Slashdot Mirror


Copyright Isn't Working, Says EU Technology Chief Neelie Kroes

superglaze writes "Against the backdrop of governments and courts around the world ordering ISPs to block file-sharing sites, European commissioner Neelie Kroes has said people have started to see copyright as 'a tool to punish and withhold, not a tool to recognise and reward. ... Citizens increasingly hear the word copyright and hate what is behind it,' the EU's digital chief said, adding that the copyright system also wasn't rewarding the vast majority of artists."

33 of 314 comments (clear)

  1. US is the problem by CmdrPony · · Score: 5, Insightful

    Every other country has noticed the same thing. What is now holding back is US. In fact, even the Russian Deputy Minister of Economic Development said it's impossible to police copyright and noted US's hypocrisy in the issue as US itself doesn't do anything about the blatant piracy of Russian films and music. However, I doubt US will change their views about it and if I were them, I would be worried too. Much of the US industry comes from immaterial things like copyrights, patents and artificial restrictions. This is true for both entertainment industry and things like drugs and medication.

    But lets not forget that back in time, this is how US got its power - they blatantly ignored European copyrights. Now others are doing the same to US, and they're suffering. What goes around.. Comes around.

    1. Re:US is the problem by martin-boundary · · Score: 5, Insightful

      I am the threat these people always refer to but I am precisely part of the solution only they refuse to cater to the markets available.

      You are not part of the solution. The beancounters estimate the profit of entering new markets before a decision to do so gets made. In many cases, it isn't worth it for those companies. Not because they could make a tiny amount of money from you, but because everything else, legal issues, tax issues, capital investments, required company resources, opportunity cost from not doing something else instead, even lower prices through increased competition, etc. Call that the inconvenience factor.

      That's the problem with capitalism. It isn't about trading with the most number of people, it is about maximizing profit. The fact that you have money to spend is irrelevant if the inconvenience factor is too high. There's a sweet spot at any moment in time, and you're not part of it.

      Get over it, and do what you have to do, just like they do what they have to do.

    2. Re:US is the problem by hairyfeet · · Score: 5, Insightful

      Yet TPB works everywhere, isn't that nice? the problem i have is they will NOT sell you want you want. all I want is to buy an .avi file, that's all. my dad has a nice little Nbox to watch his movies on so he doesn't have to hunt for DVDs and if they would sell .avi I would be gifting them to dad, and dad would be buying every movie and TV show he'd ever liked. but instead you have to go get a DVD, rip the DVD, transcode the DVD, all just to get the .avi...or you can go to TPB and skip all the bullshit.

      As much as I hated his character on TNG I have to say Wil Wheaton was right, he said "make it simple, make it easy, give people what they want and they'll buy" and then gave as an example him buying a bunch of Dr Who episodes and then crossing the border into Canada and now he can't watch what he has already paid for and he said 'If I would have just downloaded it they would have worked". And that is the problem, their shit just don't cut it. I'm supposed to go buy a portable DVD burner just so i can legally watch movies that I have bought on my netbook? Fuck off media companies, Keep your damned DRMed shit or hoop jumping and just sell me a damned .avi already!

      --
      ACs don't waste your time replying, your posts are never seen by me.
    3. Re:US is the problem by neokushan · · Score: 5, Insightful

      Maybe he's not really trolling, maybe he's just expressing his opinion?
      Now I could be completely wrong here, with a name like "CmdrPony", he's obviously playing on CmdrTaco and the whole slashdot infatuation with Ponies which does vaguely indicate that he might be trying to get a rise out of people, or it could just be a "fun" name. From reading his recent posts today, most of them seem straight up and clear, certainly with very little trolling (There is a "U mad Bro?" comment in there, however that's very obvious and not subtle).

