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Magician Suing For Copyright Over Magic Trick

Fluffeh writes "Teller, the silent half of the well-known magic duo Penn and Teller, has sued a rival magician for copying one of his most famous illusions. The case promises to test the boundaries of copyright law as it applies to magic tricks. A Dutch magician with the stage name Gerard Bakardy (real name: Gerard Dogge) saw Teller perform the trick in Las Vegas and developed his own version — then started selling a kit — including a fake rose, instructions, and a DVD — for about $3,000. Teller had Bakardy's video removed with a DMCA takedown notice, then called Bakardy to demand that the magician stop using his routine. Teller offered to buy Bakardy out, but they were unable to agree on a price. So Teller sued Bakardy last week in a Nevada federal court."

296 comments

  1. Vegas huh? by GodfatherofSoul · · Score: 4, Funny

    I'm sure Penn and Teller know "a guy" who can make this deadbeat...[poof!]...disappear into a hole in the desert.

    --
    I swear to God...I swear to God! That is NOT how you treat your human!
    1. Re:Vegas huh? by noh8rz3 · · Score: 0

      i wonder if teller will be called to testify? that would be a first! seriously though, did teller copywrite the work? this sounds like another step in a business negotiation than an actual lawsuit.

    2. Re:Vegas huh? by pixelpusher220 · · Score: 1, Insightful

      Using something for 'commercial' gain can and should be prosecuted as Teller is doing.

      However, the feel good, good guy reputations Penn & Teller enjoy, just might take a trip to the deserts of Nevada to the hole you mention.

      Teller can be 'right', or he can be a human being and appeal at that level publicly to show he's human and then use his bully pulpit of fame to shame the guy if no deal is reached. But going to lawyers only shows you're going to be a douche about it.

      The 'value' of his reputation (with Penn) VASTLY outweighs any amount of damages he could possibly claim by filing this lawsuit.

      --
      People in cars cause accidents....accidents in cars cause people :-D
    3. Re:Vegas huh? by Anonymous Coward · · Score: 5, Informative

      There's plenty of footage of Teller talking, giving interviews, etc.

    4. Re:Vegas huh? by EvanED · · Score: 2

      i wonder if teller will be called to testify? that would be a first!

      It is easy to find videos of Teller talking.

      seriously though, did teller copywrite the work?

      No. But he did copyright it, as TFA said, in 1983.

    5. Re:Vegas huh? by Anonymous Coward · · Score: 3, Informative

      Not really a first, Teller doesn't speak on stage, but he does speak. There's a few candid videos floating around. And yes, from TFA, he registered copyright on the trick in 1983

    6. Re:Vegas huh? by DC2088 · · Score: 5, Interesting

      So then why should performers and content generators even register copyrights for things at all if pursuing the legal action that is associated with violating that copyright is going to "devalue their reputation"? I don't think one iota less of Mr. Teller for pursuing legal action for the violation of copyright. I wouldn't think less of him for not pursuing it either, but he is. It is his prerogative by the law and not remotely harmful to his "reputation" in any way that is not superficial. If he were patent trolling that would be one thing, but this is another thing - a legitimate application of copyright law - altogether. So, yknow. Relax.

    7. Re:Vegas huh? by mcgrew · · Score: 1

      That's what's puzzling me... how can you copyright a magic trick? Doesn't copyright law still say a work must be "affixed in a tangible medium" so that you can't copyright a dance, but you can copyright a movie of that dance?

      Can someone explain this please?

    8. Re:Vegas huh? by geekoid · · Score: 4, Informative

      It would only be a douche move if he went strait to lawyers. He has tried being polite. So now he is using the last recourse, the courts.

      That said, I have to agree with the article in that it will depends on how close it resembles tellers performance of the trick.

      If it is simple a guy making a rose fall apart while cutting a shadow, then teller will probably loose. If the performance of the trick is the same, teller may win.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    9. Re:Vegas huh? by Al_Lapalme · · Score: 1

      If you go to Vegas and see their show, you'll likely meat them afterwards on your way out. Teller speaks then, and both do photos and autographs for everyone. Truly an amazing experience!

      --
      Al
    10. Re:Vegas huh? by Anonymous Coward · · Score: 0

      It's not even true that Teller doesn't speak on stage. It's just that you typically don't know it's him speaking, when he does. Which he does in pretty much every stage show they've ever done.

    11. Re:Vegas huh? by DC2088 · · Score: 1

      You can copyright a performance that has its steps written down, improvised performances must be recorded, etc.

    12. Re:Vegas huh? by Anonymous Coward · · Score: 2, Funny

      you'll likely meat them afterwards

      Cannibal!

    13. Re:Vegas huh? by LateArthurDent · · Score: 5, Insightful

      a legitimate application of copyright law

      Screw that. I don't see how a magic trick can be copyrightable. The performance of it is copyrightable, but Bakardy isn't selling a recorded version of Teller's show. He watched the show, figured out how Teller did the trick, and is telling other people how he does it for a price. The equivalent analogy is if I go see a movie where a character gets his hand chopped off, figure out based on my own experience how the special effects guy made the hand-chopping look so realistic, and sell the information of how to do that to people, who will then proceed to make other movies where characters get their hands chopped off using the same technique. That's perfectly valid. The movie scene is copyrightable, the method used to film the scene is not.

      There's more to a magic show than the trick. Presentation is everything. If the trick is so well know you can no longer present it in an entertaining way, tough luck, create a new trick. So yeah, Teller lost my respect.

    14. Re:Vegas huh? by TFAFalcon · · Score: 1

      Did Teller write down the steps needed to do the trick? Don't magicians dislike sharing their secrets?

    15. Re:Vegas huh? by Cosgrach · · Score: 2

      Mmmmmm. Long pig.

      --
      Why is it that most of the people that I encounter seem to have been shat from the Sphincter of Mediocrity?
    16. Re:Vegas huh? by Anonymous Coward · · Score: 5, Interesting

      There are several problems here: the law claimed by Teller is a grey area of copyright laws, and he is not just pursuing legal action, he is using DMCA to prevent the sale of a product before getting a judgement. Both of which are quite hypocritical of Teller in the light of Pen & Teller's reputation. To wit:

      1. Is there copyright infringement at all, and is the copyright even valid? It would be a clear copyright infringement if Bakardy uses the same music, same gestures, and same sequence of events as Teller, or if Bakardy uses footage from Teller's performance in his video, otherwise it becomes debatable as to whether one can copyright the spirit of an act, or an idea, or an invention.

      2. Bakardy's product is not damaging in any way Pen & Teller's ability to continue their act or make a revenue from it. If Teller had already created a similar instructional product, he may have a tiny bit of a claim, but he hasn't and even so, can the first person to write a textbook on a new scientific theory, or a tutorial on a new programming language, claim copyright on all textbooks/tutorials written on the subject?

      3. Pen & Teller use many tricks in their performance, some of which are classic tricks invented by previous magicians. In one famous act, they actually perform a classic trick with transparent boxes. It's basically a tutorial of a magic trick that was not invented by them (and yes they make money from that tutorial by virtue of charging a fee for the performance). Seems hypocritical that now Teller doesn't want someone else to make money from a tutorial of one of his tricks.

      4. Pen & Teller have made a reputation of calling out magicians, politicians, and law-makers who use too much smoke and mirrors (no pun intended) to further their own agenda, yet here's Teller using a grey area of copyright law trying to prevent someone else from marketing a new product. Furthermore, Teller is going the over-the-top DMCA route by forcing removal of the product first, before getting a proper judgement. If Pen & Teller care as much about sensible laws as they say, Teller should have simply served Bakardy a notice such as "I believe you're infringing on my copyright, please stop marketing your product or I will file a lawsuit and you will then be responsible for X dollars in damages for every day you continue to market said product, your choice..."

    17. Re:Vegas huh? by Anonymous Coward · · Score: 1

      Or an athlete copyrighting a move. Imagine if Jordan had copyrighted the fade-away jumper. Actually, I would support a soccer player copyrighting the fake injury... ;)

    18. Re:Vegas huh? by sirlark · · Score: 1

      Actually, magicians tricks are more on the patent side than the copyright side. They are processes. I suppose it could be argued that they are scripted, and more similar to a play, but then they should probably be more forthright about the deception involved, that is to say the performance is not the entire script so only the performace would be copyrightable, being the exact wording and action. More than anything, magic tricks fall under the "trade secrets" category. They can be branded, trademarked, and protected in that sense, but if someone else figures out how to do the same thing, by reverse engineering, good for them.

    19. Re:Vegas huh? by jdavidb · · Score: 2

      So then why should performers and content generators even register copyrights for things at all

      They shouldn't.

      I don't think one iota less of Mr. Teller for pursuing legal action for the violation of copyright.

      I do. Just because an unjust law exists does not mean it is right to take advantage of it and use it as a weapon against people.

    20. Re:Vegas huh? by pegr · · Score: 1

      Um, could you please point to the tangible media to which the copyrighted work is fixed?

      (TL;DR: Magic tricks are not copyrightable material.)

