Slashdot Mirror


DMCA Amendment Proposed For UK

Grumbleduke writes "During today's debate in the UK's House of Lords on the much-criticized Digital Economy Bill, the unpopular Clause 17 (which would have allowed the government to alter copyright law much more easily than it currently can) was voted out in favor of a DMCA-style take-down system for websites and ISPs. The new amendment known as 120A sets up a system whereby a copyright owner could force an ISP to block certain websites who allegedly host or link to infringing material or face being taken before the High Court and made to pay the copyright owner's legal fees. This amendment was tabled by the Liberal Democrat party, which had so far been seen as the defenders of the internet and with the Conservative party supporting them. The UK's Pirate Party and Open Rights Group have both strongly criticized this new amendment."

208 comments

  1. Actually, most of the world's getting it by H4x0r+Jim+Duggan · · Score: 4, Informative

    Worse, it's in the ACTA treaty:

    Their goal is to conclude the ACTA agreement by the end of 2010. Countries involved are Australia, Canada, the European Union, Japan, Jordan, Korea, Mexico, Morocco, New Zealand, Singapore, Switzerland, the United Arab Emirates, and the United States (US) - and others will be pressured to join afterward.

    1. Re:Actually, most of the world's getting it by FriendlyLurker · · Score: 5, Insightful

      Seeing zero reporting on this in the media (apart from the excellent interviews professor Geist linked on his blog). Big media all for this. The majority of "big media" business models are based on artificial scarcity. That is, big media charge for the packaging and distribution of bits and bytes as a if these things are scarce commodity. Note that I am not talking about the actual artistic content creation, but only the packaging and distribution. Packaging and distribution are certainly value adding exercises, but when talking about digital media, the cost to reproduce and distribute is a fixed cost or as close to fixed as you can get (see wikipedia article reference - "duplicated billions of times over for a relatively cheap production price (an initial investment in a computer, an internet connection, and any power consumption costs; and these are already fixed costs in most environments)").

      It is physically impossible to maintain the current (substantial) profit differential between charging for the packaging and distribution of each digital item as if it is a scarce commodity, while running that part of their operation at or very close to fixed cost (The most profitable and central part of big media). Any other business model that embraces the digital medium for what it is (a fixed cost medium for duplication/distribution), and not based on artificial scarcity simply could never maintain the same levels of profitability they currently enjoy.

      They only have one choice if they wish to maintain their currently profit levels: Legislate scarcity into the digital medium (hence we see secret ACTA treaties and other morally questionable political clout being thrown about in favor of this goal)

      If we actually talk about the artistic content creation part of the business model, that could be considered and entirely different issue. Big media obviously pay artists to produce content. The interesting "moral high ground" issue that both sides of the debate are claiming revolves around the question of if Big Media should also be allowed by society to charge for artificial scarcity well into the future (even well beyond the original artists death!) because they also happened to contract the artists to create the work to begin with. Big Medias defense so far seems to me to be a "muddy the debate" tactic, ignoring the artificial scarcity issue entirely and just shouting "your damaging the artists" in an effort to maintain the moral high ground.

    2. Re:Actually, most of the world's getting it by Anonymous Coward · · Score: 5, Interesting

      Michael Geists recent 20min presentation to American Uni, Washington College of Law was very interesting, he basically says that ACTA is a sly underhanded run-around of existing treaty. If I understood correctly, big media/content producers did not like having to negotiate using open democratic processes built into existing agreements - so they sponsored ACTA to subvert the democratic process. Worth watching to understand where ACTA is coming from.

    3. Re:Actually, most of the world's getting it by Anonymous Coward · · Score: 4, Insightful

      A very good point. I have a sinking feeling about the whole matter.

      I've grown up in a world where items of negligible value are price-inflated through packaging, advertising and pointless distribution channels. I have had enough. Now when I buy something, be it a movie, music or a game I seem to own nothing less than the packaging, whereas the items I desire remains the property of those who sold it to me and I am denied any freedom in it's usage.

      This is a hypocrisy of greed.

    4. Re:Actually, most of the world's getting it by Anonymous Coward · · Score: 1, Insightful

      It is physically impossible to maintain the current (substantial) profit differential between charging for the packaging and distribution of each digital item as if it is a scarce commodity, while running that part of their operation at or very close to fixed cost (The most profitable and central part of big media). Any other business model that embraces the digital medium for what it is (a fixed cost medium for duplication/distribution), and not based on artificial scarcity simply could never maintain the same levels of profitability they currently enjoy.

      Your assuming that a decrease in price point won't increase sales, by a similar ratio. In other words if they cut the cost by 50% and the sales increase by a little over double( double would assume that the cost to them was 0 per copy), then the profit margin would not change.

    5. Re:Actually, most of the world's getting it by AHuxley · · Score: 5, Insightful

      In Australia, Canada, the European Union, Japan, Korea,New Zealand, Switzerland, and the United States in theory you can find the political party and minster linked to this.
      Stay on public property and expose them.
      Never drive to an event, they will note all car license plates in the area.
      Read out the laws they are working on in your name in dark places.
      Speak some truths at their next walk about, meet and greet, mall trip or suburban town hall meeting.
      Have a few friends around you to film the response of their public security and party helpers.
      If they allow you to protest, keep on showing up.
      If they get physical you have some great clips for the local news, youtube and keep on showing up.
      File complaints about your mis treatment, turn up in court with video evidence and a real lawyer.
      Always ask for the collar numbers/shoulder number/badge number of anyone without it on display.
      Make sure your friends record the reaction.

      --
      Domestic spying is now "Benign Information Gathering"
    6. Re:Actually, most of the world's getting it by TractorBarry · · Score: 2, Interesting

      One thing that totally clarifies this point for me is the fact that any sequence of bytes can be thought of as a number. If the byte stream is large (long ?) then admittedly we're talking about a huge number but it's still effectively just a number. The fact that this number can be interpreted by software and hardware to represent music, film, images, words etc. is very nice but doesn't change the fact that it's just a number.

      So would it make sense to have a business model that tried to charge people money for telling each other a number ? Obviously not. Imagine trying to stop Jim from telling Tim that by writing the byte representation of 4,932,345 into a file he could load this file in "SoftwareX" which would then play Beethovens Vth or load the same file into "SoftwareY" which would show him a picture of a naked lady.

      Selling numbers (in the form of collections of bits) is an anachronism which will go the way of the Dodo. You can't stop numbers being copied, used, added to, factored, divided, multiplied etc. etc. (well not without killing off maths !)

      The only business model that will survive is one in which people pay for access to collections of well catalogued, well maintained works which they can add to themselves. And we all know somewhere this is already happening. A lot of us probably already subscribe to such a service.

      Large music/film companies seem to be run by complete idiots who simply can't adapt from their old business model of selling physical copies in the form of vinyl, cassettes, film reels etc. and are going to die off. Sadly they have the financial muscle to temporarily hinder progress by buying laws etc. but this is only temporary. They are in their death throes and will not last long.

      In the meantime it simply means a lot of people are going to made into criminals for making use of maths. What a fine society we live in !

      Once a work can be represented by a number (held as a sequence of bytes) it's duplication and delivery costs are so close to zero they might as well be zero. This is a fact made possible by the internet, electricity and maths. Numbers do not recognise the concept of artifical scarcity.

      Oh well on with the show...

      --
      Sky subscribers are morons. They pay to be advertised at !
    7. Re:Actually, most of the world's getting it by FriendlyLurker · · Score: 5, Interesting

      Your assuming that a decrease in price point won't increase sales, by a similar ratio. In other words if they cut the cost by 50% and the sales increase by a little over double( double would assume that the cost to them was 0 per copy), then the profit margin would not change.

      That is only based on the assumption that only "they" can distribute the media - so we are back where we started - legislating artificial scarcity into the unlimited copies, fixed cost distribution medium so that only those who are allowed by law to distribute can profit - everyone else cannot benefit from the Internets innovation. In the "normal" scarce goods model, distributors (companies running trucks, boats...) all take their cut of the profits for moving the physical goods around (and employed people outside of big media in the process). Big Media does not need those distributors anymore, at least not like they needed them before to before move CD boxes around. However In the Internets fixed cost distribution medium *anyone* can distribute, and redistribute for fixed cost. Without ACTA and legislation there is no massive profit for moving bits and bytes around. The power to reach people goes back to the artist and is no longer solely in the hands of of a few big media companies who used to be the only ones who could facilitate the distribution of their artistic works to the masses. However the artist can't try and ride on the next to free fixed cost distribution but charge for artificial scarcity either - profit is no longer in distribution (without ACTA and strict laws forcing artificial scarcity into the internet, that is).

    8. Re:Actually, most of the world's getting it by Hognoxious · · Score: 1

      Actually the profit margin would change.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    9. Re:Actually, most of the world's getting it by Joakal · · Score: 0, Offtopic

      I'm trying to ask parties to fill out a survey for shockseat.com which includes asking of the issue of copyright infringement protections which include DMCA or similar. Unfortunately, out of 26 parties, only the Liberal Democratic Party has accepted and filled out the survey promptly. If you're concerned about DMCA or any of the issues from the sample survey, please encourage the parties to fill the survey out.

    10. Re:Actually, most of the world's getting it by L4t3r4lu5 · · Score: 1

      Now it's down to the artists to not renew contracts, and instead distribute their music to their fans themselves. Profits can be made selling merchandise and playing live.

      Anyway, I look forward to Every. Single. Search Engine. being blocked by Every. Single. ISP. because they all link to infringing content. Hell, Google Images is the largest database of copyrighted images on the internet.

      --
      Finally had enough. Come see us over at https://soylentnews.org/
    11. Re:Actually, most of the world's getting it by N1AK · · Score: 2, Insightful

      In the meantime it simply means a lot of people are going to made into criminals for making use of maths.

      Anything bar a physical entity can be replicated as a number (if others have a means to interpret it) including novels, music, blueprints and medical formulas. The entire premise that limiting the unauthorised distribution of anything without a physical form is punishing people for using maths is pure and utter nonsense.

      If you don't think people should have a right to control anything other than a physical entity then cut out the amateur debating of a dubious premise and get to that point.

      Personally I have no issue with granting people this right but feel these rights should be sufficient not excessive.

    12. Re:Actually, most of the world's getting it by Chrisq · · Score: 1

      All you will be allowed access to is the Government website, that tells you that everything is just fine.

    13. Re:Actually, most of the world's getting it by Chrisq · · Score: 1

      So would it make sense to have a business model that tried to charge people money for telling each other a number ? Obviously not.

      Try telling that to the horse racing punters, they have essentially being doing that for years

    14. Re:Actually, most of the world's getting it by Chrisq · · Score: 1

      In the meantime it simply means a lot of people are going to made into criminals for making use of maths.

      Anything bar a physical entity can be replicated as a number

      Not everyone is sure of the "bar a physical entity" either.

    15. Re:Actually, most of the world's getting it by L4t3r4lu5 · · Score: 2, Informative

      I started thinking about my internet usage earlier today. It turns out that I use it mostly for:
      Listening to Spotify
      Playing WoW
      Watching programs on iPlayer / 4oD etc
      Patching my OS
      Reading webcomics
      Reading the news

      The only one which might be affected is the last one. Last time I checked, Wikileaks was on the darknets / Freenet anyway.

      I lose nothing.

      --
      Finally had enough. Come see us over at https://soylentnews.org/
    16. Re:Actually, most of the world's getting it by digitig · · Score: 1

      I can offer you a good price on 788340...

      --
      Quidnam Latine loqui modo coepi?
    17. Re:Actually, most of the world's getting it by AmiMoJo · · Score: 1

      While I don't disagree I think you are missing one of the most important points here - media companies use copyright to make money out of crap that otherwise wouldn't sell.

      When you get something for free you have no reason to listen to/watch/play it other than it being good. If you paid £50 for a game you are going to play it for a while even if it's rubbish. You are invested in it. If you downloaded the game and your only cost was the DVD-R you burned it to then you will probably give up after ten minutes of not having fun.

      Similarly if you like a band's singles once you might have bought the album. Now you can just download the individual tracks and (legally) sample the rest to see if they are any good. Instead of getting £15 for the album they get £1 for the MP3 downloads.

      It used to be that TV shows had you locked in for half an hour because if you switched channels after five minutes you would be jumping into the middle of another programme. Now we have PVRs and downloads if something isn't entertaining to skip to the next thing and there goes the ad revenue for that unlucky show.

      Now we are in a world where you have access to everything at almost zero cost and at any time the ability to make money out of rubbish has been severely diminished. Producers of crap are unsurprisingly annoyed by this. Personally I love it though - I spend much more time doing valuable things and still get to see good TV and listen to good music.

      --
      const int one = 65536; (Silvermoon, Texture.cs)
      SJW, n: "Someone I don't like, and by the way I'm a fuckwit" - AC
    18. Re:Actually, most of the world's getting it by Anonymous Coward · · Score: 0

      They wont have to block every search engine. Google and the others already have the technology to filter
      their search results from working in China. This amendment just installs The Great Firewall of UK without
      the cost to the government. The cost is being passed onto Google who will happily comply if it helps them
      in their plans to provide fibre to people directly. They'll get tax breaks and special privileges making it
      easier to lay their network and in a few years you'll be stuck with Google ISP. It'll be just like the old
      days of Compuserve with a nice Google walled garden.

    19. Re:Actually, most of the world's getting it by tlhIngan · · Score: 1

      Seeing zero reporting on this in the media (apart from the excellent interviews professor Geist linked on his blog). Big media all for this. The majority of "big media" business models are based on artificial scarcity

      Over a year and a half back, our daily (paid) newspapers actually mentioned it.

      The article was called "Is your iPod breaking the law?". Made the front page of one of them too, with a big iPod in a "prohibited" sign. (And to most laypeople, ACTA is an anti-TiVo, anti-iPod, anti-VCR deal, which is really the way to get awareness. If you call it an "anti-piracy" bill, people are for it, but they don't know the details.). Even Geist called it at one point an "iPod Bill".

      http://www.canada.com/vancouversun/story.html?id=4bf7de32-1f51-4629-9721-abef4381b8a4
      http://www.canada.com/vancouversun/story.html?id=ae997868-220b-4dae-bf4f-47f6fc96ce5e

    20. Re:Actually, most of the world's getting it by Rich0 · · Score: 1

      I agree with most of your points, but I would focus more on length of copyrights in general than whether they outlast the original artists.

      If copyrights were 3-5 years I think that most artistic works would be able to rake in the lion's share of their potential profits.

      If the artist happens to die in year 2, I think it is fine to keep the copyright, since presumably the artist received some compensation up-front in addition to royalty-based payments.

      I don't really have an issue with the concept of IP in general - I just think it has gotten WAY out of hand. Let's have incentives for creating things, but let's use that as the basis of a business and not a license to print money, or make it into a lottery.

    21. Re:Actually, most of the world's getting it by BJ_Covert_Action · · Score: 1

      Now when I buy something, be it a movie, music or a game I seem to own nothing less than the packaging, whereas the items I desire remains the property of those who sold it to me and I am denied any freedom in it's usage.

      Start shopping on craigslist, or ebay, or your county's equivalent. While you can't find everything there, and everything you can find there is second-hand, you actually end up owning anything you do buy. You also tend to get things at a much cheaper price, where taxes are overlooked often, and, if you don't abuse the crap out of the item, you can resell for near the same value you purchased it for.

      Seriously, if you are tired of being treated like a rights-less consumer, start buying stuff on craigslist. I would recommend, however, that one of the first things you buy is a nice tool set, as you will be needing that to keep the rest of your stuff functioning. =)

    22. Re:Actually, most of the world's getting it by Aphoxema · · Score: 1

      If you don't think people should have a right to control anything other than a physical entity then cut out the amateur debating of a dubious premise and get to that point.

      Personally I have no issue with granting people this right but feel these rights should be sufficient not excessive.

      You're suggesting that there is some intrinsic or natural reason for people to lay claim to ideas. So... prove it.

