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Copyright Common Sense From Telecom Ericsson

An anonymous reader sends this excerpt from a story at Torrentfreak: "Entertainment industry lobby groups often describe file-sharers as thieves who refuse to pay for any type of digital content. But not everyone agrees with this view. Swedish telecom giant Ericsson sees copyright abuse as the underlying cause of the piracy problem. In a brilliant article, Rene Summer, Director of Government and Industry Relations at Ericsson, explains how copyright holders themselves actually breed pirates by clinging to outdated business methods. The most vocal rightsholder groups would ideally turn the Internet into a virtual police state, and at the other end of the spectrum there are groups that want to abolish copyright entirely.'"

183 comments

  1. easy to judge others by cheeks5965 · · Score: 4, Interesting

    It seems that whenever someone has the solution for copyright problems, it always involves somebody else making sacrifices. no surprise, hmm?

    --
    -- Flame me and I will happily flame you back. Bring it!
    1. Re:easy to judge others by dyingtolive · · Score: 2

      One man's "solution" resulting in someone else's "sacrifice" is hardly unique to copyright problems.

      --
      Support the EFF and Creative Commons. The war is coming, and they're supporting you...
    2. Re:easy to judge others by chemicaldave · · Score: 1

      It's called both parties meeting half-way, a common mediation tactic.

    3. Re:easy to judge others by softWare3ngineer · · Score: 2

      its not even unique to 'solutions' in general.

    4. Re:easy to judge others by molnarcs · · Score: 4, Insightful
      Sacrifices?

      RIAA and friends are calling downloader thieves. I'm going to say something that might not be very popular with the holier-than-thou types: pirating music from labels are members of RIAA, MPAA and their equivalents is an ethical obligation. Here is why.

      If I was born about 200 years ago, I could be reasonably certain that I could share art that I enjoyed as a teen with my own children, not to mention my grandchildren. My generation would have enjoyed this "privilege" as well. This has been stolen from us. They stole our public domain. Thanks to the lobbying of the movie and music industries and corrupt politicians, now we have a copyright extend beyond our own children's lifetime. Generations lost access to culture. And these people have the guts to call downloaders pirates?!

      I want RIAA, MPAA and friends to die. As soon as possible. I'm refusing to buy any music or movies published under their label. I'm more than willing to pay for entertainment by the way. I will buy Mass Effect 3 as soon as it's out. I'd support musicians who are experimenting with self publishing or services like Jamendo. But I would never pay for music when I know that about 70% of my money goes to thieves. Thieves that did the public HUGE harm - depriving generations from access to culture, be it music, literature or whatever.

    5. Re:easy to judge others by Microlith · · Score: 3, Insightful

      it always involves somebody else making sacrifices

      Not really. People who hold copyrights are not entitled to them, they are granted them by an Act of Congress. Resolving these problems in a way that is most beneficial for people (not the corporations pushing these laws) is only proper.

    6. Re:easy to judge others by Opportunist · · Score: 3, Interesting

      It's no surprise that such a statement doesn't come from one of the big copyright holders, it would be self defeating. I'm also not really so sure that they don't know themselves that the whole copycrippling is at the very least part of the copying problem. I'm also not so convinced that the goal is money. The goal is control.

      Having a resource that is abundant and easy to multiply is useless. Because the abundance and ease of multiplication makes the resource worthless. Supply and demand at work. Someone selling simple air (not something fancy like pure Oxygen or "clean" air, just the stuff that's all around us) won't make a big deal. And that's basically what the content industry has without artificial shortening of the supply: Thin air. With content protection and keeping it in artificial short supply (i.e. monopolizing the seller's position), they create value.

      Now, this makes inherently very little sense. If the whole ordeal only serves the purpose of driving people away from legally buying and only drives them towards copying, where's the gain? Where's the profit? Fewer people buy their stuff if they keep up this scheme. And I am fairly sure they even know that but have no choice.

      The reason is the shareholder value of their stocks. What's their "assets"? Basically, thin air. They have nothing. Nothing but content. Nothing but a commodity that is easily multiplied and hence worthless. If they now don't at least TRY to limit the supply, analysts might catch up.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    7. Re:easy to judge others by iksbob · · Score: 5, Insightful

      Which sound reasonable, but assumes that both parties' demands are equally extreme. If one party's demands embody a fair and ideal solution, while the other's are off-the-deep-end bat-shit-crazy, meeting mid-way is going to result in a less than ideal solution, skewed in favor of the extremist party. Simply meeting in the middle would result in an arms race of making the most absurd and extreme demands.

    8. Re:easy to judge others by jhoegl · · Score: 1

      Dont make me go upside your head!
      See... the solution, to not make me go upside your head... involves no sacrifices.

    9. Re:easy to judge others by Anonymous Coward · · Score: 1

      There's no absolute definition of fair.

    10. Re:easy to judge others by Anonymous Coward · · Score: 0

      Your post is wrong.

      I'm going to say something that might not be very popular with the holier-than-thou types: pirating music from labels are members of RIAA, MPAA and their equivalents is an ethical obligation.

      I'm a holier-than-thou type, and that sentence was very popular with me. See? Your post was wrong

    11. Re:easy to judge others by ArhcAngel · · Score: 1

      A good compromise is when both parties are dissatisfied - Larry David speaking on Henry Clay

      --
      "A person is smart. People are dumb, panicky dangerous animals and you know it." - K
    12. Re:easy to judge others by 91degrees · · Score: 2

      No! Don't buy, don't pirate!

      If you download the media you're still endorsing the RIAA and MPAA. You're demonstrating that they're the ones creating the content that people want and you're still legitimising what they produce.

    13. Re:easy to judge others by westlake · · Score: 1, Troll

      It seems that whenever someone has the solution for copyright problems, it always involves somebody else making sacrifices

      Or, to put it another way, the "outdated business method" is to expect payment for something which cost $200 million to produce.

      Sacrifice takes many forms.

      Pixar can go producing amiable kid-safe titles like "Cars 2" with very little financial risk.

      It is the animated film with an adult intelligence and impeccable geek cred like "The Incredibles" and "Wall-E" that is in danger.

    14. Re:easy to judge others by Anonymous Coward · · Score: 1

      I presume, then, that your act of civil disobedience occurs after the original copyright period? E.g., if you pirate music or movies from RIAA or the MPAA, you're waiting 14 years from the filing of copyright title (or 28 years in case the author(s) survive for the original term and elect to renew their filing the copyright title) to pirate the media?

      Because that was the original copyright law in the US, you know:

      http://en.wikipedia.org/wiki/Copyright

    15. Re:easy to judge others by houghi · · Score: 2

      The person who designed your car wants to know where the check for his kids is.

      --
      Don't fight for your country, if your country does not fight for you.
    16. Re:easy to judge others by Ephemeriis · · Score: 3, Insightful

      I'd like to share your paycheck with my children and grandchildren. It's SO unfair that I cant!

      So, you're against the RIAA and friends as well then? Because this is exactly what they want to do. Copyrights have been extended far beyond the lifetime of the original artist - so that the paycheck winds up being delivered to their children and grandchildren. Or, in more cases than not, the faceless corporation that owns the rights.

      --
      "Work is the curse of the drinking classes." -Oscar Wilde
    17. Re:easy to judge others by VAElynx · · Score: 3, Interesting

      Really? I don't know about you, but when i do some work , i only get paid for it once, not for years to go.
      Why should i support folk who are far more privileged than myself - they get paid for the same work for years!?
      In other words, you can take all the paycheck i'll get in 20 years for work i do now - all of the zero bucks.

    18. Re:easy to judge others by Grave · · Score: 3, Funny

      Nonsense. You're sacrificing the pleasure that children would derive from you smacking him upside the head. Won't someone please think of the children?

    19. Re:easy to judge others by paulsnx2 · · Score: 3, Insightful

      Every solution to every problem forces sacrifices. Funny though how nobody wants a solution that makes THEM sacrifice.

      Every efficiency gain in technology sacrifices the products without that efficiency. Tech has seen it so much they take it for granted. Had the recording industry had to deal with the rise in value and the fall in revenue that technology companies have lived with, we would be buying whole libraries of music for use any way we would like to use it for a dollar and a quarter.

      Yes, tech HAS seen orders of value for price paid go up by a factor of 1,000,000 or more. I bought a computer for 1000 dollars in the 80's with 4K of memory, and I use a laptop today I bought for 600 dollars with 6 Gig of memory.

      Content just HAS to price its product to compete with reality, and the reality is that it doesn't cost as much to produce content, package content, and distribute content.

      It costs orders of magnitude less (how many, I don't know) to make their product and sell their product. Yet we haven't seen orders of magnitude cut from the price of content.

      It seems the only one allowed to sacrifice in the content game is the consumer.

    20. Re:easy to judge others by jnpcl · · Score: 3, Insightful

      If you download the media you're still endorsing the RIAA and MPAA. You're demonstrating that they're the ones creating the content that people want and you're still legitimising what they produce.

      False.

      The MAFIAA are simply Promoters, Publicists, and Producers. They do not Create.

    21. Re:easy to judge others by Anonymous Coward · · Score: 1

      I'd like to share your paycheck with my children and grandchildren. It's SO unfair that I cant!

      You fail to understand the original poster's intent (I think) to acknowledge that any society's culture cannot be purchased/co-opted wholesale by private enterprise or created as a solely monetized product. Making absurd overreaching claims serves no constructive purpose in the conversation.

    22. Re:easy to judge others by Anonymous Coward · · Score: 0

      that's an interesting sentiment. I, too, am only paid once. So, you are saying that media such as books, movies, and music are worthless (due to the lack of scarcity of digital copies). However if nobody pays the folks who create this media, said media will either cease to exist or become much lower in quality. I'd much rather pay $10 to go see a movie than sit at home watching the blathering of idiots on YouTube. See the difference? Are there some mostly decent free projects? Sure, probably a couple. Can some music performers subsist on live music? Sure, some could. Would books still be written if there was no paycheck in it (or the only paycheck was for "hours worked" on a commission)? Sure - there would be books. I might even want to read a couple of them. Not many though. Honestly - just pay for what you consume. There is an asking price. If it is too high then it isn't worth it to you. Don't watch/read/listen then. Simple enough.

    23. Re:easy to judge others by cheekyjohnson · · Score: 1

      Not necessarily. That would only happen if you tell others about it.

      --
      Filthy, filthy copyrapists!
    24. Re:easy to judge others by Anonymous Coward · · Score: 0

      You'd by Mass Effect 3?? Heh... Enjoy your DRM and old business models there, k?