    21. Re:Vegas huh? by Prien715 · · Score: 1

      then teller will probably loose

      Given Teller's well-known liking of hookers and that he lives in Vegas, I'm guessing he's already pretty loose.

      --
      -- Political fascism requires a Fuhrer.
    22. Re:Vegas huh? by Anonymous Coward · · Score: 4, Informative

      From the Copyright Act of 1976:

      (a) Copyright protection subsists, in accordance with this title, in original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device. Works of authorship include the following categories:
      (1) literary works;
      (2) musical works, including any accompanying words;
      (3) dramatic works, including any accompanying music;
      (4) pantomimes and choreographic works;
      (5) pictorial, graphic, and sculptural works;
      (6) motion pictures and other audiovisual works;
      (7) sound recordings; and
      (8) architectural works.

      Emphasis added. He does not claim copyright over the trick itself, he claims copyright over his performance of it. That performance is absolutely protected by copyright, which he registered. The problem he faces though, is that when registering his copyright, he obviously did not want to give away the secret of the trick, so his description is as brief and nondescript as possible. As such, even small variations in the performance may be sufficient to be considered non infringing.

    23. Re:Vegas huh? by DC2088 · · Score: 1

      What a shame. Copyright law covers rehearsed and written-down performances.

    24. Re:Vegas huh? by DC2088 · · Score: 1

      Dislike and refuse to write down are two different animals. Copyright office probably has the whole thing written down and described in a file.

    25. Re:Vegas huh? by DC2088 · · Score: 2

      Right. Because exercising your rights under the law as the last option after seeking settlement out of court is "using it as a weapon." Got it. Your problem apparently isn't with Mr. Teller, but copyright law. Good luck there.

    26. Re:Vegas huh? by Fned · · Score: 4, Informative
    27. Re:Vegas huh? by amRadioHed · · Score: 4, Informative

      You missed an important part:

      (a) Copyright protection subsists, in accordance with this title, in original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device. Works of authorship include the following categories: ...

      The choreography itself can't be protected, only a particular performance of it that has been recorded on some medium.

      --
      We hope your rules and wisdom choke you / Now we are one in everlasting peace
    28. Re:Vegas huh? by amRadioHed · · Score: 2

      And it would only be that document that you wrote which would be protected. In this case the performance was observed and someone reverse engineered it themselves so any copyrighted description Teller may have made is irrelevant.

      --
      We hope your rules and wisdom choke you / Now we are one in everlasting peace
    29. Re:Vegas huh? by pixelpusher220 · · Score: 2

      He went straight to lawyers when he couldn't reach an agreement directly with the other party. That is 1 step short of going straight to the lawyers and I can quite willingly bet that lawyers were mentioned frequently in those discussions.

      That is *not* what I said. I said, use their bully pulpit of Fame to destroy the man with Penn & Teller's amazing comedic and sarcasm talents. Get the public to understand the issue so that when you do 'lawyer up' people don't attribute it to you negatively.

      Penn & Teller's 'business' is not magic. They are amazing magicians but so are many completely unknown magicians of equal and even better talent. Penn & Teller are wildly successfully because they put on a great overall show that includes magic and have a solid reputation for portraying themselves as likeable, approachable, self-deprecating and being human. If they lose or even just lessen that, trust me the 'value' they have a a business goes south pretty quickly. Fame is a fickle, fickle thing and sometimes winning the battle will cause you to lose the war.

      'Lawyering up' rarely causes people to think 'better' of you and quite frequently causes the reverse. It's legal but it doesn't mean I have to like you for it.

      --
      People in cars cause accidents....accidents in cars cause people :-D
    30. Re:Vegas huh? by jez9999 · · Score: 1

      There is? All I've ever found is P&T interviews where Penn blowhards and Teller mimes. Do you have a link to a single video of Teller talking?

    31. Re:Vegas huh? by pixelpusher220 · · Score: 1

      I perhaps hadn't fully fleshed out my idea above (and have below in a different response). The point that I meant to make not 'never go to lawyers', but don't make that your first step in the process if you want people to not think of you as an asshole who sues people at the drop of a hat.

      As I did say, use those talents unique to Penn & Teller, amazing wit, comedic talent and biting sarcasm to shame this guy and let everyone know HE is the douchebag. (As the old saying goes in newspapers, don't likely pick a fight with someone who buys ink by the barrel). After that, if the guy is still going to try and sell the material and it is ruled infringing, fire away with lawyers hard if you feel like it.

      Personally, being human about it will win you more fans than being a lawsuit happy 'me me me' copyright maximalist'. Their career rests on people liking them, when you're in the business of fame it's best to weigh the downsides of Streisand Effect before you get chippy.

      --
      People in cars cause accidents....accidents in cars cause people :-D
    32. Re:Vegas huh? by Mark+J+Tilford · · Score: 3, Informative

      http://www.youtube.com/watch?v=TgtgOs_OkTU

      --
      -----------
      100% pure freak
    33. Re:Vegas huh? by wickedskaman · · Score: 1

      Aren't those all public record, though?

      --
      Sand's overrated... it's just tiny little rocks.
    34. Re:Vegas huh? by lightknight · · Score: 1

      Tastes like chicken.

      --
      I am John Hurt.
    35. Re:Vegas huh? by Anonymous Coward · · Score: 0

      For a long time (may still do today) SF artist would go after people for telling their tricks.

    36. Re:Vegas huh? by michrech · · Score: 1

      Here
      Here
      &
      Here

      I'd post more, but as it's past 17:00, I need to head home. Just search youtube for "Teller Speaks" and you'll receive a good number of examples. The last link I provided is even Penn and Teller doing some sort of interview for their stupid show, "Penn and Teller Tell a Lie" (that show was retarded -- I only managed to make myself watch two of 'em).

      --
      bork bork bork!
    37. Re:Vegas huh? by Anonymous Coward · · Score: 0

      Considering he patented it and NOW is claiming copyright...

      You can go read the patent on the trick and know how to do it yourself... Filed in 1983.

    38. Re:Vegas huh? by kurzweilfreak · · Score: 1

      No matter how many times I watch these guys show how they do what they do with this sleight of hand stuff, it still never ceases to amaze me that they can understand the human psyche and powers of observation so well that they can pull this stuff off. I love it.

      --

      kurzweil_freak

      5th Kyu Genbukan Ninpo/KJJR student

      Be the darkness that allows the light to shine.

    39. Re:Vegas huh? by GodInHell · · Score: 1

      He's actually done a number of programs for NPR too . . . which as you might imagine don't work well with miming.

      for example this piece on magic and trickery.

      -GIH

    40. Re:Vegas huh? by gl4ss · · Score: 2

      you can give away the plot of a book without infringing on the copyright..

      --
      world was created 5 seconds before this post as it is.
    41. Re:Vegas huh? by gl4ss · · Score: 1

      I'll bet you 100 bucks teller uses some tricks in his performances which were invented/performed first by some other guy during the time for which copyright would still be valid( basically after mickey mouse was introduced, houdini died in 1926 though..)..

      for copyright it doesn't matter if they "pursued their legal rights" unless they explicitly put their magics in public domain. for really short tricks it would be impossible to adjust the steps or delivery to "not be the same" - or if you're not being too strict all the guy has to do is fart when performing the trick and it's a different performance routine(which I gather is what was copyrighted).

      all and all, it's like if jackson had copyrighted moonwalking.

      --
      world was created 5 seconds before this post as it is.
    42. Re:Vegas huh? by retchdog · · Score: 2

      and penn supports strong patent protection because "he wants [his] friends to be able to get rich."

      totally consistent with this fiasco, and a typical modern libertarian; wealth redistribution for my friends, but not anyone else.

      --
      "They were pure niggers." – Noam Chomsky
    43. Re:Vegas huh? by Anonymous Coward · · Score: 1

      When reached for comment, Teller had nothing to say.

    44. Re:Vegas huh? by Anonymous Coward · · Score: 0

      While that's true, one actually has to apply for a patent before suing and also the "trick" part has to be disclosed.. On the other hand, copyright is automatic and last longer.

    45. Re:Vegas huh? by b4dc0d3r · · Score: 1

      I've been scanning the comments trying to figure this out. It seems this would come under more of a "system and method" type thing, a patent. But is a magic trick patentable? If it involved a machine or setup of some novel sort, probably.

      If I perform CATS without permission, that's a reproduction of a performance, and copyright violation (public performance of a copyrighted work). If Teller's trick is copyrghted, and someone does a public performance, that sounds valid on the surface.

      If it is a verbatim reproduction, obviously it was a copy of the performance. But to do the trick, with everything else being different... I'm still not convinced. I feel this should have been patented.

    46. Re:Vegas huh? by adversus · · Score: 2

      Reading that list, you could argue that a sports play is "choreographed" and can therefore be protected. Which is just stupid as all hell.

      Copyright should be the bare minimum to protect innovation, not all inclusive to generate profits and exclusivity.

