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US Survey Shows Piracy Common and Accepted

bs0d3 writes "A new U.S. survey sponsored by the American Assembly has revealed that piracy is both common and accepted. The surveys findings show that 46% of adults and 75% of young people have bought, copied, or downloaded some copyright infringing material. 70% of those surveyed said it's reasonable to share music files (PDF) with friends and family. Support for internet blocking schemes was at 16%."

74 of 528 comments (clear)

  1. Sauce for the goose by symbolset · · Score: 5, Insightful

    If it's OK for the media lobbies to steal our public domain works from us in perpetuity, then by all means let's even the score.

    Once more into the breach for Baron Thomas Babington Macaulay, 1841 & 1842:

    I will only say this, that if the measure before us should pass, and should produce one-tenth part of the evil which it is calculated to produce, and which I fully expect it to produce, there will soon be a remedy, though of a very objectionable kind. Just as the absurd acts which prohibited the sale of game were virtually repealed by the poacher, just as many absurd revenue acts have been virtually repealed by the smuggler, so will this law be virtually repealed by piratical booksellers. At present the holder of copyright has the public feeling on his side. Those who invade copyright are regarded as knaves who take the bread out of the mouths of deserving men. Everybody is well pleased to see them restrained by the law, and compelled to refund their ill-gotten gains. No tradesman of good repute will have anything to do with such disgraceful transactions. Pass this law: and that feeling is at an end. Men very different from the present race of piratical booksellers will soon infringe this intolerable monopoly. Great masses of capital will be constantly employed in the violation of the law. Every art will be employed to evade legal pursuit; and the whole nation will be in the plot.

    You'll find a commentary on the first speech with references on Kuro5hin.

    And in a final bit of irony you can buy these 160 year old public-domain speeches printed in a paperback book for $21.24 from Amazon.com. So there is even no need for long onerous copyright if there's profit to be made in public domain works.

    --
    Help stamp out iliturcy.
    1. Re:Sauce for the goose by Anonymous Coward · · Score: 5, Insightful

      If it's OK for the media lobbies to steal our public domain works from us in perpetuity, then by all means let's even the score.

      Hell, it's okay for them to steal current works from artists and then sell the music thousands of times over for cash. Big Media did that in Canada and got a slap on the wrist for their commercial bootlegging. It's not who's in the right morally, or even legally, it's who has more money to buy lawyers and politicians.

    2. Re:Sauce for the goose by Nursie · · Score: 4, Insightful

      You'll find a commentary on the first speech with references on Kuro5hin.

      My god! A link to K5 from when it was more than just ascii art penis pictures!

    3. Re:Sauce for the goose by Anonymous Coward · · Score: 5, Interesting

      A few years back there was an absolutely amazing music torrent called oink.me which offered unprecedented selection and quality, all assembled by dedicated contributors. Naturally, it was shut down. I, and everyone I knew, would have gladly switched to a subscription model, and it could have been a gold mine for the recording industry, because it offered quality, selection, and organization unmet anywhere else. But of course like many dying industries, they decided they were more interested in control than profit, and arrogant enough to think they could maintain that control.

      Forgive me if I don't shed any tears watching them crash and burn. I feel bad for the artists and other content creators, but I suspect they'll survive the transition better than the parasites.

    4. Re:Sauce for the goose by symbolset · · Score: 5, Insightful

      The author of those speeches, Thomas Macaulay, was also an author of such works as "The History of England". He stood to lose a lot if copyright were extended so much that the people refused to cooperate with such unfair terms.

      The fault for the demise of copyright as a cultural imperative lies not with the pirates, but with Sonny Bono and Disney.

      --
      Help stamp out iliturcy.
    5. Re:Sauce for the goose by Taco+Cowboy · · Score: 4, Informative

      I feel bad for the artists and other content creators, but I suspect they'll survive the transition better than the parasites.

      Think again !

      Average stage lifespan for a garden-variety artist is 3 years.

      Those parasites have lived much more than that.

      --
      Muchas Gracias, Señor Edward Snowden !
    6. Re:Sauce for the goose by king+neckbeard · · Score: 4, Funny

      Of course, we took a leadership role in the media industries when we had some of the weakest copyright laws among industrialized nations. We told the Berne Convention to fuck off for more than a century, and still have more expansive fair use policies than most of the rest of the world

      --
      This is my signature. There are many like it, but this one is mine.
    7. Re:Sauce for the goose by Anonymous Coward · · Score: 4, Interesting

      This looks bad for the US economy, long term. Software (in the broad sense, including movies, music, books, and games) is what we do best, compared with the rest of the world.

      Not really, what the US does best is promotion of said things, there is plenty of high quality of the stuff from other countries. (Some of it finds it's way into the US if it's translated but a lot of high quality movies/music/books never gets translated into english.)
      What I can agree on is that Software is what we do best compared with other things we do.
      The problem is that software only has virtual scarcity, don't expect people to be willing to pay for it and it is foolish to try to base an economy on it.

    8. Re:Sauce for the goose by an+unsound+mind · · Score: 4, Insightful

      Maybe the artists will survive better when they aren't constantly pressed for novelty and new merchandising opportunities, hum?

    9. Re:Sauce for the goose by EdIII · · Score: 4, Funny

      I tried to post an ascii art penis picture here but Slashdot told me to user fewer junk characters.

      How's that for irony. Go figure.

      Anyways, you are rather insensitive. It's estimated that 8% of all people on their computers can't touch a keyboard without making ascii art penises for some reason. I dunno. Was making you a real big, veiny, triumphant bastard too.

      Fucking Slashdot filters.

    10. Re:Sauce for the goose by symbolset · · Score: 3, Insightful

      Disney has given some good art. Nobody's disputing that. But not so good it's worth paying all of our history, art and culture for. They demand too much, which is fine if the counter is to refuse their art. When they go so far as to enforce their demands without our consent through force of law whether we take their art or no, they find they lack that power. Now they will get less and less.

      --
      Help stamp out iliturcy.
    11. Re:Sauce for the goose by rts008 · · Score: 3, Funny

      I tried to post an ascii art penis...[...]...a real big, veiny, triumphant bastard....

      Don't worry, I have the situation well in hand. ;-)

      --
      Down With Slashdot BETA!!! I've been around the corner and seen the oliphant; you can only abuse me from your perspecti
    12. Re:Sauce for the goose by hairyfeet · · Score: 5, Interesting

      Well when they can get played on the radio or heard by the masses without selling everything they will ever create to the leeches they can make a decent living. For all those musicians out there that want to make some extra scratch at your next gig? let old hairyfeet show you how to market and build a damned loyal fanbase, ready?