      While I'm not directly defending him, I have noticed that Slashdot lately seems to be very quick to judge people as "trolling" simply because they have an opinion that contradicts with what some people believe. I've been labelled a troll myself on more than one occasion, usually because I disagreed with the topic at hand - a good example of this is the recent debacle with Windows Secure boot, whereby many are convinced that it's simply a ploy to sell more copies of windows and block Linux, whereas I don't believe it. I might be wrong, nobody actually knows for sure the real agenda at hand and we wont until devices start shipping with Windows 8 on them, but still I got labelled a troll when personally I thought I was being reasonable.

      This post, to me, does seem anything other than perhaps a bit controversial. He clearly doesn't like the US, but does that necessarily make him a troll? The US does certainly seem to be behind all the pushes for copyright enforcement and then there's things like SOPA - which most people utterly disagree with, so is his opinion really that unfounded?

      --
      +1 IDisagreeSoHeMustBeATrollOrAnAstroturferOrAShill
    4. Re:US is the problem by houghi · · Score: 1, Insightful

      I have absolutely no legal means within reason to access these programs.

      So you don't see them. I am against copyright (as it exists now) but at least I am aware that it isn't a human right to see them.

      And you DO have the ability to see them. Move to the counties where they are broadcast. The fact that you are not willing to pay that price is very understandable. However you do not have any RIGHT to see them if they are not willing to show them.

      If you make a movie of your kid during a holiday sitting on a swing, I also do not have the RIGHT to see that movie. Not even if you show it to all your friends and family.

      The fact that you do not do it for money and they do does not change the right to see it.

      The problem with copyright is not so much the right to copy. It is the duration of that right of that right and the way it is handled in law by e.g. asking way much more then the actual value. And it is COPYright not ABLE_TO_SEE_ITright.

      --
      Don't fight for your country, if your country does not fight for you.
    5. Re:US is the problem by TheRaven64 · · Score: 3, Insightful

      So you don't see them. I am against copyright (as it exists now) but at least I am aware that it isn't a human right to see them.

      Copyright grants the author the exclusive distribution right to their work in exchange for publication. If they are not publishing their work, then they should lose the exclusive distribution right.

      --
      I am TheRaven on Soylent News
    6. Re:US is the problem by 1u3hr · · Score: 4, Insightful

      I have absolutely no legal means within reason to access these programs.

      So you don't see them. I am against copyright (as it exists now) but at least I am aware that it isn't a human right to see them.

      Who said anything about a "human right to watch TV"? You're creating an absurd straw man.

      The OP, like myself, feels there has been no reasonable legal method ot access these shows provided. So I feel no compunction in using methods that are illegal, according to some American companies and their lackeys in government. I know I'm not harming the owners (who aren't the same as the creators) of these shows, despite their absurd claims of untold billions in losses.

      Legally, I'm wrong. Morally, I have not a twinge of guilt.

    7. Re:US is the problem by TheLink · · Score: 5, Insightful

      Yeah someone I know had the same problem: he bought legit DVDs that he couldn't use on his laptop due to region control bullshit. There are many DVDs which are released for ONLY one region.

      And there was another guy who bought a Bluray player when he came round to visit just because they pulled the same sort of shit for Blurays and he can't watch his expensive legit import anime Blurays on the bluray players available in his country.

      He is the sort who has collections of DVDs, wine, whisky, CDs, fancy expensive Japanese dolls, anime cels (yes the sort they used to draw on to make the movies). And they make it hard for him to give them his money. I told him he should just "give them the finger" keep his money and wait till there are bluray region-free players. He also had similar probs with DVDs before.

      Yes Mr Collector downloads as well (coz the fansubs are faster and sometimes better), but he often buys the mucho expensive collector edition box sets when they _finally_ come out.

      Yes he's the sort who will still jump through hoops to buy and use the DRM'ed stuff, and buy extra bluray players. But how many legit customers have they lost due to such crap? I don't think that many people would do what he does, buy extra bluray players etc. Once you "force" them to use downloads they might not even buy a single DRM player or media again.

      As for me, yes I download, but I don't even have a pirate collection a hundredth as large as his legit collection. If they succeed in blocking those off completely they're not going to get $$$ from me, because I'd just play more _free_ computer games, read more free stuff, etc. I'm not really a customer, and hence not really a lost customer.

