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Non-Copied Photo Is Ruled Copyright Infringement

An anonymous reader writes "A UK judge ruled that a photograph inspired by another photograph, but clearly different from it, infringes the original photo's copyright. The two photographs were shot in the same location, have the same subject, and use the same distinctive post-processing treatment. However, the angle and composition are different. From the article: '[The judge] said a difficult decision hinged on a "qualitative assessment of the reproduced elements." He defined Fielder's image a "photographic work," as distinct from a simply a photograph, in that "its appearance is the product of deliberate choices and also deliberate manipulations by the author," and concluded that those aspects had been copied.'"

28 of 657 comments (clear)

  1. Misleading to call it "non-copied" by Overly+Critical+Guy · · Score: 5, Insightful

    You know, having read the judge's reasoning, the headline and summary for this story are somewhat misleading. Yes, the photograph is "clearly different" in that it's not the exact same photograph, but it is clearly the same compositional idea, with the only practical difference between a difference in angle. Also, the second photo was intentionally made to avoid licensing fees from using the original.

    The judge offered his logic behind the decision:

    The judge concluded that the claimant (Justin Fielder)'s image is original and that the intellectual creation resided both in the compositional elements of the image and the contrast aspects. Specifically, Judge Birss QC highlighted two visual contrasts: 'one between the bright red bus and the monochrome background, and the other between the blank white sky and the rest of the photograph.'

    He also took into account the evidence that Mr Houghton was aware of Mr Fielder's image (the two had previously been to court when they had failed to reach a licensing agreement over Houghton's previous infringement of Fielder's copyright), to conclude the similarities were causally related.

    In the end, Birss said a difficult decision hinged on a 'qualitative assessment of the reproduced elements.' He defined Fielder's image a 'photographic work,' as distinct from a simply a photograph, in that 'its appearance is the product of deliberate choices and also deliberate manipulations by the author,' and concluded that those aspects had been copied.

    In other words, the original wasn't simply a photograph of something but a specifically processed piece of artwork, and the second piece attempts the exact same style and processing. The defendant commercially used the original without licensing it from the plaintiff and was sued by his company, and the second photo was only taken afterward to avoid paying the licensing fee, so the intent of the photo was specifically to copy the original and not borne of parallel-developed artistic expression.

    So to say it's a "non-copied photo" is, in my opinion, wrong.

    Howeverthe comments to the article also point out that this kind of shot is common: example, example, and example (note that these pictures have no dates provided). The article says alternative examples were in fact brought up in court, but the judge said they worked against the defense because they "served to emphasize how different ostensibly independent expressions of the same idea actually look." But I think they're all a close enough idea that the differences in angle and position don't serve to make them different enough, because the core idea of all the pictures is this specific London red bus in front of a monochrome Big Ben scene.

    If it can be proved that there existed images like this before 2006, then the plaintiff shouldn't have won, but apparently, the examples given in court were undated.

    --
    "Sufferin' succotash."
    1. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 5, Insightful

      Ideas aren't and shouldn't be protected by copyright. This is a dangerous, if unsurprising, precendent. Big copyright is succesful in their quest to limit creation and people like you will be cheering them on right up until your cheering is ruled to infringe on something or another.

    2. Re:Misleading to call it "non-copied" by mark-t · · Score: 5, Insightful

      Except for one key fact...

      You cannot copyright an idea.

      That is utterly incontrovertible. And so yes... he copied something. He copied the idea. But that is *ALL* that he copied. The original photographer does not own a copyright on that idea, he owns a copyright on the photo.

      The second photographer did not copy the original photographer's photo. He copied the *IDEA* that the original photographer had.

    3. Re:Misleading to call it "non-copied" by CrystalFalcon · · Score: 5, Insightful

      It's not misleading in the slightest to call it non-copied for the simple reason that it was not a copy, and that the copyright monopoly only covers direct copies, nothing else.

      Yes, they used similar inspiration and similar techniques. But that is specifically not covered by the copyright monopoly, which has always been about protecting a specific expression of a creative idea, and never the idea itself.

      For more, see this article on Falkvinge on Infopolicy.