      --
      "Most people, I think, don't even know what a rootkit is, so why should they care about it?"
    23. Re:Actually, most of the world's getting it by Anne+Thwacks · · Score: 1
      If you call it an "anti-piracy" bill, Most people will think it has something to do with scum floating off the coast of Somalia.

      Most people cant tell talk from mutter, as certainly cant tell ACTA from Will Smith.

      --
      Sent from my ASR33 using ASCII
    24. Re:Actually, most of the world's getting it by N1AK · · Score: 1

      You're suggesting that there is some intrinsic or natural reason for people to lay claim to ideas. So... prove it.

      Generally if I'm claiming there is either an intrinsic or natural reason for something I would I dunno... say that.

      I think intellectual property is neither of these things, I do however feel that a limited amount of protection for ideas fosters greater innovation and is thus is beneficial. If something is intrinsic and natural it by definition wouldn't need laws to exist, in fact plenty of things that are 'natural' are discouraged by law, for examples see murder, rape and theft so I fail to see your point.

    25. Re:Actually, most of the world's getting it by Anonymous Coward · · Score: 0

      i see no hypocrisy, just greed.

    26. Re:Actually, most of the world's getting it by Anonymous Coward · · Score: 0

      "Anything bar a physical entity can be replicated as a number (if others have a means to interpret it) including novels, music, blueprints and medical formulas" - considering that he said the number could be a picture or a piece of music covers that point.

      "The entire premise that limiting the unauthorised distribution of anything without a physical form is punishing people for using maths is pure and utter nonsense." - he's not saying you're doing the math yourself. You're using a computer to do math.

      "If you don't think people should have a right to control anything other than a physical entity then cut out the amateur debating of a dubious premise and get to that point." - all in all, I think that's exactly the point he made.

      You really are quite a dick for not being able to understand his metaphor and then berating him for using said metaphor.

    27. Re:Actually, most of the world's getting it by Hurricane78 · · Score: 1

      No. Sweden just announced, that they will not accept ACTA, if it changes any local law AT ALL. Which it would.
      Which means they won’t ratify it. Which means it will not happen. At least there.
      Which means we have a safe haven. Which means everybody is going to use it, and Sweden will come under massive pressure from the mafia.
      But they got the Pirate Party. And that one is only getting stronger with the pressure.
      So in any case: We win. :D

      --
      Any sufficiently advanced intelligence is indistinguishable from stupidity.
  2. ... shall have regard ... to any other matters by cyclomedia · · Score: 3, Informative

    Sigh, it's another kind of super injunction and of course there's a catch all, meaning it can be used not just against copyright infringment but "any issues of national security" or "any other matters which appear to the Court to be relevant". So Mr. Billy Footballer could seek an injunction to block a website because it has a photo of him snorting coke on it, probably.

    From TFL:

    97B Preventing access to specified online locations for the prevention of online copyright infringement
    (1) The High Court (in Scotland, the Court of Session) shall have power to grant an injunction against a service provider, requiring it to prevent access to online locations specified in the order of the Court for the prevention of online copyright infringement.
    (2) In determining whether to grant an injunction under subsection (1), the Court shall have regard to the following matters—
    (a) whether a substantial proportion of the content accessible at or via each specified online location infringes copyright,
    (b) the extent to which the operator of each specified online location has taken reasonable steps to prevent copyright infringement content being accessed at or via that online location or taken reasonable steps to remove copyright infringing content from that online location (or both),
    (c) whether the service provider has itself taken reasonable steps to prevent access to the specified online location,
    (d) any issues of national security raised by the Secretary of State.
    (e) the extent to which the copyright owner has made reasonable efforts to facilitate legal access to content,
    (f) the importance of preserving human rights, including freedom of expression, and the right to property, and
    (g) any other matters which appear to the Court to be relevant.

    --
    If you don't risk failure you don't risk success.
    1. Re:... shall have regard ... to any other matters by Michael+Kristopeit · · Score: 1

      they might as well make a law, "everything that should be not be legal is illegal."

    2. Re:... shall have regard ... to any other matters by Taco+Cowboy · · Score: 1

      they might as well make a law, "everything that should be not be legal is illegal."

      Please, stop feeding them ideas !!

      --
      Muchas Gracias, Señor Edward Snowden !
    3. Re:... shall have regard ... to any other matters by BiggerIsBetter · · Score: 1

      97B Preventing access to specified online locations for the prevention of online copyright infringement

      Which can be roughly translated as... torrent index sites and commercial BT proxies, They can't ban a protocol but they can ban some of the popular index hosts and anonymizers, so that's what they're doing.

      The best part is they can use this legislation to block foreign hosts quite easily, so whether or not TPB is legal in Sweden has little bearing on whether you in the UK, USA, Canada, NZ, Aussie, Japan, Korea, and others can access it. No, you can't find your favorite free-to-air TV programme (or Japanese porn, for that matter) via the internet. Crap, it's worse than just not downloading, now you probably won't even know it exists if "they" don't market it to you.

      It seems that we'll be facing the home-grown Great Firewall Of Western Media. China's got nothing on us now.
       

      --
      Forget thrust, drag, lift and weight. Airplanes fly because of money.
    4. Re:... shall have regard ... to any other matters by Aradiel · · Score: 1

      But when a site is blocked or taken down, another will pop up. It will never stop. New sites will always appear.

    5. Re:... shall have regard ... to any other matters by Anonymous Coward · · Score: 0

      This sounds pretty reasonable - especially (e).

      Not making your 'back catalogue' accessible? No blocking of sites linking to someone elses copy of it.

      Book out of print and not available as an ebook? No blocking of sites linking to an electronic copy someone else has produced.

      This'll be interesting for Disney who regularly restrict the availability of their copyrighted works as a buisiness model.
      And it also seems to provide a get-out clause for linking to films & games that are not available in the UK and have not been sent to the BBFC for certification.

      I also think it could be used as a defence of modchip makers if their products give enough additional functionality that console makers block. i.e. I believe this would require console makers allow homebrew or allow modchips!

      And the removal of the blanket powers for the government to make changes to the copyright legislation with the need for further papers/bills is a huge win for the public. It shows that the house of lords won't go for this in general (as well as benefiting this bill).

    6. Re:... shall have regard ... to any other matters by BiggerIsBetter · · Score: 1

      Agreed, and there are "technical" ways around all of the legislation and take-downs, but they're not trying to block the hardcore geeks, they're trying to block the masses... the folks who have never heard of IRC, and to stop them reaching the biggest index sites like TBP, Mininova, etc.

      --
      Forget thrust, drag, lift and weight. Airplanes fly because of money.
    7. Re:... shall have regard ... to any other matters by pdunning · · Score: 0

      It's worth noting that this "UK DMCA" will require a court injunction. I.e. not just a take-down notice. There are also lines in there for facilitating legal access. Does this mean abandonware etc can't be locked up by copyright years after production ends? I also fail to see why national security should affect copyright - we have the official secrets act for that.

    8. Re:... shall have regard ... to any other matters by Aradiel · · Score: 1

      But I wasn't meaning that the tech-savvy could easily get around the legislation, more that if, for example, Pirate Bay was taken done, Pirate Buoy would be up within a few hours.

    9. Re:... shall have regard ... to any other matters by julesh · · Score: 2, Insightful

      Sigh, it's another kind of super injunction and of course there's a catch all, meaning it can be used not just against copyright infringment but "any issues of national security" or "any other matters which appear to the Court to be relevant".

      You appear to be misreading it. These aren't reasons why an injunction should be granted. They are things that a court must consider before deciding whether or not to grant it. "Any other matters which appear relevant" is actually a way for the court to *avoid* issuing an injunction where there's a good reason not to, e.g. if having the copyrighted document available to the public is in the public interest (e.g. much of the content on wikileaks).

      In the end, the court is limited by the description of the power in (1). It can only issue an injunction under the proposals of this bill if it is "for the prevention of online copyright infringement." So I'm pretty sure the national security clause is not an issue, and I'm beyond certain that the "any other matters" clause is fine.

      UK courts have a history of interpreting legislation from a much more liberal perspective than the legislators who made it. I don't think there's much to worry about here.

    10. Re:... shall have regard ... to any other matters by AmiMoJo · · Score: 1

      I think most courts now realise that you can't keep anything secret any more, thanks to the internet. In fact widespread knowledge of something is a reason they give for not granting an injunction.

      This is all about big media companies trying to turn back the tide and protect their business models. It won't help keep information out of the public domain.

      --
      const int one = 65536; (Silvermoon, Texture.cs)
      SJW, n: "Someone I don't like, and by the way I'm a fuckwit" - AC
    11. Re:... shall have regard ... to any other matters by Yaa+101 · · Score: 1

      Only you are not able to access them after your telco blocked your access to the internet on a supposedly 3 strikes out mechanism...

      Sooner or later the internet as we know it is finished, they will do anything to get their power back, I mean ANYTHING!

    12. Re:... shall have regard ... to any other matters by Anne+Thwacks · · Score: 1

      The present UK government should plead "not competent by way of corporate Insanity"

      --
      Sent from my ASR33 using ASCII
  3. This is bad ? by artg · · Score: 0, Flamebait

    Sounds like a good tradeoff to me. OK, it's harder for Joe Public to see a popular website, but it keeps the government's sticky fingers off the law, and 'satisfies' the DRM lobby with a technically unfeasible sop. Meanwhile, anyone who cares still has access via proxies, ssh tunnels, blah blah blah

  4. no no no no... by Anonymous Coward · · Score: 1, Insightful

    Along with our stupid libel laws this will destroy our democracy. This is no longer about kids sharing mp3s this is giving corporations and governments the power to silence anyone they want to.

    For instance a lot of the documents leaked on wikileaks are copyrighted. So that's it, we will no longer be able to access anything that they don't want us to see. How about our MP's expenses that got leaked? Well that's copyrighted to the government right?

    I also bet it wont even protect the little guy. If someone republishes my copyrighted work I bet the system won't even work unless I have a team of lawyers and a truck of money.

    Its all just another way of suppressing us.

    1. Re:no no no no... by Anonymous Coward · · Score: 0

      No shit. What are you going to do about it?

  5. Re:Change is coming? by El_Muerte_TDS · · Score: 4, Insightful

    What do you mean since 1998? I'm pretty sure music producers have been in limbo of lost revenue since the invention of the home recording devices like the compact cassette. And the music performers have been in severe limbo of lost revenue since the invention of the phonograph.

    But as Lawrence Lessig already pointed out, this hasn't killed culture or entertainment, but resulted in new forms of entertainment (and income through other means).

  6. Re:Change is coming? by BiggerIsBetter · · Score: 5, Insightful

    Bollocks. Make better, less formulated music, don't compress the hell out of it, and sell it online so people can use it in their iPods and in-dash MP3 players. As for doing nothing, that's what you want to do, right? Not change? Your old business model doesn't work any more, so man up and deal with it. Improve your marketing and online distribution, stream it from your site for a taste, and sell CDs and whatnot online. Christ, you bitch about lost sales but you don't even have a link to your website in your profile!

    You'd rather fuck the entire online communication revolution because you can't compete? No. We (the entire technically literate world under 40) won't let that happen.

    --
    Forget thrust, drag, lift and weight. Airplanes fly because of money.
  7. One lost vote for the Liberal Democrats then by arethuza · · Score: 3, Interesting

    I had been contemplating voting Liberal Democrat as they seemed to have at least one MP who actually has a clue (Vince Cable) - which is one more than the other parties can muster. I'll go and read up on this and if they did table this then that's my vote going somewhere else... of to check the Pirate Party site to see if they are going to have a candidate here at the next general election.

    1. Re:One lost vote for the Liberal Democrats then by iainl · · Score: 1

      It would be more than one, actually. But they do constitute the strongest opposition to the Conservative Bastards who persuaded Mark Thompson to kill the BBC earlier this week. Arrgh!

      --
      "I Know You Are But What Am I?"
    2. Re:One lost vote for the Liberal Democrats then by I+confirm+I'm+not+a · · Score: 3, Insightful

      For goodness sake let them know what you've just told us. A polite letter explaining that you were seriously intending to support them, but won't now, will do more than you might expect.

      --
      This is where the serious fun begins.
    3. Re:One lost vote for the Liberal Democrats then by Anonymous Coward · · Score: 0

      Yes, because if you don't vote for tweedledum, tweedledee will get in.
      The system is flawed; your vote won't make the blindest bit of difference.
      It's time to start thinking outside of the box for a change.

    4. Re:One lost vote for the Liberal Democrats then by Anonymous Coward · · Score: 0

      I'm suspicious that the whole Mark Thomas thing is a publicity stunt.

      From my reading of the cutbacks, most of the justification seemed to be to avoid competing with commerical stations. There's always pressure from commercial radio to cut back on BBC because it takes away their market share.

      What better way to shut them up than to say "OK, we're cutting back on areas in which we think there's commercial competition" and to get a massive public backlash saying that the commercial stations don't compete, at which point the BBC can just say "see, there isn't really any commercial competion in this area"?

      It's a slightly risky strategy (e.g. if there was no backlash after all), but it seems to be paying off.

    5. Re:One lost vote for the Liberal Democrats then by stupid_is · · Score: 2, Informative

      Mark Thomas (who does do publicity stunts) is not Mark Thompson, the DG@BBC.

      The Beeb is being told to cut back on a lot of commercial activities (e.g. merchandising), which means a loss of revenue, which means cut-backs are inevitable. It would be nice if a start point was to stop paying rich folks quite so much in salaries, but that's only going to be a drop in the ocean for this, and there's a risk that they'll do a BA.

      --
      -- Intelligence is soluble in alcohol
    6. Re:One lost vote for the Liberal Democrats then by Xest · · Score: 1

      I'm of the same feeling here, I was certainly a Lib Dem voter until I read this. However, I do intend to seek clarification- is this just some Lord going off on his own little journey, or does it have party support?

      The summary makes no fucking sense either, it seems to imply the Conservatives support the Lib Dems stance of challenging large parts of the bill. This is outright false, the Tories have only agreed to challenge clause 17 which gives Mandelson full control over copyright law with no parliamentary oversight and nothing more, in fact, to date, other than that, the only real noise we've heard from Tories officials on the bill is that they think the whole 3 strikes thing should've been done sooner, they believed it should've happened already.

      I don't know who wrote the summary, but they clearly have no idea of the UK political situation regarding the DEB.

      Certainly if the Tories get in, I think it's likely the DEB will remain as is, or perhaps be even worse, because they're at least as pro-music industry as Labour, possible more so, because David Cameron has a hard on for celebrities- i.e. putting a creative industries person in charge of his broadband/internet review rather than a technologist, putting Carol Vorderman (a highly numerate TV presenter) in charge of his maths review, rather than you know, a mathematician, missing the point that numeracy is just a tiny part of maths and hence being part the fucking problem with current maths education in not understanding maths himself. But then, I suppose putting people who would actually be competent at those roles, such as Tim Berners-Lee and Marcus du Sautoy would require some level of competence, which is a rare thing in public sector.

      Of course, there are people for and against it in every party, the problem is those who are against it in the likes of the Conservatives such as David Davis no longer hold the power they once did. Those in Labour who disagreed with 3 strikes such as David Lammy and Stephen Timms have been mysteriously dragged into line to oddly now support it contradicting their original comments- I assume this is one of Dark Lord Mandelson's jedi mind tricks which would make sense in the context that Lammy is now in Mandelson's department.

      Really, I don't expect that the Lib Dems would be perfect, but the difference with the Lib Dems is that their smarter people like Clegg, Cable, Huhne all hold prominent positions in the party, whilst in the other two parties, the smart people are marginalised and supressed.

    7. Re:One lost vote for the Liberal Democrats then by Anonymous Coward · · Score: 0

      The problem is, everyone thinks like this thus making the system flawed.

      The amount of times I see and hear "I support "x", but I don't want "a" to get in and "b" is the only chance to knock "a" out". If 50% of the population thinks like this we have no chance of getting a party who is not corrupt and has a clue on modern society in power.

      Stop tactically voting and go with the party you support for a change.