    47. Re:Vegas huh? by hairyfeet · · Score: 1

      I saw him to a character in a TV show once that talked but that was about it, i don't think I've ever seen him talk as himself.

      If this holds up though we can say goodbye to any comic who hasn't got the money for lawsuits because as we all know stealing others bits is rife in that industry. Hell I've seen early Leary where he was ripping off Bill Hicks damned near word for word for half his act, made even more scummy because hicks was dying of cancer at the time and couldn't fight back.

      Man as much as i love P&T I'd hate to see magic end up like music, where every hit song ends up with 30 has beens coming out of the woodwork claiming to own the melody or some shit. With magic it would be a LITTLE easier as with music you only have 12 notes in the western scale (and probably every pleasing combination is now owned by a cartel) but there are several "themes" in magic as well. what if someone claims say making someone disappear? Or claims the use of fire in their act? don't think it can't happen as from what we've seen with copyrights these things always get stretched into insane levels by lawyers looking for a check.

      So I have to say this is a real puzzler for me, on the one hand I hate seeing anyone get ripped off but on the other the last thing we need is another way for pond scum lawyers to sue people.

      --
      ACs don't waste your time replying, your posts are never seen by me.
    48. Re:Vegas huh? by im_thatoneguy · · Score: 4, Interesting

      You missed the really important part where you didn't go to law school. Neither did I, but in this case I still actually understand the law. You completely misread your own quote (and the law). The important bit "fixed in any tangible medium of expression" and you highlighted it. But what that means is that it is a form of art that is * recordable*. It also means you have to record it in some fashion to be copyrighted.

      If I write a song I own the copyright on that *TUNE* I don't only own a copyright on the performance. But once it's performed or recorded then I own the copyright to that tune. This is important so that you can't say "oh the Beatles stole my song idea." without a recording of it somewhere. And now a recording doesn't have to be a literal audio recording it can also be a metaphoric recording such as sheet music or some form of notation.

      So if there was "magical notation" then you could say that the choreography of the trick was copyrighted without even performing it. But in the case of Penn and Teller the fact that he's performed it is also an example of your creative work being recorded.

      I don't know if he'll win his lawsuit but if a dance is copyright-able then a magic trick I would think should be as well. Just not the idea behind a magic trick.

    49. Re:Vegas huh? by Anonymous Coward · · Score: 0

      You and I are two very different people.

      The fact that Teller is pursuing legal action here completely trashes his reputation in my mind. It tells me that he is a firm supporter of copyright law.

    50. Re:Vegas huh? by Anonymous Coward · · Score: 0

      0_o

    51. Re:Vegas huh? by McFortner · · Score: 1

      Figures that the only time Teller talks, it's to sue a guy....

      --
      Beware of Sales Reps bearing gifts.
    52. Re:Vegas huh? by jdavidb · · Score: 1

      Because exercising your rights under the law as the last option after seeking settlement out of court is "using it as a weapon."

      Yes, when you enforce unjust "rights" under an unjust law, that's a weapon.

      Your problem apparently isn't with Mr. Teller, but copyright law

      Precisely.

      Good luck there.

      Well, it hasn't been so far, and in fact the track record for liberty hasn't been so great recently, but we can always stand for what is right.

    53. Re:Vegas huh? by Anonymous Coward · · Score: 0

      Umm, no. If you read a story you can't write it down later from memory and get around copyright.

    54. Re:Vegas huh? by Anonymous Coward · · Score: 0

      It would hardly be a douche move to go straight to the lawyers! He owes no politeness to a thief.

    55. Re:Vegas huh? by drkim · · Score: 1

      He generally does every show's introductory announcement, too.

    56. Re:Vegas huh? by rjstanford · · Score: 2

      The trick itself could be patented (but generally isn't).

      In this particular case however, the stage performance (blocking, expressions, actions) was quite thoroughly documented and registered for copyright by Teller as a pantomime in 1983. Note that no details as to how the trick was accomplished were documented, just the performance. That makes it fairly cut and dry - if its an explalnation of how to do the trick, the suit is meritless. If its details as to how to perform the act, that's a blatant copyright violation.

      --
      You're special forces then? That's great! I just love your olympics!
    57. Re:Vegas huh? by DC2088 · · Score: 1

      Hoo boy.

    58. Re:Vegas huh? by phlinn · · Score: 2

      If the other magician was just using the trick, it likely wouldn't be an issue. However, he was selling a kit and instructions for it.

      --
      "Pulling together is the aim of despotism and tyranny! Free men pull in all sorts of directions" -- Havelock Vetinari
    59. Re:Vegas huh? by Devoidoid · · Score: 1

      Wait, he did patent it? Well then the method is his, he owns it, case closed. Whether you can read the patent, build the equipment in your garage, and perform it in your backyard is immaterial. Mass-producing it and selling it is patent infringement.

      Going after the guy for copyright infringement is icing on the cake. And that depends on whether Teller published it with a copyright symbol on it, or registered it with the copyright office, way back when. (Since 1989 registration hasn't been necessary.) It's possible a situation exists where the routine is in the public domain, but the method of achieving the illusion is patent protected. All Dogge needed to do in that case was figure out a *different* way of doing the trick... which is, ironically, most of Penn & Teller's act.

    60. Re:Vegas huh? by kcitren · · Score: 2
    61. Re:Vegas huh? by Anonymous Coward · · Score: 0

      Not sure why people have this reaction when people talk about copyright law being unjust. In this case, it definitely seems to be. Bakardy isn't selling a video of Teller's performance, he is simply selling the secret to the trick. Someone above commented on how Penn and Teller have also performed a trick originated by someone else onstage with transparent boxes to show how the trick is done. It could easily be said they profited from that performance. Since copyright now lasts just about forever, should they be forced to pay the originator (or their estate/next of kin) for their performance of the trick?

      It may be the law currently, but that doesn't mean it can't be questioned. In fact, that is the very reason it should be questioned regularly to figure out if the law is still fair and just or if it needs to be changed.

    62. Re:Vegas huh? by tehcyder · · Score: 1

      If Teller was suing some sixteen year old kid for performing it to two friends in his basement, I agree that would damage his reputation.

      But the other guy here is selling performance kits for $3K, it's a straightforward commercial matter like Apple suing someone for passing off their product as an iPhone (or whatever).

      --
      To have a right to do a thing is not at all the same as to be right in doing it
    63. Re:Vegas huh? by sosume · · Score: 1

      You all missed the most important point. The magician is Dutch and based in the Netherlands. Therefore a lawsuit should be filed there, not in Nevada. The US has no jurisdiction over Dutch copyright law, thank god.

    64. Re:Vegas huh? by jdavidb · · Score: 1

      Same to you. :)

    65. Re:Vegas huh? by Anonymous Coward · · Score: 0

      Nonsense. If you listen to a record and reverse engineer it (figure out how to play the song), it is still copyrighted. Same applies if you figure out the song by watching someone else play it. If you play that song in public in an unlicensed venue, it is copyright infringement. If you write sheet music for the song you have reverse engineered and sell it without obtaining licensing, that is copyright infringement.

    66. Re:Vegas huh? by niftymitch · · Score: 1

      Um, could you please point to the tangible media to which the copyrighted work is fixed?

      (TL;DR: Magic tricks are not copyrightable material.)

      Read the bit where the kit was available for $3000 bucks.
      i.e. tangible media

      --
      Truth is stranger than fiction, but it is because Fiction is obliged to stick to possibilities; Truth isn't. Mark Twain.
    67. Re:Vegas huh? by mattack2 · · Score: 1

      3. Pen & Teller use many tricks in their performance, some of which are classic tricks invented by previous magicians. In one famous act, they actually perform a classic trick with transparent boxes. It's basically a tutorial of a magic trick that was not invented by them (and yes they make money from that tutorial by virtue of charging a fee for the performance). Seems hypocritical that now Teller doesn't want someone else to make money from a tutorial of one of his tricks.

      "Classic" tricks.. as in so old they are not copyrighted anymore. I don't see how that makes him a hypocrite.

      That's like saying a musician can't play both their own original music and a "traditional" song hundreds of years old.

    68. Re:Vegas huh? by mattack2 · · Score: 1

      Penn & Teller's 'business' is not magic.

      Actually, on one of his recent podcasts, Penn said something very close to them being "just a magic show." (He went into the whole thing about them supposedly not being a magic show, but boiled it down to them just being a magic show.. just like he called Blue Man Group "a clown act"... This was all in reference to his recent experience on "Celebrity Apprentice")

    69. Re:Vegas huh? by mattack2 · · Score: 1

      But can you purchase the item in the U.S.?

      If so, couldn't that at least mean that a judgement could be made so that he couldn't travel to the U.S. without risk of arrest?

    70. Re:Vegas huh? by Anonymous Coward · · Score: 0

      He's selling it to the states. How is this any different from knockoff Nike's from China being sold to Americans?

    71. Re:Vegas huh? by CODiNE · · Score: 1

      that has been recorded on any tangible medium.

      Then digital information is not copyrightable? That looks like a pretty big hole.