      --
    8. Re:US is the problem by JAlexoi · · Score: 4, Insightful

      Not because they could make a tiny amount of money from you, but because everything else, legal issues, tax issues, capital investments, required company resources, opportunity cost from not doing something else instead, even lower prices through increased competition, etc.

      Increased competition? Copyright grants an effective monopoly, so please...
      Setting up the legal base for global distribution is really something that can easily be done by a simple contract modification. They end up going though those hoops in the end, when they distribute the content to regional broadcasters.

      In addition, this has nothing about the possible additional costs of entering a new market vs income, but the idiots at the helm still live with their brains wired to record distribution markets.
      PS: And then they cry "Bloody murder!" is I watch my House MD episode off the torrents.

    9. Re:US is the problem by gomiam · · Score: 5, Insightful
      You aren't right. I think you aren't even wrong.

      Just because it is called copy-right it doesn't become a right, as shown by the fact that it was originally a royal prerrogative to hold the monopoly on printed production. When the crown dropped that privilege, the organizations charged with managing that monopoly lobbied to keep copyright alive so they would still be able to exist.

      So no, copyright is a privilege given to a person or a group and it diminishes the human right of access to culture for "the free development of his personality".

      And you DO have the ability to see them. Move to the counties where they are broadcast. The fact that you are not willing to pay that price is very understandable. However you do not have any RIGHT to see them if they are not willing to show them.

      If you make a movie of your kid during a holiday sitting on a swing, I also do not have the RIGHT to see that movie. Not even if you show it to all your friends and family.

      Two completely different points: "they" have already waived their right to privacy when they made copies and distributed them. If I make a movie of my kid _and_ give a copy of it to someone else I also have. I may not like it, I may shun the person that shared it, I may even sue them if they agreed to some privacy contract, but that's it.

      If you want to keep your works secret, that's fine and dandy. If you publish, you publish knowing it is now public. If you didn't want it to be public you should have thought about it first.

    10. Re:US is the problem by Alomex · · Score: 3, Insightful

      The beancounters estimate the profit of entering new markets before a decision to do so gets made. In many cases, it isn't worth it for those companies.

      Right, because the beancounters have proven so adept at estimating the size of markets created by new technologies. They created Blue-Ray as streaming shows was becoming the norm. They raised the prices of Macintoshes until they were at the brink of extinction. They refused a simple licensing scheme until their CD sales were at the brink of collapse, only to agree to a manque solution of expensive quality-crippled iTunes. They responded to the digital camera threat with a format that was more expensive than the previous emulsion film.

      It isn't about trading with the most number of people, it is about maximizing profit.

      If only that were true. It is about not getting it.

    11. Re:US is the problem by Anonymous Coward · · Score: 5, Insightful

      I believe the Germans point was that the media companies need to stop thinking about each country as a market and start thinking about the world as a market.

      We should all be able to go to single site for a given content producer (I will use Fox media as an example here) and from there be able to open an account and pay to watch a single episode or an entire series. Perhaps run them 1-8 days after the show airs in the land of origin. Being a week behind won't matter since they have not other way to view(legally).

      There is only 300M people in the USA and 6.7B other people in the world. That is a 22 fold increase in market that they are pissing on. There is a LOT of money to be made there. There is enough money there for the most expensive Sci-Fi show ever produced to make a profit. Even if you only make the show in English, which a lot of people can understand.

      Say you make a show that 5% of a given population might enjoy. In the USA that would be 15M people. If they were willing to pay $1 per show that would be $15M per show. With no commercials, I would pay that for good sci-fi. Now take that show to the World via web only and you get 350M viewers (5% of 7B) or $350M per show. I think you can make a pretty good show for that much money. You could even cut it down to $0.10 a show and be pulling in $35M a show, a single FUCKING show.

