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Jaron Lanier Rants Against the World of Web 2.0

hao3 writes "In his new book, You Are Not A Gadget, former Wired writer Jaron Lanier bemoans what the internet has become. 'It's early in the twenty-first century, and that means that these words will mostly be read by nonpersons,' it begins. The words will be 'minced into anatomized search engine keywords,' then 'copied millions of times by some algorithm somewhere designed to send an advertisement,' and then, in a final insult, 'scanned, rehashed, and misrepresented by crowds of quick and sloppy readers.' Lanier's conclusion: 'Real human eyes will read these words in only a tiny minority of the cases.' He goes on to criticise Google, Wikipedia, Facebook, Twitter, open-source software and what he calls the 'hive mind.'"

59 of 231 comments (clear)

  1. Can someone summarize this? by Anonymous Coward · · Score: 5, Funny

    I didn't read the article.

    1. Re:Can someone summarize this? by happy_place · · Score: 3, Funny

      You know this is just a stunt to get someone to read his article. Well, we of the internet generation will not be duped so easily!!!

      --
      http://www.beanleafpress.com
    2. Re:Can someone summarize this? by Sockatume · · Score: 5, Funny

      Indeed, if web 2.0 leads to content being scanned, rehashed, and misrepresented by crowds of quick and sloppy readers then we're way ahead of the curve. Go Slashdot!

      I do wonder how many of his concerns are actually unique to web 2.0, and not common to the social use of the web in general. Maybe I should read it.

      --
      No kidding!!! What do you say at this point?
    3. Re:Can someone summarize this? by Anonymous Coward · · Score: 2, Funny

      But the title "Web 2.0" is definitely marketer speak. If it were titled by programmers it would be web0.2alpha. Definitely not ready for production use.

      Unless those programmers were the same guys behind KDE 4.0.

    4. Re:Can someone summarize this? by Gordonjcp · · Score: 2

      I'm already using Web 2.5TDi anyway. It's a bit slower flat-out but it's a lot more economical to run and easier to work on.

    5. Re:Can someone summarize this? by marcosdumay · · Score: 2, Interesting

      Nobody did. If we could just make a bot to check if the sumary matches TFA...

    6. Re:Can someone summarize this? by rishistar · · Score: 2, Funny

      I didn't read the article.

      no probs, i put the summary up as a twitter post.

      --
      Professor Karmadillo Songs of Science
    7. Re:Can someone summarize this? by SanguineV · · Score: 3, Funny

      This is /., you don't need a bot to tell you they don't match.

    8. Re:Can someone summarize this? by maxume · · Score: 2

      Some nerd is angry that the world is changing the internet more than the internet is changing the world.

      --
      Nerd rage is the funniest rage.
    9. Re:Can someone summarize this? by Tezcat · · Score: 3, Insightful

      I wouldn't call them unique to the internet. Paper journalists bemoaned the TV news as a bite-size summary of real news, and then as a torrent of summary when 24-hour news networks rolled around.

      In fact, weren't there plenty of people complaining about the growth of first the printing press and then mass-production novels and comic strips? Writers of all stripes seem to have a notion of the 'sanctity of information'... or at least the authority of their opinion.

    10. Re:Can someone summarize this? by antijava · · Score: 2, Funny

      news about stuff that maters: http://www.tomatonews.com/

  2. Regarding his comments on music by suso · · Score: 4, Interesting

    Lanier, being someone involved heavily in the music scene, should know that this isn't the first time music has stalled out. Back in the early 20th century, the classical world of music didn't know where to go, which is what led to atrocities like atonalism and serial music. I love nearly all kinds of music, but 12 tone rows really try my patience. By the late 19th century composers had exausted most of the possibilities with "academic" type of music thinking, forms like Ragtime became popular and it wasn't really until the arrival of early Jazz that it obvious where to go. Thus began an era less rooted in rules. Now we've nearly exhausted all the possibilities of this ruleless era of music and someone (Like Gershwin) will need to show us the way to another era in music. Its interesting that both musical "stallings" have happened around the same time as revolutions in technology. The first one at the height of the industrial era and this one at the height of the information era.

    1. Re:Regarding his comments on music by DNS-and-BIND · · Score: 2, Insightful

      You know, when you criticize someone who has cited atonalism, Gershwin, and jazz for being anti-intellectual and prejudiced, I think you have a major persecution complex and you really need to look up what "projection" means as a psychological term.