      --
      Cwm, fjord-bank glyphs vext quiz
    72. Re:Vegas huh? by sosume · · Score: 1

      The question is, is he actively marketing it in the US? Or is it just that there are people from the US ordering it through the internet? In the former case, the court has jurisdiction. In the latter, well, then the US might as well start policing the entire planet. IANAL ofcourse.

  2. Good luck. by Anonymous Coward · · Score: 5, Funny

    You'll need it. Or, as Teller might say, " ."

    1. Re:Good luck. by ohnocitizen · · Score: 1

      I'm looking forward to his testimony at trial.

  3. Reminds me of the Electric Slide by seanmcelroy · · Score: 2

    Reminds me of a similar usage of the DMCA and copyright claim for performance art. Remember the Electric Slide fiasco?

    --
    Be very, very careful what you put into that head, because you will never, ever get it out. -Thomas Cardinal Wolsey
  4. Reminds me of this awesome show I watched before.. by Anonymous Coward · · Score: 1

    Lawsuit sounds like Bullsh!t to me :)

  5. If he manages - you know what the next stage is by Chrisq · · Score: 1

    If he manages - you know what the next stage is. Patent trolls patenting tricks that someone might think of a way to do - so when they proudly show some illusion that has taken a year to perfect someone will say "I have a patent on making large objects appear to come out of Uranus" and demand most of the profit.

    1. Re:If he manages - you know what the next stage is by __aaeihw9960 · · Score: 1

      And what's wrong with that? It's perfectly legal, well practiced, and has many precedents. So there shouldn't be a problem with that type of behavior. Right?

      God, I wish there was a sarcasm font.

    2. Re:If he manages - you know what the next stage is by mark-t · · Score: 2, Insightful

      To patent it, you must publish it. A magician does not reveal his secrets.

    3. Re:If he manages - you know what the next stage is by FireFury03 · · Score: 2

      To patent it, you must publish it. A magician does not reveal his secrets.

      Modern patents don't tend to publish much in the way of specific information on how something works, they're pretty vague (which is why a patent holder can sue anyone with something that looks even vaguely similar). Actually fully implementing something described in a modern technology patent using just the published information is pretty much impossible these days.

    4. Re:If he manages - you know what the next stage is by paazin · · Score: 5, Funny

      God, I wish there was a sarcasm font.

      Comic Sans?

    5. Re:If he manages - you know what the next stage is by Anonymous Coward · · Score: 2

      You certainly could patent a trick, but not the idea of a trick, it has to be an actual, specific, working implementation of a trick. If you have a working implementation of a good magic trick, you'd be much better off performing it or selling it to someone who will than you would be patenting it. Magicians aren't that desperate for tricks, and your patent registration would more likely inspire someone to think of a different way to implement the same trick than encourage someone to license it from you (although magicians do buy tricks on a regular basis).

      In any event, all of this is offtopic, as Teller is not claiming patent violation on the implementation of the trick (and Teller will almost certainly never admit that this guys implementation is the same as his), he's claiming copyright ownership of the actual routine. Basically, Teller is saying that any magician is free to do the trick, and the actual "magic" behind it can even be exactly the same as his (if you can figure out what that is). What you can't do is copy is performance, basically the choreography and staging of the routine. The video of this guys routine was taken down, so I haven't seen it, so I can't say if it's a direct knockoff of Tellers routine, so I don't know how good a case he has. But if the routine itself was copied verbatim, I don't really think Teller's complaint is illegitimate.

    6. Re:If he manages - you know what the next stage is by geekoid · · Score: 0

      See sig.

      That said, the copyright, not patent, is on the performance of the trick, not the mechanics behind it.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    7. Re:If he manages - you know what the next stage is by Picass0 · · Score: 2

      No. I own the patent on using Comic Sans to write sarcasm.

    8. Re:If he manages - you know what the next stage is by f3rret · · Score: 1

      See sig.

      That said, the copyright, not patent, is on the performance of the trick, not the mechanics behind it.

      Just because you say something doesn't make it fact.

      That thing in your sig does not mean "snarky" it means "approximately" among other things see: http://en.wikipedia.org/wiki/Tilde

      --
      Admit nothing. Deny Everything. Make Counter-accusations.
    9. Re:If he manages - you know what the next stage is by Caratted · · Score: 1

      I've been looking at geekoid's sig, since he changed it, in disapproval.

      There's like, what, a billion other characters that have no meaning in English writing, even including niche contexts. The tilde is already defined.

    10. Re:If he manages - you know what the next stage is by Anonymous Coward · · Score: 0

      I don't care, I'm still selling a guide on how to use Comic Sans to write sarcastically.

    11. Re:If he manages - you know what the next stage is by lightknight · · Score: 1

      Indeed. Part of the problem with a too exact / descriptive patent is that someone will research said patent, replace one minor piece, and be able to produce widgets that do not violate said patent. That annoys everyone who had spent hundreds of hours of research cooking up said design, and results in the proliferation in trade secrets (something the government / society loathes).

      Think of it this way: if you're a book author, and you put out a work that someone else changes a few words to, then claims copyright to, how pissed would you be? That's how many patent holders feel when someone does the above. If I spend 300+ hours working out a new, awesome tennis racket that doesn't induce tennis elbow, I'd be pissed if a lawyer took the words of my patent, found some inconsequential component ("cross-stitching"), changed it to something equally inconsequential ("horizontal-stitching"), and started making tennis rackets based 99% off my design. It's the equivalent of copying the design of one of BMW's new cars, replacing the tires with a different brand, then claiming it doesn't violate BMW's patents. And it happens all the time (but is seldom reported in the press, let alone the tech press).

      The only patents that are considered derivative, but are somewhat welcomed, are ones which actually improve on the earlier ones. Like the idea of "rifling" being added to the patent for a "musket" -> in which case the owners of the musket patent will often times cross-license with the owners of the rifle (derivative) patent. Intel and AMD did that a while ago, when Intel got caught with its pants down in the whole x86-64 thing.

       

      --
      I am John Hurt.
    12. Re:If he manages - you know what the next stage is by mark-t · · Score: 1

      There's a certain amount of discrepancy required to qualify as being distinct from a patented device. Differing by only a single minor component is inadequate.

    13. Re:If he manages - you know what the next stage is by jones_supa · · Score: 1

      And I'm selling a meta-guide which assists in interpreting your guide and refining it to practical applications.

    14. Re:If he manages - you know what the next stage is by FireFury03 · · Score: 1

      Indeed. Part of the problem with a too exact / descriptive patent is that someone will research said patent, replace one minor piece, and be able to produce widgets that do not violate said patent.

      No, a court would rule that a very minor change does not avoid patent violation.

      The whole point of patents was to give inventors an incentive to open up their inventions so that the public could benefit from the work after a predetermined period. This is not what happens with current patents - currently the "inventors" (rather: the employer of the inventor) publishes some vague patent, then the next 20 years is spent suing people who come up with anything even close, then at the end of that 20 years the public is left with an "open" description so vague that they couldn't implement it anyway.

      If the public isn't going to get anything out of a patent in the long run, why on earth should the government (who is supposed to act in the public's interest) be granting them?

      Think of it this way: if you're a book author, and you put out a work that someone else changes a few words to, then claims copyright to, how pissed would you be?

      Patents are not copyright. However, your argument doesn't even work for copyright - the modified copy would be considered a "derived work", and whilst the modifier could claim copyright on the changes, the whole work would still also be under the original author's copyright so would not be distributable without the original author's permission.

      That's how many patent holders feel when someone does the above. If I spend 300+ hours working out a new, awesome tennis racket that doesn't induce tennis elbow, I'd be pissed if a lawyer took the words of my patent, found some inconsequential component ("cross-stitching"), changed it to something equally inconsequential ("horizontal-stitching"), and started making tennis rackets based 99% off my design.

      You'd be pissed, and the court wouldn't allow it since it is a minor change so you'd be fine. However, as it stands, you spend 300+ hours developing a new tennis racket, spend vast amounds of money bringing it to market and then someone with a vague patent will put you out of business even though they're not even making tennis rackets (or if they are, their tennis rackets are nothing like your invention, its just that the vague description in their patent happens to match a vague description of your racket, regardless of the specifics).

    15. Re:If he manages - you know what the next stage is by Anonymous Coward · · Score: 0
    16. Re:If he manages - you know what the next stage is by rjstanford · · Score: 1

      Think of it this way: if you're a book author, and you put out a work that someone else changes a few words to, then claims copyright to, how pissed would you be? That's how many patent holders feel when someone does the above. If I spend 300+ hours working out a new, awesome tennis racket that doesn't induce tennis elbow, I'd be pissed if a lawyer took the words of my patent, found some inconsequential component ("cross-stitching"), changed it to something equally inconsequential ("horizontal-stitching"), and started making tennis rackets based 99% off my design.

      The trouble is that these days you can effectively patent the idea of a racket that eliminates tennis elbow, without ever having to have actually designed or built one, then sit around and wait for someone else to do the hard work so that you can file suit against them. That's a problem. There are many extremes, and while your explanation describes one the reality is far closer to the other these days.