    25. Re:easy to judge others by Anonymous Coward · · Score: 0

      Having a resource that is abundant and easy to multiply is useless. Because the abundance and ease of multiplication makes the resource worthless. Supply and demand at work. Someone selling simple air (not something fancy like pure Oxygen or "clean" air, just the stuff that's all around us) won't make a big deal. And that's basically what the content industry has without artificial shortening of the supply: Thin air. With content protection and keeping it in artificial short supply (i.e. monopolizing the seller's position), they create value.

      Somehow the viewpoint of the US ruling classes regarding air pollution has crept into your post. Did you intend for that to happen?

    26. Re:easy to judge others by Anonymous Coward · · Score: 0

      I presume, then, that your act of civil disobedience occurs after the original copyright period?

      Why should he? Since the original time span was extended it is only fair to start pirating the same amount of years before the original copyright would have expired.

    27. Re:easy to judge others by hjf · · Score: 3, Insightful

      Or, to put it another way, the "outdated business method" is to expect payment for something which cost $200 million to produce.

      It only costs $200 million to produce when it involves Big Hollywood Stars. Hollywood is to blame for creating a system that puts a handful of "cool" people that *need* to be in a movie to make it attractive to the people. People demand Megan Fox. Megan Fox charges you a few million to appear in the movie, the price skyrockets. Fuck that, Megan Fox is just a hot girl among the other 3.something billion women out there in the world.

      The RIAA method is the same. Just create a handful of Big Pop Idols and make shitloads out of their image, merchandise, endorsements, and maybe some of their music too. Pay a few million to shakira is less risky that pay a few hundred thousands to Nobodies, because promoting 1 shakira is easier than promoting 100 Nobodies.

      Do I care? No, I don't live in a big city. I never went to a big concert in a stadium. I don't care how big U2's show is this year cause I won't see it. And those huge, ridiculous shows are what the music industry is about. Does it matter to me if RIAA dies along with Shakira, U2, Madonna or whoever is at the top today? No. It doesn't change MY life. The death of RIAA would mean more music variety in radios (no RIAAman forcing you to play specific songs N times a day), and some expensive sound engineers (I think the term is "producer" in the music industry) "downgraded" to... sound engineers that get paid the same as any other working class guy. House prices in Beverly Hills dropping and thrift stores in Rodeo Drive. Oh noes! The losses!

    28. Re:easy to judge others by VAElynx · · Score: 1

      The hillarious thing is , that I mostly do - mainly because i don't give much of a damn about crap that's produced now. In the last two or so years, the only new thing i watched , and even bought was HTTYD
      Most of the music i hear is from 80s and 90s as well.

    29. Re:easy to judge others by cpu6502 · · Score: 2

      I have a solution.

      And it doesn't involve any real sacrifice - just a willingness for Media companies to operate like other companies. "Satisfaction guaranteed or 100% money back." That way we consumers would not be stuck buying shit like Transformers 2 and no way to return it.

      Until that happens, I'll just keep downloading the DVDs illegally and screening-out the shit. I am sick and tired of throwing away my money on inferior crap, and the media companies laughing all the way to the bank.

      --
      My AC stalker: " I personally agree with your posts most of the time, but that won't keep me from modding you troll"
    30. Re:easy to judge others by Dr_Barnowl · · Score: 1

      Reminds me of a plot point from The Stainless Steel Rat for President ; one of the characters has the hobby of collecting universities - it's noted that the expensive part is travelling to other worlds, because the university itself costs a pittance and fits into a small data storage device.

    31. Re:easy to judge others by molnarcs · · Score: 3, Interesting

      No! Don't buy, don't pirate! If you download the media you're still endorsing the RIAA and MPAA. You're demonstrating that they're the ones creating the content that people want and you're still legitimising what they produce.

      I see your point, but most of the music I listen to are indies. Lounge music, nu-jazz, jazz, etc. I pay for that stuff whenever I can. Occasionally, I stumble upon something that's actually good and I want, but comes from a RIAA label. Look, RIAA is a fishing company. For every good artist they find they create nine crap ones - assembly-line celebrities, basically. And when you pay for that one good artist you are also supporting nine crap ones. That's a rotten business model - and choosing to pirate is still the more ethical choice.

    32. Re:easy to judge others by Bert64 · · Score: 3, Insightful

      Who's to say the quality would decrease? If anything, it might actually increase...
      Quantity would certainly decrease, but that's not necessarily a bad thing.
      There is a lot of shovelware media out there, garbage movies, poor quality software, poor music etc mostly written by people with no real love for their work, just wanting to make a quick buck... If there were no bucks to be made, then the only people who would create media are those who enjoy doing so.

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    33. Re:easy to judge others by Bert64 · · Score: 1

      If anything, copyright terms should actually have decreased...
      200 years ago, reproducing a piece of work and distributing it was a time consuming and extremely costly process... Now you can publish online, worldwide, for the price of the bandwidth.
      Software for instance is totally worthless once it becomes 14 years old, it will be well out of support, thoroughly superseded and may not even run anymore on currently available hardware.

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    34. Re:easy to judge others by Volante3192 · · Score: 2

      Flag on the statement. ...the "outdated business method" is to expect payment for something which cost $200 million to produce... is not what the argument is.

      Most people will pay for media, legitimately, if they have reasonable access to it.

      In a global environment, there is a problem when the US gets Drama episode Season 1 Episode 7 June 1, and the EU gets it Sept 17. People would acquire it legally if they had a legal channel to it. Take me for example. I'd love to purchase DVD sets of Whose Line Is It Anyway? seasons 3 to 10, but they're not available for sale in the US. Nor is The Chaser's War on Everything. (The former isn't available at all...well, outside streaming from BBC4 which I'd have to proxy to get through; the latter would require a multi-region DVD player and possibly an NTSC-PAL conversion of some sort, hoops not worth jumping through.)

      The other part of the argument is the time span. Why should we still pay through the nose for media made a half-century before I was born? Did Sir Arthur Conan Doyle intend for lawyers to be reaping the benefits of Holmes long after his death? Imagine if copyright extended farther back. Eine Kleine Nachtmusik still funding the estate of Mozart. Shakespeare. Homer. I'm not a fan of the slippery slope argument, but could, 500 years into the future, people still have to pay Disney (or whatever company it's mutated into) for the rights to Mickey?

      The world isn't black or white, it's just shades of brown...

    35. Re:easy to judge others by molnarcs · · Score: 1

      I presume, then, that your act of civil disobedience occurs after the original copyright period? E.g., if you pirate music or movies from RIAA or the MPAA, you're waiting 14 years from the filing of copyright title (or 28 years in case the author(s) survive for the original term and elect to renew their filing the copyright title) to pirate the media?

      Because that was the original copyright law in the US, you know:

      http://en.wikipedia.org/wiki/Copyright

      You raise some good points there. It may seem a bit hypocritical if I didn't wait. Problem is, that the system itself is corrupt. I believe that copyright should belong to the author. 300 years the author exchanged his copyright for the privilege of promotion and publishing offered by publishing houses. This hasn't changed much for centuries. Producing art and selling it was prohibitively expensive. Not anymore. Artists no longer need to slave for the major labels. MTV is no longer the only source of music. There's this thing called the Internet, you know. And we have systems in place to help young and talented artists in self-publishing, and we see a great more deal of variety of pretty much everything. I'm not about to spend any money on an organization that 1) stole my and my children's access to culture 2) is working on restoring a world where they're the gatekeepers - they create celebrities, stars, and the so called "mainstream" crap that are inflicted on us through MTV and the likes.

    36. Re:easy to judge others by Anonymous Coward · · Score: 0

      The person who designed your car wants to know where the check for his kids is.

      Perhaps he should ask the payroll department of his/her employer; it seems fair that the rights for works produced under contract should belong to the people that paid for them.

    37. Re:easy to judge others by Dan667 · · Score: 1

      Valve's Steam show what happens when you update your business model. Everyone knows there are almost no distribution costs so you can periodically deeply discount your products and you actually make a lot more money than keeping them priced high all the time. In fact, after the sale after products return to regular pricing Valve says they see a sales increase then too. So if by copyright holders sacrificing by missing out on huge boat loads of cash for clinging to outdated business models and trying to get governments to be their personal copyright police force, then yes, copyright holders are sacrificing making money.

    38. Re:easy to judge others by cheeks5965 · · Score: 1

      I speak afor everyone when I say, pso? who cares if a copyright holder behaves in a back asswards way and leaves money on the table? your implicit argument is that it's ok to steal because the copyright holder is doing it wrong anyway.

      --
      -- Flame me and I will happily flame you back. Bring it!
    39. Re:easy to judge others by AmazingRuss · · Score: 2

      So I'm supposed to be content with the first 99 cent sale on an app, and then give it away for free forever? Some of us don't get paychecks. We get paid by selling what we dream up, invest time and money in, and create, all at considerable risk of not getting paid at all either because nobody wants what we make, or people steal it instead of paying. Not everybody turns their copyrights over to publishers. You guys are using RIAA's evil actions to justify ripping off all us independents.

      It's incredible the logical knots you people twist yourselves into to justify theft. Yes, THEFT. I'm not buying any of that "but the guy I ripped off still has his property" horse shit. You don't want to pay for it, then don't use it. Nobody's holding a gun to your head. There is plenty of free content out there to amuse yourself with.

      I made it. I get to decide who uses it. Period.

    40. Re:easy to judge others by iluvcapra · · Score: 1

      The MAFIAA are simply Promoters, Publicists, and Producers. They do not Create.

      Er. What is it you think producers do exactly? How many producers have you actually met, let alone seen work?

      Let us also not set aside the fact that all artist royalties are collected by and pass through RIAA and MPAA members...

      --
      Don't blame me, I voted for Baltar.
    41. Re:easy to judge others by bieber · · Score: 1

      Considering that we've got hundreds of years of copyright extensions on the books pushed through by the media industries, no, a "meet half way" compromise is not acceptable. The original term of copyright in the US was less than 30 years, during which time an artist should be able to make enough off of their government-granted monopoly to make it worthwhile to invest their time and effort in the creation of their work. This was in the 1700s. In 2011, you can potentially turn a profit on your work in less time than it would have taken to get a printing press typeset back then.

      By any reasonable application of the same logic which originally inspired copyright, copyright terms should have been shortened drastically in the following centuries. Unfortunately, the entertainment industry figured out how to lobby, and there's pretty much no one in Washington lobbying for the right of the public to have our creative culture enter the public domain...well...how about sometime before our grandchildren are dead?

