EFF Assails YouTube For Removing "Downfall" Parodies
Locke2005 writes "In what promises to be one of the quickest threads to become Godwin'ed, YouTube has pulled scores of parodies of the 'Hitler Finds Out' scene from the movie The Downfall. Ironically, I had never heard of this movie before this — and now I want to watch it." Here is the EFF complaint. David Weinberger has posted some details on Google's Content Identification tool, which is being used in the shotgun takedowns.
A good summary of the whole story of the meme before the YouTube action.
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it's easy to get around the content filter really.
how do people not bother? Just change the audio pitch by...I think it's 1 half step? Or 1.1 half steps? Once you do that, the automated scanner will not be able to find your video at all. It will sound practically identical, as well.
Just shows how pitiful the attempts by copyright groups are, since they don't even review the videos.
For video that relies on the graphic, you just have to create a single vertical line (maybe green or something, 1 pixel wide) going down the entire frame of the video, and then the graphic filter won't find it either.
Just shows ya, the more you try to stifle, less it works.
ahh, here it is. The how-to.
http://www.csh.rit.edu/~parallax/
This is rather stupid, considering the director of Downfall watches them and likes them. In fact, in his own words "I think I've seen about 145 of them! Of course, I have to put the sound down when I watch. Many times the lines are so funny, I laugh out loud, and I'm laughing about the scene that I staged myself! You couldn't get a better compliment as a director." http://nymag.com/daily/entertainment/2010/01/the_director_of_downfall_on_al.html
- Aetheral Research -
I received a "Notice of potential infringement" from YouTube very soon after posting this one a week ago. The video, which had initially been accessible, was pulled from the site.
There was an option to appeal the takedown notice, and I filled it out, providing as a reason "Parody is a recognized fair use under US copyright law." I'm actually not sure if you can play the fair-use card when using the content owner's IP to mock an unrelated subject, but in any event, the appeal seemed to be accepted by YouTube, because access to the video was restored within a few hours.
So, for what it's worth, if your video gets pulled by Youtube, try filling out the appeal form.
The videos are using one scene, not the entirety. And people watch the videos *for* the subtitles.
Do you even lift?
These aren't the 'roids you're looking for.
To anybody that hasn't seen this movie, it is a great artistic portrayal of Der Fuhrer in his final days, and provides insightful dialog regarding the mentality of the Reich's higher ups during the final days. It is an extremely dark and gritty movie, but the angle it presents is something alot of American history books and entertainment tend to neglect.
I saw the original movie, Der Untergang, which is its original German name, in my German Studies class in high-school, and recommend it to anybody interested in more than just Godwin's Law. Watch it. Must See.
'We are trying to prove ourselves wrong as quickly as possible, because only in that way can we find progress.' RPF
The EFF has a parody video up about this type of thing happening. It seems to have been posted before Youtube started pulling them down, so it's almost prophetic.
The clip:
http://www.youtube.com/watch?v=PzUoWkbNLe8&feature=player_embedded
He only does that because he's a nice guy though. Legally he could put any of his parodies on his CDs if he wanted to.
"We need to get over this notion, that, for Apple to win... Microsoft must lose." - Steve Jobs, 1997
making a parody where the subtitles are the only original content and everything else is from the copyrighted work is not gonna fly in court.
It doesn't matter, for the purpose of determining fair use, how much additional material was added. Rather, it depends on how much of the underlying work was used, and how important that portion was to the underlying work. Your criterion is often invoked by infringers who legitimately claim that because they added so much to the portion used, their use was fair, and is just as often rejected by the courts, who don't care about that.
In any event, this isn't "the entirety of the video from 'The Downfall.'" The Hitler scene is just one part -- albeit a rather powerful part -- of an entire movie about the last days of the Nazis in Berlin during the war.
Of course, the thing that might trip them up is the ridiculous dividing line that the courts have been drawing between parody and satire. When a use is a parody, it makes fun of the underlying work itself, and therefore must draw at least somewhat from that underlying work, in order to come about. It is essentially commentary that ridicules the work, or is at least itself ridiculous. Imagine, for example, making fun of Mickey Mouse and Disney by having the Sorcerer's Apprentice scene from Fantasia involve Mickey summoning up a destructive horde of copyright attorneys. (We are indeed capable of reproducing by fragmentation; fear us) That could be a parody.
Satires, however, are making a point about society generally, or at least about something other than the underlying work. In that case, it doesn't absolutely need to borrow from an underlying work, and the courts have not been as generous to satire as they have been to parody. For example, there was a case in which someone was making fun of the OJ Simpson trial by using Dr. Seuss characters and artwork. Because the use wasn't commenting on the used material, but just borrowing it for an unrelated purpose (unless OJ was right, and the murderer was the Lorax or something), it wound up not being a fair use.
Now, I think this is a dumb distinction. The main issue should be whether the use is transformative, even if it doesn't 'need' to use the underlying work (although a showing of necessity should count for something, considering other doctrines, such as merger, where it is also relevant), along with the rest of the fair use analysis, in particular, the fourth factor (harm to the market for the underlying work). But that's what we're stuck with at the moment. And since most of the Downfall videos (though not all -- the one where Hitler is upset about how many Downfall videos there are would seem to be okay, ironically) don't make fun of anything that requires the use of Downfall in order to do it, things may not go well.
Now, how long until someone follows up on this, does a bit of research, and has Hitler upset about this particular aspect of Fair Use under US copyright law, citing the statute and caselaw? Perhaps Generals Keitel, Jodl, Krebs, and Burgdorf (the four guys that he has stay in the room) could each stand for one of the four prongs of the analysis?
-- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
No, the reason he asks permission is to be (a) a nice guy, and(b) being a nice guy gives makes the musicians more open to letting him do stuff like use their actual music video sets for the parodies and other cool things.
"We need to get over this notion, that, for Apple to win... Microsoft must lose." - Steve Jobs, 1997