      --
      Shutting down free speech with violence isn't fighting fascism. It IS fascism!
    2. Re:Regarding his comments on music by dkleinsc · · Score: 2, Insightful

      Back in the early 20th century, the classical world of music didn't know where to go, which is what led to atrocities like atonalism and serial music. I love nearly all kinds of music, but 12 tone rows really try my patience.

      That's probably because the stuff you've heard that uses 12-tone rows sucks. Try Alban Berg's Lyric Suite, and just listen to it, don't try to read any of the analysis about pitch classes or what rows he used or any of that nonsense. The accusation is partially true, though. There was a period of about 30 years where some academic composers were trying to create mathematically perfect music. They failed utterly, and produced a lot of unlistenable junk, a lot of it sounding completely random.

      At the same time, in most musical eras, a lot of unlistenable junk was written and played. It didn't last until the present-day, though, because it was unlistenable junk. The stuff that has lasted this long has done so mostly because they were the best of the best, and I think it's fair to say that the best of the best of 20th century stuff will be with us a very long time as well. Stravinsky's Rites of Spring and Copland's Appalachian Spring are both going to be with us for a very very long time, just like Beethoven's 5th is still very much a part of our culture.

      (In the interests of disclosure: I studied composition with a student of Arnold Schoenberg, so I'm a bit biased towards 12-tone music)

      --
      I am officially gone from /. Long live http://www.soylentnews.com/
    3. Re:Regarding his comments on music by CRCulver · · Score: 2

      I'd be wary of making blanket condemnations of twelve-tone music as something that universally repels people. That may be true for audiences in some places, but where I live in Finland, there's a 5-year Schoenberg project going on that draws the same subscriber audience that likes their Brahms and Beethoven. Furthermore, twelve-tone rows have popped up in a number of pieces considered crowd-pleasers, like Rautavaara's Third and Seventh Symphonies (a recording of the last having become a European best-seller and Grammy winner).

    4. Re:Regarding his comments on music by CRCulver · · Score: 3, Informative

      Seriously, I love classical music, but the turn of the century(ish) atonal stuff is barely music.

      Application of the twelve-tone method appeared well into the 20th century. Mahler is "turn of the century", Romantic-era Schoenberg is "turn of the century", but twelve-tone music really gets its start two decades in.

      And the twelve tone technique is barely theory. It's more of an algorithm to churn out annoying random sounding music.

      Schoenberg turned to twelve-tone rows to impose discipline on his music after some years writing freely atonal music. He felt that what he was doing up to that point was "random-sounding music", while twelve-tone rows make it less arbitrary. I for one find great gestalt in twelve-tone music, even the 1950s Darmstadt bleep-bloop stuff. The only truly random-sounding music in the modern-classical world I've encountered is some Ferneyhough, but at least his scores offer some pleasure for reading.

      It's funny that conservative music lovers think the Second Viennese School were hacks, yet they don't rage against the Japanese and Detroit noise music scenes, which arguably have a larger popular following and influence and are spreading widely. I've ever been to a couple of sold-out concerts in Beijing where it was just two hours of feedback. Compared to this stuff, Schoenberg's twelve-tone period might as well be late Romanticism.

    5. Re:Regarding his comments on music by CRCulver · · Score: 3, Informative

      A claim that the classical music world was somehow taken over by atonalists is just an urban myth. See Joseph N. Straus's famous article "The myth of serial 'tyranny' in the 1950s and 1960s" in The Musical Times Vol. 83, No. 3. (Autumn, 1999), pp. 301-343. He carefully examines the statistics and finds that not only was twelve-tone music not prevalent among music in concert halls (tonal composers like Britten and Copland consistently holding sway), but even in academic ivory towers only a minority of instructors were pushing twelve-tone music.

      Consequently, the idea of minimalism coming in and saving the scene from itself just isn't how things were.

    6. Re:Regarding his comments on music by CRCulver · · Score: 2, Interesting

      Starting in the late 1940s, there were summer courses in new music composition held in Darmstadt, generously subsidized by the West German state. Most of the mid-20th century avant-garde met there and exchanged ideas, and "Darmstadt" is a common term in musical scholarship to review to that certain scene. See Internationale Ferienkurse für Neue Musik at Wikipedia.

