The MPEG-LA's Lock On Culture
jrepin writes in to recommend a piece by Eugenia from OSNews, which explores the depths of the MPEG-LA's lock on video. One part of the problem is that almost all video cameras, including ones that cost more than $12,000, declare in their manuals that they are for "personal use and non-commercial" purposes only. "We've all heard how the h.264 is rolled over on patents and royalties. Even with these facts, I kept supporting the best-performing 'delivery' codec in the market, which is h.264. 'Let the best win,' I kept thinking. But it wasn't until very recently when I was made aware that the problem is way deeper. No, my friends. It's not just a matter of just 'picking Theora' to export a video to Youtube and be clear of any litigation. MPEG-LA's trick runs way deeper!""
Or just change the law. No more copyrights-patents.
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"declare in their manuals that they are for "personal use and non-commercial" purposes only."
You don't always do everything that the manual tells you to, do you? I'm pretty sure that thousands of people a day use these cameras for commercial purposes without any problem (I know we use them at work). And I'm also pretty sure the MPEG-LA doesn't want to see the issue end up in court, because they'd probably lose.
Anyone that comes up with a video codec that is as good as H.264 WILL get sued by MPEG-LA if they start using said codec in places where the use would require a payment to MPEG-LA if H.264 was used instead.
It doesn't matter whether the codec actually infringes on any MPEG-LA patents, anything that threatens their revenue stream will be sued by people who likely have more resources than whoever developed the codec. (and because the US patent system is so broken, even if you can prove you didnt violate a single MPEG-LA patent, the MPEG-LA will still be able to convince a judge in texas to force you to hand over big sums of cash)
Or just change the law. No more copyrights-patents.
You legally need explicit permission from the patent holders to use the CODEC for any purpose. The manufacturer made an agreement that unilaterally grants you non commercial rights but the rights are limited.
If you use it commercially the manufacturer doesn't give a damn, but the patent holders can sue you.
...transcode from one format to another. The article claims you are "already liable" if you do this - but here's the rub, unless you announce the camera you made the film with + what it was originally encoded with, who the hell is going to find out?