      The status quo established by the entertainment industry in America (and exported abroad through diplomatic bullying) is absolutely not a reasonable place to meet half-way from. That is, unless the position we're starting at is copyright which expires 50 years before the author's birth...I suppose then a right-down-the-middle compromise might be reasonable.

    42. Re:easy to judge others by Anonymous Coward · · Score: 1

      Yes, you nailed it. They are the LEECHES!

    43. Re:easy to judge others by Anonymous Coward · · Score: 0

      And Megan Fox isn't even that hot!

    44. Re:easy to judge others by Kjella · · Score: 1

      Had the recording industry had to deal with the rise in value and the fall in revenue that technology companies have lived with, we would be buying whole libraries of music for use any way we would like to use it for a dollar and a quarter. (...) Content just HAS to price its product to compete with reality, and the reality is that it doesn't cost as much to produce content, package content, and distribute content. It costs orders of magnitude less (how many, I don't know) to make their product and sell their product. Yet we haven't seen orders of magnitude cut from the price of content.

      By that logic, books should be the price of paper and ink. That somebody spent a few years writing that book doesn't matter. That somebody took the risk and fronted the cost so the author got published and carried the cost of the flops doesn't matter. If you want libraries of music for a dollar and a quarter, what does that leave the artists? Fractions of fractions of a cent, a guitarist couldn't even afford strings. True, a few things have gotten cheaper but the total cost of releasing an album is still nowhere near free, most artists need to recover some money from sales or it just isn't feasible. Or at least it'll be really obviously a garage band recording in the garage.

      --
      Live today, because you never know what tomorrow brings
    45. Re:easy to judge others by AmazingRuss · · Score: 1

      We'd be left with people that can't afford to invest the time into acquiring anywhere near the virtuosity we have come to expect, for the simple reason they're working 14 hours a day at Wendy's to try and keep themselves fed.

      I'd have more sympathy for the argument if it were about food or something else people can't live without, but I just can't think of any way to justify theft of something that is consumed only for entertainment.

    46. Re:easy to judge others by VAElynx · · Score: 2, Insightful

      Well, that's your problem - why should doing what you do be a protected method of living? Get a job like the rest of people and if you want, create stuff in your spare time..
      Advances in industry made plenty other occupations redundant, or turned them into the public, after all
      In the time that's coming it very well might be that professional content producers will lose it to the public, just like newspaper are slowly losing out to other information sources on the internet
      The only way you can hold onto information is not to release it into the public. That's it.


      And well, you are misstating it heavily with the 99 cents.. Perhaps get a paycheck for developing the app from the hardware manufacturer who after all needs apps for his platform (a very likely source of income for folk like you if copyrights and such are abolished)

    47. Re:easy to judge others by DarwinSurvivor · · Score: 1

      False, most artist royalties are collectid by and pass through RAA and MPAA members for those artists who signed with them in the first place

    48. Re:easy to judge others by AmazingRuss · · Score: 1

      You want me to become a slave, bend my will to the corporatocracy, and crank out safe, derivative corporate garbage in return for a paycheck, all so people can justify stealing my crappy, unoriginal work because it's now owned by some big, evil megacorp?

      Can you see where I might have a problem with that? Can't you see how that might stifle innovation just a tad?

    49. Re:easy to judge others by VAElynx · · Score: 2

      Not really. Putting asides the fact that some of the best content in every form i know is distributed for free already, abolishing copyrights would force those megacorps to innovate too, as they wouldn't be able to milk one cow for ages and ages.

    50. Re:easy to judge others by yuhong · · Score: 1

      Yea, I know. You can't boycott a patent provider when you are infringing on their patents either. Buying music from a different vendor is easier though, and would be better IMO.

    51. Re:easy to judge others by yuhong · · Score: 1

      Personally, I always have considered movies and music as different. I mean, music is just sound, so there is no excuse for the cost of creating music to be that ridiculous. Movies are more complex though.

    52. Re:easy to judge others by yuhong · · Score: 1

      But even in movies, having to pay stars etc. ridiculous amounts is still bad.

    53. Re:easy to judge others by hjf · · Score: 1

      Music is expensive not only because "big" artists have to be paid millions. It's expensive also because smaller artists become dicks pretty soon, and need to trave all over the world and record every different song in an album in a different studio. Now that they're a little famous, they need more expensive "inspiration".

      Movies are complex, but might find this a very interesting reading.

      Also: you don't need hundreds of millions of dollars to make a crazy blockbuster. The Blair Witch Project (if anyone even remembers that) had a budget of some $750.000 (still wonder how they need that kind of money for such a cheap piece of crap). But the movie grossed over 250M dollars.

    54. Re:easy to judge others by AmazingRuss · · Score: 1

      They wouldn't get that first glass of milk, either. What are they going to pay me with?

    55. Re:easy to judge others by Endo13 · · Score: 2

      With REAL property, once you've sold it you don't get to decide jack shit about it. That's the key difference between real property and Imaginary Property.

      No one's saying you should be content with one sale on an app. That's the whole point of copyright. But you SHOULD be content with the sales you've generated after a few years (hell, in today's lightning-quick market you should probably be content with sales you've generated after a few MONTHS of releasing it). Instead though, that shitty app you made gets protected for 75 years after you're dead and gone.

      So frankly, with your attitude about what you made, as far as I'm concerned you can just go right ahead and shove it right back up the ass you pooped it out of. And please, PLEASE let me know what crap you've released so I can avoid it like the plague.

      --
      There is no -1 Disagree mod. Slashdot.org/faq defines mod options. USE IT.
    56. Re:easy to judge others by AmazingRuss · · Score: 1

      For every hit, there are 4 or 5 or 10 flops. The income from the hit funds subsequent development. There's no money fairy that waves her wand and makes this happen. There is no daddy in the payroll office cutting checks.

      I guess as a wage slave that's beyond your comprehension. You sell your soul for a safe, steady income to pay your lifelong debts, and then bitch about the people that take the big chances that made the company you work for exist in the first place. I'm no corporate weasel, I'm just a guy that has invested thousands of hours to get to the point where I can make things that people want. You're just a guy that can't stand on his own two feet, who's envious of those who can, and manufactures bullshit reasons for why it's ok for you to steal from us.

      You've probably already ripped me off, so you don't need to avoid my apps.

    57. Re:easy to judge others by Anonymous Coward · · Score: 0

      Content will be cheaper when the law is changed for real copyright reform. http://www.overclockers.com/real-copyright-reform/

    58. Re:easy to judge others by RobinEggs · · Score: 1

      . I will buy Mass Effect 3 as soon as it's out.

      EA Games abuse their employees so seriously that I consider buying an EA title even stupider than paying for RIAA product. In fact, many game publishers treat their employees much worse than any RIAA label treats their artists. There are numerous articles and open letters from former EA employees out there documenting the fact that the pay sucks and that working the developers seven days and 90 hours per week are standard practice in the later stages of producing a game. The crunch time that often happens in a contract or project based environment - as a schedule slips or problems are encountered - EA plans on from the very beginning; from the first day of producing a game they consciously plan to work hundreds of salaried employees for hundreds of hours each in uncompensated overtime by the time the game is completed.

      I have no idea exactly how prevalent the problem is amongst the video game industry as a whole, but it's well known that EA is far from the only publisher to treat employees like this. If all you care about is copyright reform, then boycott only music and film, but if you care about workers' rights and human dignity don't you dare buy a video game without thoroughly researching the labor relations history of both the developer and publisher.

    59. Re:easy to judge others by Anonymous Coward · · Score: 0

      Are you talking about copyright legislation or the US political system?

    60. Re:easy to judge others by yuhong · · Score: 1

      Though personally I would not go so far to boycott the major labels myself.

    61. Re:easy to judge others by next_ghost · · Score: 1

      In a global environment, there is a problem when the US gets Drama episode Season 1 Episode 7 June 1, and the EU gets it Sept 17, 5 years later, with a shitty dubbing.

      FTFY

    62. Re:easy to judge others by paulsnx2 · · Score: 1

      Selling books has always been about selling the paper and the ink. (The ACTUAL payments to authors on a book have always been tiny.)

      In today's world, we should be paying the lion share of the money to the AUTHORS. Copyright mostly insures that the lion share of the money on book sells goes to big Corporations, i.e. Big Content.

      Now once upon a time, publishers actually bought value to the transaction, be they record labels, book publishers, music publishers, etc. Someone had to support the development of content, to print and distribute and advertise the content in its physical form, and stock the shelves of stores to sell the content. In other words, publishers handled the physical requirements of taking content from content producers and getting it to the consumer.

      Increasingly, publishers bring no value to the transaction. Publishers are not as involved in supporting the production of content as they have been in the past, and there is nothing to print and distribute with digital content, and advertising of content does not require publishers to the same degree. No stores, nobody standing their being paid to sell the content. In other words, producers can now deliver their content directly to the consumer.

      I don't have any problem with copyright for short periods to help artists leverage their popularity into deals to support themselves. I do have a problem with copyright that is effectively perpetual and denies the value of the public domain.

    63. Re:easy to judge others by Anonymous Coward · · Score: 0

      Folks need to realize that a sacrifice for a business is incomparable to a sacrifice for an individual. Increasing the freedom at the cost of a business model is a perfectly reasonable change to make. When a business model doesn't work, the companies that rely on it can modify the business model to continue to sustain themselves or they will fail, and the employees will be redistributed to other occupations. I'm not willing to give up freedoms just so others can profit off of it unecessarily.

      There is certainly the potential for art to drop in overall quality, but perhaps there are better ways to reimburse them that doesn't involve draconian restrictions on copying rights. More freedom for individuals would encourage businesses to seek out those "better ways".

    64. Re:easy to judge others by Anonymous Coward · · Score: 0

      Amen. This is exactly the conclusion I reached as well. The only way is to have nothing to do with those people and their creation.

    65. Re:easy to judge others by Anonymous Coward · · Score: 0

      it doesn't involve any real sacrifice - just a willingness for Media companies to operate like other companies

      What part of that is not a sacrifice?

    66. Re:easy to judge others by Anonymous Coward · · Score: 0

      Or, to put it another way, the "outdated business method" is to expect payment for something which cost $200 million to produce.

      It only costs $200 million to produce when it involves Big Hollywood Stars. Hollywood is to blame for creating a system that puts a handful of "cool" people that *need* to be in a movie to make it attractive to the people. People demand Megan Fox. Megan Fox charges you a few million to appear in the movie, the price skyrockets.

      It's also worth noting that the "outdated business model" is what allows something like that to cost $200 million to make in the first place. If that business model didn't allow for movies like that to generate potentially hundreds and hundreds of million of dollars then the people involved in making it wouldn't make so much.