    4. Re:Misleading to call it "non-copied" by polymeris · · Score: 5, Informative

      Also, the second photo was intentionally made to avoid licensing fees from using the original.

      original, you say?

    5. Re:Misleading to call it "non-copied" by martin-boundary · · Score: 5, Informative

      The judge is an idiot, or maybe he doesn't go much to the movies. The compositional idea isn't original at all. girl in the red coat

    6. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 5, Interesting

      Apples and oranges. As pointed out below by someone else, photos are barely copyright-able at all, because they're simply a recording of something. Your example of Snoopy is something entirely different. Furthermore, even in derivative works fair use generally applies, meaning it's still OK.. The main reason you can't reproduce things like Snoopy is because they're trademarked.

    7. Re:Misleading to call it "non-copied" by erroneus · · Score: 5, Insightful

      Actually, according to the summary, the composition was different as was the angle. It was the subject and the 'style' which were the same.

      This is an extremely slippery slope where the arts are concerned. EVERY bit of art owes style, composition and subject matter to other, previous works by other people. This judge has essentially ruled that by copying someone's style and using the same subject, they have copied the work of another. That's a bit problem. It's like "patenting" art.

      In order to improve our own art, at times we seek to duplicate the styles of other art we enjoy. As a former art student, I know very well about the application of style in classical arts such as sculpture, painting and sketching. I also know very well about the digital arts where styles and methods used in creating manipulating graphics are often borrowed, simulated and quite often duplicated by simply using the same photoshop filters.

      We have had discussions about photography and objects on public display before. It's simply ridiculous to say that images of such objects fall under copyright. And in this case, the use of color on an object while not having color on all other things has been going on for a VERY long time. This technique, I believe was likely born of marketing and advertising drives, is far from new and far from being "ownable" by anyone in particular. The technique is fairly common and fairly simple.

      This is a case of a judge simply not knowing how art works and then ruling on it setting up a precedent with huge unintended consequences.

    8. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 5, Insightful

      This has always been the case.

      No it hasn't. All i have to say from your comment is that you know absolutely zero about the human creative process. The Beatles mimicked elvis and the crickets. Mickey Mouse is a derivative of Oswald the Lucky Rabbit (with slightly different ears) and from vaudeville and minstrel shows before that. Take any creative work of value-- anything-- music, literature, movies, paintings-- and I can guarantee you it was influenced by an earlier artist whose formative efforts involved watching and learning from whatever came before.

      Every creative work, much like scientific advancements, stands on the shoulders of and is influenced by its predecessors. Culture doesn't self-generate spontaneously-- and when it comes to copyright, is the EXPRESSION of the idea in a fixed medium that counts, not the idea in and of itself.

      That this work should be found to violate copyright, is in my opinion, nuts.

    9. Re:Misleading to call it "non-copied" by snowgirl · · Score: 5, Insightful

      The law is nothing. Everything you thought you knew about human cultural transmission means nothing. We are now living in a world constructed completely of lawyers, by lawyers and for lawyers. What a sad, pathetic, worthless place we've made for ourselves, and for what? So some fucking cunt can harass fellow photographers over a fucking picture most people won't even see?

      Dude, that's the world Jesus was purportedly born into. Have you seen how highly-observant Jews "haggle" over their mitzvot, and debate them and argue about them looking for essentially loopholes and such?

      A world defined by legal red tape is hardly a new invention...

      --
      WARNING! This girl exceeds the MAXIMUM SAFE standards established by the FDA for BRATTINESS
    10. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 5, Insightful

      The point is that a derivative work is when you look at someone's work and make a similar one that you would not have produced without first viewing the original

      Congratulations. You just abolished every form of art because every single artist in history did this at least in the beginning when he was still learning. Sorry, no more new artists. Got to protect corporate profits.

