UCLA Profs Banned From Posting Course Videos
I Don't Believe in Imaginary Property writes "As of Winter Quarter 2010, UCLA professors will no longer be able to post videos on their course websites. Although they've long relied upon fair use protections for educational use, the Association for Information Media and Equipment has made claims that they're copyright infringers, even though the videos are only available on campus and the students are allowed to watch the videos in the Instructional Media Lab. Even though they believe their use of the materials to be fair, the UCLA has decided to back down rather than face litigation. Many professors have commented that this will hurt students, because they now have to watch all videos at the IML, which isn't open on weekends, forcing students to try to fit assigned videos between classes."
Although they've long relied upon fair use protections for educational use, the Association for Information Media and Equipment has made claims that they're copyright infringers, even though the videos are only available on campus and the students are allowed to watch the videos in the Instructional Media Lab.
That may be the case now but according to the article, that was the specific problem. That they were using Video Furnace to post videos online so students could view the videos outside of the IML which has horrible hours like being closed on weekends. From one of the students:
"If we want students to write a paper on the film over the weekend, it’s more convenient for the student to rewatch the movie online over the weekend. (The ban) makes teaching cinema more difficult (because) Video Furnace was extremely useful," Gans said. "I very much hope (the university) will reach some kind of agreement."
It seems they licensed Video Furnace for use of its technology only on campus and only on campus machines. But the ease of use means that if you post a Video Furnace movie on your course website then students -- or maybe even anyone -- could access it using a browser from anywhere. The summary link says that this may work but is not recommended due to possible latency from the server.
The ACLU backed down because, well, the university is probably violating its licensing agreement with Video Furnace. The professors don't do licensing so they didn't understand that what they were doing was wrong. The solution is to threaten to leave Video Furnace unless they amend their licensing contract or give you a way to convert to an open format that the professors can post where ever they want -- once you have the raw video, upload it to YouTube or Vimeo. It's been shown that free online courses don't hurt enrollment anyway.
My work here is dung.
Time to get a new edition of the Legal Dictionary, the one with the correct interpretations of words you THOUGHT you knew, like Common Law, and Common Sense.
The cost of that cleanup, of course, will be borne by taxpayers, not industry.
What a better way to break in some law or pre-law students than to represent this case. Backing down benefits nobody but AIME and future precedent for online coursework.
$ man woman *
-bash:
Isn't this *exactly* what we want? Let the next generation get first-hand generation of the worse sides of copyright law. THEY are the ones who will tip the balance to actually change things as the older generation is phased out.
I hope they will remember this incident very well in their future careers.
see a Text Widget
What a curious definition of "promote" we've arrived at.
If you were blocking sigs, you wouldn't have to read this.
They are NOT talking about videos of the courses
The ban applies to videos assigned by professors for students to watch.
Previously these could be streamed and watched at student's leisure. Now they have to go to the media lab to watch them.
This seems like just a 'simple' negotiating situation to me. UCLA should just refuse to buy or use any instructional videos which don't grant them a license to make the videos available to enrolled students and faculty online. If the copyright holders want to play hardball, play hardball. Heck, extend this beyond UCLA, and make it a State of California mandate for all state Universities in the California system. What instructional video publisher wants to be locked out of all California public Universities?
What sort of videos are we talking about? The only videos I've ever watched in an educational setting were pointless time wasters intended to give the teacher a break. If that's what we're talking about, they have a point. But there's really no loss as they're a waste of time anyway.
If we're talking about video recording of lectures given by professors, then the professors should have the copyright and should be able to distribute them any way they want. This would be far more useful than some generic educational video anyway.
Give me Classic Slashdot or give me death!
Couldnt this be solved by simply allowing some sort of remote, vpn-type thing so that only students can access the videos (but the videos/vieo files still physically remain on campus)? Files don't have to be "online" to be remotely accessible and it seems to be the internet part that the copyright people object to.
This is about supplimental learning from what I understand. Not lecture material, but educational videos that relate to the topic made by someone other than the prof and for which there is not time in class to view.