      --
      You're special forces then? That's great! I just love your olympics!
    17. Re:If he manages - you know what the next stage is by White+Flame · · Score: 1

      David Copperfield patented his mechanism for doing his flying routine, plainly showing the "secrets" behind the trick. That's just a famous example, I'm sure there are others.

  6. What bullshit by ryanvm · · Score: 4, Insightful

    I'd like to see them cover copyright law on their show...

    1. Re:What bullshit by helix2301 · · Score: 1

      Speaking of shows I wonder if Penn will win the apprentice never realized how good of a business man he was until the apprentice.

    2. Re:What bullshit by pcfixup4ua · · Score: 1

      Since they work for the CATO Institute, they would be on the side of the corps saying Piracy is BULL#@)(&!

    3. Re:What bullshit by Anonymous Coward · · Score: 0

      Live performances are subject to copyright. Copying a portion of the act in a similar fashion would make it a derivative work.

    4. Re:What bullshit by Anonymous Coward · · Score: 0

      Oh no... not the dreaded Bull, Shift + 32097!

      How will the world survive!

  7. Bullshit. by Draque · · Score: 1

    I calls 'em like I sees 'em, Teller. Backward engineering a trick and selling the solution is legit.

    1. Re:Bullshit. by Troyusrex · · Score: 1

      I'm about as big a Penn and Teller fan as it's possible to be, but I agree that reverse engineering a trick and selling it is legit. It happens all the time in software. Perhaps the rules are different in magic, but I doubt it.

    2. Re:Bullshit. by SQLGuru · · Score: 3, Interesting

      Copyright vs patent. The claim is copyright infringement and not a patent issue.

      If the copy-cat magician had used a daisy instead of a rose or had done it with scissors instead of a knife......probably wouldn't have had a case.

    3. Re:Bullshit. by Anonymous Coward · · Score: 0

      It will be up to a jury I suppose but there are some misunderstood implications. While the techie community cries foul every time some company slightly mishandles personal information or claims ownership over it; the moment a performer or company gets it's "secrets" or "identity" borrowed or stolen comments like "fair use" and "copyrights are a shame" pop up. If part of a Magician's professional identity is his magic tricks and those are free-range to be copied, how different is the data that makes up your "professional identity" or even your personal identity? At what point is something really your "own" if the moment someone simply sees it you cease to own it as yours? This is where I see massive hypocrisy in the tech industry.

    4. Re:Bullshit. by Half-pint+HAL · · Score: 3, Interesting

      The problem as I see it is that he's explicitly using the Penn & Teller brand in his marketing efforts. That YouTube video is an ad. He is selling stuff off the back of Penn and Teller. So maybe he should really be going after them for abuse of trademark, and get a forward injunction on future sales based on the argument that the initial breach of trademark law is directly responsible for the level of publicity received and the future sales potential of the trick.

      --
      Got them moderator blues I blieve I walk out the do', With these mod-points I been gettin', I 'most never post no mo'
    5. Re:Bullshit. by anyGould · · Score: 1

      I'm about as big a Penn and Teller fan as it's possible to be, but I agree that reverse engineering a trick and selling it is legit. It happens all the time in software. Perhaps the rules are different in magic, but I doubt it.

      Especially when you consider that P&T made their bones doing exactly that.

      My understanding here is that he's copywritten the specific performance, and this guy is stealing and selling that. The difference between showing someone how to do the cup and balls, and someone doing it *exactly* the way Penn does it (with the potato and everything).

    6. Re:Bullshit. by geekoid · · Score: 1

      If it was* true that you are a fan, you would have had the courtesy to read the article toi find out what it's about.

      Hint: it's not what you think it is.

      *were true???

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    7. Re:Bullshit. by f3rret · · Score: 1

      It will be up to a jury I suppose but there are some misunderstood implications. While the techie community cries foul every time some company slightly mishandles personal information or claims ownership over it; the moment a performer or company gets it's "secrets" or "identity" borrowed or stolen comments like "fair use" and "copyrights are a shame" pop up. If part of a Magician's professional identity is his magic tricks and those are free-range to be copied, how different is the data that makes up your "professional identity" or even your personal identity? At what point is something really your "own" if the moment someone simply sees it you cease to own it as yours? This is where I see massive hypocrisy in the tech industry.

      You didn't expect the comments section on a major site to be a shining beacon of rational argument did you?

      Did you only just get connected to the internet?

      --
      Admit nothing. Deny Everything. Make Counter-accusations.
    8. Re:Bullshit. by budgenator · · Score: 1

      Still Trademark is not copyright, DMCA does not apply to trademark, nor does it apply to methods.

      --
      Apocalypse Cancelled, Sorry, No Ticket Refunds
    9. Re:Bullshit. by Anonymous Coward · · Score: 0

      This is where I see massive hypocrisy in the tech industry.

      The tech industry isn't a person. There are many different individuals who make it up, all with different beliefs.

      Not to mention, that's not hypocrisy. Especially if they disagree with all copyright law.

    10. Re:Bullshit. by flimflammer · · Score: 1

      It's not bullshit, and reverse engineering has nothing to do with it. The reason Teller is suing is not because of the magic trick, but the pantomime. Teller has a valid copyright on Shadows. The copyright goes into great detail about how the scene is set up and performed.

      For some reason, this guy got the bright idea to mimic the whole setup with the rose and the vase, the white background, etc. Had he changed it up a little, used a different kind of flower, something other than a large knife, etc, we wouldn't be having this problem right now. He even references Teller by name in the description for the video. On top of that? The kit he's selling also mimics the material Teller uses.

      I'm entirely with Teller on this one. And before someone mentions that US copyright laws aren't enforced in Dutch courts, this person was selling the kits to the US too.

  8. One question. by Anonymous Coward · · Score: 0

    Is Teller going to testify in court?

    1. Re:One question. by Manos_Of_Fate · · Score: 1

      It isn't like he's mute, you know. He just doesn't really talk on stage, during the act.

      --
      Isn't enough that I ruined a pony, making a gift for you?
  9. Probably an interesting phone call... by jdbuz · · Score: 5, Funny

    Bakardy: Hello? Teller: . Bakardy: Heelloo? Teller: . Bakardy: Goodbye. Teller: !

  10. For this. by Anonymous Coward · · Score: 0

    Magic is serious business you know.

    Don't get on the bad side of that Magic Circle, they will have you terminated in the night.
    Why else does the Masked Magician revealer wear a mask?!

    1. Re:For this. by pixelpusher220 · · Score: 1

      Why else does the Masked Magician revealer wear a mask?

      Um, marketing maybe? 'ooh this is so secret I have to wear a mask' is going to get a LOT more viewers than just some 2 bit magician laying out how tricks work.

      --
      People in cars cause accidents....accidents in cars cause people :-D
    2. Re:For this. by Half-pint+HAL · · Score: 1

      The masked magician took his mask off 14 years ago. His name's Val Valentino.

      --
      Got them moderator blues I blieve I walk out the do', With these mod-points I been gettin', I 'most never post no mo'
    3. Re:For this. by Nidi62 · · Score: 1

      The masked magician took his mask off 14 years ago. His name's Val Valentino.

      For the record, that was one of my favorite shows growing up. It was always cool to see how the tricks were being done.

      --
      The only thing necessary for evil to triumph is for it to be pitted against a slightly greater evil
    4. Re:For this. by flimflammer · · Score: 1

      It wasn't marketing, although I do imagine it helped. Valentino was the one who insisted on a mask when the idea was initially pitched. Valentino just wanted to be able to finish the series without scorn being directed at himself from the magic community until the series was over.

  11. Teller a copyright thug?! by Thud457 · · Score: 4, Funny

    So... Teller's bite is worse than his bark?

    --

    the preceding comment is my own and in no way reflects the opinion of the Joint Chiefs of Staff

    1. Re:Teller a copyright thug?! by DC2088 · · Score: 1

      lol "Thug"? What's with this attitude of "how dare he legitimately pursue action according to copyright law"? It's not like he's patent trolling magic tricks here, this was a pretty direct violation of copyright and they did try to pursue matters out of court.

  12. Very sad by Anonymous Coward · · Score: 2, Interesting

    I assume this must be a strong test on Penn and Teller's partnership, considering just how hardcore of a libertarian Penn Jillette is. Most libertarians don't support overly strong copyright laws, and many of them do not support any copyright laws at all. Using the DMCA would certainly be against any libertarian's agenda of ensuring everyone gets full and fair rights to a trial and that nobody should need to prove themselves innocent.

    1. Re:Very sad by Anonymous Coward · · Score: 1, Interesting

      just how hardcore of a libertarian Penn Jillette is

      Or at least we'll figure out just how hardcore he is, or if he's the kind that he's ok with getting rid of the government as long as it's not making him personally richer.

    2. Re:Very sad by Enderandrew · · Score: 5, Informative

      Penn has spoken in defense of Teller on this. And apparently the copyright claim was made in 1983. I assume they've copyrighted a few of their tricks as performances this way, and have for years.

