Slashdot Mirror
Top Authors Make eBook Deal, Bypassing Publishers
RobotRunAmok writes "Home to 700 authors and estates, from Philip Roth to John Updike, Jorge Luis Borges, and Saul Bellow, the Wylie Agency shocked the publishing world yesterday when it announced the launch of Odyssey Editions. The new initiative is selling ebook editions of modern classics, including Lolita, Fear and Loathing in Las Vegas, and Updike's Rabbit tetralogy, exclusively via Amazon.com's Kindle store, leaving conventional publishers out of the picture. The issue boils down to who holds digital rights in older titles published before the advent of ebooks, with publishers arguing that the ebook rights belong to them, and authors and agents responding that, if not specifically granted, the digital rights remain with the author. Publishers and authors are also at loggerheads over the royalty that should be paid for ebooks: authors believe they should be getting up to double the current standard rate of 25%, because ebooks are cheaper to produce than physical editions. (Amazon pays authors 70%.)"
As far as I'm concerned, this is a very good thing. Any time one can get remuneration to the actual content creators instead of the middle-men is a good idea in my book. Now, maybe the prices will drop a little on these things. And in the future, maybe the movie industry can move this way too (yeah, I know, wishful thinking).
Publishers, whether it be of music, books, etc, all seem to have this idea that they are entitled to more of the profits than the people who actually _created_ the work.
Now, in the case of physical items, such as printed books, etc, there is the issue of mass producing it, distribution, deals with resellers, etc, etc. I can see where merely _creating_ the original can potentially pale in comparison to the work it takes to actually make/move/sell the item.
But, in the case of digital distribution, it takes next to nothing to make after the initial eBook/PDF is created. Merely the cost of duplicating those bits which equates to a tiny amount of electricity and then a little bit more plus bandwidth to push the item. Pennies. Sold with a _heafty_ profit margin.
Why would a publisher need to take all this profit? Or even a large percentage? They have next to no costs associated with the make/move/sell aspect of digital distribution. Sure, some guy at the end of the road, such as Amazon, needs an online storefront to actually make the sale, but beyond that these things are pretty much on par with Star Trek Replicators. Poof! another copy! Poof! Ten million more!
Damn straight the creators get the majority of the cut on this form of media/distribution. No need for presses, warehouses, massive shipping requirements, shelf space, etc, etc, etc.
Seriously I understand publishing a book in multiple languages and in multiple countries is a big deal but they should have saw this one coming for a long time now. If you are the middle man and technology rears it's ugly head prepare to be marginalized or bypassed completely.
I cannot wait for the day when this happens to Lawyers.
The digital revolution will continue to cut out the middle men until everyone has to actually produce something to make a living. RIAA, MPAA, and publisher parasites will no longer run the show.
A slashdotter who didn't build his own computer is like a Jedi who didn't build his own lightsaber.
Hey, look at this RIAA! This is the record label industry getting murdered, and everyone else benefiting!
"Going to war without the French is like going deer hunting without your accordion." ~General Norman Schwarzkopf
>>>"with publishers arguing that the ebook rights belong to them, and authors and agents responding that, if not specifically granted, the digital rights remain with the author."
This is the same argument that the music industry made with DVDs. The songs were licenses for TV and Videotapes, not for dvd, and therefore the music industry demanded more money for each song used. Likewise I think it's reasonable to say: the authors only licensed for books and audio, not electronic editions.
"I disapprove of what you say, but I will defend to the death your right to say it." - historian Evelyn Beatrice Hall
To be honest how can anyone be surprised at this? When books were set free from paper and placed onto the Internet it was only a matter of time before authors decided to cut out the publisher. They no longer have a need for them. Publishers should get wise and start to provide real value to the authors. If I write a book and do not require your editing, marketing or printing services why exactly do you expect to keep 75% of the sale price?
Give it time and most large authors will just sell their ebooks directly via their own websites.
This is exactly what the Internet is supposed to be about. Giving the little guy the chance to eliminate the need for the big guy.
