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Warner Brothers Hiring Undercover Anti-Pirates
An anonymous reader writes "TorrentFreak reports that Warner Brothers UK is hiring college students with an IT background to participate in an internship that will pit them against pirates on the Web in an effort to crack down on illegal digital distribution. The intern will literally be on the front-lines of the epic battle against pirated content, ensnaring users in incriminating transactions, issuing takedown requests, and causing general frustration amongst the file-sharing population on the Internet."
Rather than exploit the free publicity and growth of revenue, they fight against the rising tides with their swords. If the movie and music industries collapse, it will not be due to piracy, but anti-piracy.
Karma Whoring for Fun and Profit.
The entertainment industry keeps pouring money into anti-piracy and they keep getting further behind. The millions of dollars the industry spends on these campaigns bring in absolutely zero in increased revenue. If the industry took the position that file traders don't matter and that people who buy movies and music are the ones that do matter, they could then spend this money reaching out to people who will buy and bring in increased profits. Continuing to invest in the people who aren't interested in buying is only going to increase costs and drive paying customers away.
Well, it might work in the short term. All content protection, whether through DRM, laws, takedown notices, or any other mechanism is fundamentally founded on the principal that "we're smarter than you are", which in the long term is always an untenable position merely because of the scale involved. For every one person they employ to defend their copyright, there are a thousand people looking for ways to break whatever measures they put in place.
For example, it is possible to design a P2P system that does not rely on trackers (e.g. the DHT scheme that TPB uses). With such a system, content is not hosted anywhere that can get a takedown notice. Combined with onion routing (crypto), you can also make it highly infeasible to determine who is actually seeding the content, nearly guaranteeing that anyone you attack is an innocent victim, thus making the courts take progressively more negative attitudes towards your attacks. Put simply, the harder they try to clamp down on P2P, the greater the security measures that will be put in place to thwart it.
You cannot compete with P2P by attacking it. You can only compete with it by providing a better experience (or at least a comparable experience) through legal channels for a price that the market is willing to bear. Start by reducing the price of Blu-Ray movies to the same price as their DVD counterparts. That alone will take a huge chunk out of P2P.
Check out my sci-fi/humor trilogy at PatriotsBooks.
When you pirate a movie, you don't have to contend with ads, previews or screens you can't force your way past. When you legitimately buy a movie, you are forced to watch previews, get stuck waiting for the FBI warning and often times contend with other annoyances.
Perhaps shafting your legitimate clients isn't the best way to do business?
http://www.allometry.com
If you want to argue ethics, lets debate about movie producers and actors with net worths in the 100's of millions sueing single mothers and college kids for downloading a few movies they otherwise wouldn't pay to see anyway.
If you mod me down, I will become more powerful than you can imagine....
They were going too is no excuse, they still have not.
They still violated the copyrights of the XBMC developers and then expect to make money from copyrights. They are hypocrites who believe in copyright when it is good for them and not when it does not suit them. These are not the sort of folks people should give money to.
http://en.wikipedia.org/wiki/Motion_Picture_Patents_Company
The MPPC was preceded by the Edison licensing system, in effect in 1907–1908, on which the MPPC was modeled. Since the 1890s, Thomas Edison owned most of the major American patents relating to motion picture cameras. The Edison Manufacturing Company's patent lawsuits against each of its domestic competitors crippled the American film industry, reducing American production mainly to two companies: Edison and Biograph, which used a different camera design. This left Edison's other rivals with little recourse but to import foreign-made films, mainly French and British.
Since 1902, Edison had also been notifying distributors and exhibitors that if they did not use Edison machines and films exclusively, they would be subject to litigation for supporting filmmaking that infringed Edison's patents. Exhausted by the lawsuits, Edison's competitors — Essanay, Kalem, Pathé Frères, Selig, and Vitagraph — approached him in 1907 to negotiate a licensing agreement, which Lubin was also invited to join. The one notable filmmaker excluded from the licensing agreement was Biograph, which Edison hoped to squeeze out of the market. No further applicants could become licensees. The purpose of the licensing agreement, according to an Edison lawyer, was to "preserve the business of present manufacturers and not to throw the field open to all competitors."
Many independent filmmakers, who controlled from one-quarter to one-third of the domestic marketplace, responded to the creation of the MPPC by moving their operations to Hollywood, whose distance from Edison's home base of New Jersey made it more difficult for the MPPC to enforce its patents. The Ninth Circuit Court of Appeals, which is headquartered in San Francisco, California, and covers the area, was averse to enforcing patent claims.[citation needed] Southern California was also chosen because of its beautiful year-round weather and varied countryside, which could stand in for deserts, jungles and great mountains.
Do what thou wilt shall be the whole of the Law