(1) "the Association for Information Media and Equipment has made claims that they're copyright infringers, even though the videos are only available on campus and the students are allowed to watch the videos in the Instructional Media Lab." (2) "Even though they believe their use of the materials to be fair, the UCLA has decided to back down rather than face litigation. Many professors have commented that this will hurt students, because they now have to watch all videos at the IML,"
In sentence 1, the fact that videos are available to watch in the IML is used as an argument that this is fair use. It is implied strongly (without it, the sentence makes no sense) that videos are ONLY available to view in the IML. However, in sentence 2 it is asserted that restricting viewing to the IML would be a change from today and more limiting.
Effectively translated: 'VIAA claims that this is not fair use, because videos can be viewed from anywhere. But we refute this, because videos can be viewed from anywhere including the IML!'
When I was at university, we had to go to the lectures in person - not wait for them to come out on video. How times change.
I'm sure these aren't the lectures, or else there wouldn't be an intellectual property issue. Then there's the issue of online classes. I work in distance education, and have to put a lot of video in classes, because students don't attend a lecture. We embed them in our course management system (Moodle), so they're only accessible to our students, not just out in the wild.
Taking guns away from the 99% gives the 1% 100% of the power.
What the fuck? There are Americans out there who are willing to pay $40,000 a semester just to watch some goddamn "educational" videos? Is this for real?
Back when I was in college, I wasn't paying anywhere near that much, but you'd better fucking imagine that I got my money's worth by dealing with the professors and making sure they were teaching me directly, and not just telling me to watch some cockbiting "supplementary videos" or any fancy shit-in-my-pants like that. Fuck.
Written material by others, namely, course readers, have to abide to copyright: there is no fair-use exemption that allows the readers to be made without paying the copyright holders, nor for faculty to copy textbooks.
Why should videos not done by the faculty be any different?
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I have a job at my university operating a remote-control set of cameras to record professors teaching their classes. We then upload the videos online for students to watch. Times do change.
As a side effect, just get back to traditional teaching methods and start using text books($$). Also big large buildings and pass the cost to students in name of increase in tution cost.
Since these videos are for educational purposes for students of the university, it seems simple enough to restrict access based on student IDs. Perhaps there is a method to check out online media from the library.
This article (being that it's on UCLA's site) mostly seems like a ploy to gain popular support even though they violated their contract with Video Furnace (who respects copyright law). "We can't provide this free service anymore because of the big bad company we just scammed!" I could not envision a similar article complaining about Coca-Cola refusing to stock vending machines that were being robbed routinely.
Digital libraries are going to face a whole slew of copyright issues over the next century. I imagine this concept of intellectual property will become more and more absurd. If there are any modern librarians out there, I'd love to hear what challenges you face.
Of course by the year 2110, copyright will struggle to adapt to telepathy, but it will be in vain, as no one can stop me from watching Free Willy with my mind. I like the part with the whale.
This isn't about a recording of a lecture that gets posted, this is about copyright protected videos that a professor shows during a lecture being posted.
So under this threat, a professor that shows "Steamboat Willy" in a class can not post "Steamboat Willy" onto the more accessible distribution system.
-Rick
"Most people in the U.S. wouldn't know they live in a tyrannical state if it walked up and grabbed their junk." - MyFirs
What a curious definition of "promote" we've arrived at.
It's actually pro-mote. As in "in favor of dust". As in the progress of science and useful arts should collect dust if it's not making some business (read: MY business) money.
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The AIME is saying the teachers posting video online of their lecture are infringin copyright laws. But aren't the teachers owner of their lecture copyright?
If the profs feel that strongly, then they need to vociferously make it clear to the administration that no action comes without a consequence. Specifically, demand the IML be open on weekends. UCLA probably instituted the ban to save money on legal fees and/or licensing but now need to be made to pay to open the IML at hours the students can use it. TANSTAAFL.
