Slashdot Mirror


Font Foundries Opening Up To the Web

Tiger4 writes "A huge number of fonts are migrating from the print-only world to the Web. As the browser manufacturers get on board, the WWW will be a much more interesting place (see the article illustration). 'Beginning Tuesday, Monotype Imaging, a Massachusetts company that owns one of the largest collections of typefaces in the world, is making 2,000 of its fonts available to Web designers. The move follows that of San Francisco-based FontShop, which put several hundred of its fonts online in February. In just a few weeks, Font Bureau, a Boston designer of fonts, will make some of its typefaces available online as well.' With any luck, the transition period to font-richness will be briefer and less painful than the waving-flag, jumping-smiley, flashing-text era HTML explosion."

18 of 209 comments (clear)

  1. More is good, but by Dachannien · · Score: 5, Funny

    ...we really just need one less.

  2. Oh great by LWATCDR · · Score: 4, Funny

    More websites that look like ransom notes.

    --
    See my blog http://ilovecookes.blogspot.com/ for light hearted technical information.
  3. But will IE accept the new font files? by Animats · · Score: 5, Insightful

    We got into the current mess of text in images because Microsoft wouldn't support Mozilla's font files. Is IE going with the standard this time around, or do we have another browser incompatibility issue?

    1. Re:But will IE accept the new font files? by PhrostyMcByte · · Score: 5, Informative

      Yes, Microsoft is implementing the WOFF standard, along with all the other browsers.

  4. Re:Seriously? by WrongSizeGlass · · Score: 3, Funny

    Apparently at least one sans serif font.

  5. Re:Why... by realmolo · · Score: 4, Informative

    Because creating a *complete* font that looks good is a lot of work. Basically, every character has to be hand-tweaked to look good at different point sizes. It's tedious work, and not many people know how to do it.

    So, fonts are expensive because it's VERY hard to make good ones. And there isn't much of a market for them (relatively speaking), so the price never drops.

  6. Performance? by time961 · · Score: 4, Interesting

    This sounds like just what I need: more 100KB unanticipated downloads while I'm stuck at the end of an unreliable slow cellular modem connection. What ever happened to using the web to deliver information instead of "art"? At least browsers can ignore the new font specifications and still display something useful, unlike what happens with high-fashion websites implemented entirely in Flash. As we know, "Flash home page" == "Hold on to your wallet". Will it be the same for fancy fonts, too?

    1. Re:Performance? by mikael_j · · Score: 3, Insightful

      Well, one thing this will hopefully cut down on is all the extra images and associated markup that's being used today when attempting to create something that doesn't just look like a flat, ugly and ancient chunk of text (hint: the web has evolved past being the equivalent of a bunch of networked text files). It also means that designers can more easily make sites that don't break for some users because they don't have the right fonts (this is a major issue, the default serif and sans-serif fonts are rarely the same between operating systems and a lot of times even versions of the same operating system).

      Dismissing websites that have actually been designed as opposed to just latex2html-ified as "art" really just makes you come off as a grumpy person with no sense for estetics and good presentation of the information.

      I'm not saying this won't be abused, everything that can be abused will be abused, most likely by some teenager who just took his/her school's "intro to web design" course that teaches only the basics of "how" and not the "why" (as in, "how" to use web fonts, not "why" you should use them). Also, with a little luck this will be a feature that you can disable for those sites that insist on misbehaving.

      --
      Greylisting is to SMTP as NAT is to IPv4
  7. I don't know why they bother by 0xdeadbeef · · Score: 4, Insightful

    Every website in the world uses Verdana.

    Or, at least they do on my computer. Who cares what a web designer thinks looks good, I just want the text to be legible.

  8. Re:just embed them by spikeb · · Score: 3, Insightful

    thanks for making the web a little more of a shitty place.

  9. That and font editors are expensive by tepples · · Score: 3, Informative

    So, fonts are expensive because it's VERY hard to make good ones.

    That and all the font creation software that runs natively under popular desktop operating systems costs a significant chunk of change. Sure, you can try FontForge, but installing Cygwin to run that is a pain in the behind.

  10. Re:Why... by MagikSlinger · · Score: 4, Insightful

    So, fonts are expensive because it's VERY hard to make good ones. And there isn't much of a market for them (relatively speaking), so the price never drops.