    67. Re:easy to judge others by bentcd · · Score: 1

      It is my position that whenever someone (anyone) distributes a creative work, the author of that work should have to pay the distributor a statutory reward of $750 per copy that was distributed.

      ... what was that? You want to meet in the middle? Right, let's talk about that ... :P

      --
      sigs are hazardous to your health
    68. Re:easy to judge others by gottabeme · · Score: 2

      "We'd be left with people that can't afford to invest the time into acquiring anywhere near the virtuosity we have come to expect, for the simple reason they're working 14 hours a day at Wendy's to try and keep themselves fed."

      That's an unsubstantiated hypothesis. I could counter that by saying that most artists today already work long, hard hours to support themselves, because only a small minority make it big--and many of that small minority are pop artists who produce relatively unoriginal works intended to appeal to the lowest common denominator. And most, if not all, of those successful pop artists make huge profits for megacorps like RIAA publishers--without those publishers, they could keep a higher percentage of their works' revenue.

      "I'd have more sympathy for the argument if it were about food or something else people can't live without, but I just can't think of any way to justify theft of something that is consumed only for entertainment."

      It's not theft, because it doesn't steal anything, because it doesn't take anything away from anyone else. Theft is, e.g. breaking into a store or someone's car and taking CDs. Whether it's ethical or moral is another matter--but it's not theft. Stealing food would be worse, because it would deprive someone else of the food! You have your priorities reversed.

      It's merely the idea of "copyright infringement", an idea created by the government and raised to unconscionable severity by lobbying by unfathomably-large corporations, who enjoy more legal protections than the citizens of the government which grants them such protections--a contradiction in itself. Since the average citizen is powerless to defend himself legally against these corporations, and since his attempts to influence policy are futile compared to the influence of the corporations' lobbyists, I submit that the very laws which grant these corporations' and their imaginary property such protections are unethical and immoral.

      That leaves the question: is civil disobedience in this case justified? And: can a blanket answer be given, or should different situations be considered, depending on the author, whether one of these corporations holds rights to the work in question, etc? These are the deeper questions.

      --
      "Those who consume the bulk of goods are those who make them. We must never forget this secret of our prosperity."
    69. Re:easy to judge others by gottabeme · · Score: 1

      You're right. The question is, is it still possible for the people of the nation to influence policy as much as the corporations can, so as to resolve the problems? If not, is civil disobedience justified?

      --
      "Those who consume the bulk of goods are those who make them. We must never forget this secret of our prosperity."
    70. Re:easy to judge others by gottabeme · · Score: 1

      "By that logic, books should be the price of paper and ink."

      No, by that logic, books should be a reasonable price that reflects the decrease in production costs. He did not say that the price of books should be only that of the materials used to produce them. You're making strawmen.

      --
      "Those who consume the bulk of goods are those who make them. We must never forget this secret of our prosperity."
    71. Re:easy to judge others by gottabeme · · Score: 1

      That begs the question: Would it be wrong for the media companies to make a sacrifice? Also: Are they currently at an unfair advantage to consumers, and should they be required to make a sacrifice?

      --
      "Those who consume the bulk of goods are those who make them. We must never forget this secret of our prosperity."
    72. Re:easy to judge others by Coren22 · · Score: 1

      Do you honestly believe you should earn all profits off you work you do today for the next hundred years? This is what you are arguing about. Why should I have to pay for your software, when even you have abandoned it and no longer sell it?

      Can I go out and buy a copy of "Steamboat Willy"? Knowing Disney, I probably can. But should I be required to pay for something that would be so far in the public domain by now if not for lobbying?

      --
      APK likes to ask for responses to the same things over and over. Maybe he just likes the responses?
    73. Re:easy to judge others by Anonymous Coward · · Score: 0

      Just in case you don't know it yet:
      http://magnatune.com/

  2. Finally someone talking sense. by VAElynx · · Score: 2

    Let's hope that if enough of those with different interests to RIAA-like scum, and with full wallets to actually persuade the important folks up there will hold opinions like this, the situation will begin to change
    Telecoms are quite the profitable enterprise and copyrightists are slowly beginning to step on more and more toes in their mad race for more profits.

    1. Re:Finally someone talking sense. by Anonymous Coward · · Score: 1

      Devil's advocate here: What big company or government does NOT want the abuse of unlimited length copyrights to continue?

      It gives governments an excuse to actively censor content and unplug people who they don't agree with for "IP violations".

      It allows companies to be lazy and keep their well-worn IP for profit forever.

      It helps ensure a one-to-many system to stifle free speech.

      The sad thing, the copyright war is in its infancy, and things are going to get a lot worse. I'm expecting in 10 years that every desktop, server, or device will have a DRM stack enforced by a hardware chip, similar to how all TVs must have a V-chip. I also expect that it will be almost impossible to obtain a true "#" prompt on hardware without risking arrest, or the device being permanently banned from connecting to the Internet, similar to how consoles are blocked from XBL.

    2. Re:Finally someone talking sense. by hjf · · Score: 1

      I'm expecting in 10 years that every desktop, server, or device will have a DRM stack enforced by a hardware chip, similar to how all TVs must have a V-chip.

      You mean TPM? That idea never took off.

  3. Groups by Anonymous Coward · · Score: 1

    there are groups that want to abolish copyright entirely.

    Actually, only one group wants to abolish copyright. That group is known as Sensible People.

    1. Re:Groups by Anonymous Coward · · Score: 0, Flamebait

      Also known as The People Who Create Nothing of Value.

    2. Re:Groups by 91degrees · · Score: 4, Insightful

      Sensible people?

      I had a job producing copyrighted content (video games). Believe me, nobody would have invested in creating these in the first place without the guaranteed monopoly that copyright protection provides.

      If you don't like copyright, then that's fine. I can point you to a whole load of games that are actually pretty good fun that would have been produced with or without copyright protection. The thing is, the existence of copyright in no way harmed these efforts, just like it doesn't harm fan produced films, free music or other types of free software.

      The thing is, some of us like the media that's produced as a result of the industry that relies on copyright protection. I don't think it would be at all sensible from my point of view

    3. Re:Groups by Opportunist · · Score: 3, Interesting

      It's not sensible to abolish copyright. Content is no longer "art", the work of passion of a single person who might do it for the expression of their creativity. You have a lot of people involved in the process of creating what we today consider "good entertainment". From music to movies to games. Trust me, writing games ain't half the fun that playing is. It's a lot of crunch, a lot of stress, a lot of "why the fuck did I decide to get into this industry". These people want to get paid for what they do, and without copyright, there is very little chance that they can be.

      What's wrong with copyright is not its existence. It's that copyright got out of control. It is no longer an incentive for the creative mind to create. It's an incentive to NOT create and live off a single cash cow to milk forever. Imagine I'm the greatest composer of all times. Mozart, Beethoven and Lennon rolled into one. And I create that ultimate, timeless and superawesome piece of music that EVERYONE loves. EVERYONE just wants to hear this style suddenly, and nobody can hit what people want as good as I can. But ... why should I keep working, why should I, the best person to ever write music in the history of mankind, write any more? I can milk that song forever. People will go ahead and remix it to get some breadcrumbs of the success, and I'll always cash in when they do. From now 'til I die. And beyond.

      What's my incentive to create?
      `
      Copyright has to exist so people want to get together and create something special as a collective. If they can't reap the rewards for it, they most likely won't do it, or at least it will take a horribly long time since they can only do it in their spare time after they've done something to generate money so they can afford having a hobby. But it has to be limited so the best and brightest actually have a reason to continue creating. If I get more money from one creation than I could spend in a lifetime, why bother working anymore?

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    4. Re:Groups by Anonymous Coward · · Score: 0

      I agree this does account for the majority of the people who hold this position, but to be fair, one of the most outspoken is Richard Stallman, and he most certainly has produced something of value - GCC and Emacs.

    5. Re:Groups by NoNonAlphaCharsHere · · Score: 2

      Ouch. I'm afraid "Richard Stallman" and "sensible people" are disjoint sets.

    6. Re:Groups by VAElynx · · Score: 2

      I had a job producing copyrighted content (video games). Believe me, nobody would have invested in creating these in the first place without the guaranteed monopoly that copyright protection provides.
      What kind of argument is that? I mean, there are a ton of far more useful jobs a programmer can do. In the same way, the invention of the refrigerator spelled death for the ice industry, and whoever worked on mining and storing ice had to find another job related to his skills.

    7. Re:Groups by Dishevel · · Score: 2, Interesting

      Please do not listen to the "Fucking Idiots".
      AKA. Those who want to "Abolish" copyright.

      Copyright is good. Limited copyright encourages creation of new content. Then the new content gets to move to the public domain
      after a period of time. This is awesome. Tons of new stuff pouring into the public domain. Enriching all with its wonders.

      What copyright has become though is never ending. Nothing flows into the public domain anymore.
      Hell a story not to long ago about the courts pulling shit out of the public domain.

      We have to go back to move forward.

      --
      Why is it so hard to only have politicians for a few years, then have them go away?
    8. Re:Groups by TheRaven64 · · Score: 1

      Believe me, nobody would have invested in creating these in the first place without the guaranteed monopoly that copyright protection provides.

      No! People would not create them without some probable return on investment. Copyright is one possible way of making the return on investment probable, and is conceptually quite simple, but it's not the only way. For example, here's a business model that would work without copyright:

      You create a simple demo and release it publicly. You ask people who like the idea and want to play the full game to invest, say, $40. When you have raised enough capital to develop the game, you do so and release it into the public domain. You then request investors for your next project. Guaranteed return (more so than with copyright, because you're getting your customers' money up front), but no requirement for copyright.

      The problem, as TFA points out, is thinking like yours. This business model worked in the past, therefore it will work in the future and it's the government's job to ensure that it does. That isn't how the world works.

      --
      I am TheRaven on Soylent News
    9. Re:Groups by TexVex · · Score: 1

      Real artists are driven by a primal urge to create. Throughout history and even now, most of them never make much money off of it, but they do it anyway. For them, creating is not work. It's their life's love.

      People in general are driven by a primal urge to accumulate wealth. Throughout history and even now, those with a talent for making much more money than average people will continue to make money long after they have made more than they will ever need for themselves or their families. Stacking up money is not a means to an end, but an end unto itself.

      So there you go. If you've got the art inside and it wants to get out, you're gonna let it out even if you're not getting paid. If you get paid for it, then you'll never be happy with your accumulated wealth. Either way, you're still motivated.