"We can categorically state we have not released man-eating badgers into the area." - UK military spokesman, July 2007
That's as good as Bear Grylls "In The Moab"...
The summary almost makes it sound like professors can't put up videos of their own lectures. But that's not what this is about at all. It's about professors not being able to put up other people's video. It even mentions a cinema professor. e.g. "Hey, we're gonna watch The Texas Chainsaw Massacre tonight and talk about it tomorrow. Oh, you can't come tonight? No problem, I'll just put the movie up on the class website." It's not exactly shocking that someone objected to that.
As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
The copyrights are NOT owned by the authors (the researchers, who did the experiments, compiled the results, came up with theories, ideas, formulas and supporting material, wrote the whole damn thing), but by the journal. Who gets all the revenue, too. The researchers get jack. And their work, since copyrighted, cannot be distributed to the humanity as a whole, even though that was the intention of the scientists.
"The agriculture ministry is not in charge of Gundam" - Japanese ministry official.
You have a college education?
What the fuck is wrong with you.
What the fuck? There are Americans out there who are willing to pay $40,000 a semester just to watch some goddamn "educational" videos? Is this for real?
Back when I was in college, I wasn't paying anywhere near that much, but you'd better fucking imagine that I got my money's worth by dealing with the professors and making sure they were teaching me directly, and not just telling me to watch some cockbiting "supplementary videos" or any fancy shit-in-my-pants like that. Fuck.
Kinda hard to teach film without, you know, watching films.
Kinda like teaching literature without reading books.
"The mission of AIME (pronounced “aim”) is to promote fair and appropriate use of the media and equipment delivering information in a rapidly changing world."
What the fuck? There are Americans out there who are willing to pay $40,000 a semester just to watch some goddamn "educational" videos? Is this for real?
Back when I was in college, I wasn't paying anywhere near that much, but you'd better fucking imagine that I got my money's worth by dealing with the professors and making sure they were teaching me directly, and not just telling me to watch some cockbiting "supplementary videos" or any fancy shit-in-my-pants like that. Fuck.
UCLA tuition is more like $5000/semester.
"I zero-index my hamsters" - Willtor (147206)
RTFA!
They don't own the copyright to the movies, which is what was being posted, not their lectures. Check out the rest of the comments where the incredibly poor lead-in is taken to task.
Something tells me that a UCLA student knows how to make a duplicate of a video ...
1. Go to lab. ... unless knowledge is its own reward or perhaps knowing to much is illegal to)
2. Make copy of video to watch whenever you want. If you can watch it, you can copy it.
(3. profit? oh wait that would be wrong and illegal
Slightly more work then just straight to home streaming but a minor hickup in the grand scheme of things.
For giving way to small amounts of pressure.
1) Control access to the site via user ID and password and licence the client software accordingly. This is not my option, as this still denies students access that don't have the required OS platform.
2) Switch to an open standard for streaming or downloadable media which does not require any special player so that _all_ OS's and browsers can be used. There are many open solutions that won't cost the University a dime to deploy. All they need is software to create a media content web server, which they already must have in order to do what they are doing now.
Why would they not have the copyright to the movies of their classes? Is Video furnace a movie production company that comes in and videos the classes (av staff) or just some software used to create the movies?
I did read the article and it did not make sense to me. Maybe because I am unfamiliar with Video Furnace or whatever that is and how it works. The article never said who owned the copyright, who was threatening to sue. The group that notified the University seemed to be like RIAA for teachers, the Association for the Information Media and Equipment, can not be the copyrighter certainly, it is a non-profit membership organization offering copyright information and support to teachers, librarians, media center directors, producers and distributors of informational film, video, interactive technologies, computer software and equipment. So they are the RIAA in this case not the copyright owner. We know its not the teachers, they were trying to post their course. It's not UCLA they backed down, its not the media center. No where in the article does it say who owns the copyright, no where.
I did RTFA, and thank you for asking. BTW RTFA before making such a claim about my claim that that was not information given in the article.
My confusion comes too from the fact that I taught for 27 years and did some video classroom work.