    8. Re:One lost vote for the Liberal Democrats then by Anonymous Coward · · Score: 0

      You miss my point entirely.
      Stop voting and start taking action that makes a difference.

    9. Re:One lost vote for the Liberal Democrats then by Anonymous Coward · · Score: 0

      at least one MP who actually has a clue (Vince Cable)

      I wonder if you're reffering to the same Vince Cable that supported a call to ciminalise patent infringement?

      http://news.bbc.co.uk/1/hi/uk/8232130.stm

    10. Re:One lost vote for the Liberal Democrats then by arethuza · · Score: 1
      My MP is this chap: http://www.theyworkforyou.com/mp/mark_lazarowicz/edinburgh_north_and_leith

      Not a big majority and in a seat that I suspect will have a lot of strong feeling on this topic (particularly students). For £500 it might be worth standing as a Pirate myself..... :-)

    11. Re:One lost vote for the Liberal Democrats then by Anonymous Coward · · Score: 0

      At this rate, and judging from all the ./ articles, your only hope is for Kim Jong Il to recover a Supreme Alien Weapon from the Sea of Japan and colonizing your country. That way you would probably keep some of your freedoms.

    12. Re:One lost vote for the Liberal Democrats then by mrsmiggs · · Score: 1

      Lord Clement Jones has replied to critism of the ammendment
      http://www.libdemvoice.org/digital-economy-bill-web-blocking-lib-dems-18165.html

      To sum up he argues that; this is only an addition to existing power of copyright holders in the UK and simply clarifies their role in the process.

      I do think he misses the point however that this ammendment puts emphasis on the ISPs which provide any service that can access this material rather than those which host the material. It's one step closer to to a great firewall of the UK, I think this has been missed by commentators who have compared it to the DMCA and the vitriol in their critcism has somewhat distorted the issue.

    13. Re:One lost vote for the Liberal Democrats then by Anonymous Coward · · Score: 0

      Sorry, I did mean Mark Thompson, not Mark Thomas. That was just a typo.

      Who is telling the BBC "to cut back on a lot of commercial activities (e.g. merchandising)"? I'm still suspicious that the purpose of this is to get a public outcry (which it has) to allow the BBC to push back on those people by showing that the alternatives aren't good enough.

    14. Re:One lost vote for the Liberal Democrats then by Andy_R · · Score: 1

      Unfortunately, the answer is probably no. We don't have the funding to run more than a handful of Pirate candidates at the upcoming election. There's a £500 fee to get a name on the ballot paper, and running a campaign on an absolute shoestring budget adds another thousand to that.

      You can help though, through donations, membership fees, and if you really care about this and have the cash to spend, by standing under the pirate banner yourself.

      --
      A pizza of radius z and thickness a has a volume of pi z z a
    15. Re:One lost vote for the Liberal Democrats then by mdwh2 · · Score: 1

      Also this comment makes some good points: http://www.libdemvoice.org/digital-economy-bill-web-blocking-lib-dems-18165.html#comment-109185

      (Though depressingly there are a lot of comments from people who simply don't understand basic politics, such as those saying he's lost their vote - since when did they vote for a Lord? - to people talking as if the Lib Dems now can't criticise what's been proposed as "their" amendment; in reality, it's not uncommon for Lords of the same party to propose amendments disagreeing with the Government, in fact, even in the Commons, there may be disagreement between individual MPs and their own party.)

    16. Re:One lost vote for the Liberal Democrats then by VJ42 · · Score: 3, Interesting

      For goodness sake let them know what you've just told us. A polite letter explaining that you were seriously intending to support them, but won't now, will do more than you might expect.

      Even an email via http://www.writetothem.com/ makes a big difference. I know my MP has answered me every time I've emailed her. Hell, my MP even responds to my tweets to her twitter account, she's a Lib-Dem and I was going to vote for her as we won't have a Pirate Party member standing in my constituency.* It now depends on her response to my email about this vote.

      *I'm a member, but don't think I would want to stand myself.

      --
      If I have nothing to hide, you have no reason to search me
    17. Re:One lost vote for the Liberal Democrats then by stupid_is · · Score: 1

      There's quite a bit of pressure from competitors feeling the pinch.

      Not that they have their own agenda in applying such pressure, of course, and this is all part of the same posturing in the media

      --
      -- Intelligence is soluble in alcohol
    18. Re:One lost vote for the Liberal Democrats then by julianhuppert · · Score: 1

      Please do continue to vote Lib Dem! Our party policy on this is fairly clear, but we can't entirely control what individual parliamentarians do, especially Lords .... (elected Lords anybody?) I should say that I'm the Lib Dem Parliamentary Candidate for Cambridge ... I and many colleagues have contacted the party and those peers to push the party line - which is clearly against any sort of DMCA-UK. You may be interested in official party policy at http://www.makeitpolicy.org.uk/it-policy-paper/delivering-the-information-society/regulation-of-internet-content-and-copyright/ Otherwise, can I suggest you write to your local candidate and ask them what they think? You'll find many of us on the Open Rights side .... Julian

  8. ISP has no rights by Anonymous Coward · · Score: 0

    If the ISP refuses the take-down notice, the copyright-holder can seek a court injunction. It doesn't speak of the ISP having rights in this process. Does a High court tribunal give the defendant a voice? Despite the USA forcing the ACTA upon its 'allies', those countries, such as the UK prefer to have trade agreements mirrored in law. This usually means a subtly different process between what the parliament approves and what the trade agreements demand.

    1. Re:ISP has no rights by julesh · · Score: 1

      It doesn't speak of the ISP having rights in this process. Does a High court tribunal give the defendant a voice?

      Yes. In proceedings for an injunction at the high court, the proposed recipient off the injunction (i.e. the ISP) can make representations, e.g. if they consider the content legal and the request spurious.

      How many of them will actually bother to do this is another matter.

  9. Hmmm... could backfire by zmollusc · · Score: 1

    Someone somewhere will have published a novel about a bunch of lying thieving scumbag politicians working only to enrich themselves who bring in a load of legislation and powers that enable a police state. That person can then issue takedown notices against ALL government servers.

    --
    They whose government reduces their essential liberties for temporary security, receive neither liberty nor security.
  10. "Strongly critisise"? by Anonymous Coward · · Score: 1, Insightful

    To hell with that. STOP THE THING. We cannot allow ignorance, fear, and greed to destroy our freedoms and rights any more.

    Governments are only made up of people. They can and SHOULD be told that what they are doing is wrong, and blocked. They cannot be allowed to destroy all of the progress made just because a bunch of people are scared of the internet somehow destroying our way of life just because it gives the power back to the people.

    It's time for the people who know better to stand up and block this garbage from happening. Stop doing weak garbage like "strongly criticizing" and go tell the old idiots off, and if they refuse, take back the government for the people. Certainly the UK has some sense of national need for a government that works for the people and not for those in power, right?

  11. Re:Change is coming? by Anonymous Coward · · Score: 0

    "If we need to push hard for the world of internet consumers to realize the damage they cause- then we should."

    Ironically the music industry is doing all it can to do twice the damage to itself.

    Have you actually tried buying music online? It's a clusterfuck of arbitrary country restrictions, crappy payment systems, DRM, bad quality and annoying forced marketing.

    Purchase:
    1. search for online store
    2. search for 10 other online stores until you find one that actually sells to your country
    3. search for another store that actually offers a payment system that works for you AND sells to your country
    4. realise you have to pay 200-300% of what US customers pay
    5. realise you'll only get 128 kbps quality with DRM
    6. register an account with the store
    7. pay
    8. contact support and wait for your purchase for a week, because the store software screwed up
    9. download
    10. setup spam filter to stop them from sending you inevitable newsetter spam

    Sounds convoluted? That's how about 80% of my music/video game purchases end. It's a nightmare. No wonder people pirate:
    1. enter "albumname torrent" in Google
    2. download

  12. Overly broad by Anonymous Coward · · Score: 0

    Took a quick look, it seems they have not made any provisions for making the block as specific as possible - if I am correct, this could turn properly silly: The entire of myspace.com blocked because someone claims that so-and-so on myspace.com infringes their copyright.

    1. Re:Overly broad by julesh · · Score: 1

      Took a quick look, it seems they have not made any provisions for making the block as specific as possible - if I am correct, this could turn properly silly: The entire of myspace.com blocked because someone claims that so-and-so on myspace.com infringes their copyright.

      Not sure. The legislation talks about "online locations". This could be interpreted as either a domain or a single URL. Although, the single URL interpretation is a little dubious because the remainder of the bill seems to consider a single "location" as a container for large quantities of potentially non-homogenous content.

      If it is interpreted as a domain, though, the result will emphatically not be what you suggest, as 2 (a) requires the court to consider how high the proportion of offending versus non-offending content is. Result: TPB and Rapidshare get blocked, myspace survives without any restrictions.

  13. Blanket law by Anonymous Coward · · Score: 3, Insightful

    The problem with these laws are that they pretty much cover anything and can easily be misused and breaking an injunction costs $$$ which means these laws favor corporations not consumers. A government is supposed to protect it's citizens and not play into the hands of large corporations.

    A better solution would be for the record industry to realize CD is DEAD!!! Try to embrace the internet not fight against it, adapt or die a simple darwinian principle.

    If you need a law like this make sure it's specific and that it target's real problems. The current problem with Piracy is born of record companies inadequacy to adapt and offer an alternative. Apple store is one of the few that exists and even there the record companies don't really like it.

    I agree piracy is bad, but also it's like civil disobedience it points out there is a problem. There are lots of examples of civil disobedience that have inspired good change instead of more fear mongering and draconian rules.

  14. New Zealand has started already by BiggerIsBetter · · Score: 3, Insightful

    ACTA Jr has been introduced to Parliament in New Zealand a week ago. It includes 3 strikes, and responsibility for the ISP to keep IP address records.

    We've had a few talks about it at work, and the general consensus is that it's a joke, with so many ways to render the IP addresses "evidence" questionable... and subjective application of the disconnection criteria and fines... but it's one we have to stop. You don't lose your phone if you break a law with it, and you shouldn't lose your internet connection (email, facebook, skype, etc) for the same.

    --
    Forget thrust, drag, lift and weight. Airplanes fly because of money.
    1. Re:New Zealand has started already by OrwellianLurker · · Score: 1

      No, you don't lose your phone when you are accused of a crime, and you shouldn't lose your internet connection based solely on accusations (even if proven).

      --
      'Political power grows out of the barrel of a gun.' - Mao Tse-tung
    2. Re:New Zealand has started already by billybacs · · Score: 0

      I agree with you almost completely, but I Think the distinction should be made between being accused/convicted of copyright infringement and actually committing a "real" crime. To use the road analogy below, you do lose your license if you kill someone with your car. If you're caught hacking Google or stealing financial records, you absolutely should be banned from the internet.

    3. Re:New Zealand has started already by Anonymous Coward · · Score: 0

      The current NZ proposals include: right to fair hearing before an independent tribunal; anonymity protection for the accused until the tribunal orders otherwise; and no disconnection of service without a court order. Seriously, you have a problem with that, you're hard to please. The Creative Freedom Foundation is all for it.

      Meanwhile, the government is actually asking for our input on the next ACTA round.

      I sent mine in yesterday. If you haven't sent yours by the time submissions close at the end of this month, pardon me if I don't have much sympathy for your opinion.

  15. Who can you trust? by Taco+Cowboy · · Score: 2, Insightful

    The supposingly "defenders of the Internet" turn out to be the one who table the bill.

    Who else can you trust?

    Internet is indeed the whipping boy of the political scums !

    --
    Muchas Gracias, Señor Edward Snowden !
    1. Re:Who can you trust? by HungryHobo · · Score: 2, Interesting

      Not exactly surprising.
      Now all that have to do is slap a copyright notice on anything embarrassing.
      Next time someone leaks the MP's expenses or some other embarrassing piece of info they can just send a takedown to have it blocked.

      The DMCA has a few half decent elements like the safe harbour stuff and a lot of awful crap.
      I just wish that when other governments try to copy the idea they'd learn from others and at the very least try to magnify the good and cut out the crap.

      Instead they do the exact opposite, rather than exclude material with significant political implications and material which is in the public interest to know to prevent copyright law being used in place of the official secrets act they write it with that goal in mind.

    2. Re:Who can you trust? by Anonymous Coward · · Score: 1, Funny

      From what I hear the amendment changes the proposed law from "Peter Mandelson can rewrite this law as he sees fit without consulting parliament, to let his bureaucrats neuter the internet" to "the courts can after due process neuter the internet as long as it does not infringe human rights". Its not great but it may be an improvement.

    3. Re:Who can you trust? by CrimsonAvenger · · Score: 2, Informative

      The supposingly "defenders of the Internet" turn out to be the one who table the bill.

      Who else can you trust?

      Had to look this one up for it to make sense.

      For others who may be confused, in the USA "to table a bill" means basically to dump it. In the UK, "to table a bill" means to begin discussion of it.

      --

      "I do not agree with what you say, but I will defend to the death your right to say it"
    4. Re:Who can you trust? by StikyPad · · Score: 1

      Indeed. Here in Colorado they just passed a so-called "Amazon" bill, which aims clamp down on people who don't pay use tax for online purchases, which according to tax data, is almost everyone. Instead of requiring businesses to collect and remit CO sales tax directly, they require them to notify the customer(s) of the amount spent that year and a reminder to pay their state taxes, along with providing the state of CO with customer information. The new law applies to all companies doing more than $100k gross sales to residents of CO, and went into effect on March 1.

    5. Re:Who can you trust? by sumdumass · · Score: 0

      It's going to be interesting to see how that law plays out.

      If the company doesn't have any substantial interest/nexus inside the state of Colorado, then the law wouldn't likely apply to them. They would be viewed as a mail order house and US law would prevail creating a jurisdictional question for any company outside of CO. For any business inside CO, it would apply, but if I opened some internet site in Ohio or India and sold goods that where shipped from outside CO, then this new law wouldn't apply to me. This is because currently under US/postal laws, even though something may have been advertised inside a state, if that company doesn't have a substantial presence inside the state, it's treated as if the citizen of that state went to another location outside of the state to make the purchase.

  16. Please stop using the word "table" by Anonymous Coward · · Score: 1, Interesting

    In the US, when you "table" a bill you kill it, whereas in the UK when you "table" a bill you introduce it. It can only cause confusion, so please find another word to use.

  17. Not so surprising by Aceticon · · Score: 3, Insightful

    I'm disapointed with the Lib Dems (which are the 3rd largest party in the UK) but not overly surprised: they have pretty much adopted the style, dialetics and posture of the two major parties.

    This probably goes a long way to explain why, at a time when people are very disapointed with politicians in the UK (and one would expect that the two main parties, being more visible, would bear the brunt of it), the Lib Dems are not increasing their share of the vote.

    The sleazy salesmen in designer suits have taken over the party and the result is that people, instead of going for them as an alternative, are just not voting at all or voting for more fringe parties, especially younger people.

    Honestly, even though they are a bit of a "one issue" party, the UK Pirate Party are more in tune with what matters for the Internet generation than any of the "traditional" parties. If I could vote for the UK Parliament (i'm not a UK or Commonwealth national, so I can't vote in those elections) they would have my vote.

    1. Re:Not so surprising by FrostedWheat · · Score: 1

      If I could vote for the UK Parliament (i'm not a UK or Commonwealth national, so I can't vote in those elections) they would have my vote.

      I am and I still can't vote for the UK Pirate Party. I would if I could, but they don't have anyone standing for election in my area. It's like some kind of pseudo-democracy.

    2. Re:Not so surprising by Tim+C · · Score: 2

      No suitable candidate in your area? Stand yourself. That is how democracy works.

    3. Re:Not so surprising by Xest · · Score: 1

      I had a look at the PDF in question, and I think the summary may be somewhat wrong tbh. I'm not convinced this amendment has party support.

      The layout of the PDF is confusing, it's hard to tell which names support the amendment, but if it's the ones before it, then the names listed are simply both the Lib Dem and the Tory ministers for culture and sport- i.e. those who are always most closely lobbied by the music industry.