      --
      Fun with Anagarams! LADS HOST, SHALT DOS. HAS DOLTS. AD SLOTHS, HATS SOLD. ASS HO, LTD.
    10. Re:Groups by 91degrees · · Score: 1

      Yes. I currently write custom software for media presentations. Great. People can do what they want with it after the show. It's not about my job. I'll do fine whatever. It's about the customer. What do you want guys like me doing? Producing interactive demos to sell expensive toys, or writing video games that you'll actually benefit from directly?

    11. Re:Groups by blahplusplus · · Score: 2

      " Believe me, nobody would have invested in creating these in the first place without the guaranteed monopoly that copyright protection provides."

      What a bunch of garbage, piracy has been around since the beginning of time and games were still being made even when entire countries (china) pirate almost completely.

      In the real world games would still be produced, it's this lying to ourselves that people aren't creative/industrious and hence we need the copyright nanny state to intervene. Other businesses would pick up the slack of their was no copyright, it's too lucrative.

    12. Re:Groups by lostfayth · · Score: 1

      Or, in other words, look to VODO's example.

    13. Re:Groups by jeti · · Score: 1

      And how long does this copyright need to be? Would your employers have invested in a title that they didn't expect to return the investment within the first ten years?

    14. Re:Groups by 91degrees · · Score: 2

      Oh no. Just some short term protection is needed. Honestly, I think a 2 year copyright term would probably be enough for the games industry. The main negative effect this would have would be to encourage a subset of gamers to run a constant 2 years behind the curve.

    15. Re:Groups by Volante3192 · · Score: 1

      Real artists also had wealthy patrons subsidizing them for most of history.

    16. Re:Groups by Anonymous Coward · · Score: 0

      Naah. He's severely odd, and somewhat overzealous, but he does make a decent enough point often enough.

    17. Re:Groups by ksd1337 · · Score: 2

      The best copyright policy is the original one - "14+14" as the time limit.

      Copyright should be registered - none of this "automatic copyright" nonsense.

      It should only be 14 years, and should be able to be renewed once, for an additional 14 years.

    18. Re:Groups by Ihmhi · · Score: 2

      14+14 might have made sense where it would take months for a shipment of books to get from Europe to America, but today honestly? Don't movies stop making decent money after 6 weeks? Same with games and music I believe - after the first 2 months or so the money only trickles in.

      I'd rather see modern copyrighht be something more like 1+1, with a bitch of a filing fee for the second year.

    19. Re:Groups by Opportunist · · Score: 1

      There is no "art" anymore.

      The "if people want to create they will create even without money" venue is working, but at a high price: You get what the artist wants. Not what you want. If this were the rule, computers would be a far cry from what they are today for our society. They would still be those arcane boxes that nobody but a select few could speak to, in forbidden tongues no mortal may ever use. Why? Because an OS for home use would be more like the Linux of 95 than the Linux of Ubuntu. Why? Because the geeks that make Linux don't need a GUI. Hell, if I have to create everything myself that I need anyway and I'm such a wizard that I can actually create something like that, do you really think I'll have the nerve to build a GUI on top, one that I won't even use?

      That's why it took so horribly long for Linux to finally have a GUI that's not just lip service, where the GUI tools offer at best a fraction of the underlying CLI programs. When the "artist" is satisfied with what he created, he'll stop. Whether you are satisfied doesn't really matter. And I'd guess the only reason Linux got a GUI at all was that some people wanted to get users of other GUI OSs to use Linux, rather than the goal to make it "easier" to use. For me, a Linux box with GUI is not easier to use than one with a CLI interface. Actually, I can do most things faster in CLI. Where's my incentive to create something that many people will want and even need, if I don't?

      You'd have the same in music and movies. Do you really want to get only music the artist wants to make? Imagine all the stuff from the big studios is gone overnight, all that's left is indie music. Works for me, maybe for you. Ask a few people on the street what they'd think of it. And let's not even get into movies, I'm sure we'd get a lot of drama and social criticism, but very little SciFi action.

      Also realize that the entry bars would be a fair lot higher, financially. Fewer people creating means higher prices for equipment, since the cost to develop it has to be carried by fewer units. Computers would be a luxury item, but that's ok, aside of a few hobbyists who enjoy digging into the arcane, mystic art, nobody would want them anyway. Computer music would be pretty much unheard of, although we might have a few synthies (but don't even think about asking for a price tag, if you have to ask, it's too much for you). Plus, no YouTube to spread your creation (what for, nobody has a computer).

      I don't think it's such a good idea in the long run.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    20. Re:Groups by GreekLawyer · · Score: 1

      People must eventually see the obvious paradigm shift;

      In the analog era, the economic agents (movie studios, gaming studios, etc) had to GUESS demand, invest THEIR OWN money, a priori, and thereafter hope for people will like their offering.

      Ergo, they had to protect their investment because they did not amortise it.

      This is an entirely limited-due-to-technology model and places the "chariot, before the horses".

      In the digital era however, the horses (demand) are placed in front of the chariot (supply).

      See initiatives like kickstarter.com, flattr.com - the movie/gaming studios can propose their offering, collect the funds and thereafter produce.

      Moreover, the producers can make money, on the side, by offering scarce goods (memorabilia, signed items, paid dinners with actors, producers, scriptwriters etc).

      disclaimer: this does not mean in any way that the new system is perfect - it is just a better than the old one and also inevitable because the digitisation of information renders the old one obsolete

    21. Re:Groups by Opportunist · · Score: 1

      Oh please, this hasn't been the case since Strauss composed the Waltz.

      If you look at the history of popular music since WW2, you'll notice that true changes in music were first of all introduced by some musicians who played in clubs and where people got to hear something "new and fresh", then some studio headhunters picked it up and ran with it.

      The true difference is that the monopoly situation of the studios has been erased. In the old times before the computer and the internet, making music professionally (in contrast to "garage band" style) required a huge investment. You needed a studio, a way to press records, a distribution line, and all those things were prohibitively expensive. There's a reason why even bands like the Beatles needed a few number one hits (and far more favorable contracts than what's flying today) before they could make their own studio. Today, every half-talented Rapper that managed to have a lukewarm hit opens his own studio. The entry bar has been lowered insanely, and you don't even need a studio anymore, depending on the style of music you're making. If everything you create can be done inside a computer, this IS your studio, you don't press records but sell it digitally.

      In short, studios have become obsolete for the sole reason of distributing music. They are simply no longer needed.

      They have, though, a lot of very good connections to make music known. They have ties with radio and TV stations, they have advertising venues, they have the means to fund and staff concerts. They have a lot of know-how and a lot of resources (and I'm not even talking about money here). And this is where I see their future. It's not in the distribution of music. It's in promotion.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    22. Re:Groups by next_ghost · · Score: 1

      The thing is, the existence of copyright in no way harmed these efforts, just like it doesn't harm fan produced films, free music or other types of free software.

      Yeah, right. Except all those fan remake projects which were hit by cease & desist letters. Particularly King's Quest: The Silver Lining which was killed by Activision after 8 years of development when it was ready for release. No harm there, just 8 friggin' years of hard work all for nothing.

    23. Re:Groups by next_ghost · · Score: 1

      That's why it took so horribly long for Linux to finally have a GUI that's not just lip service, where the GUI tools offer at best a fraction of the underlying CLI programs.

      When CLI doesn't offer better functionality than GUI, it means that the CLI sucks. CLI is by definition significantly more powerful than GUI can ever be. Sure, GUI may be easier to use for one-off tasks but it utterly fails when it comes to automation.

      When the "artist" is satisfied with what he created, he'll stop. Whether you are satisfied doesn't really matter.

      And copyright is what prevents others from continuing the work from where the artist stopped. Culture isn't about individual artists each starting from scratch. It doesn't work that way. It can't work that way. Culture has always been about millions of artists each adding to others' work. Copyright seriously breaks the system for everybody but a handful of corporations which "own" enough content to allow the creative process to work inside them.

    24. Re:Groups by 91degrees · · Score: 1

      Kings Quest wouldn't even have exited without Copyright so neither would the fan remake project. Phoenix could easily have produced a very similar original game without infringing copyright, and had they not succeeded in negotiations with Activision I'm sure they would have done.

    25. Re:Groups by next_ghost · · Score: 1

      Yeah, right. Roberta Williams was SO interested in copyright protection when she made the first KQ game in 1983. Copyright doesn't matter unless you invest millions of dollar into development. And that didn't happen in videogame market until early/mid 90s.

    26. Re:Groups by Opportunist · · Score: 1

      That's why I am in favor of what I dare to call sensible copyright: Give the creator(s) the ability to regain the expenses and something on top, but allow it into circulation after the dust settles. Basically, what it boils down to is to limit copyright to a more sensible time frame than "'til the creator croaks and then some".

      Back when copyright was "invented", the time from creation of the original work to having it in wide enough distribution that you can harvest the fruits of your labour was a long one. Those (IIRC) 7 years you had meant that you better hurry to get your book proofread, set, cast, printed, bound, distributed and sold. 7 years wasn't that long a time back then. Today, 7 days is already far more than enough to have your work completely packaged at your customer's place. Yet we also have copyright that outreaches the original one more than tenfold. Where is the sense in that?

      Lower copyright back to some sensible timeframe. 7-10 years are plenty for current "art", which is already considered a "golden oldie" after less than a year.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    27. Re:Groups by gottabeme · · Score: 1

      That being a negative effect is only an opinion. It could also be said to allow people to choose to save a lot of money, and encourage game authors to set reasonable prices to encourage gamers to not wait two years to play their games. Sort of like Steam does now, except that they sell outdated games that often don't work on current systems without tech support for outrageous prices (there's no way that Commander Keen games should be anything but free now), and their sales that are at nearly-reasonable prices are unpredictable.

      --
      "Those who consume the bulk of goods are those who make them. We must never forget this secret of our prosperity."
  4. yup by Anonymous Coward · · Score: 2, Interesting

    Far too often the pirated product is the superior product.

    1. Re:yup by cheeks5965 · · Score: 1

      [citation needed]

      --
      -- Flame me and I will happily flame you back. Bring it!
    2. Re:yup by Anonymous Coward · · Score: 0

      Server based DRM which requires a constant Internet connection and working server.
      Disk based DRM which requires you to insert the CD into the drive and risk scratches and just to play.
      DRM which messes around with the CD drive's software driver and can make it unusable.
      DRM which prevents otherwise wine compatible engines from running on Linux.
      Rootkits ...........

