Non-Copied Photo Is Ruled Copyright Infringement
An anonymous reader writes "A UK judge ruled that a photograph inspired by another photograph, but clearly different from it, infringes the original photo's copyright. The two photographs were shot in the same location, have the same subject, and use the same distinctive post-processing treatment. However, the angle and composition are different. From the article: '[The judge] said a difficult decision hinged on a "qualitative assessment of the reproduced elements." He defined Fielder's image a "photographic work," as distinct from a simply a photograph, in that "its appearance is the product of deliberate choices and also deliberate manipulations by the author," and concluded that those aspects had been copied.'"
You know, having read the judge's reasoning, the headline and summary for this story are somewhat misleading. Yes, the photograph is "clearly different" in that it's not the exact same photograph, but it is clearly the same compositional idea, with the only practical difference between a difference in angle. Also, the second photo was intentionally made to avoid licensing fees from using the original.
The judge offered his logic behind the decision:
In other words, the original wasn't simply a photograph of something but a specifically processed piece of artwork, and the second piece attempts the exact same style and processing. The defendant commercially used the original without licensing it from the plaintiff and was sued by his company, and the second photo was only taken afterward to avoid paying the licensing fee, so the intent of the photo was specifically to copy the original and not borne of parallel-developed artistic expression.
So to say it's a "non-copied photo" is, in my opinion, wrong.
Howeverthe comments to the article also point out that this kind of shot is common: example, example, and example (note that these pictures have no dates provided). The article says alternative examples were in fact brought up in court, but the judge said they worked against the defense because they "served to emphasize how different ostensibly independent expressions of the same idea actually look." But I think they're all a close enough idea that the differences in angle and position don't serve to make them different enough, because the core idea of all the pictures is this specific London red bus in front of a monochrome Big Ben scene.
If it can be proved that there existed images like this before 2006, then the plaintiff shouldn't have won, but apparently, the examples given in court were undated.
"Sufferin' succotash."
without their permission, toss the judge in the Thames along with his ruling.
Link here
I was thinking, I could see the point - if you nearly duplicated the angle, and used a similar treatment then yeah I think a photo could be close enough for infringement even if not the same.
But looking at the actual shot, the angle is totally different. The "treatment" is simply the (by now VASTLY overused) technique of leaving one object in color with the rest greyed out. Come on! That is in use everywhere as a common element, and I'll warrant it was even in use a fair amount before the original was taken. If ever there was a call for some kind of copyright "prior art" this is it.
"There is more worth loving than we have strength to love." - Brian Jay Stanley
I bet big ben has been photographed from nearly every angle, under nearly every lighting condition and season. If this holds up, they should just issue tickets to anyone holding up a camera in front of it. That and station police at every location marked as a scenic wayside.
The film and porn industries won't sit by and let this one survive because it will put them all out of business overnight.
10 years ago I said that the people pushing copyright everywhere would eventually wind up with copyright nowhere (i.e., with no copyright at all, due to a total loss of public support). This sort of crap does nothing to change that feeling.
Yes, the images are arguably similar. But there is absolutely no merit whatsoever to the claim that one would be a copy of the other, thus violating the copyright monopoly. What the judge has done here is to set a precedent that states that the monopoly does not just cover the creative work, but extends to a general creative idea, which completely shatters the traditional notion that the copyright monopoly only covers a specific expression of an idea, and never the idea itself.
So what’s the big deal, then? In this case, they sought to recreate the image and took a similar one. Why is that not a violation of the copyright monopoly?
Because that’s exactly how you do it if you don’t want to pay a license fee on the original terms. You create a similar work yourself, entirely by yourself, and compete. It’s the whole damned idea.
Article by Falkvinge on this verdict.
So what you are saying, OCG, is that attempting to avoid a licencing fee by using a similar but different piece of "intellectual property" should be illegal?
Apple Computer agrees with you. As you know, they own flat glassy tablets with rounded corners. Don't try to avoid patent licencing by making similar but different tablets...
If you want news from today, you have to come back tomorrow.
http://www.ikea.com/us/en/catalog/products/40152586/ :)
Seems like a lot of artists should get some legal PO Box in the UK and a good UK lawyer. From patent trolling to art trolling?