      Now I'm gonna assume you have the usual swag, T-shirts, your album/albums, hats, the usual stuff correct? how would you like to triple or even quadruple your sales? How? think RAFFLE buddy! You go to the local pawnshop of whatever place you are playing in, buy some $100 pawnshop special guitar or bass. If you want to stand out you can do like I did and when we found a bass I'd get some stickers or temp tats and some glitter fingernail polish and decorate. if there was a knob missing? A Dremel and some dice become cool knobs. Then at the gig you tell the audience everyone that buys some swag gets their name put in the drawing at the end of the show, first prize is this one of a kind instrument customized and signed by the band! Then at the end of the thing you pick some pretty young thing out of the audience to draw the names, third is a shirt, second an album, and finally first prize the autographed guitar or bass they got to see you play for a couple of songs that night.

      My last band we had fans follow us across states because they had won or one of their friends won an instrument. It makes them feel closer to the band and to help foster that feeling anybody that won we allowed to sit in the wives and GFs section and hang out with the band. It made for some extremely loyal fans and built a hell of a buzz. As an added bonus if you keep one or two old junkers around if you find a sweetheart in the pawnshop you can substitute the clunker and keep the sweetie. I have a great 82 Washburn that I decorated with 40s Pinup girls that played so well I let the audience have a late 80s Kramer bass I didn't care for and kept the Washburn. to this day I've had guys try to buy that bass off me wherever i play. It may not be nearly as fancy as my Fender 4 and 5 P Basses but its got style.

      So I give this idea freely under GPL to my fellow musicians, who knows, maybe one day you'll open for us or we'll open for you. I'll be easy to spot because i always have that Washburn with dice knobs and girlie stickers and my Squire Korean 5 string, those two I NEVER leave home without, the Fender P basses are optional. So if you see a kinda fuzzy bass player playing a Wahsburn with girlie stickers come say hi, and let me know how it went for you! I can tell you that little trick we were making triple what we were getting before even after taking out the cost of the guitar or bass. Its easy and fun, try it at your next gig!

      --
      ACs don't waste your time replying, your posts are never seen by me.
    13. Re:Sauce for the goose by Pieroxy · · Score: 5, Insightful

      If you could lobby someone to pass a law that would guarantee you a fat paycheck until the rest of your life you'd do it in a heartbeat. And even if you didn't, most people would.

      You can blame the players, it's only fair. But don't forget to blame the system, which is really the party responsible for this entire mess.

      Until companies can no longer buy stupid laws and until legislators get a clue of what technology is, this ain't gonna get any better I'm afraid.

    14. Re:Sauce for the goose by rohan972 · · Score: 4, Interesting

      The problem is that software only has virtual scarcity, don't expect people to be willing to pay for it and it is foolish to try to base an economy on it.

      Yes, the real value of software to an economy is the production that is increased or made possible by it's use, not the sale of copies of it. Productive software is capital to the user. As such, I see FOSS and commodity hardware as the expansion of capitalist opportunity to everyone, even though not everyone will choose to be productive with software, some will only consume.

    15. Re:Sauce for the goose by nattt · · Score: 4, Informative

      Absolutely the "slap on the wrist" in Canada shows that it's cheaper to steal millions of songs and make vast amounts of profit from them, than to steal 22 songs or whatever and just listen to them. Of course, private copying is still legal in Canada, and that is done by stealing money from photographers and computer programmers and anyone who has backed up their files to a burned CD.

      --
      -- oldthinkers unbellyfeel ingsoc
    16. Re:Sauce for the goose by datavirtue · · Score: 3, Insightful

      This has been the way of business in America for a long time. Company pollutes/kills people/etc, they bring in billions from the venture, get sued, get a fine levied for 100 million dollars by the court. Six billion minus 100 million, you do the math. General Electric and many other polluting companies have a well known history of operating like this. After this they are clear and the government/taxpayer cleans up the left over mess which costs additional billions or several hundred million to remedy (superfund).

      --
      I object to power without constructive purpose. --Spock
    17. Re:Sauce for the goose by newcastlejon · · Score: 4, Insightful

      Since when are the works of other people "ours"?

      Since we made laws that - in theory at least - let them sell their works without fear of anyone just making a copy and selling it themselves. In payment for this we demand such enter the public domain after $years.

      --
      If God forks the Universe every time you roll a die, he'd better have a damned good memory.
    18. Re:Sauce for the goose by Reverand+Dave · · Score: 3, Insightful

      This is 90% of the problem today with the elimination of the inheritance tax that the founding fathers instituted. They wanted to prohibit the creation of an aristocracy to prevent a plutocracy from taking over and ruining the representative democracy they envisioned.

      --
      I got here through a series of tubes
    19. Re:Sauce for the goose by mcgrew · · Score: 3, Insightful

      Since when are the works of other people "ours"?

      Since at least 1787. To promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries is the constitutional basis of copyright and patent law in the US. Even though I wrote this, I do not own it; I merely have a limited time monopoly on its publication. It is owned by anyone who can read.

      Your work isn't yours, either. It belongs to your employer. A roofer doesn't own the roof he builds, you don't own the song you wrote.

      The men who hold high places must be the ones to start to mold a new reality closer to the hart. The blacksmith and the artist each must know his part, to mold a new reality closer to the heart.

      Every statesman and artist should listen to Rush (the band, not the right wing hypocrite junkie).

      I couldn't find the reference, but I think it was Franklin (a prolific writer and inventor) who said "when I light my candle off your candle, your candle is not diminished, but we have twice the light," referring to creative works. Art, like science and technology, is built on what came before. Our art is our culture, and our culture belongs to all of us, not Sony Pictures.

  2. double-edged sword by Anonymous Coward · · Score: 5, Interesting

    It's too bad they're too busy downloading and sharing music to call their congressmen, threaten not to vote for them if they vote for SOPA/PIPA, and actually follow through on that threat on election day.

    1. Re:double-edged sword by BrynM · · Score: 4, Informative

      Here in California, abolishing write-ins gets proposed every couple of years and there. Many states have some severe hoops to jump through before a candidate can be written in. Regardless, the funding in many campaigns for the two major parties ensures that the populace only really knows their names and not any information about "fringe" candidates. Even the people themselves cast allegations of "throwing away votes".