    7. Re:Regarding his comments on music by musicalmicah · · Score: 2, Interesting

      I hope this new era you're daydreaming about never comes. We live in an era where you making the craziest sounds ever still has an audience. That's diversity in art like the world has never seen before, and I'd hate to lose that to some monolithic set of rules. And remember, if you don't like it, you don't have to listen to it. I went to one atonal/serial concert and felt like clawing my ears out, but lots of artists I do like have been inspired by the dialogues that included atonal and serial music.

  3. Isn't It... by mim · · Score: 2, Insightful

    basically one big [social/research/collaboration] networking site...just as it was meant to be??

    1. Re:Isn't It... by gzipped_tar · · Score: 3, Insightful

      Web 1.0 was all about connecting people. It was an interactive space, and I think Web 2.0 is of course a piece of jargon, nobody even knows what it means. If Web 2.0 for you is blogs and wikis, then that is people to people. But that was what the Web was supposed to be all along. -- Tim Berners-Lee

      --
      Colorless green Cthulhu waits dreaming furiously.
  4. I only read the summary... by erroneus · · Score: 3, Interesting

    ...that was probably enough though. This guy really missed the point. In today's copyright anything and everything climate, people start coming up with some really strange ideas about content and its value. "If someone reads it, I want to get paid!!" They get needlessly bothered when machines read it and process it for search engines. It rather reminds me of some "robot fears" that people may have had.

    Why not just come out and say it? "I'm afraid of things I don't understand! Let's kill it!"

    1. Re:I only read the summary... by Anonymous Coward · · Score: 2, Insightful

      "If someone thinks about reading it, I want to get paid!!"

      Fixed that for you.

  5. maybe.... by pitje · · Score: 4, Insightful

    it just could be that nobody is interested in what he has to say?

  6. Jaron Lanier gives me the creeps by LS · · Score: 4, Interesting

    This dude was the epitome of "digerati" poser hype acting as some kind of digital prophet spouting buzzwords and hot air during the web 1.0 bubble. He's been riding the 15 minutes he got from his work on the failed VRML for way too long.

    Anyone could sit back and smoke a lot of joints and come up with new ways of talking about old things, but it doesn't mean they are necessarily interesting. This dude is the poster boy for what everyone hated about the dotcom era - a lot of hype and no substance.

    --
    There is a fine line between being a cultivated citizen and being someone else's crop. - A. J. Patrick Liszkie
  7. He's right by Anonymous Coward · · Score: 2, Insightful

    He's right. In an alternative world, no-one would read his words at all, which would be much better. How far we've fallen.

  8. Whining about folk-art webpages... by captainpanic · · Score: 5, Insightful

    In the early days when roads were invented, they were winding romantic sand paths through lush forests, over hills and through valleys, following the path of the creek.

    Now, 6-lane highways cut through mountains - but hey, they can get you from A to B in less than no time.

    If you like to make an original website, this is still possible. You CAN still have your own site, do all the html yourself. Alternatively, you can also spend less than 10 minutes to get your blog online, or less than 15 to have a photo album online.

    Thing is - where the masses previously had no websites, they now have a facebook account... which is equally empty as no website at all. But internet did not lose anything - it just didn't gain anything either.

    1. Re:Whining about folk-art webpages... by Rhaban · · Score: 2, Insightful

      Romans didn't invent roads.

    2. Re:Whining about folk-art webpages... by betterunixthanunix · · Score: 4, Insightful

      "If you like to make an original website, this is still possible."

      I think his bigger issue is that nobody is doing that anymore, so it is becoming impossible to find such things. Maybe he has weird taste or memory distortion, though, because my memory of personal web pages from the 90s is of horrible marquee text, blink text, animated gifs, and black backgrounds without hundreds of different colors in the text.

      "Thing is - where the masses previously had no websites, they now have a facebook account... which is equally empty as no website at all. But internet did not lose anything - it just didn't gain anything either."

      Actually, it did lose something: openness. Facebook is closed off to anyone without a Facebook account, which is definitely a change from the way things used to be done. Sure, there were places that you had to log in to in order to participate during the 90s, but I have trouble remembering websites that required a login just to see what users had posted.

      --
      Palm trees and 8
    3. Re:Whining about folk-art webpages... by betterunixthanunix · · Score: 3, Insightful

      "That is a feature, not a bug. It is one of the things that make it rather successful. I dont want any random jackass viewing my profile."

      Well, I have to wonder what you are posting that has you so worried about individual people seeing it. Look, I am with you on privacy being important, but why focus on individuals? Facebook does not hide your information from the large organizations that really have the power to invade your privacy.