    3. Re:yup by mlts · · Score: 3, Informative

      It is sad, but there are a lot of cases where this is the truth:

      DVDs -- disabling the PUO crap, so one doesn't have to sit through 45 minutes of previews for movies that flopped.

      Games -- playing games that will not activate because the activation servers have been taken offline, or continuing to play a game after a video card was changed out, and the game will not activate.

      Applications -- being able to continue use of a program even after hardware has been changed (RAM upgrade).

      The best DRM for games is the simplest -- have a serial number to access multiplayer servers. This worked for almost a decade for NWN1. It keeps the freeloaders at bay, while ensuring that legit users have as good a gaming experience as possible.

    4. Re:yup by betterunixthanunix · · Score: 4, Informative

      How about the fact that copyrighted DVDs frequently come with "structure" DRM, in an attempt to discourage ripping (which is legitimate for personal use e.g. to play a movie on a tablet that doesn't have a DVD drive)? Or the fact that DVD players are designed to force people to watch certain tracks on the DVD before they can see the actual feature? Or the fact that DVD players refuse to play DVDs from different "regions?"

      With DVDs alone, there are plenty of reasons that a person might opt to download "pirated" copies instead of dealing with the hassle themselves.

      --
      Palm trees and 8
    5. Re:yup by Opportunist · · Score: 1

      It always is in the presence of copy protection. Content is the only product where a "stolen" good is more valuable to its user than a purchased one.

      When I buy a car, a TV, a computer, I get first of all warranty, something I will not have when it "fell off a truck". I will also have access to some kind of support if I have a question, I might even get someone to set it up for me for free from the store (or deliver it at least), I might be eligible for some additional goodies that come as part of the deal, some rebate on other products from the same company and so on. All these "goodies" do not exist when I steal the product. The support line will probably even use the information to hunt me down for calling them, nobody will aid me with any problems I'll have with the goods, I certainly am not eligible for any goodies (no contract, no goodies).

      With content, it's everything in reverse. If I buy it, I get content that I may probably not play on the device I want to play it with, I can most likely not store on the storage medium I prefer, I might not be able to use it for as long as I please, I might be forced to endure ads or other junk that eats up my time and diminishes my experience, and I can probably neither shift time nor packaging or format. None of these effects exist when I "steal" it. I can store it on the medium I prefer, I can (to some degree) choose the device to play it on, I can shift format and time as I please and one thing's for certain: It WILL play on my device since I know before acquiring it whether the format is fitting to my replay tool since it will most likely be in some standardized format since the person creating it (the "cracker") actually wants to provide something I can use.

      So yes, copy protection actually devalues a product from the point of the customer. It is worth less than a product without.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    6. Re:yup by JudgeFurious · · Score: 2

      Indeed. There's a Blue Ray disc out there. It's got a movie on it I want to see and it comes with a bunch of features I don't care about and it's in a format (on this funky disc) that I find troublesome. So someone rips that movie off of that disc and turns it into an mkv file. Now I can watch that anywhere I can make an mkv file play. I can feed it to XBMC because it's only a few gigabytes in size (but still looks great to me) or I can feed it to Handbrake and turn it into an mp4 that my iPod likes. Blue Ray discs are cool but I consider a good quality mkv file to be the superior product based on what I can do with it.

      --
      Appended to the end of comments you post. 120 chars.
    7. Re:yup by LongearedBat · · Score: 1

      A musician once told me how he found a copy of his music education book coming from China or Korea (can't remember which now) that was much prettier than his own release. The cost of both producing the product and publishing it was so high that he and his publisher could not afford to make it any prettier.

      But if the ground work is already done for you, and all you need to do is copy it, then of course you make better profits and can afford to make better looking versions... that outcompete the original product, which is was exactly what was happening

      That's what I have against copying:
      Those who do the work are not rewarded for their efforts, which in turn leads to that those who make the effort don't have the finances to continue making great efforts.

      That said, I completely agree that the current state of affairs very much encourages unpaid copying to the point where one doesn't feel guilty if it's from a major publisher. But in my experience, many/most people prefer to pay for products because we have a concience and we see it as a form of thanks.
      But when some entity touts its right to claim from us, then most of us respond with matching ire. (Tax departments are another example of this behaviour.)

      It's all a matter of respect.
      Major copyright campaigners have eroded that respect to almost nothing.
      If major publishers respected consumers, then consumers would respect publishers in return.
      If now-illegal producers instead respected producers enough to make deals with them, then they would be welcome instead of illegal.

    8. Re:yup by LongearedBat · · Score: 1

      Amendment:
      If major publishers respected consumers and producers, then consumers would respect publishers in return.

    9. Re:yup by Anonymous Coward · · Score: 0

      That is where we are seeing the digital divide. On one hand, stuff put on a consumer site like FB loses its copyrights (pretty much the site can do anything they want with it.)

      However Big Media can stomp someone off the face of the Internet for the same thing.

      The copyright issue was for like what what the parent said, making sure the person who made a work got his or her due. These days, it is about class warfare and little else.

  5. (c) by Anonymous Coward · · Score: 0

    Either tell us how to copy it right or kindly give us right to copy :D

    1. Re:(c) by cheeks5965 · · Score: 1

      why? is the ability to copy something an inaliable right? if somebody else made something, they have a say over how it's used, including if it can be copied or not. If somebody wants to make the coolest album ever and then lock it in his home, that is his (copy)right.

      --
      -- Flame me and I will happily flame you back. Bring it!
    2. Re:(c) by betterunixthanunix · · Score: 3, Interesting

      is the ability to copy something an inaliable right?

      http://en.wikipedia.org/wiki/Freedom_of_speech

      if somebody else made something, they have a say over how it's used,

      "Made something" -- you mean like, if I made a hammer and sold it to you, I could dictate how you use it? Oh, wait, we are not talking about making "something," we are talking about copyright law, which restricts the ability of people to speak freely (yeah, that does include repeating what someone else told you i.e. making a copy). The point of that restriction is to encourage artists and writers; nobody has a natural right to copyrights, it is just a compromise that was originally intended (in America) to ensure that people would have access to literature, art, and so forth.

      --
      Palm trees and 8
    3. Re:(c) by cheekyjohnson · · Score: 2

      is the ability to copy something an inaliable right?

      Is anything an inalienable right?

      if somebody else made something, they have a say over how it's used

      According to current laws, yes.

      --
      Filthy, filthy copyrapists!
    4. Re:(c) by Opportunist · · Score: 1

      According to our copyright law, actually the ability to copy is an inalienable right. Or rather, the permission to copy. It's in the law: You cannot effectively waive it and contracts requiring you to are void, at least in these parts.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    5. Re:(c) by cheeks5965 · · Score: 1

      so we agree...good.

      --
      -- Flame me and I will happily flame you back. Bring it!
    6. Re:(c) by gottabeme · · Score: 1

      Fundamentally, no one "makes" anything when they "create" an idea. They merely think of something.

      And the fact is that his idea is based upon untold numbers of other ideas, which were based upon untold numbers of other ideas--it's a never-ending chain of ideas--it's "turtles all the way down."

      Anyone who claims a right to have control over "his" idea must also submit to control by all other people whose ideas influenced his, else he is a hypocrite. And since dead authors' works can still be copyrighted and controlled by people and corporations, the excuse that those whose ideas influenced him are dead is invalid.

      Originality is a myth. Intellectual property is a farce. Copyright is hypocrisy. Greed is reality.

      --
      "Those who consume the bulk of goods are those who make them. We must never forget this secret of our prosperity."
  6. This might be fun to watch by willoughby · · Score: 2

    I'm eager to see if Sony (as in Sony/Ericsson) might have a response to this.

  7. Situation this week in Argentina by bmuon · · Score: 4, Insightful

    This week the online community managed to get the attention of the lawmakers in Argentina and paused the approval of a law that would instate a private copy levy on MP3 players, CDs, DVDs and even hard drives. This law would be similar to the ones already in place in Europe and that are being contested by the Court of Justice of the European Union.

    Those of us who got informed in time were able to watch the session of the Congress during which the proposed law was presented and different groups that represent copyright holders (record labels, filmmaking producers, etc) expressed their views about it. Many representatives of these groups were over 70 years old. By repeating phrases such as "artists have a right to make a living" they were continuously showing that they have no grasp of the current market. It was clear that most of them were there to be shown in camera and to be certain that their groups got included as recipients for the levy. There were no dissident voices, not one member of Congress or representative of technology groups that expressed arguments against the approval of the law. In fact, the only congressmen present were "ready to approve the law tomorrow" as one said.

    Lobbying at its finest.

  8. Physics.... by paulsnx2 · · Score: 5, Insightful

    ...As capacity on networks and hard drives increase exponentially , sharing is going to expand.... exponentially.

    Once upon a time, it would have been idiotic to claim that anyone that might hear a song as they walk down the street should pay a fee to do so. Content is increasingly moving through the population much faster/easier/pervasively than the sound of a performance. How the heck can anyone expect every transfer of content to result in a payment to multiple parties?

    Oh, you would like EVERY SONG EVER RECORDED in the 1900's? Indexed? With reviews? Here, make a copy of this [ some future tech memory flavor ] card. You don't think that will be possible? You are not paying attention.

    Copyright NEEDS to go away. It only exists to promote the production of content, and there isn't a shred of evidence that content is promoted by copyright today. There is every evidence that content is HINDERED by copyright.

    I would like to podcast my Church's services. Can't, Copyright
    I would like to listen to any radio station in the world over the Internet. Can't, Copyright, Broadcast right
    I would like to toss my cable subscription in favor of streaming shows. Can't, Copyright and License restrictions.
    I would like to record the occasional HD broadcast (given I have to have cable). Can't, Copyright and License restrictions and broken DVR by AT&T
    I would like to listen to a book read to me while I drive from my Kindle. Can't Copyright

    And even as I say I can't have all these things, really I can by just downloading what I want into the appropriate application. Today. Without any permission to do so from anyone.

    And it is just going to get easier.

    Content will be produced even without copyright, because content drives attention, and attention drives sells. Sells of what? Anything. Everything.

    And people will ALWAYS pay modest amounts for packaged content. Because they are buying "ease of use", and "time". Why spend hours collecting and organizing pirated content when I can buy content already collected and organized? But mostly we CAN'T get our content packaged the way we want because of copyright. Because Big Content wants the past to continue. We pirate because we can't buy content at prices we can afford, and can't get it in the form we want to consume it in.

    Big content wants to swallow the reductions in cost provided by the Internet (Little distribution costs, no manufacturing costs, no retail costs) but collect the same level of revenue on every sell. They want NOBODY else to make a dime. They want it all, mailed to them with a kiss, without providing any value to the consumer. Sorry, but that isn't the way it works.