      I ask: Do you know who you will write-in if your congress-critter votes to pass SOPA? Can you name who you will vote for instead to your critter when you complain/threaten?

      --
      US Democracy:The best person for the job (among These pre-selected choices...)
    2. Re:double-edged sword by pjabardo · · Score: 4, Insightful

      It is never that simple. You see, copyright isn't the only issue in an election. I think it is safe to say that for most people copyright is a minor issue in an election so for most candidates and elected officials issues like this won't be discussed and the end result is that they (I could say all minor issues) are irrelevant to the election and will always be in this system. That's where lobbies with money come in: they can buy *very* cheaply the support of several congressmen because this issue is irrelevant to them.

      You could add to the problem the US electoral system where each district has a single elected official. In most districts copyright is a very minor issue (in how many districts is copyright important enough to affect the income of a large part of the population in the district?) and completely irrelevant in the election.

      In a complex industrialized society most issues are minor for most of the population and all these discussions that are always popping up reflect that. Democratic systems were created in a time were geography was by far the most important aspect. Today this is no longer necessarily true. I, living in Brazil, probably have more interests, perspectives and ideas in common with you, living in the other side of the world, than with my next door neighbor. Even though perhaps 5% of the population care and have the same views on copyright we will not have 5% of representatives on these issues. That's why lobbies are so effective.

      I'm not proposing any solution because there is no simple solution and probably very few politicians would want to change anything but with Internet available to everyone new possibilities will arise even though I don't expect to see any change soon. The end result is that for the first time in history most of the world is under some sort of democratic regime but very few people feel represented in power.

    3. Re:double-edged sword by Joce640k · · Score: 3, Interesting

      when presented with two bags of crap most just prefer to stick with the current bag of crap they have been voting for rather than try the new one.

      It's not even that complicated.

      You're either religious/conservative or not. If you are you vote for the religious/conservative bag of crap , if you're not you vote the other one.

      Everybody else is just hippies.

      --
      No sig today...
  3. Of course people have no problem with sharing... by scottbomb · · Score: 5, Insightful

    ...music, DVDs, a cup of milk, a tool, a lawnmower, a car. People have been sharing media ever since the first record was pressed. Farmers have been sharing equipment since... the beginning of time. But you don't hear John Deere crying about it. All laws do is make a good deal of the population guilty of federal crimes. Ask Uncle Sam how well that fight against pornography worked. Or the war on drugs.

  4. Media companies lost the war by Hadlock · · Score: 5, Insightful

    Copyright infringement went mainstream in 1998-2002, and now a decade later those kids on the internet in high school spent four years in college learning about file sharing culure and now are having their own kids.
     
    Whatever social value(s) the media industry was trying to impress upon us over the last 10 years have failed, and it's too late to re-educate the next generation of parents. It's only going to get worse from here, and they've spent a decade building animosity in their customers. They'll pass that animosity along to their children in terms of pirated Disney films, Dora the Explorer and whatever the next incarnation of Teletubbies are. Instead of selecting a VHS from the family video library, they'll be directed to the pirate bay or similar to find whatever obscure children's video isn't already on netflix on-demand.
     
    The generational shift has already happened, and public favor is against the media industry. Something's gotta budge, and it isn't public opinion.

    --
    moox. for a new generation.
    1. Re:Media companies lost the war by Dwedit · · Score: 5, Insightful

      One major exception: People don't mind paying their Netflix subscription fee to get better service than piracy. But selection is still a big problem.

    2. Re:Media companies lost the war by Dunbal · · Score: 5, Interesting

      Copyright infringement went mainstream in 1998-2002

      Eh? I guess you're too young to remember casette tapes and taping songs from the radio, or using dual tape machines to copy a buddy's tapes. It was pretty mainstream in the 1960's and 70's too. Not everything has happened in recent history, young man.

      --
      Seven puppies were harmed during the making of this post.
    3. Re:Media companies lost the war by Rolan · · Score: 4, Interesting

      One major exception: People don't mind paying their Netflix subscription fee to get better service than piracy. But selection is still a big problem.

      This is really the key, and the media companies don't seem to get it. People are willing to pay for content, if it is provided at a reasonable price and reasonably easily obtained. If they want to "defeat piracy" they need to make it easier (and cheap) to get the content legally. As a business, "cheap" money coming in is far better than nothing. Add that doing this (providing content easily and cheaply) would improve public opinion of them...

      --
      - AMW
    4. Re:Media companies lost the war by discord5 · · Score: 3, Interesting

      Copyright infringement went mainstream in 1998-2002,

      It's quite common to attribute the existing attitude about copyright enfringement to Napster, but in reality the attitude already existed way before Napster existed. Before Napster it was CD-burners, and before that it was copying floppies and tapes. The biggest shift was the fact that content could be copied easily and without a significant loss of quality. Napster (or rather peer 2 peer networks) were just the next logical step in an increasingly networked world.

      Whatever social value(s) the media industry was trying to impress upon us over the last 10 years have failed,

      The content industry has been preaching that message long before Napster, but the difference is that due to successful lobbying they've been far more successful with the legislative branch than in the era before that. The message in general has always fallen on deaf ears with the public, after all those mixtapes didn't make themselves.

      I would argue that copyright infringement in most cases hasn't changed over those years in essence: people still buy music, video games and movies, and people still share. What has changed is how visible it has become thanks to the Internet. Sure, you'll have a few people who won't buy anything and simply copy everything, but it's safe to say that those type people existed way before the internet existed and did the exact same thing.

      What has more significantly changed over the years is that consumption has taken on a new form. People are much more interested in digital downloads than owning a physical copy. Convenience has become more of a priority than it used to, and this is something where some parts of the content industry have learned their lesson (most notably video games). Take a look at the success of Steam, despite it being a form of DRM, Steam is wildly popular because it's extremely convenient. They rely on impulse shopping for the most part, and the customers they don't get with impulse shopping they'll get with bargain deals. Despite some people on slashdot being vehemently opposed to Steam, it's very popular and most people find this form of DRM very acceptable. (I myself am not arguing for or against DRM here, that is beside the issue of this post)

      The generational shift has already happened, and public favor is against the media industry. Something's gotta budge, and it isn't public opinion.