      If it's the names after, then it's still the Lib Dem culture and sport minister, coupled with Lord Razzall, one of the few Lib Dems who really did take the piss with expenses so someone whose corrupt to the core anyway.

      I wouldn't assume from the summary alone that this is an indication of Lib Dem party support for the position- remember, Lords generally act much more independently and pursue their own paths more commonly than in the commons.

    4. Re:Not so surprising by Anonymous Coward · · Score: 1, Informative

      Unfortunately a £500 deposit is payable to do this in the UK, and this is only returned if you receive more than 5% of the vote. It doesn't sound like a lot, but many people simply can't afford to spend that much.

      Source: http://www.parliament.uk/about/how/members/electing_mps/candidates.cfm

    5. Re:Not so surprising by FrostedWheat · · Score: 1

      I've thought about it, but I believe I would be doing the Pirate Party a disservice by standing in their name. They need people who can communicate well - that isn't me.

    6. Re:Not so surprising by PeterBrett · · Score: 2, Interesting

      If I could vote for the UK Parliament (i'm not a UK or Commonwealth national, so I can't vote in those elections) they would have my vote.

      I am and I still can't vote for the UK Pirate Party. I would if I could, but they don't have anyone standing for election in my area. It's like some kind of pseudo-democracy.

      Want to stand as a candidate in the general election? Get in touch with us.

    7. Re:Not so surprising by L4t3r4lu5 · · Score: 1

      So donate to them, write to them with coverage of these issues and your support of their stance regarding them, and become an activist. Offer your skills, if they are applicable. It could be web design, accounting, legal advice, whatever. Just show your support, and let others know why you do it.

      --
      Finally had enough. Come see us over at https://soylentnews.org/
    8. Re:Not so surprising by arethuza · · Score: 1
      Cool - I can just imagine the question "So, how did you get into politics"... "I replied to a posting on Slashdot"

      So are the Pirate Party seriously looking for candidates? I live in Edinburgh North & Leith.

    9. Re:Not so surprising by chriseyre2000 · · Score: 1

      You also need the backing of a certain number of voters from the area.

    10. Re:Not so surprising by VJ42 · · Score: 1

      You also need the backing of a certain number of voters from the area.

      You need ten nominations; not exactly a restrictive number.

      --
      If I have nothing to hide, you have no reason to search me
    11. Re:Not so surprising by VJ42 · · Score: 2, Interesting

      Cool - I can just imagine the question "So, how did you get into politics"... "I replied to a posting on Slashdot"

      So are the Pirate Party seriously looking for candidates? I live in Edinburgh North & Leith.

      No; the correct answer is "I found out about that the Pirate party were looking for candidates from one of my favorite internet sites, and I already supported their principle, and it snowballed from there." or something similar, that shows the power of the internet and the power that the Party has in reaching the demographic that uses it most. Disclaimer: I'm a Pirate party UK member. It's only £10 a year join!

      --
      If I have nothing to hide, you have no reason to search me
    12. Re:Not so surprising by Andy_R · · Score: 3, Insightful

      Yes.

      - Andrew Robinson, party leader, Pirate Party UK.

      (hey look, politicians can give a straightforward yes or no answer... when the slashdot filter lets them).

      --
      A pizza of radius z and thickness a has a volume of pi z z a
    13. Re:Not so surprising by locofungus · · Score: 1

      And due to our insanely large number of MPs (625 IIRC, more than the US senate and house of representatives combined) in order to put a candidate in every ward you need 300K which is well outside the finances of all but the very richest of people.

      OTOH, I'm not sure there would be anything to be gained from the Raving Monster Loony Party standing in every seat and very long ballot papers would probably mean people accidentally voting for the wrong person.

      I don't think there is an easy answer.

      Tim.

      --
      God said, "div D = rho, div B = 0, curl E = -@B/@t, curl H = J + @D/@t," and there was light.
  18. Pirate Party? by PhantomHarlock · · Score: 2, Insightful

    How is anyone going to take you seriously with a name like that?

    1. Re:Pirate Party? by qc_dk · · Score: 3, Funny

      If you own a ship?

    2. Re:Pirate Party? by Anonymous Coward · · Score: 1, Informative

      [While I am a member of the Pirate Party UK, I speak only for myself here.]

      “We recognise the iniquity of those seeking to prevent the development of free culture via immoral and questionable means, whilst portraying and labelling those that share information privately, and for no monetary gain, as nothing more than villainous, degenerate ‘pirates’. We seek to halt and de-construct the digital feudalism which now pervades the market, the reform of legislation that is currently manipulated to protect obsolete business models and feudalistic copyright controls.

      “In response to this, the party has adopted the very term employed by associations and copyright maximalists, intended to demonise and promote further and more strict criminalisation of file sharing and free culture distribution, and used it to identify ourselves as a means of drawing attention to the fallacious nature of the label. It is true that we sail on the gales of creative destruction, however, we do so in the hope of aiding the creation of an open and democratic information society and founding of a cultural commons.”

      — Quoted from the Pirate Party Australia, but the reasoning is the same.

      It’s well known around here to be absurd that you’d equate people who commit copyright infringement with those who pillage and murder on the high seas, or that you’d equate piracy with theft when one is copying and the other is moving (completely different primitives)—the name is deliberately chosen to highlight that absurdity and provoke debate.

    3. Re:Pirate Party? by ArsenneLupin · · Score: 2, Interesting
      I understand the reasoning behind it... but the problem is, the name will be way over the head of most people. Hardcore Geeks may get it. But hard-core geeks are not numerous enough to tip the scales in an election. We need to rally the common people behind us, or else it is a lost cause.

      And how do you garner support with a name where almost half of your audience goes "is this like the beer-drinker's party", and almost the other half goes "so you mean, you want to get everything for free at the expense of the poor starving artists?". And only a tiny epsilon gets the sarcasm, but those won't vote for you either, because they'll assume that with such a name it's a lost cause, and their vote is better spent with the Green party.

      IMHO, the "Open Rights Group" has a far better name than the "Pirate Party".

    4. Re:Pirate Party? by BiggerIsBetter · · Score: 1

      IMHO, the "Open Rights Group" has a far better name than the "Pirate Party".

      Creative Freedom should merge with Pirate Party but keep the CF name. It keeps the intent but creates an image of supporting creative professionals, eg artists.

      --
      Forget thrust, drag, lift and weight. Airplanes fly because of money.
    5. Re:Pirate Party? by IBBoard · · Score: 1

      There's sarcasm in the name? Everything I'd read makes it look like it is rather literal (using the media's definition) because they quite literally seem to want everyone to be able to download everything for free. They're possibly closest to my leanings because they realise that things like "fair use", "sensible legislation", "privacy" and "right to format-shift" make sense, but basically destroying/ignoring copyright (which is what FOSS is based on) takes it too far IMO.

      As for the "open rights group", I don't think they've even made a splash in the UK, have they? I've never seen anything about them.

    6. Re:Pirate Party? by Anonymous Coward · · Score: 0

      From my reading of the GPL, and similar licences, the foundations of Free Software are very much based on copyleft—which is a subversion of copyright to forcibly keep something open and prevent anyone from locking it away (rather than an affirmation of copyright by supporting the exclusive right to lock things away). In a hypothetical world with no copyright, while others would be free to swipe GPL work, you would also be free to swipe it right back, and both would be free to build upon the other. But that is not the world we live in, and I believe the GPL was an attempt by Stallman to take something that had been used in a bad way (copyright) and use it in a good way (hence “copyleft”).

      More open licences which permit inclusion and linking with proprietary software, such as the 2-clause BSD or MIT licence, would, I do not think, in any material way be affected by the complete abolition of copyright, save for a requirement to attribute and thereby not plagiarise. (Effectively no-one stands for plagiarism.)

      In any case, the Pirate Party stands for reasonable and balanced copyright laws; giving respect back to the public domain and the creative common. A moderate position, in my opinion, rather than an extreme one such as abolitionism, or the expanionist and overcriminalising views currently being heavily pushed by the people who have the most to gain and (they think) the least to lose from those views.

    7. Re:Pirate Party? by IBBoard · · Score: 1

      While you could, in theory, "swipe it back" in a copyright-free world, you wouldn't get the requirement for access to source code. I see the GPL as a use of the rights granted by copyright to keep things open, rather than a subversion of a mechanism that it is completely at odds with.

      MIT/BSD-like licenses would be unaffected in as much as people could still use the code as they wanted, but without copyright then I'd also expect that attribution requirements are also lost (after all, without a claim to copyright then you have no claim of ownership and no claim for having been plagiarised).

      No-one standing for plagiarism assumes that people have some kind of moral grounding, rather than the more likely (and already existing) situation of people not caring about morals as long as they they can get their grubby little mits on some free stuff.

      DRM, a lack of consumer rights and corporate-oriented copyright law is bad, but the message most pushed by the Pirate Party and those that support it sends things too far down the opposite side for it to be workable in anything other than short-term greed.

    8. Re:Pirate Party? by dangitman · · Score: 1

      but basically destroying/ignoring copyright (which is what FOSS is based on)

      Wait, what? FOSS is founded upon copyright. Without copyright and the concept of intellectual property, it wouldn't work.

      --
      ... and then they built the supercollider.
    9. Re:Pirate Party? by Anonymous Coward · · Score: 0

      On the contrary—isn’t Free Software in fact a creative way of using a copyright licence to secure a creative commons, to enforce the preservation of a public domain rather than a traditional proprietary copyright?

      Kindly don’t use the term “FOSS” in an ideological discussion. It’s useful shorthand in general, but it’s conflating the two camps in an area where that could be inappropriate: Free Software is ideological, but the Open Source movement is pragmatic. The two goals usually coincide, but Free Software is a movement, and Open Source is a method. It’s the difference between RMS (who believes that proprietary software is unnecessary and, in a sense, wrong, and founded a project to create a Free operating system to prove that) and Linus Torvalds (who simply finds collaborative, open development to be a very effective, practical way to write code).

      In any case, whether you believe that copyright is necessary or unnecessary to the development of Free Software, in no reasonable way could any Free Software developer benefit from ridiculous and draconian copyright laws like these proposed ones. They are in no way moderate and could only work to our detriment; indeed, the ACTA draft (which is still not even being discussed publically—what do they have to hide, that such important public policy is being dictated behind closed doors?) seems to specify that trademarks and worse, patents, are to be treated the same way, and I certainly don’t like the hypothetical (but chilling) prospect of my code’s hosting attracting takedowns and censorship because it may violate a software patent in another country!

    10. Re:Pirate Party? by VJ42 · · Score: 1

      They're possibly closest to my leanings because they realise that things like "fair use", "sensible legislation", "privacy" and "right to format-shift" make sense, but basically destroying/ignoring copyright (which is what FOSS is based on) takes it too far

      The current Pirate Party UK policy draft* is five years plus another five if you register, along with decriminalising personal copyright infringement. I think that a ten year copyright period is far from abolition.


      *It was still draft last time I checked & whilst I'm a PPUK member it's been a couple of months.

      --
      If I have nothing to hide, you have no reason to search me
    11. Re:Pirate Party? by IBBoard · · Score: 1

      ...along with decriminalising personal copyright infringement.

      Basically abolishing copyright, then, for all intents and purposes that relate to the majority of the population. How much do people spend on creative media versus how much companies spend? I doubt most big corps buy anywhere near as many CDs as music-buying teens.

    12. Re:Pirate Party? by dangitman · · Score: 1

      On the contrary—isn’t Free Software in fact a creative way of using a copyright licence to secure a creative commons, to enforce the preservation of a public domain rather than a traditional proprietary copyright?

      Not really. If it were about preservation of the Public Domain, then why not simply put the work in the Public Domain? The fact that it isn't released as Public Domain means that the authors want to retain control over the work. Now, that control may be retained "for the greater good" but it is control nonetheless.

      I think the biggest problem with your argument is that there's really no such thing as "proprietary copyright." Sure, copyright can be used to protect proprietary code, but it is also used to protect "free" and "open" code from being made proprietary. Copyright itself is neutral - you can use it for open or proprietary purposes.

      The two goals usually coincide, but Free Software is a movement, and Open Source is a method.

      Actually they are both a little of each. Open Source is a movement (you'll find plenty of evidence of that on Slashdot) and Free Software is a method (otherwise, why would there be licenses and definitions instead of just street marches and political lobbying?)

      in no reasonable way could any Free Software developer benefit from ridiculous and draconian copyright laws like these proposed ones.

      I don't recall saying they would, or voicing my support for such laws. All I did was state that the purpose of Free and OSS software is not to destroy copyright laws. Rather, the goal is to enable user freedom. I don't see why this should be a controversial statement.

      --
      ... and then they built the supercollider.
    13. Re:Pirate Party? by Taibhsear · · Score: 1

      How can anyone take you seriously when your mascots are an elephant or a donkey?...

    14. Re:Pirate Party? by Wildclaw · · Score: 1

      No-one standing for plagiarism assumes that people have some kind of moral grounding, rather than the more likely (and already existing) situation of people not caring about morals as long as they they can get their grubby little mits on some free stuff.

      The Swedish pirate party doesn't stand for plagiarism. It wants to keep the moral parts of the copyright law intact. And I sincerely hope that Pirate Parties in other countries are intending the same.

      Of course, I can understand the confusion, since many other countries such as the US currently don't have the concepts of commercial and moral copyright and instead bunch it all together into a a single group of laws, making it difficult to explain how you could reduce the right to commercial exploitation while maintaining the right to be attributed for the creation of a specific work of art.

      The moral copyright can not be sold, it can not be traded and it doesn't have to cease just because the commercial copyright ceases. When you hear Swedish pirate party people talking about a 5 year copyright, they are specifically talking about the commercial copyright, as here in Sweden there is no time limit on moral copyright at all. In other countries where time limits do exist, you would have to have different time limits for the two types, or change some moral rights so that they don't have any time limit at all.

    15. Re:Pirate Party? by Grumbleduke · · Score: 1

      ...along with decriminalising personal copyright infringement.

      PPUK can't be pushing for this, because personal copyright infringement isn't a criminal offence in the first place. It is a civil offence which, in the UK, means significantly lower standards of evidence, fewer protections for the defendant and much bigger fines and legal fees.

      Having said that, that policy is just a draft and is subject to change when it goes to a member vote over the next week or so.

    16. Re:Pirate Party? by BJ_Covert_Action · · Score: 1

      Actually, I think that name might be more effective than people think in the long run. Believe it or not, the younger generations (30- or so) really respect the kind of in-your-face, disgracefully honest type of naming convention displayed by that title. Something to keep in mind is that the younger generations are the ones that adopted iPods and MP3 players and file downloading tenaciously from the get go. These younger generations also tend to be the ones getting sued by the media conglomerates right now. These younger generations are also the ones that have been raised in an increasingly snake-oil salesman consumer culture. As such, we have become extraordinarily numb and cynical to anything that is packaged in a polite, easy to digest manner. We ignore everything that screams glamor and goodness because we have been screwed and bullshitted from a young age. We are addicted to dramatic, flourishy titles because they appeal to our sense of absurdity that this whole world sells. As such, I think the Pirate Party title appeals to quite a few folk in my age demographic precisely because it is ridiculous and absurd and, for us, life has been one big joke for as long as we can remember.

      Now granted, this only represents one small demographic, but remember that college-aged and young people are a very powerful voting demographic. The mere fact that very few of us do turn out to vote shows this. It is refleced every campaign year by politicians trying to get us roused and to the ballot boxes. Hell, just look at P-Diddy's, "Vote or Die," campaign. The powers that be realize that we younger folk have quite a bit of voting power in our hands if we ever decide to use it. As such, they try to swing us in their favor. If the Pirate Party can win us over with a satirical name from the get go, you can be darned certain than incumbents will start listening to the issue stances taken by the Pirate Party.

      I'm not sure it's such a bad title at all really.

    17. Re:Pirate Party? by IBBoard · · Score: 1

      Fine, put inverted commas around 'decriminalising'. Whether it is civil or common law (or whatever the other one is) it is still some kind of offence that leads to punishments, which makes it "a crime" to the majority of people. It's like saying a 10cc bike is a moped and not a motorbike - most people will happily call it a motorbike anyway because it is close enough for their rough definition.

