy readers

    It sounds like he has become altogether too precious about his own opinions and superiority (in his own mind, at least) and forgets that every printed word he's ever made money from has gone through exactly the same process of being edited, distributed and read (and possibly mis-understood - but isn't that HIS failure, not the reader's?) as the electronic texts he is so critical of.

    --
    politicians are like babies' nappies: they should both be changed regularly and for the same reasons
  9. Worse than DRM by jfenwick · · Score: 5, Interesting

    "He does propose a solution to the difficulty of how to compensate artists, artisans, and programmers in a digital era: a content database that would be run by some kind of government organization: "We should effectively keep only one copy of each cultural expression—as with a book or song—and pay the author of that expression a small, affordable amount whenever it's accessed." According to the article, Lanier wants a pay per use SOA, the very strategy Microsoft has been trying to implement as a strategy for years. It's the ultimate greed based mashup of DRM and cloud technology possible, all mandated by the government. I wouldn't be surprised if this happened in the near future.

    1. Re:Worse than DRM by vlm · · Score: 5, Insightful

      "We should effectively keep only one copy of each cultural expression--as with a book or song--and pay the author of that expression a small, affordable amount whenever it's accessed."

      I should pay my plumber every time I flush, forever. And, I should pay some carpenter every time I go up or down "their" stairs. Its not fair that they don't have a perpetual revenue stream from work they did in the past.

      --
      "Science flies us to the moon. Religion flies us into buildings." - Victor Stenger
    2. Re:Worse than DRM by ceoyoyo · · Score: 3, Insightful

      Maybe we need to go back to art's roots - a patron system. Except instead of a single rich guy to be your patron, you could have a legion of adoring fans who are all willing to give you $1 to finance your next album. Once it's finished, the music is released into the public domain.

      If you were a decent act I don't think you'd have too much trouble getting fans to donate. And when you lost your touch you'd be retired.

  10. Re:Isn't It... by gzipped_tar · · Score: 3, Insightful

    Web 1.0 was all about connecting people. It was an interactive space, and I think Web 2.0 is of course a piece of jargon, nobody even knows what it means. If Web 2.0 for you is blogs and wikis, then that is people to people. But that was what the Web was supposed to be all along. -- Tim Berners-Lee

    --
    Colorless green Cthulhu waits dreaming furiously.
  11. Not going to read it by paiute · · Score: 3, Insightful

    I did not RTFA, and I will not RTFA. My spidey sense tells me what is in it (and in the book, which I will also not R) - a needlessly long piece of prose which can be summarized as : Get off my virtual lawn. and Gee, everything was so much better when I was young.

    --
    If Slashdot were chemistry it would look like this:Cadaverine
  12. Whine by zieroh · · Score: 3, Insightful

    Jaron whines a lot. I think that's his main contribution to technology.

    --
    People who say "sheeple" have about as much sophistication as an AOL user, and in fact are probably actually AOL users.
  13. Reminds me of Clifford Stoll by weave · · Score: 4, Insightful

    Clifford Stoll

    Remember him? And his book Silicon Snake Oil from the mid-90s about the evils of the new Internet.

    What does he do now? Makes weird bottles. Wow.

    Yesterday my boss was pissed because his new Mac laptop with Snow Leopard wouldn't work with his old Laserjet 1020. A few minutes on Google and I found the solution.

    I remember what it was like finding tech info in the 80s. A nightmare. For example, I wanted some tech books on CANDE, WFL, and ALGOL that a Burrough's mainframe that my university used and was told by the publisher that they'll only ship if I proved I was an employee of a firm that owned one.

    Keep your romance about the past to yourself. Adapt or die I say.

  14. How many would have read, w/o the web? by Mathinker · · Score: 3, Insightful

    He rants, but one wonders how many human people he would have expected to read his words in a world before the Web, where he wouldn't get free publicity on Slashdot by spouting anti-techno rants.

    Disclaimer: I also didn't read. And unless some other poster here convinces me it's worthwhile, I probably won't.

  15. The New Printing Press by netsavior · · Score: 4, Insightful

    The Printing press made READING accessible to everyone (eventually), "web2.0" or whatever is making WRITING accessible to everyone, it is a giant leap, but unfortunately leads to a lot of crap published, like the article linked in parent.

  16. These posts are a good example by beegeegee · · Score: 5, Insightful

    The article is a Slate review of a collection (book) of writings by Lanier. The review concludes in a non-sympathetic view of Lanier's thinking. In other words, if anyone on /. had bothered reading the article, their (by comparison) lame posts would not have been neccessary. Ironically, this is exactly the point Lanier is making. No one is reading the real words, no one is making real friends; it is all an artificial world constructed for advertising/marketing. Way to go slashdotters.

  17. Re:Clifford Stoll warnings weren't/aren't baseless by weave · · Score: 3, Interesting

    I saw Stoll at a book signing in the mid 90s for that book. He said at the time he stopped using email totally, if you want to contact him, use the postal service.

    Maybe he's mellowed since then, but he was definitely heading to luddite realm back then.

    p.s., I agree that technology is no substitute for effective teaching. I work at one of those places and not too long ago a math teacher was freaking out that the Internet was down so she couldn't get the students into MyMathLab and didn't know what to do. So I replied "How about pick up some chalk?"

    Yeah, I got in trouble for that remark... but really, you can't teach math without the Internet? Gimme a break.

  18. Musical instruments by AlpineR · · Score: 4, Interesting

    I saw him speak at the University of Michigan around 1999. I knew him only from his Wired articles and was interested to hear what this guru had to say to an auditorium full of open-minded students.

    His most memorable point in that lecture was that digital music can never be as rich as analog music because whereas an analog instrument allows infinite variation in how each note is played, a digital instrument has only a finite number possible outputs. I saw several weaknesses in that argument: 1) The quantization of a digital device blurs into a continuum when the increments are small enough. 2) Analog devices operate by physics which is itself quantized. 3) Combinatorics means that even an instrument with only a dozen notes, ten amplitudes, and a hundred durations could produce immense numbers of different songs. Just look at what can be written with the few characters of ASCII. A finite vocabulary hardly limits what a language can express.

    Based on that lecture and everything I've read by him since, I'd have to moderate the guy as "Not interesting", "Not informative", and "Not insightful". His role in life seems to be to take a contrarian position on some point of modern culture and then act smug and enlightened about it. It would be poetic justice if it's only the gadgets that find his book interesting and we humans just ignore it as we continue creating and communing in our digital domain.

  19. the irony by Anonymous Coward · · Score: 5, Insightful

    The irony here is that this thread is a perfect example of what Lanier's been talking about. A group of people with self-reinforcing attitudes making pronouncements based not on the actual book, but on a review of the book. Actually, I bet most of these "opinions"--since who can be bothered to read an entire review, let alone the book--aren't even informed by reading the review. I'm sure there are lots of valid criticisms to the book, but Lanier has you all dead to rights as far as the intellectual seriousness of this "debate" goes.