      I've noticed an exciting trend in the past year or so, and it has probably been growing for a while longer. More and more beginning artists are embracing the internet on their own, and skipping the traditional content industry all together. I've noticed that a lot of DJs have begun setting up streams to promote themselves, bands are using social media and networks to promote themselves, and a lot of people are actively making their own "TV shows". Examples of this are for instance eSports events like Starcraft 2 broadcasts (tournaments such as MLG, casters on youtube, or even in depth analysis such as Day[9]) and even fighting game tournaments (such as the teamsp00ky streams). The technological barrier of entry to do so has become so small that practically anyone with an average non-technical understanding of how internet works can setup their own platform for promoting themselves or others. Having an average of 5000 to 15000 live viewers for an amateur show in what's likely to be a very niche market is a lot.

      I've also noticed that so called "netlabels" are becoming more popular (especially in Japan), where artists release their works on the web partly for free for promotion and release a few commercial tracks on sites such as beatport, etc. It's all very amateurish compared to the big established content industry, but it's certainly a powerful tool for promotion as more and more people are becoming aware of these things.

      While I'm not going to argue that the traditional content industry is finished, or predict the dea

  5. How many are hostile to copyrights? by blind+biker · · Score: 5, Interesting

    I wonder what percentage of people are directly hostile to the notion of copyrights? I know I am

    --
    "The agriculture ministry is not in charge of Gundam" - Japanese ministry official.
    1. Re:How many are hostile to copyrights? by hedwards · · Score: 5, Insightful

      Copyrights themselves aren't the problem, copyrights that extend for decades without the creator having to extend them and without regard to the creator's interests that are the problem. The reality is that there's a bunch of content that's been abandoned by the owners that would have been public domain after 28 years previously, but now thanks to the super long automatic copyright terms isn't available to anybody.

      That's not a feature of copyright, that's a feature of what happens when politicians give corporations what they want without concern for the consequences.

    2. Re:How many are hostile to copyrights? by siddesu · · Score: 5, Informative

      Actually, this kind of abuse is exactly a feature of copyright. The economic reasoning is simple enough that it is covered in microeconomics introduction. The problem is similar with all regulations that create monopolistic profits.

      This is money you get in excess of what you'd be making in a fully efficient, competitive market. Since this is money in excess of the cost of all factors of production (and, btw, that includes the return on your investment in R&D), you don't get extra profit by spending it on your main business. Instead, you're better off if you spend that extra lobbying for activity that extends the regulations that give you the extra profit.

      The problem is made worse because this kind of behavior (called rent-seeking activity, if memory serves) is not self-correcting. Since distribution of cost and benefit is extremely uneven (small cost to many people vs. large benefits to very few large publishers in the case of copyright), there is very little in terms of political incentive for change.

  6. Re:Of course people have no problem with sharing.. by Totenglocke · · Score: 5, Insightful

    Ask Uncle Sam how well that fight against pornography worked. Or the war on drugs.

    Or the war on alcohol - which is the greatest example of why the government does far more harm than good when it tries to tell people what they should want. Not only do the majority ignore the laws and do it anyways, but they also create a large number of violent criminals to supply said product to the masses.

    --
    "The tree of liberty must be refreshed from time to time with the blood of patriots and tyrants." ~Thomas Jefferson
  7. Read it while you can by PTBarnum · · Score: 3, Funny

    How long until someone files a DMCA complaint against this report?

  8. Great. Now we just need to get the laws changed by Improv · · Score: 3, Insightful

    If this is right, then we IP Abolitionists just need to go up against impossibly wealthy entrenched interests to get the legal system fixed. Easy, right?

    --
    For every problem, there is at least one solution that is simple, neat, and wrong.
    1. Re:Great. Now we just need to get the laws changed by hedwards · · Score: 5, Insightful

      IP abolition isn't necessarily any better than what we have now, what we need is real meaningful reform to the system. Throwing it out completely is both more work and less likely to happen. Take the terms back to an automatic 28 years with extensions as long as the author cares to file them. And cap that at 56 years for corporations and that would solve a lot of the trouble with copyright right there.

  9. Information takes Effort. by headkase · · Score: 3, Informative

    In Bill Gates' Open Letter to Hobbyists it really shows how much things were different way back in 1974 - or one year after I was born. When I was growing up - in the heyday of the Commodore 64 - piracy wasn't even questioned one iota. Everyone did it, you pooled together $5 each from your circle of friends, bought a game, and promptly pirated it for everyone and drew a lot to see who would get the original. Back then DRM-cracking-copy-programs were legal and the hypocrisy of the times is that they would copy everything but themselves. You had to use a different copy program to copy a copy program for your circle of friends.

    Now, it's different. We're slowly being taught that information is analogous to physical property. I'm coming around to it. I no longer pirate any software at all. If it wasn't for gaming I'd be 100% free software. I have a ways to go yet before I'm fully compliant but it's coming. Free software at it's core also depends on copyright, the protections afforded to commercial software are what also enables FOSS. If you're FOSS evangelizing you automatically should be a supporter of copyright.

    Music, books, software: they are all different facets of the same thing. If someone wants to give their effort away - FOSS - then that is their right and it needs to be respected. If someone want's to charge for it it is the exact same right. You don't need it that bad if you don't want to comply with the license to acquire some information - go make it yourself and release it if you want under your own terms.

    --
    Shh.
    1. Re:Information takes Effort. by steelfood · · Score: 4, Insightful

      I don't think copyright inherently is a bad thing. And I don't think most people here save for the extremists and the uneducated would support its elimination altogether. But I think a lot of people would agree that it is, in its entirety, as it exists, ridiculous. From the length of the copyright term, to the punitive damages levied for infringement, to the wide-ranging destruction its enforcement causes, it cannot possibly be considered sanity, much less conducive to a functioning society. If anything, this ridiculousness around copyright has or soon will have a negative effect on creativity and productivity, where people are now too afraid to create new works because they're afraid somebody with deeper pockets is going to take them to court over it.

      Copyrights need to be brought down to levels of sanity in all aspects. For the terms, fifty years irrespective of the author's lifetime is very generous. Any more and it starts becoming ridiculous again. For infringement, the punitive damages should be equal to the retail price per copy made and provably distributed. As for enforcement, it should remain a civil matter, and be applied only to situations of direct infringement. Organized, for-profit criminal copyright infringement can be addressed by real criminal statutes, including tax evasion and racketeering.

      It is important to recognize that there is a role for the protection copyright allows. It is also important to recognize when the system of copyrights no longer serve that role.