    12. Re:US is the problem by penix1 · · Score: 3, Insightful

      ...but people was used to consume music by going to the store to buy a CD. Videos are different: they are also consumed by buying DVDs but many people just watch TV, rent a DVD or go to cinema.

      There is the problem... Just how the fuck do you "consume" something that isn't physical? Turning ideas and expressions of ideas into a commodity is why this whole concept is failing.

      --
      This is a sig. This is only a sig. Had this been an actual sig you would have been informed where to tune for more sigs.
    13. Re:US is the problem by TheLink · · Score: 3, Insightful

      Yes I was complaining about DRM which was what the OP was complaining about.

      You want my complaints about copyright, here you go: copyright does not need to be 120+ years. Just 7 years or so would do. AFAIK the good movies make profit within the 1st year (disregarding "Hollywood accounting").

      So do we really want to encourage the making of movies, music that would take 120 years to make a profit? Think about that. If copyright terms were much shorter, Vista would have had to be much better than XP .
      The people who came up with "Happy Birthday" and other old songs are long dead and yet a bunch of rich people are still collecting rent off it, people who are just being rewarded for just having the idea and ability to buy the rights to it. Not because they great artists, not because they benefit the world or society as a whole. They are basically parasites.

      Over here you could copy a movie easily but for many weeks there were still long queues of people wanting to watch stuff like Titanic, LoTR and Avatar at the cinemas. Make a suitable movie and people will queue to watch it "big screen". People pay for overpriced coffee all the time, go figure. The copying that would hurt the movie creators would be if the cinema operators copied the movies and didn't pay the creators. That'll be suicide in the long term, but I guess the operators would kill themselves if copyright laws didn't stop them :).

      What was the last big name movie you saw that came out of China (that wasn't a US/EU movie that was copied there, lol)? Favorite Chinese band? Yeah, there might be some, but they pale in comparison and copyright is the reason.

      The reason you haven't heard of the "big names" is most likely you don't know about Chinese movies. And what sells in the Chinese language market may not sell so well outside it.

      http://en.wikipedia.org/wiki/Red_Cliff_(film)
      http://en.wikipedia.org/wiki/Ip_Man_(film)
      http://en.wikipedia.org/wiki/Reign_of_Assassins

      --
    14. Re:US is the problem by canadian_right · · Score: 4, Insightful

      Copyright is NOT some sort of basic human right. Copyright is an entirely artificial, and temporary, right that limits our basic right to freely share ideas. The reason to limit copying was to give the artist a better chance at making money with his creation, and thus encourage the artist to create more. Commercial copying was rampant when copyright laws were first introduced.

      Copyright laws are now completely unreasonable. No artist is going to create anything after he is dead. The current laws only enrich large corporations. Copyright law is broken and needs an overhaul. 20 years limits, DRM that expires with the copyright, banning region coding as a limit on trade, and not allowing copyright to be assigned away from the artist would be a good start.

      --
      Anarchists never rule
  2. Copyrights and patents... by blahplusplus · · Score: 5, Insightful

    ... are protectionism and corporate welfare of the 21st century. I think it's best to say that copyright/patents are anti-free market, anti-technology and anti-science IMHO. Not only that human beings just aren't smart enough to judge when something should be or should not be patented. It's a giant clusterfuck.

    I think those who argue for them just don't want to find new business models, using the law as a business model has made one hell of a legal mess and created a ethically bankrupt legal system clogged with up with suits. I think someone should really figure out how much inefficiency this is creating and how much all this costs us in terms of the legal system. I imagine that whatever supposed 'gains' we are allegedly getting from these systems are wiped out by lawyers and the lack of free exchange/modification of ideas between products and industries.

  3. But copyright IS working by marcello_dl · · Score: 4, Insightful

    Copyright doesn't protect the little guy, yes.
    Copyright doesn't restrict much the amount of pirated material people swap, yes.

    But that's not what the current laws on copyright are designed to prevent, they want to make it hard to compete with established media companies and rights holders in producing and distributing stuff.