    The labor value theory of doesn't explain the price of Helvetica which has been around for 50 years and heavily used (and bought). It's more like, "Multi-million dollar corporations are using this font to make millions, if not billions of dollars. You are using our work to make lots of money, so we deserve a cut of the action." And corporations go, "Using Helvetica really does bring me that much more money than I spent on it." So thus the expensive prices even for insanely popular and old fonts.

    The problem I have with their prices is that as an amateur, not-making-a-dime web site maker, the $1,300 CDN the price is too high for the value I would get from it. So I will stick to things that don't cost me nearly 2 weeks wages--the free Microsoft fonts.

    In a sense, this is probably pareto-optimal, but the rest of the world is poorer for me using Microsoft's Arial instead of something they'd enjoy more.

    (What I'd like is a differential pricing scheme where a home user can buy a properly licensed font for a lot less, while they can still charge out the whazoo to United Airlines)

    --
    The bitter lessons of a veteran coder: http://bitterprogrammer.blogspot.com
  11. Took long enough by Intron · · Score: 3, Funny

    The font designers couldn't work with web technologies until recently. New AMD processors are finally hot enough to melt lead.

    --
    Intron: the portion of DNA which expresses nothing useful.
  12. Re:Mozilla's font files? by Animats · · Score: 3, Informative

    I must have completely missed it, but... what exactly would "Mozilla's font files" entail?

    Netscape 4.x through 5.x supported "Dynamic Fonts", downloadable font files. Worked fine, but Microsoft didn't like it and didn't support it in IE. When IE was free and Netscape cost money, IE won out. Netscape then gave up on font support, which was a technology they licensed from Bitstream, not an open standard.

  13. Re:Do people really care about fonts? by radtea · · Score: 3, Insightful

    I think I need 3 fonts to get along just fine

    Pretty much, and those are exactly the same three fonts everyone uses. Font weenies are just a bunch of wankers who make so much noise about how important exactly the right font is that they get other people to pay attention to them.

    They have done zero empirical testing on any aspect of font design, not even whether anyone can actually tell the difference between two "different" fonts without a detailed side-by-side comparison.

    Basically, anyone who is worried about fonts beyond the three you mention is paying way to much attention to presentation and by implication far too little attention to content.

    --
    Blasphemy is a human right. Blasphemophobia kills.
  14. Re:Just what I want. More external crap the user h by kevinmenzel · · Score: 5, Insightful

    Because generally speaking, free fonts are crap: They often don't come with lower case numerals, proper small-caps, decent contextual ligature support, multiple weights, properly prepared bold, oblique, and bold-oblique forms, proper hinting at small sizes, and variations of different optical sizes. All of which SOMEONE has to come up with, and properly implement. And that person/people SHOULD be paid for the insane amount of work required to prepare even the basic latin alphabet in all these variations, let alone implementing decent unicode support...

  15. The Monotype approach is awful. by Animats · · Score: 3, Informative

    The Monotype approach to web fonts shows the pain of the latest DRM scheme. You don't just embed their fonts. You have to register with their site, create a "project", associate your domains with the "project", specify which fonts you want to use (only some are free), specify to their web site which font goes with which CSS element, and put some of their Javascript on your site. Only then will their fonts work, and they're served from their servers.

    One implication is that pages using their fonts will not archive properly. Another is that if their font servers are slow, so are your pages. And editing will be a pain; WYSISWYG editors may not display these fonts properly. (One would hope Adobe would get this right in Dreamweaver, but they'll probably try to tie Dreamweaver to some Adobe font system.)

  16. Re:Do people really care about fonts? by Draek · · Score: 3, Insightful

    Apart from recognizable trademark-style fonts that people use for a title page or a logo (Coca-cola, Snickers, Pacman) - do most people even care what font they are looking at?

    They don't, but they should: a good, quality fontface makes a world of difference in legibility vs a poorly-chosen one, and while the difference may be small for short works such as your typical Slashdot post, it becomes much more noticeable as the work becomes longer to the point that book editors pay thousands of dollars to get the perfect font for their books, because readers may *believe* it has no effect, but there's enough scientific studies proving that it does and quite measurably so.

    With that said, however, the defaults on OSX, Linux/BSD and Windows are fairly good so as long as you stick to the old rule of "sans serif for screens, serif for print" you should get 90% of the way with 1% of the effort. Sadly designers are a snobbish and wasteful sort, so here we go with all this crap polluting the CSS standard only to allow morons to make entire websites in Comic Sans MS. Ahh well, at least we can still disable it.

    --
    No problem is insoluble in all conceivable circumstances.