      --
      "If a nation expects to be ignorant and free in a state of civilization, it expects what never was and never will be."
  10. Re:Of course people have no problem with sharing.. by Anonymous Coward · · Score: 5, Insightful

    Lending and copying aren't the same thing. If I lend I do not make a copy of said thing. Digital files are digital copies of a creative work, and because the file is duplicated, ie, a copy, it is then violating _copy_rights.

    John Deere won't cry because you can't just _copy_ a tractor. It takes real work and real knowledge, time and skill to take one apart, figure all the pieces, all the compression, setup, etc., and build an exact copy.

    I don't support the excessive fines and draconian attitude, and copyright holders should be limited in to how much legal intimidation they're allowed to.

  11. Citation needed by metrometro · · Score: 4, Interesting

    The last sentence in the summary -- "Support for internet blocking schemes was at 16%." -- is not accurate. Check page 8 of the PDF. There is a particularly harshly worded prompt which drew only 36% support, but in every other question there was higher support for internet filtering -- in some scenarios a majority support filters.

    Wishing don't make it so.

    1. Re:Citation needed by metrometro · · Score: 4, Informative

      Searched for 16% and found the source of mistake: support for punitively restricting a convicted person from using the Internet is at 16%. Plain old content filtering is more popular -- 60% in favor of some scenarios.

  12. Throw everyone in jail! by mykos · · Score: 4, Insightful

    The whole country is criminals. Put everyone in prison to stop the piracy!

  13. It's quite simple by mbone · · Score: 5, Insightful

    Copyright is a bargain between the people and the creators and owners of content, in which the people grant a temporary and limited monopoly in return for the ultimate ownership of the content.

    The people of the United States (and, for that matter, the rest of the world) have shifted the terms of that bargain some. It will take a while for their representatives to catch up, but they will.

  14. Unfortunately it's the 1% who calls the shot by Taco+Cowboy · · Score: 5, Insightful

    The folks on Capital Hill don't listen to the common people.

    Their only master is the 1% who can pay them.

    From patent trolls to perpetual copyrights to SOPA to ..... those a_holes in Capital Hills are killing American ingenuity as we know it.

    --
    Muchas Gracias, Señor Edward Snowden !
    1. Re:Unfortunately it's the 1% who calls the shot by Anonymous Coward · · Score: 5, Insightful

      And they just made it a law that they can come in the night and take you away for threatening to ever remove them from office

    2. Re:Unfortunately it's the 1% who calls the shot by Serpents · · Score: 5, Insightful

      The problem is they're killing not only American ingenuity. By proposing agreements like ACTA they are trying to enforce similar solutions across the world. American ideas, be they good or bad, have a tendency to spread.

    3. Re:Unfortunately it's the 1% who calls the shot by flyneye · · Score: 5, Insightful

      All the way up to the parent, you guys get it.
      I'll take it to it's natural conclusion
                  Music is sound, it's communication. Marketing it as a tangible doesn't really work or someone gets screwed badly. In our case it it the musician that gets the worst of it. An industry exists that gets to decide WHO gets to make the best living from music. Think about it. Hand picked musicians get money poured into promotion for as long as they cooperate and stay a fad.
      Now not only do the non industry musicians suffer from a non level playing field but the industry musicians get their songs taken, their ability to perform their songs for money taken, their ability to play with each other under their chosen name can even be forfeit.
              It's just time to let the music industry die so musicians 'round the world can bring about competition amongst themselves on a level playing field. Music is free, forget selling it except for commercial use, the bother of trying to licence it for general use is like catching 5 lb. of mercury in a collander. Performance however is paid! Think of the fanbase that comes from freely distributed music! Taking the album purchase out of the equation greatly improves the chance your fan will have your song on his ipod. That leaves him money to come see your act, which is what you REALLY want as a musician anyway. It's the live shows that is the drug, not sales statistics.
              Take the industry out of the equation and the field becomes level for any musician. You can then get out of your career what you put into it rather than the slot machine business process of dealing with the corrupt industry. The internet is truly a great playing field leveler. Now the industry can die and all those couch surfing musicians can finally get some raisin pie.
                Bleating about lost jobs is kind of moot since ,A: musicians jobs far surpass industry numbers, B: filling jobs that culminate in an undesireable evil only taints the innocent who perform them. Let them stand in line for a job just like the rest of us who have to do actual work, actually do.

      --
      *Repent!Quit Your Job!Slack Off!The World Ends Tomorrow and You May Die!
    4. Re:Unfortunately it's the 1% who calls the shot by Loosifur · · Score: 4, Insightful

      Copyright isn't the issue. The issue is that technology limited the artist's ability to distribute work, and so the SOP became selling your own rights to your own work to a publisher in order to try and reach a larger audience, and, hopefully, make some money. In all art (music, film, lit), publishers became the gatekeepers because artists weren't able to compete on a logistic level.

      Now that the Internet has, to some extent, changed that, we just need to find a model that works for everyone involved. As it stands, it's still very difficult to self-publish, or to offer your own content in such a way that you can still make money from it. Just from a writer's perspective, you can run an ad-based website (almost a television model), you can run a subscription-based website, you can ask for donations (good luck with that), you can put samples of your work up for free and offer either full-length works or entirely different works for sale on a case-by-case basis, but most of those options are pretty difficult to get off of the ground.

      Contrast that with getting in bed with a publisher, who will give you money up front, royalties, and handle the marketing. You're still not going to make a mint (I know one writer who has been published frequently, can be found in most major bookstores, and has a book optioned, who is making about $35k a year), but it's not as risky.

      If you get rid of copyright entirely, artists won't be able to afford to be artists. Like it or not, everybody's gotta eat. But if you develop a distribution model whereby artists can produce and maintain control of their products without having to sell their souls to a third party, you'll see more reasonable types of copyright licensing, and you'll see much more reasonable pricing.

      --
      This unbiased moderation brought to you by the Porcine Aviation Group!
    5. Re:Unfortunately it's the 1% who calls the shot by Moryath · · Score: 5, Insightful

      I grew up with musicians

      Which is funny. You must have known some pretty shitty musicians. I know several who are not big label, but they're making a medium income living doing local concerts and getting a couple albums out with smaller labels and even on iTunes. Some have had to switch bands a few times, due to break-ups or people moving away.

      Thanks to MafiAA Accounting - something that they deal with even on the lower level labels - musicians generally MAKE MORE MONEY these days by touring and doing concerts than they ever do off of their albums. Ask Great Big Sea about how they make money for instance: "“We’ve always been focused more on the live show than anything else,” he said. “Certainly, with the record industry the way it is, the live show has become so important to a band’s career. It used to be part of it, now it’s practically all of it. It’s the only way you can make money, pay the bills. ".