    The battle is about controlling the distribution channels, to decide what people will like. It is about criminalizing as many people as possible to justify examining every single packet out your network card.

    Proof? proof is that you can't put a site which distribute links, while youtube and megaupload can distribute CONTENT.

    If there is a bunch of popular sites instead of a world wide web, propaganda operations can easily make some topics hot and popular.

    All the rest is smoke and mirrors. Art has always been at the service of power.

    --
    ---- MISSING MISCELLANEOUS DATA SEGMENT --- [sigdash] trolololol
    1. Re:But copyright IS working by Daniel+Phillips · · Score: 4, Insightful

      Copyright doesn't protect the little guy, yes.

      Copyright is a powerful tool in the hands of free software authors, and a force for the public good. Obviously is used for evil as well, and current copyright duration is just offensive.

      --
      Have you got your LWN subscription yet?
    2. Re:But copyright IS working by bky1701 · · Score: 2, Insightful

      Copyright is a force for the public good? Then why does every event since its inception seem to suggest that it only makes the original situation worse? Copyright has always been abused by those with money, and those without money are rarely able to make use of it. This goes back to my knowledge as far as Edison, but I'm sure if you looked at history you'd find many earlier and many worse cases alike.

      Free software will keep existing without copyright. In fact, if the pro-copyright rhetoric of software companies is to be even partially believed, it will become the standard of software. Instead of a company producing a proprietary product and selling it to other companies, the business model will become companies funding development themselves and opening it in order to benefit from the funding of other similar companies; the exact model that led to the creation of nearly all open source today. Indeed, I would argue the current system only forces duplication of effort.

      There might be some issues if copyright were abolished, but the good far outweighs the bad. Sure you can take the source and make a closed product - but how are you going to complete with the continued development of the open branch? After all, BSD is still around.

      There is absolutely no justification for copyright in the modern world. There never was a justification - the whole thing is based on a fictitious romantic concept of authorship. However, we now see the error in it, in a way we could not before the creation of the internet. Copyright has outlived its welcome; it must and will end.

  4. Re:You can tell when you're wrong by tsa · · Score: 5, Insightful

    I think it's best to not pay for music and films at all and watch that whole industry go belly-up. They deserve it. The only people who benefit from the MAFIAA are the ones in the top of those organisations.

    --

    -- Cheers!

  5. Re:You can tell when you're wrong by Froggie · · Score: 4, Insightful

    Absolutely.

    Of course, you could do this in the current rules is simply to stop watching and listening to them, rather than getting copies off the net.

  6. Re:You can tell when you're wrong by airfoobar · · Score: 5, Insightful

    What difference does it make? Even if people boycott them and stop watching their films, they'll still blame piracy and lobby for a law that makes everyone pay them a tax!

  7. Re:Copyright needs tobe rebuilt from scratch by bky1701 · · Score: 4, Insightful

    How about we leave the problem of making a business profitable to the businesses? It is not the duty nor place of the government to ensure the creation of Avatar. If there is a will, there is a way. The goal now is to end the system that has a stranglehold on every aspect of the internet. Copyright and freedom cannot coexist any longer, something SOPA proves.

  8. Re:Rewards by Nursie · · Score: 5, Insightful

    The logical thing to do would be not to make a single entity, for whom such a situation is a logical impossibility, responsible fpr collecting fees. The current situation is a nonsense.

  9. Re:You can tell when you're wrong by MachDelta · · Score: 5, Insightful

    Too bad the "license" only applies when it suits the record company. Try snapping your favorite CD in half and asking the publisher for a replacement copy (plus S&H), since you've "purchased a license and not a physical object."

  10. Re:Copyright works,piracy=theft,stop the hypocricy by Haedrian · · Score: 5, Insightful

    Copyright works perfectly. The aim of copyright is to prevent an individual or company from profiting from the works of others, in order to allow the creator to enjoy the profits of their works.

    I'm sure Mr Walt Disney is really enjoying the profit he's getting from his 'still-in-copyright' works, even though he died in '66.