    Big content wants to make us all criminals by making content effectively illegal in the ways we want to consume content, unless we pay, and pay big. Higher prices even as the magnitude of available content explodes? How does that work with Supply and Demand? Oh wait! Copyright ISN'T about Supply and Demand, but how much Government Granted Monopolies can make the population pay for their content!

    If you dig conspiracies, then Government wants the consumption of content illegal so they can be bigger, and can selectively put people in jail they don't like, and to suppress free speech, and as an excuse to exert more and more control over the population as a whole. If you don't care for conspiracies, then our politicians just want the contributions from Hollywood. Either way is bad for the common man.

    We need to vastly cut back copyright, or accept that any of our children will have their future selectively demolished over copyright should they cross someone that doesn't like them. We need to cut back copyright unless we accept a desert of legal content in an ocean of available content. We need to cut back on copyright unless it is okay to censor the Internet and censor free speech and silence the citizens because some copyright might be infringed upon.

    This is a rant. Yes, but it is also the truth.

    1. Re:Physics.... by brit74 · · Score: 0

      I would like to podcast my Church's services. Can't, Copyright I would like to listen to any radio station in the world over the Internet. Can't, Copyright, Broadcast right I would like to toss my cable subscription in favor of streaming shows. Can't, Copyright and License restrictions. I would like to record the occasional HD broadcast (given I have to have cable). Can't, Copyright and License restrictions and broken DVR by AT&T I would like to listen to a book read to me while I drive from my Kindle. Can't Copyright

      I actually can't figure out what you're talking about. The copyright to your churches services are held by your church, and they have every right to release them in whatever format they want. (In fact, it's generally useful for churches to give away all their sermons for free and make money on donations and tithes "for God".) I don't know much about the radio-station issue, but I have far more radio stations I can listen to for free on the internet than I have time for. As far as cable-subscriptions, why not watch hulu or hulu plus or get them on Amazon or somewhere else? As far as recording HD broadcasts, I really don't know. The reason I don't know is because *I've been without a TV since 2001 and I still watch TV on the internet thanks to Hulu and streaming media off of sites like Comedy Central*. As far as your Kindle reading books, why not get them in audio format? I've listened to plenty of audio books from the library - and I don't even have to drive to the library to get them; I just download them directly from the library website at a cost of zero dollars.

    2. Re:Physics.... by Anonymous Coward · · Score: 0

      Another sweaty-palmed, borderline-Asperger's Slashdot comment that is missing one big thing: PEOPLE.

      PEOPLE make content.

      PEOPLE create art.

      PEOPLE create music.

      PEOPLE invent, design, etc, etc.

      Copyright is a way of enabling PEOPLE to make a living from their creativity.

      If you take that away, you have a culture of one-hit-wonder amateurism.

    3. Re:Physics.... by master_p · · Score: 1

      So all you want is for everything to be free of charge.

      Nice. Didn't you hear? socialism failed.

    4. Re:Physics.... by Ltap · · Score: 1

      Tell that to all the socialist countries around the world that are working just fine.

      --
      Yet Another Tech Blog
      (but so much more, including game and movie reviews)
      http://yanteb.peasantoid.org
    5. Re:Physics.... by Anonymous Coward · · Score: 0

      It's too bad that we already have a culture full of one-hit-wonder amatuerism WITH copyright...

    6. Re:Physics.... by Anonymous Coward · · Score: 0

      ... such as the US?

    7. Re:Physics.... by master_p · · Score: 1

      I would do that, but there are none.

    8. Re:Physics.... by Paul+Fernhout · · Score: 1

      If you take [copyright] away, you have a culture of one-hit-wonder amateurism."

      Or you have a "basic income", or a "gift economy", or a "subsistence economy" or a "planned economy".
          http://www.youtube.com/watch?v=4vK-M_e0JoY

      --
      A 21st century issue: the irony of technologies of abundance in the hands of those still thinking in terms of scarcity.
    9. Re:Physics.... by Ltap · · Score: 1
      --
      Yet Another Tech Blog
      (but so much more, including game and movie reviews)
      http://yanteb.peasantoid.org
    10. Re:Physics.... by paulsnx2 · · Score: 1

      We are a small church, and don't have the budget to secure *broadcasting* rights to the music we use. This is the biggest problem. At the same time, many texts are used (prayers, responsive readings, etc.) which are almost all under copyright as well. Clearing all of this is too much, so we only podcast the message. To podcast the *service* requires too much work, and would be too expensive to do legally.

    11. Re:Physics.... by paulsnx2 · · Score: 1

      Oh? So nobody wrote anything worth reading prior to copyright?

      Copyright ISN"T for the creators. That is what the PUBLISHERS want you to think, even though the very term is COPYright. Authors mostly assign their copyrights to various groups, who then profit. Sorry, but why should we support a system where most of the money involved in content goes to groups OTHER THAN creators.

      Who really profits from copyright?

      Take the "Happy Birthday song" as an example. Written and published first as "Good Morning to You" in the late 1800's by the Hill sisters, Warner Music Group pulls in about 2 million a year on license fees. Can you post a Birthday video on Youtube singing "Happy Birthday"? NO. Why not? Copyright. And that money does not go to creators. The Hill sisters are long dead. Nope, it goes to Corporations. Why? Copyright.

      But I guess Corporations are people too.

    12. Re:Physics.... by paulsnx2 · · Score: 1

      So small government is socialism?

      Copyright REQUIRES government. No copyright, smaller government

  9. What's up with Ericsson of late? by NBolander · · Score: 2

    Sony Ericsson launches a boot loader unlocking program for their Android phones (and launches the pretty sweet xperia line). And now Ericsson takes a non facist stance on copyrights.
    I don't know who kicked some sense into those companies, but whoever it was; thanks!

    1. Re:What's up with Ericsson of late? by gstrickler · · Score: 3, Interesting

      Given Sony's other actions, I would expect them to put an end to such "foolishness" from Ericsson soon.

      Until then, keep up the good work Ericsson.

      --
      make imaginary.friends COUNT=100 VISIBLE=false
    2. Re:What's up with Ericsson of late? by jgrahn · · Score: 1

      Given Sony's other actions, I would expect them to put an end to such "foolishness" from Ericsson soon.

      They just own a company together. I really doubt that means Sony can dictate Ericsson policy.

    3. Re:What's up with Ericsson of late? by Rexdude · · Score: 1

      This is offtopic. Sony Ericsson is an entirely different company and its business practices have nothing to do with Ericsson.

      --
      "..One hosts to look them up, one DNS to find them, and in the darkness BIND them."
  10. You can copyright anything you like by JudgeFurious · · Score: 2

    I don't respect copyright any more than I worry about sodomy laws when I sleep with my wife or think of the sabbath when I buy alcohol on Sunday. At the very beginning of this "era" of copyright holders versus consumers I started with a simple idea. I want files. I don't want to buy anymore tapes, records, discs, mini-discs, or anything else the content owners can think of. I want files.I want to buy things once and be able to use that one purchased piece of music, television show, movie, e-book, whatever on any device I please. To me that's the whole point of this excercise. I can certainly see how the content owners don't want to give up their model of selling you the same shit every few years when your copy wears out or the technology changes but once we get to "files" that shit comes to a screeching halt. The way the content owners have fought to control what people do with the content has in my opinion created the environment we live in today. Now consumers resent that control to the point where they'll ignore the law without reservation to get out from under them. Appeal to us on the basis of "but you're stealing this artists work" and we don't care. The people accusing us if stealing from the content creators are themselves epically famous for fucking those creators out of every penny they could. I think the record labels, movie studios, game companys, and publishing houses have made things the way they are and I think that it all must eventually change if anyone is to continue to make money in these businesses. You can copyright something if you like. That doesn't mean you're assured of being able to profit from it. You need a market for it and you have to find a price point that market will accept. The $5 games you see in the iTunes store, the $1.29-.99 songs that are no longer tied to an album of material, and the $1.00 movie rentals of today could have probably headed off a lot of this if they'd appeared on the scene back when this all seemed to start with (roughly) the arrival of napster. I guess the tipping point was on them before they knew it but even today they fight to hold on to the kinds of profits they've come to expect. I'm sorry, they just aren't going to be there anymore.

    --
    Appended to the end of comments you post. 120 chars.
  11. Here's a possible explanation for you by Mathinker · · Score: 2

    > The copyright to your churches services are held by your church

    Not necessarily so, at least in their entirety. Perhaps they sing Happy Birthday (or some other music under copyright) as part of their church service?

    > As far as cable-subscriptions, why not watch hulu or hulu plus

    Perhaps the poster doesn't live in the US?

    > I've listened to plenty of audio books from the library - and I don't even have to drive
    > to the library to get them; I just download them directly from the library website at a cost of zero dollars

    Kind of curious, which library is that? Please post its URL?

  12. Be careful of the echo chamber by brit74 · · Score: 1, Interesting

    Slashdot posts a lot of these articles legitimizing the pirate way. Be careful of getting into the echo chamber, because a lot of sites won't give you the story from the other side. First of all, I can't even figure out what the article's author is talking about. There's plenty of places to get stuff off the internet via legal means. You'd think that this article was written 10 years ago - before channels started streaming their programs on the internet, before iTunes, before internet radio, before Amazon mp3 downloads and Video-On-Demand. The fact of the matter is that there are a lot of people who pirate because they: get access to stuff they wouldn't have paid for *AND* because they get stuff for free that they would've paid for -- and free is always better than paying. To say that it's about reasonable prices and the ability to buy it on the internet seems ridiculously out of touch with the modern state of affairs. Does this guy know how much piracy there is of, say, the Humble Indie Bundle? That was easy to get on the internet and it was pay whatever you want. But, some people seem to act like "pirates pirate because they don't want to pay" is the conclusion that must be avoided at all costs, even when there's plenty of evidence.

    A while back, I remember talking to one friend of mine, and I was happy that Amazon was selling last year's best-selling albums for $5 each (for a limited time). Her response? "Meh, you can get it all for free on the internet." That's right: for many people, it doesn't matter what the price is or whether or not they are available (legally) on the internet because piracy is always free. For many pirates, the internet is like the world's largest free-for-all, like someone gave them a credit card with no limit and they can run through a store and take everything they want. I'm also sensing that this guy doesn't know much about the economics of content creation. But, then, maybe he's just looking out for his own interests: he doesn't want to be in the business of cracking down on piracy and piracy costs his company nothing (in fact, he might even make money if he can charge customers money for their data-plans), so he's willing to be oblivious to the economics of content creation.