      Live performances ARE how musicians make the money these days, and you are full of shit saying otherwise.

    6. Re:Unfortunately it's the 1% who calls the shot by g0bshiTe · · Score: 3, Insightful

      You totally missed flyneye's point. It's not the musician selling their music, it's the label. flyneye is suggesting let the labels ("industry") die, and the musicians can take over selling themselves and in doing so profit from it as opposed to the label getting the lion share of the profits/rights to works/rights to name of groups etc.

      --
      I am Bennett Haselton! I am Bennett Haselton!
    7. Re:Unfortunately it's the 1% who calls the shot by mcgrew · · Score: 3, Insightful

      Musicians want to be paid. Music will always be sold.

      Music has never been sold, ever, in history. The closest you come to selling music is selling sheet music, or selling your copyright. Before the 20th century the only form of recorded music was piano rolls.

      During the 20th century you still didn't buy music, you bought records and later tapes, then CDs. You never bought the music, you bought the physical item.

      Nobody used to complain about recording your LP to a cassette, or even recording your friend's LPs to cassette.

      Then came the 21st century and Napster, and the recording insustry (NOT the "music industry") blew it badly. They should have sent their marketing teams to use Napster's free music to sell CDs; marketers are very good a convincing people to buy stuff. And people LIKE buying "stuff". Yes, in some cases you can charge a premium for convinience, but anything more than a couple of bucks people want something to show for their money.

      And you still can't buy music. You can only rent it.

      Concerts are tough to profit from and are generally used to promote record/song sales.

      Bullshit. It's exactly the opposite.

      No offense, but you have no clue about the music industry. I grew up with musicians, they want paid.

      I've been playing guitar since I was 12, that was 47 years ago. Half my friends are musicians. I'm an amateur, but most I know are professionals. The non-independant, RIAA labels are the clueless ones.

      Live performances are great but they are NOT profitable. It is common to lose money on them if they are not managed with precision.

      There's no profit if your band sucks or, like you say, your manager sucks.

      Of course musicians want to be paid, everybody needs money. But not every musician deserves to be paid.

    8. Re:Unfortunately it's the 1% who calls the shot by gorzek · · Score: 3, Insightful

      And the whole point of Net Neutrality is to keep those middlemen from abusing their power the way middlemen always tend to do.

  15. Waste in all the wrong places... by Anonymous Coward · · Score: 3, Insightful

    Maybe if the RIAA and similar organizations spent more money on making music available at more reasonable prices and more easily, people wouldn't pirate as much? I looked at specifically the RIAA's public records of their yearly sales years ago...and when did they stop making money? Not when Kazaa and Limewire were around...it was about the same. They made less money when DRM started getting rampant and restricting how people could use their own CDs...it was remarkable how much they lost. Then, you have to think, where's all this cash coming from to pay for the lawyers to sue college kids who downloaded some Britney Spears song off some torrent site (as if that weren't embarrassing enough in and of itself, now the kid's in debt millions and have their life ruined). Then there's the cash for them to pay some mindless sheeple to go lobby for them. Does anyone remember how much LESS CDs cost years ago before they started throwing cash in every direction to try to stop pirating that didn't actually lose them that much to begin with? They're very likely spending more money kicking and screaming against the times changing (which, p.s. you can't prevent) than they would've lost if they just sat back and did nothing other than occasionally made some noise with scary tv commercials over how you can go to jail for the music on your iPod.

    Frankly, SOPA doesn't deserve to pass if only because there probably isn't even one one old baggy senator in all of Capitol Hill that doesn't have some pirated song on his/her damn iPod. Honestly, I'm glad they did this survey. These industries should know: we don't care that you're losing money...because making millions but not millions as much as you used to when more than half this country is having trouble just finding work to feed their families doesn't make us feel a damn bit of pity for you. Settle for a damn Porche instead of a Ferrari, be happy, and shut the hell up while the rest of us just go on working our fingers to the bone just to give our kids the lives they deserve.

  16. Re:Of course people have no problem with sharing.. by scottbomb · · Score: 4, Insightful

    You make a good point. In fact, people didn't have the equipment nor expertise needed to make copies of records back in the day either. But I do remember the controversy in the 1980s over the dual-cassette recorder (I was a teenager then). We went to the store, bought a pack of blank cassettes, and copied each other's music. The recording artists threw a fit and they were told to stick a sock in it. EVERYONE had copies. Everyone also had some originals. The same is true today. Somehow, the artists survived (and certainly didn't go hungry) during the 80s. The same is true today. Just ask iTunes and Amazon about all the (non-DRM) music they sell.

  17. Re:Media companies cut their own throats here by swilver · · Score: 4, Insightful

    To begin, we all agree that piracy is a form of stealing?

    I stopped agreeing with you there (it is not taking away anything from anyone), but if I hadn't stopped there, I would have stopped here...

    A content creator loses out on a royalty every time someone downloads their material

    First, I don't support any models that scale with the amount of people on a planet and that at the same time have 0 reproduction costs (yes, it is 0 if I can reproduce it myself).

    Second, I fail to see how copyright currently provides an incentive to artists to produce more good works when clearly they stand to profit from their works forever.

    Third, copyright keeps being retroactively extended -- not just extended, but also applied to works that accepted the earlier limits fully knowing they would become public domain at some point. To me that is simply showing no respect to spirit of the this law at all and clearly shows that those that stand to benefit from these changes don't give a fuck about the public domain.

    Put all of those together, and I have absolutely zero problems to ignore this notion they call "copyright" whenever I please.

  18. Re:Dose of Truth by Mitreya · · Score: 4, Insightful
    If the cost of a product is higher than the cost of reproducing and distributing that product yourself, the cost of the product is obviously set too high.

    I am as anti-copyright-abuse as most here, but this has to be the stupidest thing I saw in this discussion. Do you think that music/movies/games/etc products are found in the forest before they are sold? What makes you think that the cost of the product should cover the "cost of reproducing and distributing" that product and nothing else? It does cost some money to create the product
    Now if the costs were set to a more reasonable level (to cover cost of initial production, reproducing and distributing plus epsilon) and if all the artists were paid a reasonable amount (instead of the current rampant cheating) and if the DRM had been throttled back (so that games/DVDs were useable once again), then maybe people would start buying. Ah, a man can dream...