    11. Re:Misleading to call it "non-copied" by Epimer · · Score: 5, Informative

      There is significant precedent in UK law that if one takes a "significant portion" of the original work then it constitutes copyright infringement. This provision exists to prevent someone from circumventing infringement by making trivial differences and then claim they haven't directly copied a work. This case absolutely does not extend to the protection of an idea. For copyright infringement to be found, one must demonstrate a causative link between the original work and the alleged infringing work; hence, independent creation of (in this case) a photograph wherein it can be demonstrated that the defendant was unaware of the original work is not an infringing act. Those are not the circumstances of this case. The defendant was aware of the claimant's work; in fact, there had been a licensing disagreement concerning exactly that work which was claimed to be infringed. The relevant case law for this type of thing is Bauman v Fussell, Krisarts v Briarfine, and for the "intellectual creation" reasoning (brought in to harmonize with existing EU law and somewhat overriding the previous "skill, labour and judgment" basis which used to be UK law), see the Infopaq cases.

    12. Re:Misleading to call it "non-copied" by reub2000 · · Score: 5, Interesting

      A derivative work is taking something and changing it, like translating it into a different lanugage or creating an abridged version. Taking ideas, and creating something that is stylisticlly similar is called art. All of the impressionists saw what monet could do with a few tubes of paint and what looked like sloppy brush strokes and created similar work. The heavy metal bands listed to steppenwolf singing about "heavy metal thunder" with loud and distorted guitars, and thought they could make something even louder. Such is art.

      Besides making a photograph mostly black and white except for a single object isn't exactly creative. The idea goes back to the days of the daguerreotype when peoples faces where hand tinted.

    13. Re:Misleading to call it "non-copied" by sjames · · Score: 5, Insightful

      So, you advocate that we stamp out Newton's standing on the shoulders of giants nonsense? It's gonna be a very boring and unproductive century at this rate.

    14. Re:Misleading to call it "non-copied" by madprof · · Score: 5, Informative

      This is a bit like music, in that I can write a tune that has a similar melody to someone else using totally different instruments and if it is too similar the original composer can sue me and claim royalty payments. This has been the case for years.

      The Beatles are a great example in fact. The music and lyrics to Come Together? Partly ripped off from Chuck Berry. They settled out of court in the end but there was a lawsuit. They allegedly even tried to slow it down to make it more original.

      This is not a new idea in copyright of artistic works I am afraid.

    15. Re:Misleading to call it "non-copied" by 1u3hr · · Score: 5, Insightful

      The idea isn't. The point is that a derivative work is when you look at someone's work and make a similar one that you would not have produced without first viewing the original (at least in the US). If you are a derivative work, then you can be subject to copyright infringement. This has always been the case.

      Bullshit. Look for instance at TV shows: How many CSI-clones are thers? How many "supernatural detective"? How many Twilightish vampires? How many have been sued for copyright infringement?

      How many old SF books, stories and movies did Star Wars rip off? But lack of originality isn't infringement. Frank Herbert didn't copyright "Mystical warriors on desert planets" with Dune.

      This red bus on the bridge is clearly inspired by the original. But the "original" didn't invent the concept either. Whole moves have been made in that style (Pleasantville, eg).

    16. Re:Misleading to call it "non-copied" by repapetilto · · Score: 5, Insightful

      You would do it anyway because you enjoy it. If not you, someone like you but retired could probably figure out the same thing. To me, at least, the correct argument is that copycats profiting off your work that you shared freely is bs.

      If you wouldn't do it out of enjoyment, it probably sucks compared to what the guy who did it for himself would do. You should want people to copy your art, if not you are doing it wrong.

    17. Re:Misleading to call it "non-copied" by Anonymous Coward · · Score: 5, Insightful

      Star Wars is BSG. (Seriously, tell me Rebel technology is not based off the Viper.) Lord of the Rings is the Norse Eddas. Babylon 5 is Lord of the Rings in space with giant energy squids instead of wizards. Star Trek is every Western ever created, in space. Firefly is Cowboy Bebop. Slashdot is Usenet with moderation. Google is Yahoo is Alta Vista. KDE is Windows. Windows is Apple. Apple is that thing what was from Xerox. Linux is Unix. AMD is Intel. C++ is C after a pipe of crack. PHP is Perl/Apache::ASP.

      Copyright Infringement is NOT piracy; piracy is laying alongside Chris Dodd's yacht at pistol shot, thumping in three brisk broadsides and boarding in the smoke.

    18. Re:Misleading to call it "non-copied" by Jafafa+Hots · · Score: 5, Insightful

      It actually IS a relatively new idea.
      I mean, it is a bit over 100 years old which may SEEM old, but it's a newborn compared to the system it replaced.

