Slashdot Mirror
When Social Media Meets TV, Are the Results Worth Watching?
blackbearnh writes "Forums and chat groups are letting fans organize and discuss their favorite shows with increasing ease, but what happens when the writers and producers of TV shows start paying attention? An article in today's Christian Science Monitor takes a look at how the production staff of recent shows has interacted with their fan base, and how the fans are having an increasing influence on not only the popularity, but also the plot and characters."
A lot of producers and show-runners will avoid fan boards and social media sites for their shows not because they don't value the fans, but because of legal issues. If some fan posts a story idea and a similar story shows up later on the show (whether by coincidence or not) without crediting the fan, you're looking at a lawsuit. Most such "They took yur ideas!" suits are laughable and end up going nowhere (unless you're Harlan Ellison, who seemed to make a career out of claiming everyone stole everything from him). But if the plaintiff can show that show execs and writers were active participants in the same fan board where he posted the idea, you've got a real problem.
I know this may go against the grain but, with a few exceptions, I really do think it's best to keep the fans and show-runners in their own separate cages, for the most part. A lot of fans will feel weird posting honestly if they know the people they're criticizing are right there. And show execs are setting themselves up for legal and PR headaches if they start getting accused of stealing story ideas from the fans.
What political party do you join when you don't like Bible-thumpers *or* hippies?
When Lost was about to end, the various forums were abuzz with lots of ending ideas that all were about a hundred times better than the actual ending. Kinda wish they'd listened to fans in that case.
Nothing is more dangerous than a programmer with a screwdriver.
I don't wonder at all.
You are being yelled at to make money for your network, and you have two options on how to do it. You can pay a half dozen juggalos (or "real" housewives") a couple million dollars a year to act like idiots and make hundreds of millions profit. Or, you can spend hundreds of millions on a high-tech sci-fi scripted TV show that doesn't even break even.
If you don't make money for the network. You get fired.
What do you do?
Pulp Audio Weekly - Geek News and Reviews