  19. Re:Of course people have no problem with sharing.. by tantaliz3 · · Score: 5, Insightful

    Unfortunately, that's the whole point... it's all about justifying the buildup of the police state. From drugs all the way through reactions to terrorism.

  20. Re:Of course people have no problem with sharing.. by Viceice · · Score: 4, Interesting
    You can't copy a tractor...


    You can in China...
    --
    Sometimes I wish I was a plumber, then I'd know how to deal with other people's shit.
  21. Re:NOT worthless sample size by Brett+Buck · · Score: 3, Informative

    The sample size is adequate for a 2% margin of error assuming the sample was sufficiently random.

            margin of error = sqrt(1/n) assuming that npopulation, and sample is random.

            You may have a point about the lack of randomness but the sample size is pretty good.

            Brett

  22. Re:Of course people have no problem with sharing.. by Anonymous Coward · · Score: 3, Insightful

    It's not quite that simple. People rebel against a law of that nature when they can see no benefit from the law. Government initiatives to iodize salt have been tremendously successful at reducing the incidence of goiter. Seatbelt laws are not widely flouted.

    The problem with copyright is that the perceived social benefit is not there. Similarly, laws typically work better if they're fair. Since these laws obviously don't apply to the rich, don't expect anyone else to take them seriously either.

    -- Darktan

  23. Re:The thing that always pisses me off the most... by king+neckbeard · · Score: 3, Insightful

    If you want people to respect for copyright, copyright law, copyright holders, and copyright apologists are going to have to have respect for people. Otherwise, the public will just ignore it for being an idiotic, unreasonable law. If you don't like that, TOUGH, bits will never be more difficult to copy than they are today. Copyright exists for the sake of the public welfare and only for that sake, while benefiting authors is merely a means to an end.

    Also, it's not being a douchebag to ignore the wishes of the author. In fact, the fair use coverage for parodies is an essential portion of free speech, which is the cornerstone of modern societies, and those protections are needed ESPECIALLY for uses of a work that go against the author's wishes. I understand that rightsholders often attack those foundations of liberty for their own gain (often having success when those exercising free speech don't have the funds to properly defend themselves), but the rightsholders are the ones being douchebags in such a situation.

    --
    This is my signature. There are many like it, but this one is mine.
  24. STOP CALLING IT PIRACY!!! by Jane+Q.+Public · · Score: 4, Insightful

    "Piracy" (in the context of copyrights) is defined as the act of illegally copying (and generally selling) for commercial profit!!!

    PIRACY is a crime. Downloading is a civil infraction. They are NOT the same things, at all! And more than 99.9% of downloaders are NOT pirates.

    When you conflate the two different concepts of infringement and piracy, you play straight into the hands of the content industry, which has been deliberately trying to confuse this issue for years.

    STOP CALLING IT PIRACY, DAMNIT! It isn't. It's not the same act, it's not the same law.

  25. Re:Of course people have no problem with sharing.. by Bogtha · · Score: 5, Insightful

    Lending and copying aren't the same thing.

    You are right. The infinite, perfect reproduction of digital tools and culture is far, far better than mere lending. It's damn near magical! It is truly a quantum leap in civilisation, which makes it all the more repugnant that such a wonderful ability is locked away so that the proles can't do it. Anybody who wants that kind of restriction is essentially advocating for a modern day dark ages.

    --
    Bogtha Bogtha Bogtha
  26. Re:Of course people have no problem with sharing.. by Kjella · · Score: 4, Insightful

    The recording artists threw a fit and they were told to stick a sock in it. EVERYONE had copies. Everyone also had some originals. The same is true today.

    True, but back then it was a practical necessity, somebody had to have an original to copy from - generational copies sounded worse and so they would sell one copy to every clique in the network, if not to every person. Today that is only a social barrier, people only have originals because they choose to buy originals. If people decided to stop buying originals, well perfect copies would still be available on the Internet. We've seen it when prerelease games or movies leak to the Internet, from that single copy it can boom into millions faster than the blink of an eye. The courts don't have any chance to process a "war on pirates" that's much, much larger than the war on drugs and with far less public support. A few hundred thousands copyright holders can't control hundreds of millions of consumers if those consumers refuse to cooperate. The whole thing reminds me of the scene from the Gandhi movie where he tells people to make their own salt and the British arrest everyone and their mother, the prisons fill up with tens and tens of thousands of prisoners yet once millions and millions of Indians take that right for themselves, there's nothing the government can do to stop them. Copyright ends when we the people say enough is enough, and I don't mean through Congress. It ends when people stop respecting it.

    --
    Live today, because you never know what tomorrow brings
  27. Re:Of course people have no problem with sharing.. by EdIII · · Score: 3, Insightful

    You both make the real point, and why it leads to the perception that sharing is okay.

    Copyrighted content used to be delivered by physical medium. It had separate value from that content. Those blank tapes cost money, blank CDs cost money too.

    Digital came around and copies did not degrade, which meant that sharing was no longer limited to one or two "hops" before the quality was so low it was more preferable to buy a new copy.

    In a way, Big Content fucked itself. It had the the last 50-60 years (ever since vinyl records were sold) to educate the public and put forth the perception that you were not buying the record as much as you were buying the right to listen to the record. Important distinction, which would have lead to a real understanding of just what copyright is, and what intellectual property is.

    They did not want do to that, as that would have been logical, truthful, and fair. Anybody with a proof of purchase should have been able to walk into a store, or send a request, for a replacement copy and only paid for the cost of the medium, "printing", and shipping. Basically, a discount to get another copy back.

    Maybe it was not that simple, but either way, public understanding of copyright was never very sophisticated.

    Now that the content has been divested from the medium, in every sense, it's not a real surprise that the majority of people find sharing to be easy and "victim-less".

    It was never possible to steal content, but now that you don't even need the physical medium, how do you retrain society to understand why it is important to pay for the works regardless of how cheap and easy it is to obtain a copy from an increasingly connected society where distribution channels are popping up as fast as new content?

    At this point you don't even need blank CDs. An MP3 player and some external hard drives and all of the sudden your the fucking Library of Congress walking around with tens of thousands of dollars, sometimes nearly a million, in copyrighted content. Never mind that you could have only really afforded 1% of your library or less.

    It's a serious problem. Society determines morality, not the other way around. I believe it is also referred to as the Elastic Clause in the US. Society has changed, but that does not seem to even slow down the push to destroy all of our freedoms to erect an impenetrable bulkhead to stop the erosion of profits for Big Content.