I just don't get it. OK, so I went to college in the pre-Internet days, and times have obviously changed, but this really struck me:
Isn't part of the educational process (or life in general) getting people to be responsible with and accountable to their time? Or am I just part of an older generation?
How is "forcing students to fit assigned videos between classes" any different from "forcing students to read assigned books between classes" or "forcing students to fit research time between classes"?
My mom always said, "Jim, you're 1 in a million." Given the current population, there are 7000 of me. God help us all!
Yes, because Sorority Babes in the Slimeball Bowl-O-Rama is a perfect substitute for Citizen Kane.
Great minds think alike; fools seldom differ.
I took a lit class called "An Introduction to Vice" in which we read a bunch of Shakespeare plays (Othello==Rage, Merchant of Venice==Greed, etc) and watched 12 Hitchcock films. The films were an integral part of the course.
In high school and before, I can (sadly) see your point. But if you have a prof. showing a film in college and you consider it a pointless time waster, I think you went to the wrong school or took the wrong class.
-t.
If you RTFA, you would see that they mention several examples. This is not about lectures. Some of them are educational videos, which I tend to agree are often a waste of time. However, some of the videos are absolutely necessary for the course (in some form or another), like this one:
Eric Gans, a French cinema professor, has also been impacted by the video ban. Because his class falls on Mondays and Wednesdays, Mondays are usually designated to watch the movies that they discuss on Wednesdays. However, two weeks this quarter, due to the national holidays that fall on Mondays, Gans’ 40 students will have to individually watch the one copy of the movie held at reserve in the Media Lab.
“If we want students to write a paper on the film over the weekend, it’s more convenient for the student to rewatch the movie online over the weekend. (The ban) makes teaching cinema more difficult (because) Video Furnace was extremely useful,” Gans said. “I very much hope (the university) will reach some kind of agreement.”
I imagine that buying a dozen imported french films would be fairly expensive for a student, so it would be nice if they could come to some sort of arrangement that is better than a single reserve copy.
UCLA does not operate semester schedules but quarters. Otherwise, yes, tuition is not cheap but nothing compared to private universities. As usual room and board are the big expenses. Having roommates and a well-paying summer job helps alot. It gets you experience and connections for post-university life too!
No, I didn't watch any videos in college, just HS. Which is why I expressed surprise at that. Generally though, I'd consider English Lit to be a pretty pointless waste of time, videos or not.
Give me Classic Slashdot or give me death!
I'm no negotiations expert, but my understanding is negotiations work because bothsides have a stake and in fact want the negotiations to succeed. Sure, UCLA and the UC System wouldn't want to lose access to the video works. But, neither would the copyright holders want to risk losing the revenue they get from the UC system. But, if the California powers that be (I'm not sure what it's called in California; in Ohio we have the Ohio Board of Regents, and ultimately, the governor and legislature) threatened or even passed such a resolution, it would be an interesting game of chicken. *grin*
In any case, my ultimate point is that this isn't an issue of 'fair use' or an issue, really, of inadequate copyright law - it's an issue which can and should just be negotiated. The UC System and the State of California are big enough that if they just manned up, they could get whatever they need from the copyright holders.
This seems like just a 'simple' negotiating situation to me. UCLA should just refuse to buy or use any instructional videos which don't grant them a license to make the videos available to enrolled students and faculty online. If the copyright holders want to play hardball, play hardball. Heck, extend this beyond UCLA, and make it a State of California mandate for all state Universities in the California system. What instructional video publisher wants to be locked out of all California public Universities?
I fully agree with playing hardball.
I say take it a few steps further. Comply with their request for 6 months. This will give UCLA an exact dollar value of damages caused by this illegal threat for a baseless case.