As for the US Unix is Linux case, if only they had thought about UK law and followed the libel tourism trade
"When you go to the bookshop and look in the UNIX section, there's books on 'How to Programme UNIX' but when you go to the Linux section and look for 'How to Programme Linux' you're not gonna find it, because it doesn't exist""
Domestic spying is now "Benign Information Gathering"
This judge should be slapped.
I think to say the sky/building contrast was a choice is wrong; That's simply a byproduct of B&W conversion in a place that has uniformly grey skies a lot of the time. Perhaps if the artist had done extra work to get the sky that color but having done some B&W conversions I very much doubt that is the case.
The one actually coped element is simply the treatment of the red bus in color contrasting with everything else. But that practice was in use well before 2006.
The rest of the work compositionally speaking, is totally different - the relation of the bus to the buildings, even the relation of people to the bus or the use of people within the image is totally different.
I guess he just had a really inept defense because this judgment should not have ended up this way based on that image.
"There is more worth loving than we have strength to love." - Brian Jay Stanley
"a specifically processed piece of artwork"
There's no such thing, he had no IP rights to the 'partial desaturation' technique, there is no special right to using that technique on some scenes. The judge here is trying to extend copyright to something it doesn't cover.
Photography can and always was at the fringe of what could be copyrighted, since its just a mechanical record of a fact. What the judge is claiming is that by applying a processing technique to that fact (which the guy had no special exclusive on), somehow creates something more. He then goes on to further extend that to say it covers a class of similar photographs.
i.e. if X is his copyright, copyright law says infringement = X
Judge is saying that X+Y creates a right (X+Y-0.1) Infringment (X+Y+0.1)
However the only thing that could extend photography copyright into a CLASS of similar images is the 'Y' and Y is zero, he has no special right to that technique and its a common technique, Y is zero.
In doing so he is devaluing that technique. It would be like I invented a super machine, patented it, and the first user claimed that applying that to it's purpose created copyright and he holds the copyright, ergo I cannot profit from my invention!!
So that technique is reduced by this decision.
This should and will be overturned on appeal. It's a garbage decision. The judge should be ashamed, idiot.
The common law rule for photographs is well known and straightforward, and is the same in the US and England. The three elements are 1) RENDITION (angle of shot, light and shade, exposure, effects achieved by means of filters, developing techniques, etc); 2) TIMING; and 3) ARRANGEMENT (manipulation of the objects in the scene). None of these elements are necessary, nor are they individually sufficient. But this is your starting point. Nothing in that case is even remotely shocking from a legal theory perspective.
It's also worth noting that the touch stone of copyright is originality. It doesn't matter if your photograph looks exactly like another if you in fact had never seen that other photograph. But originality matters because copyright does extend to the "idea" of the work. In other words, when lawyers say that copyright covers "expression", they don't just mean the physical work, but the abstract, mental expression. The idea/expression dichotomy isn't about real versus conceptual. Both are conceptual. The different is fundamentally one of degree. If your mental expression derives from someone else's, and you fix that expression into a physical work, then you've violated the copyright. Right or wrong. This is very basic copyright law.
The reason why you don't see more of these photograph cases is that the claimant has to prove other elements, too, including similarity, actual copying (at a minimum showing that the violator had access to the other work), and originality in the claimant's work. This isn't very easy, especially for photographs lacking the third element of arrangement. Note that it appears to have had the first element (rendition) in spades.
So all the people who have taken photos of people "holding up" the Leaning Tower of Pisa are in for a world of hurt, huh?
Vote Quimby.
You don't get it (nor do many of the folks on this thread).
Let's put this into other terms. Let's say there is a movie (say the matrix for argument's sake), and someone watches the movie in Brazil and says, "hey, I like that movie, I'd like to license that movie and sell it in Brazil". Then they try to negotiate a license to distribute the movie, but can't come to an agreement on price. Then they get another studio to make a movie about a future world where machines take over and use people as batteries and trick them into not committing suicide by putting them in a virtual reality world. Probably won't get sued. However, if they make the same movie and put in bullet time special effects into the movie and the script has similar scene order and shot perspective and they end up calling the movie "The Tensor", many folks might think they crossed the line (maybe).