    I support the idea to compensate artists, but quite frankly, it is becoming as hard to convince people of that as it is to educate them about copyrights in the first place.

  28. Re:Of course people have no problem with sharing.. by dabadab · · Score: 4, Insightful

    It had the the last 50-60 years (ever since vinyl records were sold) to educate the public and put forth the perception that you were not buying the record as much as you were buying the right to listen to the record. Important distinction, which would have lead to a real understanding of just what copyright is, and what intellectual property is.

    Huh?... You ARE buying the record, a physical object. There's no such thing as a "right to listen". It simply does not exist just as there is no a "right to breathe". Copyright does not extend to this area because - as it was originally created - it is set to regulate publishers, not end-users.
    Yes, the big media would like to brainwash everyone into thinking that copyright extends to a much larger area than it actually does and that there are no exceptions for fair use (and - judging by highly rated comments here on Slashdot, where people should know better - they have not been without success) but it does not make it a fact - it just might make the way for it to become a fact, since who would complain when something is put into law that was thought to be situation all along?

    Of course, the current situation leaves one wondering that what are you actually buying from, say, iTMS. You are not buying a physical object and certainly no license to any rights - it seems, you pay for a service that you can download songs from their server.

    --
    Real life is overrated.
  29. Re:BUT YOU DON"T SHARE YOUR OWN AND ONLY _________ by metacell · · Score: 3, Insightful

    Fair enough. But people have also been sharing seeds (as in crop seeds) for tens of thousands of years. And those reproduce indefinitely, and for practical purposes the copies are exact.

    People have also been sharing songs and poems for thousands or tens of thousands of years, and employed mnemonic techniques such as rhyming, alliteration and metre to ensure the lyrics are remembered exactly. Examples: the Iliad and the Odyssey, Icelandic sagas, thousands of folk songs and old poetry.

    People had also been copying written texts for a few thousand years before copyright was invented. Examples: everything written by the ancient Greeks, Romans, Egyptians, Chinese, and all other civilizations with the ability to write before the 17th century.

  30. Piracy is simply the symptom of supplier's greed by argStyopa · · Score: 4, Interesting

    MOST people will pay a reasonable price for something they want.

    Louis CK just made a standup comedy special himself. Paid for the production of a 1 hour commercial-quality standup video (about $250,000), and put it up on the internet asking $5 to download it. It did have that $5 paygate, to prevent the casual downloading freeloader, but it is totally drm-free, and available in HD.

    The response has been so overwhelming that once he paid for production, he capped his own income from the exercise at $220,000. He paid his production people a bonus of $250,000 and still has money left over, so is donating all excess to a number of charities. He's *already* given them $280,000.

    An extraordinary success powered by creativity and (significantly) a lack of greed on his part. Win win win.

    It's almost like we don't need the middlemen. Hm.

    --
    -Styopa
  31. Re:If one thing, I would say the number is low by AngryDeuce · · Score: 5, Interesting

    Those of the older generation are likely somewhat short. I wonder how many of those that said "No" traded tapes or sneakernetted when they were younger and such.

    I've noticed this myself. My father was a professional musician for a lot of years, and by virtue of the fact that he made his living playing music he obviously feels very strongly about music piracy. Many a night have I listened to him and his friends from the industry rail against the pirates "stealing from artists."

    But, even back in the days before the internet, I remember watching movies he had taped off of television, in some cases over a decade earlier. He had countless cassette tapes he had recorded off the radio or copied from LPs and later CDs, concerts he had recorded...he even had stuff he had copied onto reel-to-reel; it was so old it predated the cassette. Pointing this out to him when he gets on his rants about piracy yields little, as he seems to think it's different somehow. The fact that, in his youth, he was the dirty pirate just doesn't compute.

    It's funny to me how, to people like my father, the justification for piracy has more to do with how difficult it is to do, or the quality of the copy, and not the act of pirating in itself, like it's okay as long as the copy is shitty and making it is time consuming. It wasn't until the internet came around and people started downloading that he really started having a problem with it, which is a little ridiculous to me, and a little hypocritical as well, but seems to be a mindset shared by many of his peers.

  32. Re:If one thing, I would say the number is low by inviolet · · Score: 3, Interesting

    I suspect many people won't come forward

    Since the beginning of this debate, twenty years ago when we were all still using 1.44MB floppy disks, I have been firmly in the "thou shalt not copy" camp. I never, ever pirated software or music. Occasionally I copied MP3s from a friend, then re-bought them if I ended up listening to them more than once or twice. And I still felt guilty.

    Last month was my change of heart.

    I was trying to Do The Right Thing, and download Terry Pratchett's Discworld audiobooks using iTunes. Each audiobook costs $20, but I was willing to pay it. I splurged and bought the first three. The download of the third one failed, and there is no way to resume it (in order to get the rest of the audiobook, I only received the first 42 minutes), because of Audible.com's license restrictions. I'm facing an hour on the phone with iTunes tech support.

    But even THAT was acceptable. Until I found out, the hard way, that my audiobooks can't be listened to on my other iOS devices. I can listen to them on the iPhone I purchased them on, but not on my iPad (same iTunes) account or my sons' iPads (same iTunes). WTF?

    So I decided that Audible.com and iTunes have colluded to defraud the consumer. And I got gypped $60 before I figured it out. I therefore conclude that I am free of my moral obligation to pay them for the content they control. And suddenly, the world, and this whole piracy conversation, looks very different to me.

    --
    FATMOUSE + YOU = FATMOUSE
  33. Re:Media companies cut their own throats here by Hatta · · Score: 4, Interesting

    Copyright is a form of stealing.

    --
    Give me Classic Slashdot or give me death!
  34. It's not piracy...it's infringement of copyright! by Peter+Simpson · · Score: 3, Insightful

    It's individual, non-commercial copying of copyrighted material for personal use, and, although it's technically illegal, it should be tolerated as long as there is no financial gain. If the movie studios want to control copyright infringement, they should be working to round up the people behind the massive number of counterfeit DVDs being sold at flea markets and on the street corners of major cities. That's where the real criminals are and that's where the money's being made. Extortion of money from individuals who download videos and music for personal use isn't helping their image and doesn't seem to stop the file sharing.

  35. Re:If one thing, I would say the number is low by Sarius64 · · Score: 3, Interesting

    I always loved the part where you accidentally bought a game for an iPod with your iPhone account and their policy was, "tough". I'd say they're reaping what they sowed.