  19. links the the relevant pages by H4x0r+Jim+Duggan · · Score: 2, Informative

    page 27 requires that "the online service providers act expeditiously, in accordance with applicable law, to remove or disable access to infringing material or infringing activity upon obtaining actual knowledge of the infringement" - i.e. upon receiving a cease-and-desist letter.

    Page 3 has the current working text about "n order to a party to desist from an infringement" and which the EU wants to be written as "The Parties shall also ensure that the right holders are in a position to apply for an injunction against intermediaries whose services are used by a third party to infringe an intellectual property right."

    Page 30 contains the Japanese proposal which is the current working text: 3 ter. Each Party shall enable right holders, who have given effective notification to an online service provider of materials that they claim with valid reasons to be infringing their copyright or related rights, to expeditiously obtain from that provider information on the identity of the relevant subscriber.

  20. Re:Change is coming? by SlashDread · · Score: 4, Funny

    Hey! I resent that! I won't let that happen too!

    A technically literate over 40.

  21. Re:Change is coming? by Anonymous Coward · · Score: 0

    It's already happening, and unless you are willing to pour tons of cash your vote wont count at all. Power is for those with money, not the average citizen.

  22. Copyright crazies getting everything they want by gnarlin · · Score: 1

    My fellow internet denizens.
    It seems that every single day we are getting rammed by new legislation and international agreements that are so insane and ridiculously out of touch with where technology is actually taking us, mere words fail to properly describe my feelings on the matter. The quicker we are able to share/sync the entirety of human culture the less useful copyright becomes for the well being of the human race. How useful will copyright be for our race once the complete collection of all human culture can be synced or downloaded in mere seconds to your phone?
    It is our nature to share news, gossip and other bits of our collective culture where ever we go; and now that we have to ability to all talk with one another (or YELL!) through the internet the old gatekeepers of culture have collectively gone INSANE!

    I could go on and on about how the old copyright deal with the public (authors get exclusive temporary right to copy their works and through greater incentive to create the public benefits from increased production of culture) is completely useless today but I am just too disgusted to bother right now. Besides, it's all been said before in all the other new stories about all the other recent times the keystone cops of copyright terrorized Gotham city while cackling insanely.
    I guess what I'm really asking is: why is it that despite all the anger about these issues from those who are in favor of sharing, we are loosing ground so badly? Is there no one who writes legislation who agrees that easy sharing is good for the human race?

    --
    A bad analogy is like a leaky screwdriver.
    1. Re:Copyright crazies getting everything they want by AHuxley · · Score: 1

      " Is there no one who writes legislation who agrees that easy sharing is good for the human race?"
      Say your a law student with political dreams ... and understand copyright reform ..
      Political parties have their feeder staff on the look out to tap any new talent.
      Expect to filtered out in university by the topics you select and papers your write, then by the types of early cases you represent.
      If you are not exposed by your early legal life will be invited to join the ruling elite.
      At parties in cities or country retreats events will unfold to join the elite. You will be expected to compromise yourself.
      After that you have sold out as they have something on you for the rest of your life or you are finally exposed as a good person and any real political doors close.

      --
      Domestic spying is now "Benign Information Gathering"
  23. Re:Change is coming? by AmonTheMetalhead · · Score: 3, Insightful

    Bullshit.

    Take this from someone who sees 100+ concerts a year & buys alot of CD's:
    Piracy is NOT the problem, quality is.

    About 99% of current music simply sucks monkey balls, they would have to pay m to even listen to me
    Ripping off customers: Why do cd's feature different numbers of tracks for different countries?!
    Artificial scarcity: Some cd's don't see a release in this or that country for no logical reason, or are unavailable for sale because, well, they stopped making them
    No means of listening to the whole cd before actually buying the bloody thing

    That said, i'm a big last.fm user, and i still buy a lot of cd's at concerts directly of the bands (whom tend to be smaller bands mostly), but sampling a cd before buying it requires piracy.

  24. Re:Change is coming? by Alarindris · · Score: 2, Insightful

    Bollocks. Make better, less formulated music, don't compress the hell out of it, and sell it online so people can use it in their iPods and in-dash MP3 players.

    Wrong. This is exactly what the majority of consumers want. Case in point, American Idol. Lady Gaga, etc.

    Sure, they spend an asston on promotion and create the hype, but people happily eat it up. No, they can't help but eat it up or feel like a loser because it's been drilled into them that they NEED to hear the next throwaway artist or risk not being hip and cast out of society.

  25. Re:Change is coming? by BiggerIsBetter · · Score: 2, Informative

    No offense intended! Age is not a factor, and indeed I have some more senior IT colleagues who will also object strongly to this ACTA nonsense. Importantly, I expect that the 40+ group is likely to be taken more seriously by the politicians.

    --
    Forget thrust, drag, lift and weight. Airplanes fly because of money.
  26. Re:Change is coming? by TheTurtlesMoves · · Score: 1

    I'm over 40 you insensitive clod. And I'm technically literate!

    --
    The Grey Goo disaster happened 3 billion years ago. This rock is covered in self replicating machines!
  27. Parent modded troll? WTF by Mr+Thinly+Sliced · · Score: 2, Insightful

    The usual keywords like "crack" "moderators" "on".

    Re-arrange into a well know slashdot saying.

  28. Re:Change is coming? by Heed00 · · Score: 5, Insightful

    Eventually people will start realizing that infringing is illegal and it prevents many of us (music producers) from making a living.

    Why should I care whether you can make a living or not?

    I might care about the continued production of content (the music itself), but you most certainly are not necessary for that to continue. You might believe you are and you might believe you are entitled to make a living doing what you've always done, but that in no way makes it so. Many industries have changed over time and left people out of work and their old roles redundant -- we didn't legislate to keep those industries in limbo and those old roles viable -- nor should we legislate to keep your industry in limbo or your role viable.

    It's the, "but, but, we're so important" attitude that really bites my ass. No, you're not -- you're Artie Fufkin -- now bend over and ask us all to collectively kick your ass. C'mon, for a man -- do it.

    --
    Thought thinks itself.
  29. I don't pay for my music, my software, or my movie by OrwellianLurker · · Score: 2, Interesting
    Well, sort of. I always pirate music, and if I especially enjoy an artist's music and continually listen to it I will buy T-Shirts and other merchandise. That way they get most of the money I spend and the ones I truly appreciate get all of my money-- the garbage albums with a few hits and some filler songs get rm -rf'd.

    For my software, I use FOSS all the time and rarely need to use proprietary software (I'm a student).

    I am a HUGE movie pirate. Why? Well, for starters movies are just too damn expensive-- and the quality of movies has been steadily declining for years. I pirate to avoid annoying DRM, but most importantly: I pirate so that the few quality movies I have the pleasure to watch can get all of my money. When I see a good movie, and I know I'll want to watch it again, I buy the fucking DVD. Shitty movies don't deserve my money, and good movies deserve all of my money that I would plan to spend normally.

    I would LOVE to see a theater with a membership sort of deal; I enjoy going to the theaters, but paying $10 a ticket is unreasonable. I would pay $30 a month to see 10 movies. That way, the theater would get $360 a year from me instead of the $35 they're getting now. I feel like the entire entertainment biz is giving us the finger-- they routinely produce shit, at a low cost to them, and act surprised when people stop paying for it. Instead, people begin to pirate and rarely spend their dollars on such inferior goods.

    --
    'Political power grows out of the barrel of a gun.' - Mao Tse-tung
  30. Re:Change is coming? by AHuxley · · Score: 1

    Or just go to http://www.gemm.com/ and enjoy 33 Million records, LPs, CDs and more from over 30,000 sellers
    The sites are around, the costs can be reduced, VISA helps.
    No need to fall for DRM online tracks.

    --
    Domestic spying is now "Benign Information Gathering"
  31. Re:Change is coming? by BiggerIsBetter · · Score: 1

    Please see apology above. I was thinking angry Gen-X'ers when I wrote that, but there's plenty of 40, 50 and older folks who understand the issues and think ACTA is a very very bad idea.

    --
    Forget thrust, drag, lift and weight. Airplanes fly because of money.
  32. Re:Change is coming? by srussia · · Score: 3, Funny

    Hey! I resent that! I won't let that happen too!

    A technically literate over 40.

    Hey, I resent that too!

    A numerically literate 40-year old.

    --
    Set your phasers on "funky"!
  33. whatever by chichilalescu · · Score: 1

    Our only true solution is to ignore them.
    You want me to pay for your music? ok, a few geeks will waste a few months at some point writing a open source code that can generate music of a few given styles. You want me to pay for your movies? We have blender and python, and a few geeks can waste a few months to make it simple to generate a video if you have a script.
    THESE TOOLS ONLY NEED TO BE CREATED ONCE AND WE NO LONGER NEED TO PAY.

    Researchers the world over will move to open content journals because they need the money for other things. so we geeks will live on, ignoring the rich and cool as always. And if we really want to, we can pay for something that is worth the cost, and in time learn how to do that too.

    on a related note, we should be less worried about this stuff. really. these are the same people who burned other people at the stake because they said the earth is round. our purpose should be to improve our quality of life, and any interaction with them should be guided by this principle.

    (yes, i consider them to be "them").

    --
    new sig
  34. UK won't have a "Digital Economy" by Anonymous Coward · · Score: 0

    Lets see. If Digital is a codeword for RBS, a Northern Rock Model.
    UK makes computer Hardware / Adds value: No.
    UK software research and Development growing: No
    UK hosting porn and download servers: No
    UK Digital Gambling: No
    In a position that will CREATE jobs: No
    Will help out struggling UK CD shops: No.

    I see a sea of red ink, and punters subscribing to crypto proxies. In Yes Minister speak, this is not helping, but putting the boot in.

  35. Re:Change is coming? by vadim_t · · Score: 5, Insightful

    I have some news for you: Music is nice to have, but I value my freedom and the Internet more. If you're going to stand between me and that, you're the one I can do without. And if you somehow succeed in instituting draconian laws, I'll make sure that not a cent of my money goes to you, and will simply find some other way to entretain myself.

    If you want me to buy your music, make quality, unrestricted music. Drop the awful compression, drop the DRM, and drop the bullshit. Offer FLAC for download with no strings attached, selling individual tracks, and I could be interested. Sell DRMed stuff, and I definitely won't be.

    BTW, I'm surprised you complain yet miss such an obvious chance to advertise your work. What do you make?

  36. Re:Change is coming? by gnud · · Score: 1

    I'm using a free spotify account to sample CDs before buying. The ads are annoying, but since I only use it when listening to music that's new to me, I can live with it.

  37. Re:Change is coming? by Aradiel · · Score: 2, Funny

    Home taping is killing music!

  38. Sigh... by StripedCow · · Score: 1

    Are they simply forgetting that the whole purpose of copyright law is to stimulate creativity?

    Here's some points that would actually work in that direction:

    • Don't let copyright expire too much in the future. We want artists (especially good ones) to work on new material, not spend the rest of their lives on a multi-million dollar yacht.
    • Stimulate that the work be released in source form, so that others can build on it. For computer programs, we are already see the positive effects this may have. For music, releasing not just the final (mixed) song, but also the sheet music, and the distinct tracks used in the recording would be absolutely fabulous. For movies, release an uncut version. For digital animations, release the 3d representations. For hardware, release the schematics and VHDL code, etc. Don't allow vendor lock-in of any kind.
    • Stimulate the teaching of arts by professional artists.

    This is just from the top of my head, but there are probably many more things to say about this than the actual debate is covering right now.

    --
    If Pandora's box is destined to be opened, *I* want to be the one to open it.
    1. Re:Sigh... by Anonymous Coward · · Score: 0

      I think the word you're looking for is stipulate.

  39. I did actually write to the Lib Dem Party by Anonymous Coward · · Score: 4, Informative

    I said I was disgusted with the proposal etc. and here is their reply; from the horses mouth no less.

    Thank you for your email yesterday. Please see Lord Clement-Jones' justification for his amendment here:

    "The Digital Economy Bill, as currently drafted, only deals with a certain type of copyright infringement, namely peer-to-peer file sharing. Around 35% of all online copyright infringement takes place on non peer-to-peer sites and services. Particular threats concern “cyberlockers” which are hosted abroad.

    There are websites which consistently infringe copyright, many of them based outside the UK in countries such as Russia and beyond the jurisdiction of the UK courts. Many of these websites refuse to stop supplying access to illegal content.

    It is a result of this situation that the Liberal Democrats have tabled an amendment in the Lords which has the support of the Conservatives that enables the High Court to grant an injunction requiring Internet Service Providers to block access to sites.

    The amendment (amendment 120A) has generated some concern on the internet in the last few days.

    Amendment 120A makes an explicit reference to human rights implications being taken into consideration by the Courts whilst they consider the imposition of an injunction. Such a safeguard is paramount to our concerns.

    The intention is also for the injunction to only be possible for sites where there is a substantial proportion of infringing material that is either hosted by that particular site or is accessed through the particular site in question.

    The injunction will only be granted where copyright owners had first requested ISP’s to block access to the site and where they had also requested the site operator to stop providing access to the infringing material (either by removing the material itself or removing the ability to access the material).

    There already exists a remedy under the Copyright, Designs and Patents Act (section 97A) which grants copyright owners a broad power to apply to the Court for an injunction. Therefore, all amendment 120A does is enhance this power by giving copyright owners a more clearly defined route.

    Site blocking is not a new phenomenon, the most well-known being the recommended list of sites to block provided by the Internet Watch Foundation

    Clause 17, the Government’s completely objectionable power to enable the Secretary of State to attempt to amend copyright law at any time is deleted by the joint Lib Dem and Conservative amendment.

    Unlike Clause 17, amendment 120A depoliticises the process. The amendment will ensure any action will be heard before the High Court. The liberal principle of equality before the law remains intact allowing both sides to make their case before a judge, not by appeal to the Secretary of State.

    Before making an injunction, under the amendment the Court has to have regard to whether the copyright owner has made reasonable efforts to facilitate legal access. This is designed to ensure that copyright owners continue to develop innovative ways of enabling their material to be accessed online legally, such as Spotify, before turning to legal action.

    To conclude, the Lib Dems are not seeking to censor the internet but are responding to genuine concerns from the creative industries about providing a process whereby their material can be satisfactorily accessed legally."

    Best wishes,

    Dan Murch
    Liberal Democrat Policy Research Unit

    1. Re:I did actually write to the Lib Dem Party by mdwh2 · · Score: 2, Interesting

      Thanks, interesting - although it doesn't really tell us much. I'd like to see what the Lib Dem MPs say about their party policy on this matter, not handwave the issue over to what that Lord has to say. Do they support it, or not?

      "Site blocking is not a new phenomenon, the most well-known being the recommended list of sites to block provided by the Internet Watch Foundation"

      Ah yes - which blocks (potential) child pr0n. Leaving aside that they can't even get that right (remember Wikipedia?), extending censorship from child pr0n to copied mp3s (or even just linking to them) is absurd.

      Even people criticising the IWF on slippery slope grounds could never have dreamed that it would be extended so far, for so petty things, so quickly!

    2. Re:I did actually write to the Lib Dem Party by julesh · · Score: 2, Informative

      It's an interesting reply, but I think it misses the major problem with the idea behind this legislation, which proposes to ban access to any site where some unspecified majority of content is infringing (the required amount presumably to be established later by courts in the case law on the issue). The problem with this is that many of these sites also contain useful non-infringing content that can often be difficult to acquire elsewhere, e.g. I've come across a number of small free/shareware software authors who use rapidshare as their primary distribution point. Killing access to these sites also kills legitimate content, which absolutely should not be permitted.

    3. Re:I did actually write to the Lib Dem Party by Grumbleduke · · Score: 2, Insightful

      As I pointed out in my original article that response from Lord Clement-Jones just highlights his lack of understanding.