      The system that IP law replaced, which gave us all art, all music, all culture, all language, all technology right down to bows and arrows and rock hammers and agriculture and the loin cloth - everything that got us out of caves and which separates us from the other great apes, is over 100,000 years old.

      This new upstart idea, Intellectual Property is replacing the time-tested and seemingly obvious concept (you can't "own" an idea) that has proven over 1000 centuries to enrich everyone and essentially create what we consider to be "humanity," with a virtually untested (results are mixed so far) system that promises to enrich... well, a tiny fraction of a percent.

      I mean, I KNOW it may sound like a great idea - replace the system that gradually dramatically increased the quality of life of most of the billions of humans who have ever lived with one that exploits billions of humans for the enrichment of a few... but oddly enough although the new system has worked as advertised and created a few multibillionaires and hundreds of millions of exploited people, the overall satisfaction rate is plummeting.

      Seems oddly counterintuitive, I know. I mean, who WOULDN'T want to work long abusive hours locked into a factory for pennies until you are driven to suicide so you can make some other guy rich?

      How is that not a great deal?
      There's even the possibility that if you save for a few years before jumping off the factory roof, you might be able save up enough to buy a used, outdated version of the product you've personally made tens of thousands of!

      --
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    19. Re:Misleading to call it "non-copied" by MattBecker82 · · Score: 5, Funny

      Linux is Unix.

      However, GNU's not.

    20. Re:Misleading to call it "non-copied" by TheLink · · Score: 5, Informative

      Just because it takes lot of work and effort does not mean you deserve a _monopoly_ on the _concept_.

      A bricklayer spends lots of time putting bricks on bricks to build a house, that should not give the bricklayer the right to prevent others from building a house by putting bricks on bricks. Even if it's a house with the same colour scheme (but different shape).

      So what is covered? Does this ruling mean that any picture with "coloured iconic object in monochrome background" is now infringing?

      I'm not photographer, but it seems silly for any photographers to be happy about this ruling. In my unlearned opinion what this ruling means is that just taking a picture of a famous monument that's been processed in some (not too trivial?) way would be infringing on any previous similar photos. You really sure you want that? You might not be able to do much non-infringing professional or "value-add" photography, or maybe if the judges get more insane, you might not be able to do much noninfringing photography of popular objects/sites.

      The main difficulty is not ideas and concepts, the difficulty is coming up with a high quality result from the original idea. So giving a person a monopoly on a concept seems ridiculous. I can have plenty of ideas on photography - that does not mean I can produce a good "photo".

      In fact to me the two photos are very different other than the colour schemes: one has sky, skyline, stairs, bridge and river. The other is sky, famous building, the bus on a long road and the bus is "smack in the front". As a result In the latter the bus is more prominent, more of a main subject, whereas the former, the bus is a highlighted object but in a more varied background.

      --
  2. On further review, bullshit by SuperKendall · · Score: 5, Insightful

    I was thinking, I could see the point - if you nearly duplicated the angle, and used a similar treatment then yeah I think a photo could be close enough for infringement even if not the same.

    But looking at the actual shot, the angle is totally different. The "treatment" is simply the (by now VASTLY overused) technique of leaving one object in color with the rest greyed out. Come on! That is in use everywhere as a common element, and I'll warrant it was even in use a fair amount before the original was taken. If ever there was a call for some kind of copyright "prior art" this is it.

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
  3. Fine all the tourists. by Anonymous Coward · · Score: 5, Insightful

    I bet big ben has been photographed from nearly every angle, under nearly every lighting condition and season. If this holds up, they should just issue tickets to anyone holding up a camera in front of it. That and station police at every location marked as a scenic wayside.

  4. This is how you do it. It's the whole damned idea. by CrystalFalcon · · Score: 5, Informative

    Yes, the images are arguably similar. But there is absolutely no merit whatsoever to the claim that one would be a copy of the other, thus violating the copyright monopoly. What the judge has done here is to set a precedent that states that the monopoly does not just cover the creative work, but extends to a general creative idea, which completely shatters the traditional notion that the copyright monopoly only covers a specific expression of an idea, and never the idea itself.