Cheers for these Authors!
Short answer: They've already done so, they got sued, and the publishers lost.
Random House's standard contract specified they had the exclusive right to sell the works in "book form". The authors asserted, and the courts agreed, that "book form" did not include electronic rights.
I really don't know what to think of Amazon.
Sometimes they are great for consumers - competing fair and square with great prices and a great website.
Their video service is available to anyone with Flash, and while many people hate Flash (and some now don't have access to it) that seemed like a good way to allow customers to view the video they purchased across a very broad range of OS's, browsers and devices.
Then they go and do something like this, which seems to lead us to a world where different retailers control different books and have no competition in the sales of those books. This is very bad for consumers.
This avoid competition and seems to guarantee their customers higher prices. This is the sort of thing I would expect from Apple, not Amazon. I thought Amazon was prepared to compete fairly in book sales?
The author pays the publisher.
Wait a minute! That's how it works in academia.
Not only are you not a lawyer you don't know much about contracts or publishing rights either. Publishing rights are sold on a country by country basis and format by format basis. If you sell a book to be marketed in the US your publisher has no right to sell it in the UK or Australia unless they negotiate that separately. Same goes for audio books. So those advances are paid for the rights that were negotiated in the contract. Given that's the case then why would you think a pre-digital paper publishers have the right to publish digitally unless they've negotiated it or you work for a publisher who's interested in spreading FUD? The older contracts don't include those rights. Unless a contract is written specifically to allow future changes then things don't get grandfathered into a contract. They have to be renegotiated.
I imagine that many of the authors that this greatly effects are the ones that do this as a full-time job. If no one buys their books NEW, then they see no money, or maybe no future book deal. The profit margin approaches 100% after enough time and copies have sold. This allows the good authors to write full-time and not have to worry about asking if we want fries with our order. Book sales trail off after release, so the most money is to be made in that first year, though some books enjoy a long life of sales popularity. So, good for the authors.
This is a very bad deal for consumers, in the end. My copy of "Nothing: The History of Zero" was a fun read. Now that I am done with it, I can give it to a friend, sell it, trade it in at Half-Priced Books, etc. In this way, I can recoup some of my cost. And the book can be purchased and resold many times, profits staying in the hands of the seller each time. The author makes nothing. The DRM on the eBooks prevents you from selling it, or giving it away.
Thus, in a sly maneuver to make big publishing look like evil bastards (not a difficult task), the authors conveniently and quietly take control of book distribution and remove the freedom of the consumer to control the end product themselves. This is bad. Very bad.
Thus, I am conflicted. Yay for getting what you deserve to be paid. Boo for limiting my ability to resell the book.
Bearded Dragon
What did Amazon offer to get exclusivity for two years? My hunch is that Amazon agreed to heavily promote the books on its site, and wouldn't do so if they also went to BN and Apple.
Also, they apparently don't have the rights to decent looking book covers - the current covers are pretty ugly. Seriously - who thought it was a good idea to include quotations as cover art when it goes on devices like cell phones? Just the title and author in a decent font would do.
"The universe seems neither benign nor hostile, merely indifferent." --Carl Sagan
The only thing I don't like about this is the Amazon exclusivity.
The "only thing"? I'm practically screaming about it!
I have a Nook. It's a superior e-reader to the Kindle. (YMMV.) What this deal is saying is that I may not read any of the affected books on my Nook, period. If I prefer to read on my Nook, then POOF! These books are lost to me. Apparently, permanently. I do not understand how these authors (or their heirs) can sit still for that.
And I know the Slashdot audience tends to read mostly fantasy and sci-fi books, but for the literature-minded among you, Jesus titty-fucking Christ! These are indeed modern classics, lost to Amazon's DRM. Fear and Loathing in Las Vegas? Ellison's Invisible Man? London Fields? The Naked and the Dead? These are great books... and now I may not read them in a digital edition unless I give $199 + $10 to Amazon. Fuck me.
Breakfast served all day!