      "Yeah, yeah, yeah, information wants to be free and I shouldn't put it on the internet if I dont want all to see it."

      Pretty much; why would you post something online, with no encryption whatsoever, if you wanted to keep it between you and your friends? Also, why, if this is personal information between you and your friends, would you need to use the global Internet at all? Do you not see your friends in person? Are you and your friends incapable of using email?

      Really, the whole situation sounds bizarre from where I sit. You have this information that you believe should remain between you and your friends, so you post it on a massive, global network and rely on a massively popular, international website with hundreds of millions of users and a history of failing to respect privacy, to ensure that the data is only accessible by your friends. Yeah, I know Facebook is popular and trendy and whatnot, but I really cannot see why you would post information on Facebook that you did not want to spread beyond a close circle of friends.

      "Well, guess what--I dont want everybody to see it, I only want people I invite to see it. If I can't use the internet for that purpose, what can I use?"

      Well, you could do what I do: show your pictures off to your friends when they are sitting next to your computer, talk to them in person, and engage in non-electronic social interactions. For friends in far away places, there is email, IM, telephone, etc., none of which runs the risk of some "random jackass" stumbling across your conversation (unless the jackass is trying to eavesdrop, but do you really think Facebook is going to protect you from such people?).

      --
      Palm trees and 8
    4. Re:Whining about folk-art webpages... by DriedClexler · · Score: 2

      Two words: China.

      --
      Information theory is life. The rest is just the KL divergence.
    5. Re:Whining about folk-art webpages... by CrackedButter · · Score: 4, Interesting

      I just pulled myself facebook, I got sick of all that faceless and meaningless interaction. I had nearly 300 friends and I informed everybody I would be leaving so they could give me their details and we could meet up in real life. Out of those 300 people, only 2 people gave me their details. That says a lot to me as it turns out nobody was really bothered, human interaction has become passive activity (when it should be much more important) and probably with a lot of people I was just a number.

  9. Is the summary a trick? by Anonymous Coward · · Score: 3, Funny

    Are they trying to guilt us into RTFA? I, for one, will carry on commenting on articles I haven't read.

  10. Insulting the people who made him by petes_PoV · · Score: 3, Insightful
    The hypocrisy!

    This guy got his reputation from our technology - now he goes around insulting the people who read his gushings.

    misrepresented by crowds of quick and sloppy readers

    It sounds like he has become altogether too precious about his own opinions and superiority (in his own mind, at least) and forgets that every printed word he's ever made money from has gone through exactly the same process of being edited, distributed and read (and possibly mis-understood - but isn't that HIS failure, not the reader's?) as the electronic texts he is so critical of.

    --
    politicians are like babies' nappies: they should both be changed regularly and for the same reasons
    1. Re:Insulting the people who made him by selven · · Score: 2, Insightful

      Our as in "the people". Technology belongs to the people, and don't let any corporate shill tell you otherwise.

  11. Worse than DRM by jfenwick · · Score: 5, Interesting

    "He does propose a solution to the difficulty of how to compensate artists, artisans, and programmers in a digital era: a content database that would be run by some kind of government organization: "We should effectively keep only one copy of each cultural expression—as with a book or song—and pay the author of that expression a small, affordable amount whenever it's accessed." According to the article, Lanier wants a pay per use SOA, the very strategy Microsoft has been trying to implement as a strategy for years. It's the ultimate greed based mashup of DRM and cloud technology possible, all mandated by the government. I wouldn't be surprised if this happened in the near future.

    1. Re:Worse than DRM by vlm · · Score: 5, Insightful

      "We should effectively keep only one copy of each cultural expression--as with a book or song--and pay the author of that expression a small, affordable amount whenever it's accessed."

      I should pay my plumber every time I flush, forever. And, I should pay some carpenter every time I go up or down "their" stairs. Its not fair that they don't have a perpetual revenue stream from work they did in the past.

      --
      "Science flies us to the moon. Religion flies us into buildings." - Victor Stenger
    2. Re:Worse than DRM by ceoyoyo · · Score: 3, Insightful

      Maybe we need to go back to art's roots - a patron system. Except instead of a single rich guy to be your patron, you could have a legion of adoring fans who are all willing to give you $1 to finance your next album. Once it's finished, the music is released into the public domain.