      Teller knows you can't copyright an idea. He has copyrighted the performance itself, and you can copyright a specific pantomime routine. His claim is that by performing the exact same steps, you are infringing on a copyrighted pantomime routine.

      There is legal precedent for that, but I can see this going either way.

      --
      http://blindscribblings.com - Tasty pop-culture in conceptual fashion.
    3. Re:Very sad by tmosley · · Score: 3, Informative

      There are a wide spectrum of libertarians in the world. Some do believe in IP. I don't myself.

      IMO if you can't keep it a trade secret, that is your tough luck. You can't rest on your laurels in this world.

    4. Re:Very sad by StikyPad · · Score: 1

      Dance and pantomime arguably shouldn't be copyrightable either. If anything, this would fall under patent law since it's an invention, but of course they don't want to file patents and disclose how it works, which makes it a trade secret and subject to reverse engineering.

    5. Re:Very sad by Enderandrew · · Score: 4, Insightful

      Why would a dance performance be covered under patents when all other artistic performances are covered by copyright?

      --
      http://blindscribblings.com - Tasty pop-culture in conceptual fashion.
    6. Re:Very sad by Anonymous Coward · · Score: 1

      "Teller knows you can't copyright an idea. He has copyrighted the performance itself, and you can copyright a specific pantomime routine. His claim is that by performing the exact same steps, you are infringing on a copyrighted pantomime routine."

      This sounds insane to me. I can't believe copyright law is intended to give someone monopoly rights over e.g. dance steps, skateboard tricks, or other non-published forms of expression. When will our society (really Congress) wake up and say "BS, you can't copyright/patent stuff like that"?

    7. Re:Very sad by geekoid · · Score: 1

      Nope, it
      s pretty clear it falls under copytright.

      A fundamental principle of copyright law is that copyright covers the expression of ideas but not the ideas themselves.
      Dance, and pantomime, and other performances are expression of ideas.

      It is not about the technical aspect of the rose falling apart, it is about the performance in doing so.

      If the other magician talked and wore a sad clown face while playing tragic music of a love lost as the rose comes apart, it would be fine.

      And that would be kind of awesome. hmm Maybe I should get back into magic and do that.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    8. Re:Very sad by DarwinSurvivor · · Score: 1

      And books, music, poetry and paintings are not non-published forms of expression? You can buy books with dance steps just as easily as you can buy sheet music. Copyright has NOTHING to do with whether something was ever published, publishing is just a convenient way of proving you came up with it first!

    9. Re:Very sad by StikyPad · · Score: 1

      Sorry, that's not what I meant to infer. I was referring to the rose trick as the patentable invention. Since most magic tricks are machines/gadgets, and since this rose is sold along with instructions on how to use it, we can assume it's an invention.

      Unless someone can tell me what idea is being expressed by a dance, it shouldn't be covered by anything.

    10. Re:Very sad by Anonymous Coward · · Score: 0

      Because it's absurd? I can see the rationale in copyright on readily copyable things, like music scores or recordings or books. But dances? WTF?

    11. Re:Very sad by StikyPad · · Score: 1

      Imply, not infer. Argh. Too much Mass Effect, not enough sleep.

    12. Re:Very sad by shutdown+-p+now · · Score: 1

      There are plenty of libertarians who are not against copyright (and patents etc) as such, but rather only against their current implementations that are overly lengthy and apply to things they shouldn't. In this case, apparently, the copyright is for a specific performance, rather than the "idea" of the trick, so it sounds legit.

    13. Re:Very sad by pegr · · Score: 1

      Not quite. If you do not publish, you have nothing to copy. Copyright is, literally, the right to copy.

    14. Re:Very sad by Trogre · · Score: 1

      Penn has spoken in defense of Teller on this.

      Well he'd have to, wouldn't he?

      (cheap shot, I know)

      --
      "Nine times out of ten, starting a fire is not the best way to solve the problem." - my wife
    15. Re:Very sad by Anonymous Coward · · Score: 0

      Sounds so legit that it required the DMCA to work its magic?

      If you need the DMCA to sue, then perhaps you're not playing the legitimate copyright game.

    16. Re:Very sad by shutdown+-p+now · · Score: 1

      It does not require DMCA to "work its magic" - there's nothing in DMCA that made this copyrightable where it previously wasn't, or made what the guy did an infringement where it previously wasn't. DMCA is only brought into the picture because it defines a standard protocol for interacting with service providers - in this case, YouTube - regarding copyright infringement. Before DMCA, YouTube would have been directly liable for hosting an infringing video, so he could have just sued them, rather than the guy who posted it.

    17. Re:Very sad by JoelKatz · · Score: 1

      Because what he wants to protect is not the dance performance, but the trick. The trick is a way of accomplishing a particular functional result. Consider two possibilities:

      1) This same "trick" can be done with dozens of possible dance performances. In that case, Teller gets his performance but anyone can use the trick.

      2) This "trick" can only be done this one way. In that case, Teller loses his copyright. You can't copyright the only way to get a particular job done or accomplish a particular result. You can only patent the one expression you chose among millions of equally good expressions of the same idea or result.

    18. Re:Very sad by DarwinSurvivor · · Score: 1

      It's not that hard to find unpublished work that is still copyrighted. Would you consider a poem you wrote for college to be a "published work"? What about the job proposal you wrote at work?

    19. Re:Very sad by Anonymous Coward · · Score: 0

      Using DMCA is only against the agenda of libertarians who do not publish artistic works. But since all libertarians are self-centered hypocrites, this is exactly the behavior you would expect from a libertardian.

  13. Seen this trick before by mseeger · · Score: 4, Funny

    Just some bogus claim, lawyer behind a smoke screen and some copyright waving in a trick to confuse a judge..... Larry Ellison does this routine a hundred times the size before breakfast ;-).

    1. Re:Seen this trick before by deciduousness · · Score: 5, Funny

      GOB: Illusion, Michael. A trick is something a whore does for money. [GOB notices children in earshot] ... Or candy!

    2. Re:Seen this trick before by mseeger · · Score: 1

      Ah, nicely done, english language. Tricked me into turning a trick into a missunderstanding ;-).

    3. Re:Seen this trick before by pixelpusher220 · · Score: 1

      no no a 'trick' is a massive Global Warming conspiracy...or just vernacular that nobody wants to actually take the time to understand... ;-)

      --
      People in cars cause accidents....accidents in cars cause people :-D
    4. Re:Seen this trick before by geekoid · · Score: 1

      Funny, when I did magic the magician called them tricks.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    5. Re:Seen this trick before by billcopc · · Score: 1

      You're right. Whores get paid to get fucked, whereas it is this Dutch guy's clients who are the lucky fuckees, paying $3k for a simple illusion.

      --
      -Billco, Fnarg.com
    6. Re:Seen this trick before by Anonymous Coward · · Score: 1

      In the original, before the network made them change it, he says:

      GOB: Illusion, Michael. A trick is something a whore does for money. [GOB notices children in earshot] ... Or cocaine!

      Ten times funnier.

    7. Re:Seen this trick before by LordLucless · · Score: 1

      Also on the DVDs.

      --
      Just because you're paranoid doesn't mean there isn't an invisible demon about to eat your face
  14. As much as I like Penn and Teller by RightSaidFred99 · · Score: 4, Insightful

    This is insane. By all means call the guy a hack, tell everyone he stole your trick, but in the end he's not reproducing your image or any literal representation of something you did. He reverse engineered the trick. What if he changes the rose to a posie? Or makes some other minor change? At what point does the "concept" of your trick become something that's unique and that you "own"?

    1. Re:As much as I like Penn and Teller by Anonymous Coward · · Score: 5, Insightful

      If he's doing the exact same performance, what's the difference between plaigarizing Tellers act, or Lady Gaga's, or performing any other copyrighted dramatic work? If I went out and performed Louis CKs routine, word for word, I'd expect to have the hammer dropped.

      I haven't seen this guys video. If he's selling a video of him doing the exact same routine, same setup, same moves, same 'punchline', but claiming it as his own - fuck him.

      I don't see anything about Teller claiming he owns sleight of hand, smoke and mirrors, etc.

      P&T tend to be on the 'intelligent' side of most issues. They tend to like to exploit bullshitters, and scam artists - like a guy selling a 3000 video explaining one of their tricks, and pretending to have created it.

      I'll wait and see how this plays out.

    2. Re:As much as I like Penn and Teller by Halo1 · · Score: 4, Interesting

      A theatre play also falls under copyright, regardless of whether it involves spoken words or not. Changing minor details does not change that, just like changing the names in the Harry Potter stories would not be sufficient.

      There is no exact definition of when something stops being a derivative work and becomes a new/independent work. The reason is, as you sort of touched upon, that it is simply not really possible to write a strict definition for something like that. As a result, either both authors come to an agreement, or a judge decides after their and expert witness testimony.