      He makes a major mistake in the first sentence - I pretty much stopped reading after then - although his assurances about it involving due process are worthless as the debate (and text) made it clear that the Court is not expected to be involved and if it is, the service provider will have to pay all the costs.

      The Digital Economy Bill, as currently drafted, only deals with a certain type of copyright infringement, namely peer-to-peer file sharing.

      Wrong!"P2P" or even the word "peer" do not appear at any point in the current text of the bill. The original recommendation in the Digital Britain report was limited to P2P if I remember correctly, and the major consultation over the summer (that I wrote 20,000 words on pointing out many of the flaws in their plans) was on P2P only, but when the actual text was published it had been expanded to cover any online activity.

      Lord Clement-Jones may have seemed technologically competent and knowledgeable, but that was just in comparison to the government Ministers, so doesn't say much. The direct debate between him and the Earl of Erroll highlighted just how limited his understanding was.

  40. Re:Change is coming? by Anonymous Coward · · Score: 0

    Amazing. I bet you're all over "artificial scarcity" at other times, but now you're conveniently forgetting that digital distribution is basically free and can be done to a million people as easily as to one. The same is not true for compact cassettes or phonographs. Where once you might tape an album and give the tape to a friend, spending a few dollars on the tape, and costing the artist a few pence at most, now you can just digitize the album and give it to everyone in the world, spending nothing, and costing the artist his entire livelihood.

    I find it ironic that punditry on this subject conveniently forgets point A (digital data has no scarcity) when moving on to point B (piracy is not new anyway). How can people "get" point A when it suits their argument and then completely fail to "get" point A when it happens to blow their entire position out of the water?

    It's almost as if most of the people attacking copyright law are hypocrits ...

  41. A Lords Amendment Doesn't Mean Party Policy! by mdwh2 · · Score: 2, Insightful

    Note that this is happening in the House of Lords. Of course yes, as a Lib Dem voter I am horrified by this, but it's important to work out whether this amendment actually came from official Lib Dem party policy, or was an amendment put forward by Lib Dem and Tory Lords.

    From the link, all it shows is an amendment proposed by a Lib Dem Lord. A Lord can propose what they like (this is both the advantage and disadvantage on the system - they're not tied to party policy).

    Please don't throw away your vote for your MP for the House of Commons, based on what someone else is doing in a completely different House! Please write to your Lib Dem MP, let them know what you think, and hope ensure that this doesn't come Lib Dem policy (and preferably, get them to distance themselves from this amendment).

    (Even in the House of Commons, sometimes you can have individual MPs proposing amendments that aren't party policy. I don't care whether you decide to vote based on your individual MP, or party policy, but deciding who you vote for based on the actions of other MPs is just throwing away your vote.)

  42. Re:I don't pay for my music, my software, or my mo by Anonymous Coward · · Score: 0

    By pirating their content you are strengthening their argument for excessive copyright protections. If you want cheap content, wait a couple of years when the DVD's are £3-5.

    I dont pirate content, BUT I dont pay for it from big content producers either.

    I do support (and purchase) independent artists (music) that have not signed a contract with big content.

    Its only the creation of content outside of the fatcats at hollywood etc, that they will get the message.

  43. Not party policy(?) by mdwh2 · · Score: 1

    It's an amendment proposed by a Lord. Does anyone have a reference that this is coming from Lib Dem party policy? The Lords can propose what they like, it doesn't have to be with their party politics.

    If you're going to use this as an axe to grind, do it against the Lords proposing this, not Lib Dem MPs who work in a completely different House.

    1. Re:Not party policy(?) by julianhuppert · · Score: 1

      Exactly - this is not Lib Dem party policy! See http://www.makeitpolicy.org.uk/it-policy-paper/delivering-the-information-society/regulation-of-internet-content-and-copyright/ Certainly I as Lib Dem Candidate for Cambridge don't support it - and I'm very much not alone in the Lib Dems! Julian

    2. Re:Not party policy(?) by mdwh2 · · Score: 1

      Excellent. As it happens, I'm in Cambridge myself, so this saves me writing to you about the matter :) You have my vote.

      (Are there any plans to make any statement about this amendment, e.g., for the Lib Dems to clarify the official party policy, or to distance themselves from that amendment? Unfortunately most of the media seem to be reporting this as being done by the "Liberal Democrats", and I fear many potential voters will mistakenly take this as official policy...)

    3. Re:Not party policy(?) by julianhuppert · · Score: 1

      Great and many thanks ... Have we met? If you're interested in helping out we can always use assistance! There are plans - see for example http://www.libdemvoice.org/twentyfive-lib-dem-ppcs-sign-letter-asking-lib-dem-parliamentarians-to-think-again-on-digital-economy-bill-18185.html I'm expecting more shortly ... Julian

  44. Re:Change is coming? by dangitman · · Score: 1

    Bollocks. Make better, less formulated music, don't compress the hell out of it, and sell it online so people can use it in their iPods and in-dash MP3 players.

    That doesn't really seem to match reality. The worse, more formulaic music is selling more and making tons of money. There are people who make quality music and sell it online in unencumbered formats, but they aren't making nearly as much money as the "pop" producers.

    --
    ... and then they built the supercollider.
  45. Not at all like the DMCA by John+Hasler · · Score: 1

    > The new amendment known as 120A sets up a system whereby a copyright owner
    > could force an ISP to block certain websites who allegedly host or link to
    > infringing material or face being taken before the High Court and made to
    > pay the copyright owner's legal fees.

    This describes something which is virtually the opposite of the DMCA safe harbor, which grants immunity to ISPs who otherwise might be found liable and does not grant new powers to copyright owners.

    --
    Warning: this article may contain humor, sarcasm, parody, and perhaps even irony. Read at your own risk.
  46. Re:Change is coming? by Anonymous Coward · · Score: 0

    It's almost as if most of the people attacking copyright law are hypocrits ...

    You're the hypocrite. The artist can make a million copies just as easily as anybody else. Why don't they do that and make a small profit on each?

  47. Far worse than the DMCA by mdwh2 · · Score: 1

    Correct me if I'm wrong, but the DMCA and similar laws are about taking down the source. Whilst there are problems with this, to be fair, this isn't too unreasonable: it tackles the source rather than someone simply looking at the site, and it allows people to dispute the claim. It also means that ISPs and hosts don't have to worry about liability. (The worrying parts of the DMCA are surely the bits to do with criminalising things that can circumvent a copy protection method, no matter how trivial.)

    But this proposal in the UK appears to be talking about blocking the sites. As in censorship - as in something the UK currently only do for (potential) child pr0n. As in the sort of thing that's causing an outrage in Australia, yet here we are now considering it for mere possible hosting of copyrighted files...

    (Also see the post below about an email from the Lord who proposed this, where he references the Internet Watch Foundation, which is the UK organisation that provides the blocklist.)

    1. Re:Far worse than the DMCA by mhajicek · · Score: 1

      I believe the biggest problem lies with the fact that such blocking or censorship happens upon accusation, rather than after due process. This allows for considerable misuse and abuse, harassing and censoring potential competitors in both business and politics.

  48. Re:Change is coming? by Anonymous Coward · · Score: 0

    If you don't think me or my music is important, you're free to not bother stealing it. No-one has an issue with people who don't bother stealing their music because they don't like it. The issue is, frankly, that your generation thinks music *is* important - so important you want it *all*. Add to this the entitlement culture you live in, and here's where we get.

    And now we the creators need legislation to stop this tyranny of the majority, and we are going to get it. If this wasn't important compared to the other freedoms you are about to lose, you would stop. You're threatening your entire online future by stealing content and not giving a shit. It must be *very* important to you. Wake up and smell the coffee.

  49. Re:Change is coming? by BiggerIsBetter · · Score: 1

    I don't have numbers to support an argument either way. I can only express my own view, with reasons for me not buying a lot of entertainment media for many years.

    However I'll also speculate that the small indies don't have ready access to certain advertising channels, specifically mainstream radio and TV, and perhaps even movie scores, It's pretty hard to get marketshare if the market doesn't know you exist... and that's something big media does pretty well, advertising and marketing (even if it's flogged until it's dead, then find the next big thing...).

    --
    Forget thrust, drag, lift and weight. Airplanes fly because of money.
  50. Re:Change is coming? by mdwh2 · · Score: 1

    You're stealing my time, that I wasted reading your comment...

  51. Re:Change is coming? by dasunt · · Score: 2, Insightful

    And now we the creators need legislation to stop this tyranny of the majority, and we are going to get it. If this wasn't important compared to the other freedoms you are about to lose, you would stop.

    I did stop. I stopped buying any new music from RIAA members. I'll pick up the occasional RIAA-member-produced album used, but never new. Luckily, there are independent music publishing houses, and they are getting most of my money now.

    If the copyright treaty passes, I'll make sure not to buy music from any organization that sponsored it.

    I'm not interested in paying others to trample a free internet.

  52. Some utterly unconnected facts by Andy_R · · Score: 4, Interesting

    Lord Clement Jones "is paid £70,000 in respect of his services as Co-Chairman of DLA Piper's global government relations practice" according to http://www.publications.parliament.uk/pa/ld/ldreg/reg06.htm

    DLA Piper works on behalf of the MusicFIRST coalition.

    The RIAA is a founding member of the MusicFIRST coalition.

    --
    A pizza of radius z and thickness a has a volume of pi z z a
  53. Re:Change is coming? by VJ42 · · Score: 3, Insightful

    ...You didn't...

    Because itunes & amazon are making a loss on their music sales, right? Am I? Or are digital music sales actually increasing?

    --
    If I have nothing to hide, you have no reason to search me
  54. This *must* be better than the old proposal by Anonymous+Brave+Guy · · Score: 2, Informative

    Yes, the reaction to this seems to be wildly missing the point AFAICS.

    The old version would have allowed a government minister, acting on his/her own authority without the usual oversight/consent from Parliament, to set penalties for all kinds of things. That was how we got the danger of people being completely cut off from the Internet because someone with whom they shared a connection had been merely accused of infringement three times. And yes, the current minister is unelected, and seems to have adopted rather strong views on this subject shortly after a private meeting with a big player in the game.

    Now, a takedown system is not great: it's vulnerable to malicious false claims, it's going to impose a compliance burden on ISPs, and it isn't as strong a defence of copyright holders where they have a legitimate grievance. Even so, surely that is still better than effectively unrestricted penalties imposed without either the usual legislative or judicial oversight on the basis of a mere allegation by an industry with a history of making false accusations.

    --
    If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    1. Re:This *must* be better than the old proposal by Anonymous Coward · · Score: 0

      the current minister is unelected

      Noone has ever been elected minister per se, although you might make a case that the parliamentary parties (or subunits thereof) effectively elected first lords of the treasury (i.e., the prime minister) when they controlled the House of Commons in the past.

      In modern times all cabinet ministers are selected by the prime minister. Cabinet collegiality and indepedent mandates have been dead for all but public relations purposes since the time of Charles James Fox.

      The prime minister is responsible to the House of Commons in two ways. Firstly, she or he must show and maintain the confidence of the House of Commons or be obliged to seek an election, or nominate a replacement (which must be done if confidence is lost leading to an election after which confidence is not demonstrated, per Lascelles et al). Secondly, she or he must be voted Supply by the House of Commons. Without such positive votes, the government has no lawful access to the general revenue. Consequently, not passing Supply (or losing a Supply bill, or having one substantially modified) is generally taken as a loss of confidence.

      All members of the House of Commons are popularly elected in modern times.

      If an outgoing prime minister were to recommend some unelected person to replace him, or if a sitting prime minister were to appoint only unelected persons to the great offices of state (or much of the Cabinet), retaining the confidence of the House of Commons would become tricky. In part this is because the patronage aspect of appointing MPs to Cabinet is the strongest carrot in whipping MPs into voting to support the government in confidence motions.

      Salisbury was able to act as Prime Minister from the House of Lords through skilful use of patronage, relying on the argument that Cabinet ministers sitting in the House of Commons could speak for him there, the regular Question Time in the House of Lords and the support of the majority of MPs (he had to rely on more than his Conservatives!) satisfied the requirements of responsible government.

      Brown is responsible to the House of Commons for Mandelson; the elected MPs are in turn responsible for Brown. If enough Brown-supporting MPs fail to be reelected (assuming other Brown supporters do not take their place), perhaps in part because of Mandelson, then the "unelected Mandelson problem" goes away. If enough Brown-supporting MPs are reelected (assuming they continue to support Brown fully) then there is a fairly clear indication that voters are OK with the "unelected Mandelson problem".

      Note, however, that Mandelson himself has indicated that he would be willing to renounce his life peerage and stand for election again. He won huge majorities running as the MP for Hartlepool (weird, huh?) and likely would do so again.

      That's too bad because he really does seem to get himself involved too often in what appears to be clear conflicts-of-interest while on holiday in Corfu and so forth. On the other hand, his resignations in the past suggest that there has been some degree of accountability imposed on him by The System. Likewise, to the extent that he contributes to the electoral misfortunes of the government of the day in May (assuming Labour does not pull a rabbit out of the hat at the last second), there will be some democratic accountability imposed on him (assuming he is not invited into a non-Brown cabinet, perhaps in a LibLab coalition or something).

  55. Copyright doesn't just affect musicians by Anonymous+Brave+Guy · · Score: 2, Insightful

    Profits can be made selling merchandise and playing live.

    I really wish people would stop auto-repeating this line. It might be true (or it might not) for professional musicians, but how is an author, or an artist of the drawing/painting/photographer variety, or a software developer supposed to make a living in those ways?

    --
    If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    1. Re:Copyright doesn't just affect musicians by Anonymous Coward · · Score: 0

      but how is an author, or an artist of the drawing/painting/photographer variety, or a software developer supposed to make a living in those ways?

      Author - by writing
      Artist - by drawing, painting or taking photographs
      Software developer - by writing software

      You do your work and get paid just like every other person on the planet.
      Stop thinking you are entitled to special treatment because of some
      ridiculously outdated law.

    2. Re:Copyright doesn't just affect musicians by L4t3r4lu5 · · Score: 3, Insightful

      It might be true (or it might not) for professional musicians, but how is an author, or an artist of the drawing/painting/photographer variety, or a software developer supposed to make a living in those ways? I really wish people would stop auto-repeating this line. It might be true (or it might not) for a media creator to have their business model propped up by the law, but how is an IT worker or an accountant, mechanic, or teacher supposed to make a living in those ways?

      Boy, I sure wish my choice of career was backed up by draconian enforcement of 100 year old laws based on a technologically and educationally outdated age. God forbid a "content creator" should have to do something else if their products don't sell.

      (By the way, if people are willing to buy buy a copied disk of your product for $2 in a Thai market, maybe they should reconsider your pricing structure. It's obviously not worth what you think it's worth, and you don't get to pick the price I pay. Before the internet, you'd just go bust like every other business with a product too overpriced for the market.)

      N.B. Any instance of the word "you" is not directed personally at the parent, just as a way of saying "someone other than myself, as I'm not in that situation."

      --
      Finally had enough. Come see us over at https://soylentnews.org/
    3. Re:Copyright doesn't just affect musicians by Anonymous+Brave+Guy · · Score: 1

      If the content creators worked at a viable market rate on that basis, then only artists who were independently wealthy themselves, supported by wealthy benefactors, or able to collaborate with large numbers of other artists to produce a work of common interest would be able to share professional quality work with the general public. If you don't think that reverting to a predominantly patronage/voluntary model would hit the number and quality of works available to the average member of the public, then I've got some Enron shares I'd like to sell you.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    4. Re:Copyright doesn't just affect musicians by L4t3r4lu5 · · Score: 1

      Awww, troll mod? Someone thinks that artists, devs, and musicians are entitled to make a profit from their works!

      Guess what! If people ain't buying it, it's not worth what you're charging to those people. Find a new market, or GTFO (find a new career).

      --
      Finally had enough. Come see us over at https://soylentnews.org/
    5. Re:Copyright doesn't just affect musicians by Anonymous+Brave+Guy · · Score: 1

      The current copyright model provides a plausible economic basis for making works that are expensive to create, yet sharing the cost between many beneficiaries who each contribute only a small share of the total. This is how you can download a music track that cost thousands to produce for a dollar on iTunes, or you can buy a book that took the author and everyone working in production and editorial months or even years to produce for just a few dollars on Amazon.