    I have no trouble with people profiting off their works for a few years. What I have trouble with is:

    1. Copyrights being extended long long long past 'a few years' (Mickey Mouse is still under copyright, since 1928).

    2. Stupid enforcing of copyrights in regions where its not avaliable anyway.

    3. Copyright as a purely money making process. "Happy Birthday to you" (written in the 1800s) still brings money for the copyright holder.
    http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1111624 - who by the way is not the creator.

    Yes, you did something clever. Yes enjoy it. But then let the rest of us enjoy it after you're done.

  11. Democracy at work by Hentes · · Score: 4, Insightful

    The recent successes of various pirate parties made it clear that people do not like the current IP system. Now politicians have no other choice than to listen to them.

  12. Re:Copyright needs tobe rebuilt from scratch by Sabriel · · Score: 4, Insightful

    Copyright doesn't need to be rebuilt from scratch - we "merely" need to do a clean reinstall of one of the early 20th century versions, with pretty much a couple of tweaks and a single major addition:

    Copyright, fourteen years, twenty years if you register your work by filing a copy with the public trustee, the rights of resale and fair use respected, AND the use by a copyright holder of any system that interferes with the public's rights under copyright revokes the protection of copyright for all of their works so encumbered.

    I.e. pick one, Copyright or Strong DRM, because as ideals their goals are mutually incompatible.

  13. Re:Copyright works,piracy=theft,stop the hypocricy by Anonymous Coward · · Score: 4, Insightful

    Piracy is theft because piracy deevaluates the value of the digital product being pirated.

    Ummmm, what does robbery and violence conducted on the seas have to do with binary digits?

    Anyway. You are wrong. Here's why:

    By arguing that there is a loss of value, you presume that a person obtaining an unauthorized copy would have spent money to buy the original in the first place. This is not universally true. Some might have bought it, whereas others surely wouldn't.

    You cannot steal a digital product. You can make a perfect clone, and the original will still exist unchanged. There is an infinite supply of digital content: you make a music track, and you can make a 100 billion copies for basically no cost. If you price each track at $39.90, and someone buys that track from the store, then copies the track 100 billion times, it does not mean you've lost 3990000000000 dollars in sales. You've not lost anything, since you got paid for the original.

    If you don't like the way things are, stop fighting the windmills. Change the way you're getting paid for the digital products. It's not that difficult. Ask the money up front before you release it to the world. After you get the 2 million dollars or whatever, then you release the product without DRM. This way you get paid and "piracy" will have no impact on you. On the contrary, making and releasing a good product would make it possible for you to raise the threshold for the next product, netting you more money. The marketing would be done by the people themselves. On the other hand, if you constantly produce shit, people will not support you anymore.

    You can read more by googling up the "Street performer protocol".

    That system is logical, obvious and elegant fix to the "piracy problem". It is being opposed because such a system will prevent: 1. distribution channel control (region coding etc.), 2. endless renting of the same content over and over again (selling the same thing to different TV stations, for example), 3. as a summary: it prevents maximizing profits but makes the system "piracy"-free and fair.

    How would it make it fair? The creators would get paid the price they think is appropriate and there could not be a problem with unauthorized copying. Humanity as a whole would get access to the culture which belongs to all of them without waiting for 70 years after the original author died. If the price is set too high, no-one will buy but the content would still not be distributed around the world. Thus you could re-price and re-release. Also, the system would actually work by leveraging digital distribution, instead of trying to fight it on a futile way with various silly hacks.

  14. Re:Strong statement by European commissioner Kroes by Bert64 · · Score: 5, Insightful

    Movies make most of their money shortly after release, within 7 years chances are the movie has reached the point of being shown on tv and if it hasn't recouped its initial production cost chances are it never will.

    Copyright terms should be strictly limited, 7 years as an absolute maximum possibly 5... Noone has the right to continue making money from something they did years ago without doing any additional work.

    I would place other restrictions too, either outlaw any form of drm or require that a non encumbered version be available once the copyright expires.