      If you were a decent act I don't think you'd have too much trouble getting fans to donate. And when you lost your touch you'd be retired.

    3. Re:Worse than DRM by CRCulver · · Score: 2, Informative

      Maybe we need to go back to art's roots - a patron system. Except instead of a single rich guy to be your patron, you could have a legion of adoring fans who are all willing to give you $1 to finance your next album. Once it's finished, the music is released into the public domain.

      Most European films and art music recordings are made with a boatload of state funding (which is essentially a modern-day patronage system), and there's still quite a few productions that are financed mainly by some nice old man like in traditional patronage. Americans might not accept that -- remember the polemics about the NEA funding "pornography"? -- but it's just how things work in the EU. And yes, a lot of productions are made that have a small audience, but voters in many countries support heavy funding for the whole range of the arts. In Finland where I reside, a poll earlier this year showed overwhelming support among the people for subsidizing orchestral concerts and the like even if only a couple of hundred people attend.

      Incidentally, I've always wondered how the Hong Kong film industry not only survives but outright flourishes when it's really difficult to find authentic copies of anything in Hong Kong. How do films generate revenue there?

    4. Re:Worse than DRM by ceoyoyo · · Score: 2, Interesting

      I was thinking more about what happens post-production. The model now is to fund a project, produce it, then flog the thing for as much money as you can possibly get. Correct me if I'm wrong, but a lot of grant funded productions follow much the same model, do they not?

      A proper patron system would have the patrons contributing mostly because they wanted to see something made (which is kind of the case with grants but definitely not the case with corporations) but more importantly, the people involved with the project would make money from creating art and not from selling it afterward.

      So if you wanted to see Cameron make a new movie (say that one he calls Avatar that he's been pitching on his blog), you'd donate $5 (probably to be held in escrow). If enough people donated, he'd get to go ahead with production. When the movie was finished, everyone could see it or download it for the cost of running the theatre or providing the bandwidth. No need to worry about copyright, and (good) artists still have a way to make a living.

  12. Not going to read it by paiute · · Score: 3, Insightful

    I did not RTFA, and I will not RTFA. My spidey sense tells me what is in it (and in the book, which I will also not R) - a needlessly long piece of prose which can be summarized as : Get off my virtual lawn. and Gee, everything was so much better when I was young.

    --
    If Slashdot were chemistry it would look like this:Cadaverine
  13. Whine by zieroh · · Score: 3, Insightful

    Jaron whines a lot. I think that's his main contribution to technology.

    --
    People who say "sheeple" have about as much sophistication as an AOL user, and in fact are probably actually AOL users.
  14. Reminds me of Clifford Stoll by weave · · Score: 4, Insightful

    Clifford Stoll

    Remember him? And his book Silicon Snake Oil from the mid-90s about the evils of the new Internet.

    What does he do now? Makes weird bottles. Wow.

    Yesterday my boss was pissed because his new Mac laptop with Snow Leopard wouldn't work with his old Laserjet 1020. A few minutes on Google and I found the solution.

    I remember what it was like finding tech info in the 80s. A nightmare. For example, I wanted some tech books on CANDE, WFL, and ALGOL that a Burrough's mainframe that my university used and was told by the publisher that they'll only ship if I proved I was an employee of a firm that owned one.

    Keep your romance about the past to yourself. Adapt or die I say.

  15. How many would have read, w/o the web? by Mathinker · · Score: 3, Insightful

    He rants, but one wonders how many human people he would have expected to read his words in a world before the Web, where he wouldn't get free publicity on Slashdot by spouting anti-techno rants.

    Disclaimer: I also didn't read. And unless some other poster here convinces me it's worthwhile, I probably won't.

    1. Re:How many would have read, w/o the web? by Night+Goat · · Score: 2, Insightful

      I did read, and there's a slight difference between his point and what you think his point is. He's actually against Web 2.0, not the web in general. According to the article, his point is basically that the modern Internet has taken the interesting parts of the early Internet away and left it sort of homogenized. Remixes have taken the place of new creations, basically. I kind of agree with him. I occasionally get "sick of the Internet" and after reading this article, I understand that it's more like I'm getting sick of the way the Internet is right now. Anyway, hopefully this piqued your interest and you skim the article. As for the book, it's probably filled with ideas you've heard elsewhere explained better. At least, that's what the author of the article indicates.