Then go to court, this time not as a defendant but as the litigant. Fair use exemptions are clearly in force here so this is a frivolous lawsuit made in bad faith (Giving oneself a title of 'copyright holder' requires you to be aware of the laws related to such a title. As far as I am concerned, not doing so is negligence, and any damage caused by their negligence is made in 'bad faith')
UCLA really should also look into a government exemption to copyright restrictions, seeing as most of their money comes in the form of federal grants. It should only be a paperwork issue for the video purchases to show as coming from the US Department of Education (a federal agency except from copyright restrictions) instead of coming from UCLA.
Any federal government office is automatically except and is legally unable to violate copyright (At least the copyright of American made works. I assume it might not apply to other countries, but also assume we will respect those countries laws about as much as we do now, aka not much at all.)
Teacher: "Good morning, lit class. Next we'll be reading Catch-22 by Joseph Heller. It's for sale at the bookstore. Go buy a copy and read the first 100 pages and we'll talk about it on Monday."
Student: "Buy?! I can't afford that."
Teacher: "Ok, well the library also has--"
Student: "Only one copy and Ralph here next to me already checked it out."
Teacher: "Ok, well, then, I'll just take my copy here over to the photocopy machine. Who all of you need a free copy?"
Student: "Me!"
Student: "Mee!"
Student: "Me too!"
Heller: "Brains!" [Kills teacher and eats brain.]
Student: "Why did you kill teacher?"
Heller: "Copyright infringement."
Student: "You're dead. Why do you care?"
Heller: "Need money buy brains."
That's a totally believable scenario. But change the book to a movie and suddenly people are surprised that someone's brain got eaten.
"Believe me!" -- Donald Trump
What sort of videos are we talking about? The only videos I've ever watched in an educational setting were pointless time wasters intended to give the teacher a break. If that's what we're talking about, they have a point. But there's really no loss as they're a waste of time anyway.
If we're talking about video recording of lectures given by professors, then the professors should have the copyright and should be able to distribute them any way they want. This would be far more useful than some generic educational video anyway.
Your understanding of the problem is close, but imprecise.
What is at stake here are professors whose lectures routinely use copyrighted materials.
One prior post speculated that the resulting video should be legal due to the "fair use" doctrine.
Another prior post speculated that due to a technicality, that lecture reproduction is fair use for an educational DVD, but specifically not legal (i.e. infringing) when used with streaming video.
As a result, rather than figure out which lectures are infringing and which are legal, the school has just banned everything to be safe.
Live Long and Prosper - Thanks Leonard. You are missed.
Nowhere does TFA article say anything about movies of their classes, only about movies for their classes.
In other words, these are not videos of classroom lectures or any other UCLA-produced works. They are educational films and international cinema.
I'd have to disagree with you on that one. If you've never read something that moved you, you haven't read the right books.
-t.
link please?
I no longer see pot being legal "any day now".
Months ago, President Obama announced a policy revision not to interfere with states that legalize medical cannabis. One might compare this to the 21st Amendment, which devolved the power to ban alcohol from the federal government to the states. I wait to see how this will apply if California voters put pot over the counter this November.
No where in your testimony does it seem like you taught for 27 years.
When I was at university you could smoke cigarettes in class, and smoke pot with the professors after class.
How times change!
Free Martian Whores!
So... how exactly do you learn about using a trolley to do a trucking shot, while doing still photography?
How exactly do you learn about what makes a good scene break / transition, while doing still photography?
"Promote" in the sense you want to use it is shortsighted. Copyright promotes science and art by incentivizing authors to create/author works by providing economic reason to justify competing. If you imagine, 'how can we do the most with what we got' as some kind of promotion, you're losing sight of how to get there in the first place, and how to incentivize people to share too.
> No problem, I'll just put the movie up on the class website." It's not exactly shocking that someone objected to that.
Actually, it's still pretty unreasonable, because the videos on the class website are only available on campus and not (easily) saved (unless you have a stream ripper for media furnace or something). That link is in the submission, but it seems like people are busy pointing out that the videos in question are commercial videos that are class assignments (rather than videos of lectures) while ignoring the fact that they're not just distributing these videos to all and sundry. They're only letting students watch them.