      Whenever the principle of copyright comes up, sooner or later I seem to ask the same question: in any alternative economic model you propose, what replaces the situation I described, so that at least the same number and quality of works are available to the same number of people? No-one has yet been able to offer even a plausible answer to that question for debate, but by all means share a new idea with us and let's discuss it.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    6. Re:Copyright doesn't just affect musicians by Smauler · · Score: 1

      I agree with you to some degree, but the copyright system currently is completely broken. Here's what I propose :

      Copyright is non-transferrable. The creator _cannot_ sign away their copyright.
      - Copyright lasts for about 10 years.
      - Exclusive licenses are illegal. The copyright holder must be able to license to who they want, whenever they want.
      - Secondary copyright lasts for 50 years. Secondary copyright entitles the copyright holder to around 15% of the sale value of anything of theirs sold between the end of primary copyright and 50 years. (This is to prevent publishers and music labels profiteering off work by just publishing everything 10 years old, and nothing coming to the creator. Note this does not affect free copying of the work).
      - Corporations can (obviously) hold copyright, however only for work done by employees actively working for them. Any work created in an Employee's free time is inescapably the employee's.
      - All copyright finishes at the death of the creator.

      There are issues to be worked out with this system, eg. joint copyrighted works and disputes within the group. More importantly, this may lead to an increase in DRM as corporations seek to protect their content themselves. At least it would without other laws restricting their rights to do so. However, _all_ of the artists and creators would benefit, and society would benefit as a result too.

      I'd personally completely ban DRM if I was in power, but I'd make distribution of copyrighted works criminal (with a large minimum threshold amount, and/or a profit clause). I'd make software distributors legally obliged to provide interoperability (I know that's vague, I haven't pinned it down yet). I'd also require any software copyright holder to release source code after the 10 year primary copyright is up. We can all dream, right?

      Like I said, I am _sure_ this kind of system, with loads of tweaks probably, would work. The current system is dead in the water, and is restricting artistic progress.

    7. Re:Copyright doesn't just affect musicians by mhajicek · · Score: 1

      I have a friend who's a comic book artist. She releases her work for free. Her fans donate out of appreciation, and many of them will commission additional pages or other work. This is a viable economic model.

    8. Re:Copyright doesn't just affect musicians by billybacs · · Score: 0

      I'd imagine there is no situation that guarantees the same quantity/quality of works are available, but I don't think the situation would be that detrimental. Expensive stuff becomes riskier, and if anything it pushes companies to reduce the cost of production (whether producers are paid less, or less work goes into post-production), and although quality will surely dip at first, the most profit will be found by getting the most bang for your buck. The cost of making an album really isn't high. You can get equipment for a few thousand dollars. That leaves distribution/marketing. Outside of the internet, there's no reason why the role of the RIAA can't simply be to provide publishing for a cut of revenue of those physical CDs, as opposed to actually owning the songs and creating 200-page contracts that stipulate those three services. This would eliminate the whole "we sign a band to perform songs written by this random guy" scenario for royalties. The revenues are split between label (or whoever) and band, who each divvy everything up as needed. A band that really wants radio play will manage to get their songs on the radio, and it will probably revert back to radios getting paid to play content. Beyond that, copyright was never intended to allow a person (or estate or whatever) to profit indefinitely from a work they created, since they are supposedly creating more works to profit from. A song written 30 years ago shouldn't be copyrighted, although a cover of that song performed last year should. A performance of that song from 30 years ago shouldn't be copyright-able either. The Beatles aren't creating any more art...why should whoever owns their copyrights get paid because their likeness and songs are in Band Hero? It would be like trying to demand payments for using a performance of Beethoven's 9th from 50 years ago. There was a limit set so that after x years, society could use that "stuff" in more creative ways.

    9. Re:Copyright doesn't just affect musicians by Anonymous+Brave+Guy · · Score: 1

      FWIW, I agree with almost everything you wrote there (and have said as much in official consultations and contacts with my representatives, too).

      I think there are a couple of flaws in your proposals. For example, I would allow an exclusive distribution deal but only with a statutory maximum duration that is quite short (no more than a year or two). That way, if a distributor is doing a good job and providing value to the artist (and by implication, that probably means promoting the work effectively so more people benefit from it) then the artist can renew the distribution deal, but they always have the control, not the middleman corporations.

      Also, expiry on death isn't really viable for creators with dependents. If a creator is working with a reasonable expectation of benefit and then dies suddenly, I think it's reasonable for a spouse/children to inherit the rights and claim that income, the same as they would for any other kind of payment that would have been due to the deceased. A shorter time frame for copyright in general should be sufficient to prevent abuse.

      Finally, DRM is a tricky one. I see that particular form of protection as having limited practical value, but I also object to telling copyright holders they can't try to protect their rights/limit the damage through technical means. I think forcing everything into the open no matter what limits the potential to create new business models that might serve both the copyright holder and the market better than assuming everyone has to buy everything with full rights and at full price.

      The main problem I have with technical measures is when the law also prohibits circumventing those measures in order to exercise otherwise legal use of the work. For example, if someone has bought a piece of software or a music track and has the right to use them normally, then I have no problem with that person cracking the DRM or downloading a pre-cracked version if whatever protection/validation/activation system it came with prevents that use. Likewise, once a work is released to the public (even with restrictions, e.g., on a rental model), the clock has started on the copyright duration, and perhaps it should be required that an unrestricted copy of any work so released must also be placed in escrow with a central agency for public release when the copyright expires.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    10. Re:Copyright doesn't just affect musicians by Anonymous Coward · · Score: 0

      This is why we can't have nice things.

    11. Re:Copyright doesn't just affect musicians by Anonymous+Brave+Guy · · Score: 1

      I don't dispute that it's a viable economic model for your friend, but it doesn't scale, does it?

      How does, say, software developed by a team of 500 people get made in this environment? You could probably count all the OSS-style projects of that scale in the world on your fingers, and even the flag-bearers in that respect are rarely significantly better than what the commercial world has produced with far fewer resources and much sooner.

      What about a movie involving a dozen main cast, dozens more extras, a custom orchestral score, state-of-the-art CG effects, etc? Would you expect millions of people to donate tens of dollars each to fund that sort of project in advance?

      What about a smaller scale, but still more than one person alone could do in a few days or weeks, say a specialist technical book that involves significant research and proper peer review?

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    12. Re:Copyright doesn't just affect musicians by billybacs · · Score: 0

      I messed up formatting in my other post.

      I'd imagine there is no situation that guarantees the same quantity/quality of works are available, but I don't think the situation would be that detrimental. Expensive stuff becomes riskier, and if anything it pushes companies to reduce the cost of production (whether producers are paid less, or less work goes into post-production), and although quality will surely dip at first, the most profit will be found by getting the most bang for your buck.

      The cost of making an album really isn't high. You can get equipment for a few thousand dollars. That leaves distribution/marketing. Outside of the internet, there's no reason why the role of the RIAA can't simply be to provide publishing for a cut of revenue of those physical CDs, as opposed to actually owning the songs and creating 200-page contracts that stipulate those three services. This would eliminate the whole "we sign a band to perform songs written by this random guy" scenario for royalties. The revenues are split between label (or whoever) and band, who each divvy everything up as needed. A band that really wants radio play will manage to get their songs on the radio, and it will probably revert back to radios getting paid to play content.

      Beyond that, copyright was never intended to allow a person (or estate or whatever) to profit indefinitely from a work they created, since they are supposedly creating more works to profit from. A song written 30 years ago shouldn't be copyrighted, although a cover of that song performed last year should. A performance of that song from 30 years ago shouldn't be copyright-able either.

      The Beatles aren't creating any more art...why should whoever owns their copyrights get paid because their likeness and songs are in Band Hero? It would be like trying to demand payments for using a performance of Beethoven's 9th from 50 years ago. There was a limit set so that after x years, society could use that "stuff" in more creative ways.

    13. Re:Copyright doesn't just affect musicians by billybacs · · Score: 0

      Regarding expiration upon death, what if term is reduced BACK to the original 25 or 30 years, and is transferred to the estate/family for the remainder of the term, except when the creator dies within 5 years of the work's creation, and the clock resets to 25 years? That seems like a compromise to me that makes sure people get compensated and that the family can at least partially support itself for a while, as well as opening works up within a a reasonable amount of time.

    14. Re:Copyright doesn't just affect musicians by Anonymous Coward · · Score: 0

      by producing a QUALITY PRODUCT, and advertising it in an HONEST FASHION.

      by quality product i mean: simply a well made and desired product.

      by honest i mean most specifically: letting people know upfront how much of the cost goes into the makers pocket as profit. it's called transparency, one of the biggest problems with the corporate world is the lack of transparency, if invites corruption and encourages greed.

      if no one would ever find out what you had done, what would you do? most people think they'd behave well, but history teaches us that most people behave poorly if they think they wont get caught.

      also, you said specifically "make a living"... how many companies that file copyright lawsuits have actually failed to "make a living" or sustain themselves. chances are if they lave the money to file suit, they're well beyond rich already... just admit it: the system is flawed!

    15. Re:Copyright doesn't just affect musicians by martin-boundary · · Score: 1

      how is an author, or an artist of the drawing/painting/photographer variety, or a software developer supposed to make a living in those ways?

      There is no problem here. Require the client to pay for your work up front and/or during the work in progress. By the time the work is finished, you should have been paid the bulk of what is owed to you.

      If your business model relies on producing for free first, and recouping the costs of production afterwards somehow by selling to unknown clients, then you're implicitly in the business of speculation. Speculation == gambling, and that's never a good idea for making a living.

    16. Re:Copyright doesn't just affect musicians by martin-boundary · · Score: 1
      OSS is a 500+ member project. You're just not looking at it the right way. The members form little groups who produce specialized components, which get used by other members in other groups to assemble bigger, less specialized components.

      If you think 500+ member projects must have a CTO at the top or can't be called a 500+ member project, then you're missing the forest for the trees.

      What about a smaller scale, but still more than one person alone could do in a few days or weeks, say a specialist technical book that involves significant research and proper peer review?

      I don't know in which world you live, but this happens every day, for free, in every university on earth.

    17. Re:Copyright doesn't just affect musicians by Anonymous+Brave+Guy · · Score: 1

      If that is your position, can you please be the first person ever to answer my standard question on this topic?

      In your case, I would add the additional consideration that what you call speculation/gambling is what others might call investment, and the entire business world and global economy is founded on that principle, so I think you're on a bit of a loser with that argument.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    18. Re:Copyright doesn't just affect musicians by Anonymous+Brave+Guy · · Score: 1

      Your characterisation of OSS is interesting, but doesn't address the basic problem: some products are fundamentally boring, utilitarian things, and that includes some big projects that you can't just build by combining up convenient blocks. Copyright provides a commercial incentive to develop such things anyway, because they are useful. In the absence of copyright, or a sufficiently effective replacement, it is unlikely that such software would be made at all, because no single customer or small collective would want to stump up the entire development cost.

      I don't know in which world you live, but this happens every day, for free, in every university on earth.

      It really doesn't. Academics publish because*:

      • Their university pays them.
      • Their university provides accommodation, food, etc.
      • It is a condition of their readership/tenured professorship/other externally funded academic position.
      • It increases their standing in the academic community to the point where they can achieve the above.

      * Delete as applicable, but I bet you can't delete all of them for any academic you know.

      Moreover, universities are themselves typically funded by carrying out research for the commercial sector, by government subsidies out of taxpayers' money, or through income from providing degree-level tuition.

      As for quality, while there are certainly some good academics, many write poorly, repeat the same basic idea many times rather than innovating, and wouldn't survive a week in a comparable industrial R&D setting where you have to earn your pay by continuously producing useful work.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    19. Re:Copyright doesn't just affect musicians by Smauler · · Score: 1

      I think you are possibly right about the exclusivity thing - I was actually thinking along the lines you are, but did not come to a firm decision. The trouble with exclusive deals though is that the entire publication could end up a disaster, and the creator would have _no_ recourse for the duration of it. They could sign a percentage deal and then the publisher could backtrack, leaving the author in limbo. If exclusive deals would work, they could only be very short. Personally I'd be wary of anything over one year.

      Perhaps limited secondary copyright could be passed on to dependants, I would definitely argue against primary copyright being so. Birthrights should not be encouraged generally, IMO.

      DRM does not work, at the moment. All it does is inconvenience legitimate users. It does not touch "pirates".

      I'm slightly worried about the extent of DRM. _IF_ (and you can see it's a big if) effective DRM does come to pass, media corporations will effectively be able to bypass the law, allowing only who they want to use their products, irrespective of copyrights or anything else. Copyright law would be irrelevant in that case because the only way to use their products would be to ascribe to their DRM. This could even happen with our current laws, although we will not see it for a hundred years or so because of the absurd copyrights. Shortening copyright would speed this process.

    20. Re:Copyright doesn't just affect musicians by Anonymous+Brave+Guy · · Score: 1

      DRM does not work, at the moment. All it does is inconvenience legitimate users. It does not touch "pirates".

      I sympathise with the concerns about DRM, but I very much doubt that the above claim is really true.

      It seems pretty well established by now that a lot of casual infringement is done by "playground pirates", younger people who will copy things from friends without even realising that they are breaking the law. While DRM won't stop either professional pirates or those with enough geek credentials to use a P2P system safely and covertly, that doesn't cover the entire population, not by a long shot. It may well be that the irritation to and potential loss of revenue from legitimate customers is outweighed by the commercial benefits of discouraging playground piracy.

      Given that the law is clearly on the side of the copyright holders here, yet the legal system slaps them in the face with amazing frequency by allowing widespread copyright infringement to take place with little if any practical recourse, I don't think we can blame the rightsholders for trying to defend themselves technically instead. (I have different objections to the abuse of the US legal system by certain Big Media organisations, but that is pretty much a local phenomenon because the US legal system is itself deeply flawed and wide open to such abuse.)

      _IF_ ... effective DRM does come to pass, media corporations will effectively be able to bypass the law, allowing only who they want to use their products, irrespective of copyrights or anything else.

      It's interesting that you chose the terms "media corporations" and "bypass" there. While I have little sympathy for over-stuffed middlemen, I think it is important to consider that with the increasing availability of broadband Internet and the increasing technological aptitude of the population, copyright or whatever replaces it will be an important legal framework to support artists who are going it alone, either self-publishing or working directly with private technical staff rather than just handing everything over to a publisher/record label/studio as has been the dominant mode of working up to this point. In a nutshell, not every rightsholder is a cash-grabbing multinational megacorp, and I think as time goes by more and more of the little guys will be going independent.

      In that context, whatever system we have needs to provide sufficient incentive for people to share their work for the benefit of others. If copyright doesn't do that — and for a little guy without a full-time legal staff to chase those who rip them off, the legal system clearly doesn't live up to its side of the bargain today — then again I can't blame people for trying to protect their interests in other ways.

      In that regard, there is no law that entitles someone to access a particular work, even after a certain period of time. Indeed, people around here talk about "fair use rights", but fair use is (in US terms) an affirmative defence to a specific case of copyright infringement, effectively nullifying that particular legal restriction. There is no "right" of any kind attached to it. So there isn't really any law to be bypassed, in your terms.

      This might sound like a dangerous situation, but just as I don't think content providers should be able to lock up their content indefinitely behind a purely legal shield, neither do I think society has a right to go "thought police" on everyone and somehow require that we all hand over every idea or concrete work we conceive of in some open format. That's far too invasive an idea to be ethical, and far too broad a measure to be practical. In short, if someone is willing to share a work, but only on their terms and with the ability to enforce those terms in practice, I don't see what business the law has telling them they can't.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    21. Re:Copyright doesn't just affect musicians by martin-boundary · · Score: 1

      some products are fundamentally boring, utilitarian things, and that includes some big projects that you can't just build by combining up convenient blocks. Copyright provides a commercial incentive to develop such things anyway, because they are useful.