  16. The New Printing Press by netsavior · · Score: 4, Insightful

    The Printing press made READING accessible to everyone (eventually), "web2.0" or whatever is making WRITING accessible to everyone, it is a giant leap, but unfortunately leads to a lot of crap published, like the article linked in parent.

    1. Re:The New Printing Press by TheRaven64 · · Score: 2, Interesting
      Making it easier to be published is a problem, because it decreases the signal to noise ratio. For every new, insightful, witty, piece of prose you now have 100 new pieces of dross. I didn't break tradition and RTFA, so I can't say which category it falls into. There are two solutions to this. One is to make it harder to publish again. The other is to build better filtering mechanisms to let people find the one in a hundred (or thousand or million) things that they want to read. The first option looks easier, but it's likely to throw the wheat out with the chaff.

      Einstein had difficulty getting published. Now he'd find it easy, but so does the Time Cube guy. Personally, I'm willing to put up with a few Time Cubes if it increases the availability of even one Einstein. People who aren't are perfectly at liberty to disconnect.

      --
      I am TheRaven on Soylent News
    2. Re:The New Printing Press by Lumpy · · Score: 2, Interesting

      No Web "2.0" is making blinky flashy animated to everyone. Writing was available with WEB 0.5Beta. There is NOTHING that Web2.0 does to enable it's all about looks and flashy. I was doing web"2.0" things back in the late 90's with that old "antiquated" tech.

      CSS does make it easier to change the look of a page quickly, I do like CSS. but Javascript has gone way overboard. I'm tired of having 20X the weight in JS loading for a page than the HTML,CSS and images combined. It's making the web bloated.

      --
      Do not look at laser with remaining good eye.
    3. Re:The New Printing Press by Foolicious · · Score: 2, Interesting

      There are two solutions to this. One is to make it harder to publish again.

      You're making the (incorrect, I would say) assumption that making stuff hard to publish meant that if something was published it was better. But something being published in the traditional and formal sense of the word simply means that, well, it was published. An agent liked it enough to bring it to a publisher who liked it enough to publish it. There are a millions ways that this can occur, such as a well-known author publishing a crappy work to a nobody author's dad being friends with an agent or publisher, etc.

      So your filtering idea is better.

      --
      Please don't use "umm" or "err" or "erm".
  17. Clifford Stoll warnings weren't/aren't baseless by Qbertino · · Score: 2, Interesting

    Clifford Stoll is an internet sceptic, not a ludite. His arguments against expensive school IT programms financed by cuts in the teaching staff of public schools have solid points. As do his warnings about the Interweb isolating people rather than bringing them together.

    Some of his worries turned out to be unwarranted, others turned out to be quite valid.

    I'll take the advice and thoughts over an educated sceptic like Stoll over some permanent yay-sayer anytime.

    My 2 cents.

    --
    We suffer more in our imagination than in reality. - Seneca
    1. Re:Clifford Stoll warnings weren't/aren't baseless by weave · · Score: 3, Interesting

      I saw Stoll at a book signing in the mid 90s for that book. He said at the time he stopped using email totally, if you want to contact him, use the postal service.

      Maybe he's mellowed since then, but he was definitely heading to luddite realm back then.

      p.s., I agree that technology is no substitute for effective teaching. I work at one of those places and not too long ago a math teacher was freaking out that the Internet was down so she couldn't get the students into MyMathLab and didn't know what to do. So I replied "How about pick up some chalk?"

      Yeah, I got in trouble for that remark... but really, you can't teach math without the Internet? Gimme a break.

  18. These posts are a good example by beegeegee · · Score: 5, Insightful

    The article is a Slate review of a collection (book) of writings by Lanier. The review concludes in a non-sympathetic view of Lanier's thinking. In other words, if anyone on /. had bothered reading the article, their (by comparison) lame posts would not have been neccessary. Ironically, this is exactly the point Lanier is making. No one is reading the real words, no one is making real friends; it is all an artificial world constructed for advertising/marketing. Way to go slashdotters.

  19. Musical instruments by AlpineR · · Score: 4, Interesting

    I saw him speak at the University of Michigan around 1999. I knew him only from his Wired articles and was interested to hear what this guru had to say to an auditorium full of open-minded students.