Surely this is a ploy by Pearson Education, Wiley and McGraw to encourage/force/coerce students and professors to use their approval course materials and restrict profs to only uploading anodyne word files and pdfs.
It's really insane because the big publishers love to freeload on free media and boast of the amazing amount of "video" content in their products - when it's really old stuff or just YouTube. Disgusting.
This will give UCLA an exact dollar value of damages caused by this illegal threat for a baseless case.
This is not an illegal threat. UCLA acknowledges that the would-be-plaintiff has a valid copyright because they entered into a licensing agreement with them. If they violate the license, not only is there a state claim for violating a contract, but a federal claim for violating the copyright. There would be no failure to state a claim, especially for a frivolous suit. Intellectual property is very, very special and viewed as unique. Accordingly, the bar for frivolity is just that much higher.
Fair use exemptions are clearly in force here so this is a frivolous lawsuit made in bad faith
No matter what you think, it is not clear. Fair use is almost never clear. It is also not bad faith, for the same reasons I outlined above.
(Giving oneself a title of 'copyright holder' requires you to be aware of the laws related to such a title. As far as I am concerned, not doing so is negligence, and any damage caused by their negligence is made in 'bad faith')
No it doesn't. Federal law grants you copyright when you fix a creative work to a medium. You can call yourself whatever the heck you want - it doesn't matter, and you don't have to know anything about your rights. Not that I should have to tell anybody this, but requiring you know something about your rights to have your rights is counter to the very concept of what it means to have a right as opposed to an advantage.
Any federal government office is automatically except and is legally unable to violate copyright (At least the copyright of American made works.)
This is very misleading. Sovereign immunity, while it has recently applied to the Lanham Act (trademarks and unfair competition) and federal patent statutes, has not been tested against copyright (at least to my knowledge). Not that it matters. At worst this means that you cannot sue the State of California or a federal agency for violating your valid copyright. However, you can still sue an employee of either, and obtain an injunction to get them to stop using your intellectual property. When one of these employees/officials acts in violation of a valid federal statute - like anything under Title 17 - that official is by definition acting outside the scope of their employment, which is all sovereign immunity will protect.
Well you do a trucking shot using a trucking camera you truckwit. Truck me, I'm outta here.
This is the USA. Nobody should ever get anything ever without somebody else making a (maximum) profit on it. Anything else would be socialism! Besides, now those students will have time to pray and go to church while waiting for their turn at the pay-per-view media center. I'll bet the only students who needed easy access to those videos were illegal immigrants anyway. Send 'em back home I say!
Well, on 2/2 the Chronicle lit this power-keg;
http://chronicle.com/blogPost/University-Pulls-Videos-From/21013/
UCLA had been using "Video Furnace" to provide video content in the context of courses (integrated with UCLA Moodle as well), and has recently suspended this based on a challenge from AIME. The article gives a little more background.
IANAL but I am a Graduate student at UCLA and anytime a company wants "protection" money for something my PUBLIC University already paid for AND am using under fair-use laws, I scream Soprano.
Paying for protection?? Isn't that mob turf?
Oh well..
I've read plenty of stuff that moves me. It's just all non-fiction. It's really pretty hard to get worked up about stuff that never happened to people that never existed. Shakespeare just seems like 400 year old soap operas to me.
Just about the only fiction I care for is Lewis Carrol and Edgar Allen Poe. But still, studying those in college would be a waste of time when I could be learning valuable skills instead. It's entertainment.
The thing I really hate about english lit is that you have to interpret it. IMO, the purpose of writing is communication. If your meaning isn't clear and unambiguous, you have failed as an author. If you have something to say, come out and say it and don't hide it behind layers of symbolism.
Give me Classic Slashdot or give me death!
Don't bring the Invisible Hand into it. It's been discredited. Give a real reason that actually works.
The link provides a very even-handed discussion of the issues involved.
This is the legal definition of promote. Copyright, in the US, is an economic matter. Period.