      In OSS, boring projects get built just the same. Most development libraries fall into that category, and they are either built as a necessary part of a larger project, or spun off as a subproject of their own. For example, there are libraries for parsing XML, reading email documents, for cryptography, etc. Implementing these things is utterly boring, but the hope is that by making them into libraries, other people can reuse the work.

      What does not get built is the final cookie cutter app/website, which benefits a single company. Instead, companies are expected (if they wish to use OSS that is) to use the high level tools provided (libraries, content management systems, etc),and that usually still means paying a developer.

      It really doesn't. Academics publish because*: [...]

      It doesn't matter *why* they do it, the point is that they do it, and the publishers (or the public directly) get their work for free. There's no need to invoke copyright incentives and speculate about future returns for the author. That is simply not the reason why such technical books get written.

      As to what the universities get: teachers and prestige, and that's what they pay academics to provide. Universities make money from students (->teaching) and grants (->research) none of which supports the writing of books. Academics are not paid to write textbooks or monographs. In fact, writing technical books tends to be viewed negatively as it takes a lot of time away from writing papers (=research).

      As for quality, while there are certainly some good academics, many write poorly, repeat the same basic idea many times rather than innovating, and wouldn't survive a week in a comparable industrial R&D setting where you have to earn your pay by continuously producing useful work.

      Heh. You have a rosy view of industrial R&D. Most of it is highly derivative, for the simple reason that innovation is risky and expensive. The Googles of the world are rare, and cannot be taken as the norm, or if you do then you should also take the best academics as the norm.

      What most companies do is repetitive, boring, and arguably useful, but only if your definition of useful is restricted to a single company. IMHO, the word useful should only be used when something benefits directly a large cross section of the population.

    22. Re:Copyright doesn't just affect musicians by martin-boundary · · Score: 1

      In your case, I would add the additional consideration that what you call speculation/gambling is what others might call investment, and the entire business world and global economy is founded on that principle, so I think you're on a bit of a loser with that argument.

      There's nothing wrong with that line of argument. Have you missed the 2008 Great Financial Crash? Whether it's called investment or speculation/gambling does not change the nature of it. Arguably, investment is supposed to be very low risk, whereas gambling/speculation is supposed to be high risk, but the line is much too blurred to be useful these days.

      What matters is to ask whether the riskiness is appropriate to achieve the goal of an economic player. The model you are proposing, namely creating works on the speculative basis of high returns, is IMHO not appropriate for the players you are talking about, namely authors and software developers looking for a steady income.

      The reason you support (I think) long copyright terms is a consequence of the inappropriateness of your model. Since the chance of a return is so low, you have no choice but to compensate by asking for more time, so as to increase the chance of at least some return from the work.

      This is the same reason that the media companies want long (ideally infinite) terms: it increases (slightly) the chance of a good return. But the media companies are an entirely different kind of player: they have disposable income to be invested by gambling on artists. For them, this behaviour is appropriate (gambling is appropriate for any player who does not depend on the proceeds to survive).

      As to your standard question:

      In any alternative economic model you propose, what replaces the situation I described, so that at least the same number and quality of works are available to the same number of people?

      The number and quality of works available depends on the number of people who are literate, and who have the time to spend on creating those works. That is the main reason why we have so many more works available in the 20th century as compared with the 19th, 18th etc.

      It is a statistical game, whereby if 0.1% of the literate population is capable of creating a certain type of work and has the time, then you get a proportional amount of works of that type produced. To create more works of that type, you have to increase the literacy of that type and the time available for doing it, eg to create more computer graphics books, you must increase the number of people who know how to program computer graphics, to increase the number of guitar works, you increase the number of people who play the guitar.

      You can increase the literacy by making more books/tutorials/examples available to the public for negligible cost (eg the web for documents, radio in the case of guitar works to inspire bands), and you can increase the time available for production by either increasing free time (eg reducing legal working hours, or pursuing exploitative behaviour) or by allocating working time (eg Google's 20% time, etc). You can even pay people directly (in advance, or after milestones) to produce specific works, or convince them to produce for a speculative future return, which is what you are proposing.

      But unlike you, I don't believe the latter is the only way, only one among many which ultimately all depend on population statistics.

    23. Re:Copyright doesn't just affect musicians by Anonymous+Brave+Guy · · Score: 1

      In OSS, boring projects get built just the same.

      So anti-copyright people often claim, but the evidence suggests otherwise, and always has.

      Where is the OSS version of big name business software, like the heavyweight CRM and accounting applications?

      Where are all the OSS libraries that do more specialised, complicated mathematics, such as would be needed in simulations or CAD programs? For that matter, where are the OSS versions of serious simulation and CAD software themselves?

      Heck, where is the serious OSS graphics package to take on Photoshop? That's hardly a niche product, and nothing in OSS world even comes close. (Please don't propose The GIMP; I'll just laugh, as will everyone else reading this who actually does serious graphics on a computer.)

      Even where OSS has developed applications comparable to the commercial world and for widely used purposes, such as OpenOffice and Firefox, there is little innovation. More often than not, the OSS packages are cheap clones, emulating what the commercial world already had, offering little new in the way of functionality or usability. (Again, please spare us the Firefox vs. IE comparison; there are other commercially developed web browsers, and Opera has been far ahead of Firefox in terms of innovation for years.)

      Perhaps the best example of all is computer games. A good game may be great fun to play, but it often takes a lot of people with diverse skills to build it, and that can be very hard work that takes a long time. The commercial world turns out its share of duds, but it also turns out many great games every year that bring happiness to millions of gamers. Can you name even one OSS project that has done the same? Pretty much the best non-commercial games are either successful for a brief period because of novelty value or are based on technology that is so dated in the commercial world that its creators give it away because it has no value left to a business.

      OSS has done reasonably well with Linux (though it's hardly a quantum leap beyond commercial UNIX platforms), networking and communication tools, and software development tools. Apart from that, even its mainstream offerings are pretty limited.

      Instead, companies are expected (if they wish to use OSS that is) to use the high level tools provided (libraries, content management systems, etc),and that usually still means paying a developer.

      And contributing the resulting developments back to the OSS community, for anything publicly visible... which, incidentally, relies on the protection of copyright for its effectiveness.

      It doesn't matter *why* they do it, the point is that they do it, and the publishers (or the public directly) get their work for free.

      You're missing the point: the work isn't free. It's either supported directly or indirectly via taxpayer income (in which case, the public isn't getting it for free, it's just not being given a choice about paying for it) or it's being supported via commercial organisations that do charge for their products or services and thus generate revenue.

      You have a rosy view of industrial R&D. Most of it is highly derivative, for the simple reason that innovation is risky and expensive.

      Oh, really? Let's look at software development, since that appears to be an area we both have some experience in. Over the past decade or two, what has the academic world contributed to software development? What big advances in knowledge and understanding have been achieved without commercial incentives?

      The commercial world has brought technologies like VMs, JIT compilation and garbage collection algorithms to the point where languages like Java and C# are viable alternatives to the low-level stalwarts for most tasks other than actual systems programming. The leading developers of pioneering tools like Haskell may have plenty of academic credentials, but their pay cheques come from places li

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    24. Re:Copyright doesn't just affect musicians by Anonymous+Brave+Guy · · Score: 1

      The model you are proposing, namely creating works on the speculative basis of high returns, is IMHO not appropriate for the players you are talking about, namely authors and software developers looking for a steady income.

      And yet there are millions of people in the world who are involved in those fields, whose income is just fine. Indeed, the same could be said of most businesses, whether copyright based or otherwise.

      The major difference is that in the case of businesses relying on copyright, where the law promises something but the authorities fail to enforce it, the returns may be less than those to which the business might be entitled, which may make what would have been a good investment according to the law into a bad investment in practice. This is regrettable for those involved, but worse, the failure of the legal system to live up to its side of the bargain may have a chilling effect on the development of future businesses and the works they would bring us.

      The reason you support (I think) long copyright terms is a consequence of the inappropriateness of your model.

      You seem to misunderstand me. What makes you think I support long copyright terms?

      But unlike you, I don't believe [production for a speculative future return] is the only way, only one among many which ultimately all depend on population statistics.

      Once again, you are putting words under my fingers. Where did I ever suggest that other models should not be possible?

      My contention is merely that the principle of copyright (if not its detailed current implementation in law) serves as an effective method to promote the creation and distribution of certain kinds of valuable works, and that none of the other models anyone has to my knowledge suggested would be similarly or more effective in that respect.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    25. Re:Copyright doesn't just affect musicians by Mathinker · · Score: 1

      > How is an author, ...

      Perhaps via the http://en.wikipedia.org/wiki/Threshold_pledge_system? Or people will just pay for his works even if they aren't forced to?

      I agree that some artists will make less money under this system. I'm not convinced that in total there will be a lot of change (especially if the middleman is cut out).

    26. Re:Copyright doesn't just affect musicians by Anonymous+Brave+Guy · · Score: 1

      I'm completely open to the idea that alternative models might work. On the other hand, I can't help noticing that nothing in the current system prevents experimentation with those ideas, or indeed switching to them completely if they do in fact serve as a better incentive to produce than the current system. The fact that, in the entire world, the number of people finding so and changing accordingly is small enough that even on a forum like Slashdot no-one can ever cite any examples is quite telling.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
    27. Re:Copyright doesn't just affect musicians by Smauler · · Score: 1

      This might sound like a dangerous situation, but just as I don't think content providers should be able to lock up their content indefinitely behind a purely legal shield, neither do I think society has a right to go "thought police" on everyone and somehow require that we all hand over every idea or concrete work we conceive of in some open format. That's far too invasive an idea to be ethical, and far too broad a measure to be practical.

      Copyright law is essentially a state sanctioned monopoly which tells everyone what they can or cannot publish. The entire system has been the business of the law for ages. If the law did not want to interfere, there would be no copyright law.

      In short, if someone is willing to share a work, but only on their terms and with the ability to enforce those terms in practice, I don't see what business the law has telling them they can't.

      The terms used to share the work are enforced by the governemnt. The government already has granted a publisher privileges by protecting the work with copyright laws. These are not a god given right, and if a publisher wants these privileges then they can play by the rules. If a publisher does not want government protection then they need not use the copyright laws. As long as the government is protecting copyright, they have all the right in the world to define terms.

      In that regard, there is no law that entitles someone to access a particular work, even after a certain period of time.

      Sorry for going out of order. I believe this this is the crux of our difference of opinion. The government places controls on others replicating a publisher's work for the publisher's benefit. Claiming the govenment should not interfere is a little hypocritical when government interference is absolutely necessary for any copyright system.

      I am absolutely not proposing a free for all, as you saw in my original post. However, copyright is not an essential human right, it is a privilege granted by the governemnt purely to encourage artistic (or other intellectual pursuits) profiteering. All copyright law is basically governmental interference on behalf of the publisher. Restrictions in copyright law only apply to the publisher when the choose to accept the government sanctione protection.

      Mephedrone FTW?

    28. Re:Copyright doesn't just affect musicians by Anonymous+Brave+Guy · · Score: 1

      I'm not sure our differences are as significant as you are suggesting.

      In principle, I am trying to distinguish between two different forms of protection:

      1. copyright (where the state may provide statutory protection for a finite period, but it is reasonable to insist that anyone taking advantage of that protection then release their work afterwards)
      2. technical protection (where a content provider may try to secure their work by other means, and if they really can, then they aren't reliant on copyright anyway so I see no reason the law should mandate that after a certain period of time they release things without protection).

      It's a give-and-take thing: I think you should either sign up to all of the copyright bargain or none of it, but neither side should get just the half they like.

      In practice today, I think the ethical picture is complicated because the law clearly does not provide an effective copyright protection for content providers who do share their work. If the legal system isn't going to live up to its side of the bargain, then I don't think it's fair to attack content providers who attempt to enforce rights they are supposed to have in law in a way that is more effective, and it muddies the issue over whether the content provider then has any obligation to release openly after the copyright duration expires.

      --
      If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.
  56. Re: The world's getting it! Like it or not by gink1 · · Score: 2, Informative

    This may be a disturbing observation but Big Media is pulling off a stunning achievement here.

    Not content to work with the laws of various countries, they bought the cooperation of powerful legislators and created a mechanism to force adoption and compliance to a very restrictive set of laws.

    These laws will work to penalize movement and use of copyrighted works but at the same time will have a chilling effect on the internet as a whole. They will probably force ISP's to block many services they will now be responsible for as well. At the same time paid access to copyrighted material becomes one of the few practical methods to access information.

    Of course enforcement will only be as good as the ISP's and their detection software, but for most internet users that will prove good enough.

    I very much hate seeing what Big Media is doing here but it really is a masterful plan. There are a lot bigger and richer special interests that can't hold a candle to Big Media. And shit - it seems like it will all work.

  57. Of course... by Anonymous Coward · · Score: 0

    Blocking IPs has worked so well in China, what with that great firewall and all. Why no one can get any online content that the Chinese officials have deems inappropriate, like porn. Sooooo, the British now want to give it a go too?? Oh, yes, those Ruskie pirates will be quaking in their boots.

  58. Re:Change is coming? by manicb · · Score: 1

    Even if the access is there, can you justify access to mainstream channels in order to promote non-mainstream products? Things like TV advertising are always going to be expensive but can be justified for something with mass appeal. What's a technical death metal artist supposed to do? Of course, the specialist channels are just as crowded...

  59. Re:Change is coming? by Anonymous Coward · · Score: 0

    My understanding is that copyright is something that we, the majority, have granted to you, the creator, as a way to encourage continued production of creative works. It's not your inherent right to control the distribution of information, even if you are the creator. If we, the majority, decide that it is no longer in our interest to grant you copyright, perhaps because creators have abused that gift by pushing for longer and more restrictive copyright terms, then, basically, tough shit.

  60. Re:Change is coming? by Heed00 · · Score: 1

    My generation? I was born in 1965 -- what year were you born in?

    You guys just don't get it -- you've been decoded and deterritorialized -- there's no going back now. The genetic code of music distribution has been cracked and laid bare -- now that it's simply 1's and 0's you cannot exert the control you once could. Trying to legislate that control back will fail -- it will, and you likely know it too.

    And here's another flash for you -- music doesn't need an industry in order for it to be culturally significant. Let me repeat that, music doesn't need an industry in order for it to be culturally significant. Personally, I think an industry can easily survive -- but not for those who can't see the nature of reality as it is presently -- and that's not dependent upon one's generation -- it's dependent upon one's thinking. But don't worry, there's always the haberdasher:

    "What size do you wear sir? Sorry, we only have that in an eight. Do you wear black?" And so forth.

    --
    Thought thinks itself.
  61. Re:Change is coming? by Anonymous Coward · · Score: 0

    I took a look at that site and after 15 minutes I'm none the wiser.

    Ok so it's some sort of ebay/amazon-reseller for music. However all the relevant info was nowhere to be found.

    How much is shipping? It looks like a US based site, so I guess shipping will be prohibitive for me as a European.

    How can you actually pay? On the bottom it says credit card (pretty uncommon for consumers in Europe) or Paypal (ok, but several sellers didn't list it in their description, so ... yea).

    Sites like this make me appreciate our rather strict consumer protection laws. There's no imprint, no company information, no shipping charges shown, etc. All of which would be mandatory here (Germany).

    All in all it's a clusterfuck of chaos; they desperately need a user-friendly redesign.

  62. Re:Change is coming? by AHuxley · · Score: 1

    Search for artist/track/work your after.
    Note prices over stores around the world.
    Note feedback rating of the shop you select.
    Visit said shops and look for shipping costs.
    Pay with VISA or VISA via palpay.

    --
    Domestic spying is now "Benign Information Gathering"
  63. Re:Change is coming? by Anonymous Coward · · Score: 0

    "Visit said shops and look for shipping costs."

    I've tried about 7 different CDs from different sellers. None of them had any shipping cost info; neither in the product page, shopping cart nor the sellers "shipping" page (all blank).

    Not to mention that the search interface violates any established standards. Try searching for "artist album", doesn't work. Totally useless.