The MPEG-LA's Lock On Culture
jrepin writes in to recommend a piece by Eugenia from OSNews, which explores the depths of the MPEG-LA's lock on video. One part of the problem is that almost all video cameras, including ones that cost more than $12,000, declare in their manuals that they are for "personal use and non-commercial" purposes only. "We've all heard how the h.264 is rolled over on patents and royalties. Even with these facts, I kept supporting the best-performing 'delivery' codec in the market, which is h.264. 'Let the best win,' I kept thinking. But it wasn't until very recently when I was made aware that the problem is way deeper. No, my friends. It's not just a matter of just 'picking Theora' to export a video to Youtube and be clear of any litigation. MPEG-LA's trick runs way deeper!""
Or just change the law. No more copyrights-patents.
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"declare in their manuals that they are for "personal use and non-commercial" purposes only."
You don't always do everything that the manual tells you to, do you? I'm pretty sure that thousands of people a day use these cameras for commercial purposes without any problem (I know we use them at work). And I'm also pretty sure the MPEG-LA doesn't want to see the issue end up in court, because they'd probably lose.
Anyone that comes up with a video codec that is as good as H.264 WILL get sued by MPEG-LA if they start using said codec in places where the use would require a payment to MPEG-LA if H.264 was used instead.
It doesn't matter whether the codec actually infringes on any MPEG-LA patents, anything that threatens their revenue stream will be sued by people who likely have more resources than whoever developed the codec. (and because the US patent system is so broken, even if you can prove you didnt violate a single MPEG-LA patent, the MPEG-LA will still be able to convince a judge in texas to force you to hand over big sums of cash)
Or just change the law. No more copyrights-patents.
You legally need explicit permission from the patent holders to use the CODEC for any purpose. The manufacturer made an agreement that unilaterally grants you non commercial rights but the rights are limited.
If you use it commercially the manufacturer doesn't give a damn, but the patent holders can sue you.
...transcode from one format to another. The article claims you are "already liable" if you do this - but here's the rub, unless you announce the camera you made the film with + what it was originally encoded with, who the hell is going to find out?
Some times to get laws and attitudes changed, mass civil disobedience comes into play. Some laws get on the books that are just so freaking lame, stupid and unfair that they invite mass disobedience. An example would be alcohol prohibition, where so many people disobeyed the law willingly that eventually it was changed. Another example would be racial discrimination. Mass marches and protests and willingly breaking the law obviously and in public, inviting arrest or worse, eventually worked to a large degree.
This is a situation where something like a mass "commercial photoshoot" might work. Thousands of camera owners all get together in a planned protest, video each other, exchange copies of the videos with each other for one dollar, with a big "neener, neener, do your worse" pronouncement. Lather, rinse, repeat. Keep doing it until these software patents are eliminated as just being too stupid and unfair and harmful. They certainly are not advancing the useful arts and sciences, so they fail on that critical aspect of the law.
I mean, this is complete bullshit. Analogy, in ye olden days with mechanical typewriters, if you used brand X, that had some patents on it, you could be an amateur or commercial author according to some writing guide "license to type", but if you used brands Y or Z, that had some other patents, with another variant on the "license to type", you had to pay a fee to the typewriter manufacturers cartel with the Y or Z patents if you wanted to sell your work? Or your publisher had to pay or..what??? Boooolll sheeet.
I find the whole Theora thing amusing. You have a bunch of people trying to push for hardware support for a codec that pretty much no content producer (pirate or mainstream) uses. I can understand if you don't have the backing of mainstream producers, but if you can't even get a fraction of the pirates on your side, then you simply don't stand a chance.
Before you enter into a contract with the store to buy a device that is encumbered with H.264, where is the warning in 6in high BOLD text warning you that the patent trolls will be after you if you use the device for anything commercial?
Where is the warning so that people who shot the planes flying into the WTC that if they sold their footage the patent trolls would come a calling? Many of these were just tourists in the big Apple. They didn't go out that Tuesday morning with the aim of making money. Do you think that even if they knew the risks, they would have stopped shooting, put their camera away and said to the hijackers, I'm not taking any records of this because of some arcane law in the country you hate?
Nowhere. That is where.
Just like the EULA from microsoft etc, it is all snake oil (IMHO). The only different here is that the MPEG mafia have stronger snake oil than the rest. Buyer beware.
IMHO, post contract/sale restrictions that are put in force after you have legally purchased a device should be outlawed unless they are a Felony. AFAIK these cases are all civil suits and no jail time can be awarded.
This also should apply to the patent wars going on between the Mobile Phone companies. They buy stuff from a legal source. The license to use said stuff should be included in the price. There is no way any sane person would pay for a device and then have to pay umpteen other companies in separate contracts before they can legally use said device.
The US Legal System in this area should be consigned to history ASAP. There is no doubt that all this legal crap flying around is contributing to the downfall of the USA. But as all the legislators are Lawyers, they will never accept this in a million years.
If h.264 becomes THE web standard, then it should be striped of it's current royalty license and possibly be moved to the public domain for monopolistic reasons.
Now, I don't necessarily believe it should be moved to the public domain due to the fact that it has author and ownership, but having that much power of what is a standard is just wrong. Especially when the owner is trying to use it to dictate and harm competition the way they are.
Well, it has to start somewhere.
Producers won't release video in the format if nobody can play it. However, it's easy to add support for playing, especially in software, even if nobody ends up using it. If nobody tries to do anything, nothing will ever get done.
But I am, as the buyer of a camera, not an "end-user". The end-users are the camera producer, who need the codec to encode their data. I'm the end-user of the camera I buy.
My understanding is that the camera producers are violating the license agreement because they are clearly using the codec in a commercial way and need a commercially license.
I, as the user of the camera, don't need or care about the codec used internal in the camera. I'm only concern about the codec if I need to watch or decode the video, but since I'm buying a video player software I'm not using their codec directly either. The end-user for the decoder is the producer of the player software, not me.
In conclusion, I'm never using their codec, neither for encoding nor for decoding. I'm using a camera which happens to use internal their codec but normally I have no knowledge about what codec is used.
The only way I should be concern with their license is if I'm writing my own library or application that uses their codec to encode or decode videos.
http://www.mueller-public.de - My site http://www.anr-institute.com/ - Advanced Natural Research Institute