      --
      Donate free food here
    3. Re:As much as I like Penn and Teller by DC2088 · · Score: 1

      If he actually changed the work after reverse engineering the trick, it might not have been a violation, and yes, you can own and copyright pantomime routines such as this given certain elements. The law on it is a little vague, of course, thus the "testing the waters of magic trick copyrights" sort of language here. I'm curious as to how this is insane, really.

    4. Re:As much as I like Penn and Teller by Anonymous Coward · · Score: 0

      Without digging into it too much, I agree it seems inconsistent with the copyright laws.

      It's my understanding that you can't copyright an idea. You can copyright the description of an idea but it does not protect the idea itself. This is because copyright is meant to protect unique works of authorship.

      The concepts are spelled out here:
      http://www.copyright.gov/help/faq/faq-protect.html

    5. Re:As much as I like Penn and Teller by Dishevel · · Score: 0

      I will wait to see as well.
      My gut on this is that even though I think that a specific performance of this can be copyrighted an most likely this guys stuff is close enough to actually be a problem.
      Also though .... 1983?
      It has been almost 30 fucking years!
      Copyright was supposed to be temporary to encourage more content.
      Teller is morally wrong here. If only because is litigating over copyright that is almost 30 years old. He may or may not be legally right, my thought is is is legally right.
      He is certainly morally wrong though.

      --
      Why is it so hard to only have politicians for a few years, then have them go away?
    6. Re:As much as I like Penn and Teller by Troy · · Score: 1

      Jokes are fairly difficult to copyright. According to the linked piece you can copyright the "delivery", but not the joke itself. You could technically go out, repeat Louis CK's act verbatim, and suffer no legal consequences**. In the comedy world, most of the consequences are social -- you hurt your reputation and damage your chances of booking well-paying gigs.

      Magic is a different medium, but it appears that Teller is using the same idea of protecting "delivery," rather than the premise of the illusion itself.

      **Ok, in real life, if you recreate an entire 90 minute act, chances are there will be something in there somewhere that could be found to be infringing on delivery.

    7. Re:As much as I like Penn and Teller by Anonymous Coward · · Score: 0

      If he's doing the exact same performance, what's the difference between plaigarizing Tellers act, or Lady Gaga's, or performing any other copyrighted dramatic work? If I went out and performed Louis CKs routine, word for word, I'd expect to have the hammer dropped.

      I haven't seen this guys video. If he's selling a video of him doing the exact same routine, same setup, same moves, same 'punchline', but claiming it as his own - fuck him.

      I don't see anything about Teller claiming he owns sleight of hand, smoke and mirrors, etc.

      P&T tend to be on the 'intelligent' side of most issues. They tend to like to exploit bullshitters, and scam artists - like a guy selling a 3000 video explaining one of their tricks, and pretending to have created it.

      I'll wait and see how this plays out.

      You can't copyright a joke. So, I think if he performed a single joke from a Louis CK routine, the hammer wouldn't drop at all. If he did the entire routine, then he may have a problem. But this case is more similar to a single joke than to a routine.

      The guy never said he created the trick. He said he created a method for performing that effect. This is how magic works. You see some cool card trick. You are wondering, "OMG. How did he know my card was the Ace of Spades????!!!" So, you invent some method of doing the trick that may or may not be the same one used by that magician. Now, if magicians are suddenly able to copyright basic choreography it would be bad for magic. Imagine owning the copyright for "spreading a deck of cards into a fan and motioning for an audience member to pick a card". Basic plots (sawing a woman in half, cutting the shadow of a rose and having the rose cut, showing both sides of your hand are empty before producing a card) should not be subject to copyright.

    8. Re:As much as I like Penn and Teller by AK+Marc · · Score: 1

      You also get copyright on other descriptions that are derivative of yours. So you just need to record it once (and Teller did), the you own the copyright on it. If somone else uses the work and derives their version of it based on yours, you also own the copyright of the new work. So making a new derivative work and performing it is a violation of copyright (and this has been proved many times with music).

  15. Slashdot user suing geek.net for spelling mistakes by Compaqt · · Score: 3, Funny

    A Slashdot user, known for his misspelings in his bad analogies, car analogies, and Soviet-era Russia jokes has sued Slashdot's owner, geek.net.

    The user alleges that the editors saw him use these corny techniques for replying to Slashvertisements, and they copied the technique for use in their own story summaries.

    Geeknet offered to buy him out, but negotiations came to a standstill when the user also demanded that the company buy his "in Korea, only old people read email" technique. The 23-year old negotiating for Geeknet had responded, "What's email?"

    --
    I'm not a lawyer, but I play one on the Internet. Blog
  16. i play magic tricks by Anonymous Coward · · Score: 0

    on copyright: now you see it, now you don't!
    just like the US economy: patented to destruction...

  17. Teller *does* speak frequently.... by readandburn · · Score: 1

    ...you guys act like it's some big deal. http://www.youtube.com/watch?v=XP4_MuBugFo

    1. Re:Teller *does* speak frequently.... by geekoid · · Score: 1

      I know, right? This underline how hard it is for people to divorce performance from reality.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    2. Re:Teller *does* speak frequently.... by cffrost · · Score: 1

      ...you guys act like it's some big deal.
      http://www.youtube.com/watch?v=XP4_MuBugFo

      This can't be real... it must be some kinda trick.

      --
      Thank you, Edward Snowden.

      "Arguments from authority are worthless." —Carl Sagan
  18. Not about copyright by Anonymous Coward · · Score: 0

    I think the problem here isn't that he's doing P&T's magic trick, it's that he's making a profit out of it. I think P&T would be fine if anyone would do one of their tricks for fun, to show off to friends or wtv. But when you blatantly take their stuff and sell it, like it's you that invented it then yes there's a problem there.

    tldr: This dutch guy is like the carlos mencia of magicians.

    1. Re:Not about copyright by ledow · · Score: 1

      Saw this guy once - he balanced stones one of top of the other. Very impressive. Does that mean he could own the worldwide rights to doing that? Does that mean that NOBODY but him can ever make money from that because he was the first?

      How about jugglers? Acrobats? Gymnasts? Yo-yo'ers? Trick cyclists? "Hustlers"? Derren Brown? Dancers?

      Just because you have an act, doesn't give you exclusive rights over that act for ever and ever and ever. That's NOT what copyright is for. He's basically suing a guy because he wants to be the only person in the world allowed to perform that trick.

      Now, if he's suing because the guy used his speil, word-for-word, or because the guy took Teller's video and photoshopped his own head over it, then you'd have a copyright case. As it is, he's saying that nobody may copy what actions he performs. That's like a dancer saying you can never dance like he does, ever, without his permission.

      And just as stupid. Sorry Teller, I swear I used to think you had a brain in there somewhere. A *copyright* takedown over a magic trick? Damn, the guy had better copied your speil word-for-word or something because you're going to fall flat on your face otherwise, and if you don't, the world will still hate you anyway.

    2. Re:Not about copyright by pixelpusher220 · · Score: 1

      Agreed, the commercial nature makes it a legitimate (as opposed to a legal suit, which both non-commercial and commercial would be as well).

      However, Penn & Teller are some of the most popular magicians out there. And the beating their reputation could take over being seen as legal assholes vastly outweighs the small damages the guy might be causing them. And THAT is what they should be thinking of.

      They have the bully pulpit of fame to destroy this guy with their unique brand of biting social commentary, get the word out that they're human about it and ask him to stop in a very public way. When he doesn't, you then have you reputation intact and destroy him legally, but by going straight to lawyers...they may be 'right' but long term it might not be the best thing for their careers...

      --
      People in cars cause accidents....accidents in cars cause people :-D
    3. Re:Not about copyright by geekoid · · Score: 1

      Why won't you people bother to understand WTF you are talking about?

      If I stacked rocks while miming a tragic death to music, then yes I could copyright that performance. If some else stacks rocked while on fire, then that would be a different performance.

      The article sums up copyright nicely:

      A fundamental principle of copyright law is that copyright covers the expression of ideas but not the ideas themselves.

      I could do the same cutting trick with a different performance and that would be fine.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    4. Re:Not about copyright by Anonymous Coward · · Score: 0

      Well, yes, that's exactly what he's suing over. Teller claims Bakardy duplicated his 1983 performance in every single detail ("word-for-word" doesn't mean anything here, because it is a pantomime performance and you must know that Teller never speaks on stage). The actual Bakardy video has been taken down, but still shots of it have been put up to illustrate how closely it resembles Teller's own performance. The difference is that Bakardy used his video to sell a kit (for the low-low price of $3,000) so that other magicians could duplicate the performance. There are several things Bakardy could have done to avoid all this trouble. 1) He could have used a different flower instead of a rose; 2) he could have used a different cutting tool, such as a pair of pruning scissors, instead of a knife; 3) he could have offered to split the proceeds of every sale with Teller; 4) he could have settled the issue with Teller out of court. If you RTFA, you would know that before the DMCA takedown and lawsuit were filed, Teller had extensive negotiations with Bakardy over a cash settlement to avoid a legal battle. Bakardy would not cooperate, so Teller took the only legal avenue remaining to him by filing his lawsuit. Seems pretty simple to me.