    So what’s the big deal, then? In this case, they sought to recreate the image and took a similar one. Why is that not a violation of the copyright monopoly?

    Because that’s exactly how you do it if you don’t want to pay a license fee on the original terms. You create a similar work yourself, entirely by yourself, and compete. It’s the whole damned idea.

    Article by Falkvinge on this verdict.

  5. WHERE DOES IT END! by Frosty+Piss · · Score: 5, Insightful

    So what you are saying, OCG, is that attempting to avoid a licencing fee by using a similar but different piece of "intellectual property" should be illegal?

    Apple Computer agrees with you. As you know, they own flat glassy tablets with rounded corners. Don't try to avoid patent licencing by making similar but different tablets...

    --
    If you want news from today, you have to come back tomorrow.
  6. Not the same compositional idea by SuperKendall · · Score: 5, Informative

    I think to say the sky/building contrast was a choice is wrong; That's simply a byproduct of B&W conversion in a place that has uniformly grey skies a lot of the time. Perhaps if the artist had done extra work to get the sky that color but having done some B&W conversions I very much doubt that is the case.

    The one actually coped element is simply the treatment of the red bus in color contrasting with everything else. But that practice was in use well before 2006.

    The rest of the work compositionally speaking, is totally different - the relation of the bus to the buildings, even the relation of people to the bus or the use of people within the image is totally different.

    I guess he just had a really inept defense because this judgment should not have ended up this way based on that image.

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
  7. I'll bite by slew · · Score: 5, Insightful

    You don't get it (nor do many of the folks on this thread).

    Let's put this into other terms. Let's say there is a movie (say the matrix for argument's sake), and someone watches the movie in Brazil and says, "hey, I like that movie, I'd like to license that movie and sell it in Brazil". Then they try to negotiate a license to distribute the movie, but can't come to an agreement on price. Then they get another studio to make a movie about a future world where machines take over and use people as batteries and trick them into not committing suicide by putting them in a virtual reality world. Probably won't get sued. However, if they make the same movie and put in bullet time special effects into the movie and the script has similar scene order and shot perspective and they end up calling the movie "The Tensor", many folks might think they crossed the line (maybe).

    Why? it would have copied so many aspect of what made the Matrix, the Matrix, that it is considered a derivative work that lacks any transformativeness. If they, however, added some artistic element (say like make it a parody like space balls vs star wars), such that the work could be considered a new work under copyright law. Similarly, if the movie had the bullet time effects, but say was a movie about terminators, well, that's not the same movie. Or if the movie didn't have digital rain, or bullet time effects, but was say a movie with a plot like say dark city, that had a different effect say like moving buildings... etc...

    It doesn't have to be an exact copy to be a "copy" under copyright law. Otherwize, someone could hire an army of people from some 3rd world country, give them the linux source code after the pre-processor and have each person memorize a function and type in another version from memory with variables converted to camelCase reverseHungarian and all the for loops turned into while loops and maybe some switch statements converted to if/else, run it through a pretty-printer and re-intepreted by a few code cleaning scripts and auto-doc tools to make some comments, and voila! a non GPL version of Linux could emerge! NOT! That work would also likley be inspired enough by linux that it wouldn't pass the test of being a new work (unless say they made it a microkernel instead of a megakernel which would be "new" or maybe "old" depending on your point of view)

  8. You got do be kidding me by devent · · Score: 5, Insightful

    Now a freaking IDEA is protected under copyright? Great, open the gates for all the lawyers, and people wonder why we hate them so much. No need for a patent or trademark anymore, just claim you have the copyright on the whole process how you did something (which are clearly what patents are suppose to cover).

    "its appearance is the product of deliberate choices and also deliberate manipulations by the author," and concluded that those aspects had been copied.'"

    But those aspects are just how he did it. This is not a work of art, the same way as if I carper a table, the nailing and sawing are also "deliberate choices and also deliberate manipulations", but they cannot be copyrighted.

    Fuck copyright. I never will abid to the stupid laws of copyright if I can get away with it. Sorry for all the artists that I will not give my money, but as long as the copyright laws are as such I will not recognize them. Maybe you (the artists) should get together and press to make them moral again, than I will concider to recognize them again.

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