Why? it would have copied so many aspect of what made the Matrix, the Matrix, that it is considered a derivative work that lacks any transformativeness. If they, however, added some artistic element (say like make it a parody like space balls vs star wars), such that the work could be considered a new work under copyright law. Similarly, if the movie had the bullet time effects, but say was a movie about terminators, well, that's not the same movie. Or if the movie didn't have digital rain, or bullet time effects, but was say a movie with a plot like say dark city, that had a different effect say like moving buildings... etc...
It doesn't have to be an exact copy to be a "copy" under copyright law. Otherwize, someone could hire an army of people from some 3rd world country, give them the linux source code after the pre-processor and have each person memorize a function and type in another version from memory with variables converted to camelCase reverseHungarian and all the for loops turned into while loops and maybe some switch statements converted to if/else, run it through a pretty-printer and re-intepreted by a few code cleaning scripts and auto-doc tools to make some comments, and voila! a non GPL version of Linux could emerge! NOT! That work would also likley be inspired enough by linux that it wouldn't pass the test of being a new work (unless say they made it a microkernel instead of a megakernel which would be "new" or maybe "old" depending on your point of view)
The artistic world would entirely disagree with this Judge. By that I mean, the entire population of visual artists who work in traditional media. It has been acknowledged and even encouraged for hundreds if not thousands of years to study each others works and to do ones own version them. Usually one would subtitle "A study after so-and-so..." and its all good. Much in the same way a music group will do a "cover" of another band's song. *ALL* of the Masters learned their trade by copying others - even Rembrandt, Michelangelo, et al. NONE of them were "self-taught"!!!
C|N>K
Not quite, Xerox would have won, and Apple and MS would probably be relegated to some minor role the way that Boreland was.
Now a freaking IDEA is protected under copyright? Great, open the gates for all the lawyers, and people wonder why we hate them so much. No need for a patent or trademark anymore, just claim you have the copyright on the whole process how you did something (which are clearly what patents are suppose to cover).
"its appearance is the product of deliberate choices and also deliberate manipulations by the author," and concluded that those aspects had been copied.'"
But those aspects are just how he did it. This is not a work of art, the same way as if I carper a table, the nailing and sawing are also "deliberate choices and also deliberate manipulations", but they cannot be copyrighted.
Fuck copyright. I never will abid to the stupid laws of copyright if I can get away with it. Sorry for all the artists that I will not give my money, but as long as the copyright laws are as such I will not recognize them. Maybe you (the artists) should get together and press to make them moral again, than I will concider to recognize them again.
http://www.mueller-public.de - My site http://www.anr-institute.com/ - Advanced Natural Research Institute
Everything was black and white except for that one girl with the red dress.
How does a simple portrait photo survive your thinking? Same angle, same composition, some treatment. Oops!
What about a CV or any standard document? My CV is certainly my creation so if you copy my style, are you an infringer?
Terry Pratchett is rather famous (a reviewer on the BBC I think slammed him for it and was torn to shreds for it) for not using chapters. So if I write without chapters, I am infringing? Only one person can write without chapters? For that matter, isn't the idea of dividing a story in chapters a copyrighted idea?
There are some compositions that stand out, I wrote another comment about the Abby Road cover but what of that shot in Star Wars of Luke standing with two suns in the background? It is a classic shot, with a very simple effect it instantly creates an alien world. But it is NOT a new idea, lots of covers of old sci-fi and fantasy books do the same, showing the hero looking out over an alien landscape. HOW the landscape is alien might differ, dragons in the sky, a gigantic moon, rings in orbot, but the idea is the same. Who owns that composition?
The idea of owning a specific composition, an idea, is frightening. It is one thing for the Disney corporation to have infinite copyright on Mickey Mouse but to give them ownership of the idea of a cartoon mouse... EVEN Disney would not go, has not gone, that far. See Tom and Jerry, The Secret of Nimh and others.