That said, the invisible hand has little to do with what I said. If the market for creative works were able to self-regulate, there would be no copyright. Copyright is a market correction.
Common law is mostly irrelevant to copyright. Copyright is almost entirely statutory. (i.e. passed by the legislature rather than judge-made law that derives from centuries of doctrine in England). While there are some old cases (there was one between the AP and another news aggregator that was effectively a "scraper" of AP-published news content during WW1), for the most part the copyright law says whatever Disney pays your Congressman to make it say.
-- IANAL, this isn't legal advice, and definitely isn't legal advice for you. Also, Squee!
1) Give authors economic rights.
2) ??? <-- invisible hand
3) Science and the useful Arts progress forward.
I don't dispute that this cargo-cult mechanism is included in the US constitution, but you have to admit that Rogerborg is right to at least question it.
But copyright is a market correction, used because the market for IP fails to produce what we want. It's disingenuous to cite an economic theory based on market self-regulation in support of explicit recognition of a market's failure to regulate.
Touché! Point to you.
This fucking copyright nazi-ism is just getting out of fucking hand..... Oh OH OH OH OH ......
I told my friend what I recalled about a story I read in a newspaper....
Ohhhhhhhhhhhhhhhhhh NOOOOOOOOO
Copyright infringment.
Fuck off............
.
Voting up, Voting down - If I really gave a fuck about your approval or not, I'd come and ask you.
oink oink squeel...
Go pat yourself in the back, you special snowflake.
It's college, not trade school.
For cinema professors, it's essential that they be able to provide their primary texts (i.e., films) to students. Over the past 15-20 years, it's become clear that it is fair use for cinema educators to use film stills in PowerPoint slide shows, course Web sites, and textbooks. See, for example, Bordwell and Thompson's Film Art. Initially, however, copyright holders objected to this use of stills, wrongly claimed that it was not fair use, and demanded payment. Despite this resistance, fair-use of stills has become standard practice.
Unfortunately, there is no similar standard for fair use of moving images. And, because UCLA is not using fair use to defend the posting of (copyrighted) video in a password-protected online system open only to students, an important opportunity to set precedent has been lost.
The result will be chilling. If freakin' UCLA cannot defend the fair-use posting of videos, then what chance does the average state university or small private college have?
Jeremy Butler
www.ScreenSite.org
www.TVCrit.com
"So... how exactly do you learn about using a trolley to do a trucking shot, while doing still photography?"
Oh, I dunno, you learn about film speed, shutter speed, and how it applies to a moving subject in an actual photography class, since it all applies to movies in the basics and in the long run? Still photography shoots can be non-stationary (follow a distance runner in-focus while moving at their speed, and take a high-speed shot to capture their movement in absolute clarity.)
"How exactly do you learn about what makes a good scene break / transition, while doing still photography?"
Oh, I dunno, maybe by observing the multiple transitional shots done for still photography exposes in history, and watching traditional film-splicing techniques and film-overlapping/frame blending techniques? Understanding how time-lapse photography is turned into movies? How to capture the sun's sun's analemma?
Are you that ignorant?
Still waiting on Serviscope_minor to wake up to fucking reality and realize that Jessica Price isn't going to fuck him.
I have a nice 35mm SLR that can capture most anything, including the Milky Way. Considering the capabilities of my camera, I could probably get your shot and THEN SOME.
Minolta X-700 w/ ISO200 high-grain film FOR THE WIN.
Still waiting on Serviscope_minor to wake up to fucking reality and realize that Jessica Price isn't going to fuck him.
Mmm hmm. As we all know, before copy rights, nobody ever said, sang or wrote anything down for fear that their work would simply be stolen from them without recompense. It's a miracle that we ever developed fire without a robust system of intellectual property.
If you were blocking sigs, you wouldn't have to read this.
Except that back then there was no need to worry about copying because it was too difficult to do. Once the printing press was developed, we had to worry about it. The first thing like a copyright statute was in 1709.
That aside, it's not that some people need motivation, but that copyright is intended to optimize the situation.