    His most memorable point in that lecture was that digital music can never be as rich as analog music because whereas an analog instrument allows infinite variation in how each note is played, a digital instrument has only a finite number possible outputs. I saw several weaknesses in that argument: 1) The quantization of a digital device blurs into a continuum when the increments are small enough. 2) Analog devices operate by physics which is itself quantized. 3) Combinatorics means that even an instrument with only a dozen notes, ten amplitudes, and a hundred durations could produce immense numbers of different songs. Just look at what can be written with the few characters of ASCII. A finite vocabulary hardly limits what a language can express.

    Based on that lecture and everything I've read by him since, I'd have to moderate the guy as "Not interesting", "Not informative", and "Not insightful". His role in life seems to be to take a contrarian position on some point of modern culture and then act smug and enlightened about it. It would be poetic justice if it's only the gadgets that find his book interesting and we humans just ignore it as we continue creating and communing in our digital domain.

  20. Jaron Lanier gives us clues by wytcld · · Score: 2, Interesting

    Jaron has a real knack for heading off in the right direction. He's also good at seeing beyond the scope of conventionally-worn blinders - in a number of fields. He's got great intuition on which way the truest future lies, and little patience for those who plod along with less vision - or even desire for vision - even where they are people who count as brilliant within the confines of neuroscience, or computer science, or a single genre of music.

    That said, he's also a good hand at writing for a popular audience. But he deflates a lot more bullshit than he puts out. That earns him a lot of retaliatory swipes - like the snidely negative book review that counts as the text for discussion here. Isn't there a sample chapter up somewhere we can more profitably discuss? Need we be derivative even in our criticism?

    --
    "with their freedom lost all virtue lose" - Milton
  21. Re: a good example - mod back up! by wytcld · · Score: 2, Interesting

    That's a good, concise, accurate overview of both the review and the pile-on "discussion" here. And it gets beaten down as a troll. What's amazing is that, if you're literate and over 30, you've read some of Jaron's stuff by now. While it's hit-and-miss, the hits are amazing. I know some top, absolutely brilliant people (separate groups in both neuroscience and music) who know him well personally, and are strongly impressed by him. If you can read, say, 10 of his essays and not be richly rewarded by 2 or 3 absolutely-original ideas embedded in them, you plainly have neither talent nor taste for ideas. Which describes the average person of any time period. Nothing to be ashamed of. Please put your blinders on, your head down, and trudge on with your life.

    --
    "with their freedom lost all virtue lose" - Milton
  22. This quote says it all... by Dr_Ken · · Score: 2, Informative

    "Over the years, Lanier has become a skeptic of that amorphous thing called Web 2.0. He directs most of his ire toward the "anonymous blog comments, vapid video pranks, and lightweight mashups" that flit through our browsers and Twitter feeds. But he's also critical of bigger Internet landmarks, such as Wikipedia, the open-source software Linux, and the "hive mind" in general. It would be fitting to rue Lanier's fate as mere sausage for search algorithms if he had organized his opinions into a coherent thesis. The reality is that Lanier's stimulating, half-cocked ideas are precisely the kind of thinking that gets refined and enlarged on vibrant Web places like Marginal Revolution, Boing Boing, and MetaFilter." article link

    Just another cranky failed ex-hip guy who flamed out cuz he couldn't keep up.

    --
    "If you want to know what happens to you when you die, go look at some dead stuff."
  23. the irony by Anonymous Coward · · Score: 5, Insightful

    The irony here is that this thread is a perfect example of what Lanier's been talking about. A group of people with self-reinforcing attitudes making pronouncements based not on the actual book, but on a review of the book. Actually, I bet most of these "opinions"--since who can be bothered to read an entire review, let alone the book--aren't even informed by reading the review. I'm sure there are lots of valid criticisms to the book, but Lanier has you all dead to rights as far as the intellectual seriousness of this "debate" goes.

  24. Redundant?! by spun · · Score: 2, Funny

    Robots eat old people's medicine for fuel. It's a fact. People who deny this fact may themselves be robots.

    --
    - None can love freedom heartily, but good men; the rest love not freedom, but license. -- John Milton
  25. [citations needed] by Quiet_Desperation · · Score: 2, Insightful

    He does make a small point about stuff just being copied. Too often these days when I search for information I get 1000 hits containing the exact same text, or 1000 sites that all link to the same original article. Hyperlinks are a great concept until you wind up with nothing but a digital mobius strip of links. I find this a lot when chasing down ideological talking points. It usually just leads to a rat's nest of articles with "they said" or "experts say" all pointing at one another, but any actual data by "they" or the "experts" supporting the original claim is nowhere to be found.