    Also with software, have the copyright period extend for 7 years or as long as the software continues to be actively supported, whichever is shorter, and with a requirement to release source code once the term expires.

    --
    http://spamdecoy.net - free throwaway anonymous email - avoid spam!
  15. Re:Strong statement by European commissioner Kroes by TheRaven64 · · Score: 5, Insightful

    I'd even allow more. Movies do have a tendency to be hideously expensive and some companies might feel that seven years is a bit too little to invest a truckload of money into

    Really? Movies make the majority of their profits in the first week after release, with another small bump the week after the DVD release. When deciding whether to fund a film, people ask whether it will make back the investment in the opening weekend. Anything after that is expected to be pure profit. The dribble from DVD sales and rental is just a bonus.

    Seven years is long enough that most people who want to see it will pay, rather than say 'well, it will enter the public domain in seven years - I'll wait.'

    --
    I am TheRaven on Soylent News
  16. A human *right* to see? by Alwin+Henseler · · Score: 4, Insightful

    So you don't see them. I am against copyright (as it exists now) but at least I am aware that it isn't a human right to see them.

    Why wouldn't it be? The world is divided in countries. And within countries (or groups of those like EU), people have the right to decide for themselves, what are their rights, and what not.

    So suppose I come to the US, and record a TV show for personal use (allowed per US law I assume). Then go to country XYZ, bringing that recording with me (still okay I presume). And then copy that recording million-fold, selling it on streetcorners, IF that's allowed by country XYZ's laws (because people in country XYZ decided for themselves that should be okay). Would that be 'wrong'? Should I feel guilty there for 'ripping profits' from the TV show makers?

    The way I see it, the problem is not one country (like the US) having too extreme copyright laws, it's in the US trying to force the same upon the rest of the world (through trade agreements or whatever means available). Sure US people should be allowed to have laws in place that seem ridiculous to other countries, but what right does the US have to prevent people elsewhere from using content they get their hands on, once it lands within that country's borders? IMHO: none. And other countries are really stupid to let this crap get shoveled into their face, acting like sheep in a US-led flock. Note that I'm not trying to bash the US here, it's just that the US seems to be the prime driving force behind 'intellectual property' at the moment. The same would hold true for any country trying to force similar things on other countries.

    For example the Chinese seem to have a general lack of respect for 'intellectual property', does that make them 'bad'? I think not, they make their own decisions as a nation - and I'd say copying & reproducing things without 3rd country's permission seems to have worked well for them. Same argument goes for countries that are really poor, ignore patents & copy medicines to help a large swat of their population. Ignoring those patents isn't 'bad' - patent-holding medicine companies squeezing money for live-saving medicines out of those poor folks, is. Especially since that behavior doesn't affect their bottom line anyway - if the people are poor enough, they wouldn't be able to pay up. Even if priced friendly: any more than production-cost still causes people to not spend that money on other bare necessities. But since it might be a numbers game, every step to have that poor country respect the companies' patents, will cause (unnecessary) suffering / lost lives. I can't help to feel disgust towards those folks that have only profit in their mind...

    Yes it's good content creators get rewarded if society benefits a lot from their work. But IMHO current copyright regimes simply aren't the way to do that (at least if that would be the primary purpose, it's obviously failing to do as intended). And to lawmakers pushing ever harder punishments because 'that would be good for society' : f**k off, you idiot. Only thing you are supporting is the ??AA mafia.

  17. And there are LOTS of other problems too by erroneus · · Score: 3, Insightful

    You know, lately, I have been having some issues with HDMI and conflicting implementations. It's really getting under my skin. Every time I see the copyright industry interfere with technology, they screw it up in some way. Macrovision in the old days of VHS and the things they wanted to do with digital TV and the crap they pull with HDMI -- it all pisses me off.

    The EU was right about water -- it doesn't prevent the causes of dehydration. And the way copyright is being handled does not support the artists and certainly harms the public interest.