    1. Re:Be careful of the echo chamber by Anonymous Coward · · Score: 0

      It's true that many, probably most downloaders just want to get something for nothing. However there's still some elasticity of demand. When the price is low enough, even the most prolific downloader (yours truly) will buy the product. In other words, yes, "free is better than paying" but paying a little and getting legitimate product is better then "free" with a risk of malware and/or legal action.

    2. Re:Be careful of the echo chamber by Anonymous Coward · · Score: 0

      You're not factoring in opportunity cost. People live in virtual penury due to the way consumption is taught in the US. Accruing 5 dollars more debt when you can get something for free is completely stupid (economically speaking - this remains true regardless of the wisdom of going into debt). What is more, they may prefer to go out to eat with their disposable money, or do any other number of wise or unwise things.

      You may have scads of disposable income, a lot of people in the kinds of professions common among /. posters do, but most folks do not.

      Now, this perception could change, if people thought "huh, I can have that now for 5 dollars or it will be free (out of copyright) in 5 years" they may just be more willing to make that choice to sacrifice disposable income for it. Right now it's "pay or never".

      The one right I never hear anyone give a crap about is peoples' right to their own culture (yes, even crappy pop music counts as culture). Peoples' culture is the sole reason we granted copyright (and granted rights are different, they are not intrinsic and can be revoked). If culture is only granted to those with certain, financial means it's not terribly suprising people reject this proposition.

    3. Re:Be careful of the echo chamber by misexistentialist · · Score: 1

      Most legal internet video is intentionally crappy quality, and most music is still expensive. $5 is not cheap for an album with at most 4 songs that are bearable to listen to when Netflix offers unlimited streaming movies for $8. I suggest content creators avail themselves of the internet free-for-all to save themselves money too, and maybe come to realize that the best they will ever do is hardly worth anyone's time, let alone money.

    4. Re:Be careful of the echo chamber by jools33 · · Score: 4, Insightful

      The article is written from a European perspective. I live in Sweden - if I want to watch a televised game of rugby from the UK - the only way that I can do this is to connect to an "illegal" p2p stream. There is no rugby at all on Swedish TV - not even 5 minutes a month. The reason is that the rights holders refuse to allow the distribution of the games outside of the traditional catchment pool that they know they can sell to. They are not interested in selling to a small expat audience in a foreign country. Its artificial border like restrictions like these that he's writing about. Ask why is the BBC restricted solely to the UK? - and everyone in the UK will answer - because we have to pay the licence. Why not allow a licence across Europe though? Why artificially control the audience without providing any legal means to view the content to those you chose to leave out? The result is that the BBC content is widely pirated.

    5. Re:Be careful of the echo chamber by brainzach · · Score: 1

      The risk of legal action and malware is negligible. Companies can sell something for 1 cent and people will still pirate it because there is a free alternative.

      If you remove the free alternative, then the price that these people are willing to pay would be much higher.

    6. Re:Be careful of the echo chamber by Anonymous Coward · · Score: 0

      Well, maybe content producer should stop content producing and find a real job, become a doctor, an engineer. Arts wont die(did you ever asked yourself what copyright middle ages had?) useless content producers would. Or they will find new business models. Screw the copyright look at the pragmatical implementation first, if it's not feasible, why bother?

    7. Re:Be careful of the echo chamber by VAElynx · · Score: 1

      If you remove the free alternative, then the price that these people are willing to pay would be much higher.
      Why? These items are non-essential. Therefore there's no reason why anyone should feel compelled to pay any more than their perceived value for them, regardless of alternatives.

    8. Re:Be careful of the echo chamber by Anonymous Coward · · Score: 0

      That's the same false dichotomy that Big Media uses to show their incredible losses to pirace.

      You assume there is only a) buy it and b) pirate it, forgetting about c) leave it and find something entirely different to do.

    9. Re:Be careful of the echo chamber by Anonymous Coward · · Score: 0

      I agree that the echo chamber is not productive, but this conflict should come as no surprise. IT revolutionized the distribution of media, among other things. In the meantime, IT margins have shrunk. Workplaces have become more competitive. Wages and prestige have gone down.

      The law sides with content owners and promoters and we're told this is necessary to perpetuate these fields. How do we as IT workers and / or we as consumers get our interests represented?

  13. Want me to be honest? by VAElynx · · Score: 1, Troll

    I'd be rather you put your modeling skills to use in industry - stuff like finite element analysis and such.
    Unlike the other two occupations, it's useful for something.

  14. Really, senor Troll? by VAElynx · · Score: 2

    I said you can have all the paychecks i'll get in 20 years for work i do now. Because that's just what these folk get - money for work done long in the past.

  15. Funnily enough, the Humble I. Bundle by VAElynx · · Score: 1

    Still made quite the money, as do plenty of Free To Play MMO's on the internet (eg. World of Tanks).
    In other words, what you need is a) to adopt methods (as the above) that aren't endangered by piracy much, because you are providing an actual service, not just copiable data , and , on the other hand, notice that there's no use wanting it all - there will be some piracy losses, but there is such a thing as acceptable loss, where trying to fight it is unrentable.
    Note Starcraft for example. It had primitive copy protection, and got pirated a lot, but it made Blizzard a profit and is sold in some numbers even now.

  16. Youtube can sell this stuff by Twinbee · · Score: 1

    It's a brain-dead suggestion, but why can't YouTube have a "buy this track" button, and sell the music shown for say 50p or so. I'd buy tons of stuff, stuff I'd never have a chance of buying through any other means. I want convenience though. One or two clicks, and be able to save it as non-DRM mp3.

    --
    Why OpalCalc is the best Windows calc
  17. My local library is my best offence by Anonymous Coward · · Score: 0

    My local library has tons of CDs and movies, between what's available there and online, I finally have reasonable access to almost any creative works I want.

  18. No prior art for common sense by carpenoctem63141 · · Score: 1

    Read the title initially as saying that Ericsson was trying to copyright common sense. Which seems pretty reasonable to me, there's definitely no prior art on common sense on the internet.

  19. Time by sourcerror · · Score: 1

    The problem is that copyright is too long: author's life + 70 years.
    I think 20-30 years should be enough.

  20. Sacrifice? Did you RTFA? by Anonymous Coward · · Score: 0

    You obviously didn't RTFA and just jumped in for 1st post karma whoring (unless you consider a move to the modern age to be a sacrifice).

  21. How social contracts break down by istartedi · · Score: 1

    In the late 90s, when Napster first burst on the scene I sided with the rights holders. Now I'm mostly on the other side. Why? Because of the disproportionate punishments meted out, and the larger problem of corporations buying laws (e.g, Sonny Bono extension act).

    --
    For all intensive purposes, "whom" is no longer a word. That begs the question, "who cares"?
  22. Internet Radio Does Exist by Anonymous Coward · · Score: 0

    Internet radio does exist but it might not offer all of the radio stations that you want. Additionally, you may need to purchase special hardware that supports it rather than your favorite Linux application that is free.

    A/V Receivers from companies such as Denon have been supporting this for a number of years. I don't know what the economics are at the back end. Aside from buying a (then) expensive receiver that could connect to the Internet and Internet Radio, I've never had to pay any extra fees to listen to Australian and European radio stations in the USA.

  23. so true, copyright holders are like junk dealers by Dan667 · · Score: 1

    who think every rusty scrap they have is worth 1000x what it is actually worth and get angry that no one wants to buy it.

  24. Stop being so hypocrite. Please. by master_p · · Score: 1

    If you want to consume media, then media has value.

    And if that media has value, you should pay.

    Stop being so hypocrite. Please.

    1. Re:Stop being so hypocrite. Please. by VAElynx · · Score: 1

      But that says nothing about what value it has.
      If someone "pirates" it, all that shows is that for him ,it has more value than the price of electricity he's paying while it's downloading. the price of bandwith, plus any risk there is from him getting caught
      All of that is far below the price they ask.
      As a side point to this - i have a rather large collection of DVD's at home , all legit. Why did i bother buying? Well, because a) they were sold in newspaper stands (convenience) b) they were sold for an euro or at most , two (it's cheap enough not to bother with downloads) and three , it were older films and TV shows , which are interesting and fun, and some are hard to find even on the internet (provides value)
      As an alternative example of music - i got in a shop a CD of Oleg Gazmanov for about 5 euro, which had about a dozen albums of his in clean mp3 format on it. Again, clearly a good purchase - it'd take a great deal of hunting to find all songs off there
      I guess if the companies out there behaved more like these examples, people would pirate less. It's silly to restate it yet again, but whether or not other pathways to get it for less are available, selling 5 bucks worth of content for 50 bucks just won't appeal to a large segment of the population.

    2. Re:Stop being so hypocrite. Please. by Anonymous Coward · · Score: 0

      Please start reading the article.
      We want to pay but since we dont live in the US, we are not given that option.

    3. Re:Stop being so hypocrite. Please. by master_p · · Score: 1

      Price is no excuse for piracy. If you do not like the price, don't buy the product. You have no right to pirate it.

  25. Digital media by munky99999 · · Score: 1

    Fashion industry never got copyrights. Why? They were so easy to copy. If the fashion industry did get copyrights and "counterfeits" were banned. You basically would have everyone wearing armani $5000 suits. So those in power said... 'you are too easy to copy so no copyrights for you'

    Back then... songs and stuff were hard to copy... now they arent. Good by copyrights. Though admittedly this would be a hard sell. So it's a fair compromise is gross commerical copyright infringement stays illegal. Warez becomes legal.

  26. Digital Iron Curtain by w0mprat · · Score: 1

    I enjoyed the eloquent phrase "Digital Iron Curtain" in TFA. So right.

    --
    After logging in slashdot still does not take you back to the page you were on. It's been that way for 20 years.
  27. Tax copyright annually like "property" by Paul+Fernhout · · Score: 1

    http://journalism.berkeley.edu/projects/biplog/archive/000431.html
    "It may prove difficult in the short term to reduce the term of copyrights which have already been extended. Also, the forces pushing perpetual copyright are strong. However, there is another route, which may be easier, employing the concepts of Aikido -- moving with the strong force and redirecting it in a better way. Rather than fight to reduce the maximum term of copyrights, consider that existing and future copyrights could be taxed annually just like real estate as long as they are kept from the public domain. This uses a market-based approach to limit the external costs of copyright monopolies."

    --
    A 21st century issue: the irony of technologies of abundance in the hands of those still thinking in terms of scarcity.
  28. Intriguing by DanielBMS · · Score: 1

    Intriguing! I will pass it on.