For that matter, what would happen to the web? How many sites use the same composition, header, footer, body? Are newspaper columns now owned by the first newspaper? The BBC itself is in serious trouble, who owns the composition off the news reader looking straight into the camera from behind a desk while reading the news? Can you imagine the hazzle of every news show having to come up with a new composition that isn't to similar to every one elses? There are 179 or so countries, each with at least 1 news show...any new program would have to come up with something amazing not to infringe.
No, I think this Judge let himself be ruled by the other infringement facts of the case and wanted to rule against the defense no matter how it would affect the rest of the world. The 2nd foto was taken to avoid paying for the 1st one, that is not nice BUT to make it illegal to punish the not so nice defendant is to let loose the lawyers of frivolous lawsuits. This judge will be remembered for a long time. And not in a good way.
MMO Quests are like orgasms:
You may solo them, I prefer them in a group.
Your legal department are dullards. if we ignore patents, you can make a *compatible* interoperable copy of any software provided you didn't use the bits or source of the original. Now, it is much easier to prove this if your guys are not 'tainted' by seeing the other fellows product, but it is not necessarily required - just harder to prove. This has been tested over and over again in court. Consider something like SAMBA. It is designed to be *exactly* like a Windows SMB system, and is permitted to be for the purposes of interoperability. Your lame legal department schmucks should have known this - it is their job to, after all.
(Reading Article to try to stay on target)
Specifically, Judge Birss QC highlighted two visual contrasts: "one between the bright red bus and the monochrome background" ...
Okay, so now we get to see if the Judge did any homework:
John Doe (TV series)
http://en.wikipedia.org/wiki/John_Doe_(TV_series)
The entire plot revolves around why a couple of people in John Doe's life are in color while the rest of the world is monochrome. So I think the judge had better talk to Brandon Camp, Mike Thompson, Mimi Leder, and Fox TV.
My first Journal Entry ever, in 8 years! http://slashdot.org/journal/365947/aphelion-scifi-fantasy-horror-poetry-webzine
If you want examples of mostly black & white photographs with a touch of color, then you need to go back to the 19th century:
http://commons.wikimedia.org/wiki/File:Dubbelportr%C3%A4tt,_Sven_Alarik_Bergstr%C3%B6m_och_hans_hustru_Flore_Jos%C3%A9phine_Constance,_f._Pontus_-_Nordiska_Museet_-_NMA.0052773_1.jpg
Exactly.
From the judgement: "Conversely the claimant says: The defendants are free if they wish to create a red on grey London icon image. They can even have a Routemaster before the Houses of Parliament. As their own evidence shows, these can be depicted in all sorts of different ways. But what they cannot have is a southbound Routemaster on Westminster Bridge before the Houses of Parliament at the same angle as the claimant's work on a greyscale background and a white sky, in circumstances where they have admitted seeing the claimant's work"
The judge shot that down as putting the case too high. What he seems to be saying is that seeing a picture of a red southbound routemaster bus in a desaturated view of Westminster bridge, as used to advertise one product, and then asking a photographer to create something similar to advertise your own product is copyright infringement.
Having said that, I think the compositions are different enough to avoid any risk of confusion.
And secondly, if I'd been responsible for either image I'd be hiding in my corner that taste forgot rather than making a big deal out of it. Seriously, selective colouring? Still?
Sigs are so 1990s. No way would I be seen dead with one.
The precedent here is that all (not very creative) artists who emulate someone (in awe or poor taste) have done something illegal. This is wrong.
Society will punish these artists "socially" (=bad reputation) as we have always done, and not through legal action.
Good taste and not lawsuits should dictate our behaviour.
People pay millions for "the original" for the right to say "but this is the original", which makes us marvel at the work, study the details aso. While anyone can get a copy online or at Ikea..
How will this precedent fare with stock photography, for instance? Or Disney's fairy tales that are clearly inspired by Old world tales?
Defining Statistics and Social Research
Uhm, I've got international copyright protection on "convoluted logic processing resulting in obviously stupid legal judgements" - so stand down, infringing Judge!
Everything and its opposite is true. Get used to it.