    5. Re:Not about copyright by Anonymous Coward · · Score: 0

      Let me get this straight. You're saying that letting a scumbag plagiarist rip off their act is a better way to enhance their careers than exposing his douchebaggery to the public? Can you explain to me how that works?

    6. Re:Not about copyright by pegr · · Score: 1

      Perhaps you would like to understand WTF you are talking about. A performance is not copyrightable, as it has not been fixed upon tangible media. A script? Yes. A film? Absolutely. But not a performance.

    7. Re:Not about copyright by Anonymous Coward · · Score: 0

      You can expose douchebaggery without taking someone to court.

      I'm not sure what Teller's goal is, he surely doesn't need the money, and I don't see how this hurts them. Maybe he just doesnt like that "his" trick is being sold for $3k by this guy. Teller could just use his fame to expose this guy and he could explain exactly how it was done which would probably drastically cut the number of sales the guy can make from this trick.

    8. Re:Not about copyright by pixelpusher220 · · Score: 1

      than exposing his douchebaggery to the public

      you should perhaps brush up on reading comprehension. This EXACTLY what I said they should do...in the way they do best, mass marketing in shows naming the guy and saying he's a douchebag for what he is doing. P & T are successful not because of their magic tricks, but because of the comedic talents, biting wit and overall superb showmanship they have performing magic tricks. Use their talents to destroy the guy before bringing in the legal guns.

      What I did say was that running straight to lawyers is perhaps not the best way to be seen as a likeable and 'hey I want to pay for tickets to see that person' type of individual. It's called the Streisand Effect and they may very well learn about it the hard way.

      --
      People in cars cause accidents....accidents in cars cause people :-D
    9. Re:Not about copyright by Devoidoid · · Score: 1

      But he didn't run straight to lawyers.

    10. Re:Not about copyright by sosume · · Score: 1

      Now, if he's suing because the guy used his speil, word-for-word, or because the guy took Teller's video and photoshopped his own head over it, then you'd have a copyright case. As it is, he's saying that nobody may copy what actions he performs. That's like a dancer saying you can never dance like he does, ever, without his permission.

      What about people making a living by imitating famous persons, eg Michael Jackson? This whole lawsuit is bogus.

    11. Re:Not about copyright by AK+Marc · · Score: 1

      Does that mean that NOBODY but him can ever make money from that because he was the first?

      It would, if he were the first and registered the copyright. He wasn't, and he didn't, so that's an irrelevant argument.

      For the rest of your examples, yes. Someone that creates a new artistic work owns it. If you disagree with that, you aren't disagreeing with Teller, so much as the premise of Copyright.

  19. How is this... by Man+On+Pink+Corner · · Score: 1

    ... not something I could cook up in two hours with a small electromagnet and a bit of ferrous metal embedded in the leaf stem?

    I take PayPal if anyone wants to pay $3000 for detailed plans, sketched on the back of a used bar napkin.

  20. Obligatory Gob by Anonymous Coward · · Score: 0

    They're called illusions, Michael!

  21. Re:Reminds me of this awesome show I watched befor by cpu6502 · · Score: 1

    I thought the 1960s original HUMBUG! was better. The next generation show was never quite as good, and has aged poorly. (imho)

    --
    My AC stalker: " I personally agree with your posts most of the time, but that won't keep me from modding you troll"
  22. Lawyers getting paid by hansamurai · · Score: 1

    How fast did their lawyers find that video that it only had 14 views on it when screenshotted, impressive.

  23. Oh, Teller, you make us laugh by Sebastopol · · Score: 1

    I find it ironic Teller is boo-hooing about this.

    --
    https://www.accountkiller.com/removal-requested
    1. Re:Oh, Teller, you make us laugh by Anonymous Coward · · Score: 0

      I find it amusing that Penn states that no one will ever figure out how the trick is done in the video in TFA.

  24. Tesla's machine is at work... by tekrat · · Score: 5, Funny

    What you don't know is that Bakardy hired Tesla to create a machine which performs the trick. And, every night after the performance, workers have to remove large boxes full of drowned flowers, secretly out through the stage door and into a warehouse...

    --
    If telephones are outlawed, then only outlaws will have telephones.
    1. Re:Tesla's machine is at work... by Anomalyst · · Score: 1

      Like you could garnet any prestige with those actions.

      --
      There is no right to feel safe thru security vaudeville at the expense of everyone's freedom, privacy and tax money.
  25. Yoga, too by Anonymous Coward · · Score: 0

    Reminds me of this where someone tried to copyright a yoga pose: http://www.businessweek.com/news/2011-12-12/yoga-pose-copyright-bid-too-big-of-a-stretch-regulator-says.html

  26. Actually important case by Xunker · · Score: 5, Interesting

    So, yeah, it's easy for us to point and laugh at this and say it's just a useless farce.. but this effects us all actually.

    The brief filed states that Teller is suing because the rival's trick supposedly violates a 1983 Copyright he filed for the trick. What is important here is that the Copyright filing DOES NOT describe how the trick functions, but instead HOW IT LOOKS. On those ground, Teller is suing.

    I believe this is important. Why? Because I think it is similar to SOFTWARE PATENTS.

    Of course, obviously PATENT != COPYRIGHT, but the similarities in this case are still apparent. Unlike every other kind of working patent, software patents generally describe the outcome/result of something instead of the actual mechanism (patents of physical things are based on the WAY it works, not what it produces, SW patents are generally based i the end product).

    If suit is upheld it means software patents *could* have an extra life, and indeed if a vendor wants to squeeze out competition they could simply file for a COPYRIGHT on the visible result of the software too.

    IANAL, but food for thought.

    --
    Hilary Rosen's speech was about her love of money and her desire to roll around naked in a pile of money.
    1. Re:Actually important case by Anonymous Coward · · Score: 1

      No, you are not a lawyer. You are an idiot, though.

    2. Re:Actually important case by Anonymous Coward · · Score: 0

      UI is already protected under copyright law. As it should be. Software patents are about claiming "your if-then-elseif-else statement is too similar in function to our if-then-elseif-else statement." Which is patently absurd.

    3. Re:Actually important case by Anonymous Coward · · Score: 0

      Does it matter how a photograph was created under copyright law? Does it matter how a writer came up with the words in their novel? Likewise, does it matter how an act is choreographed? Copyright is all about the look/feel/sound, and not about the underlying mechanisms that create them. If you want to protect the mechanism, then you had better patent it.

    4. Re:Actually important case by Jahava · · Score: 1

      Of course, obviously PATENT != COPYRIGHT

      I think you said all that needs to be said right here. Different law, different requirements, and different intentions. This case has nothing at all to do with patents or patent law, and certainly nothing to do with software patents.

      Unlike every other kind of working patent, software patents generally describe the outcome/result of something instead of the actual mechanism (patents of physical things are based on the WAY it works, not what it produces, SW patents are generally based i the end product).

      If you read a typical software patent, you'll see that it usually does describe a specific mechanism. It doesn't necessarily describe it down to the lines of source code used to implement it, but it is required to disclose the mechanics of the patent adequately enough that a person reasonably-knowledgeable in the field could implement it. For example, while one can't patent "sorting algorithms" ... one can patent a specific sorting algorithm, but, in doing so, one has to describe exactly how it works in the patent.

      Your statement is patently (heh) false.

      If suit is upheld it means software patents *could* have an extra life, and indeed if a vendor wants to squeeze out competition they could simply file for a COPYRIGHT on the visible result of the software too.

      IANAL, but food for thought.

      Read up a little on copyright. "Works" that can be copyrighted are (broadly speaking) constrained to artistic works. The closest software analogue of such a "work" is a user interface, and user interfaces are, in fact, subject to copyright.

      Say Software Patent X, when utilized, produced visible result Y. X is protected as a system and/or method via a patent. Anything else that uses that system/method is infringing on that patent. Completely independently, Y is protected by copyright; anything that looks like Y is violating that copyright. If X were to enter the public domain, and someone implemented X (freely) and made the result look like Y, then you can, indeed, claim copyright violation, not because of anything related to X, but rather because someone else produced a derivative work of Y. However, someone wanting to use the now-free X system/method would merely have to present it differently to overcome this. Neither X nor Y add any protection to each other.

      In other words, using other peoples' user interfaces can violate their copyright. Nothing new here, nor particularly objectionable.

    5. Re:Actually important case by Raenex · · Score: 1

      The closest software analogue of such a "work" is a user interface, and user interfaces are, in fact, subject to copyright.

      Some aspects are, especially creative graphics, but see Lotus v. Borland for limitations, at least for a US ruling. The text and layout of the menus was deemed non-copyrightable.

    6. Re:Actually important case by StormReaver · · Score: 1

      Because I think it is similar to SOFTWARE PATENTS.

      This bears no similarity to software patents at all. Software patents are patents on math and other things that are not patentable, while this is a copyright on a creative performance (one of the things copyright legitimately protects). It's a HUGE difference.

    7. Re:Actually important case by gl4ss · · Score: 1

      Because I think it is similar to SOFTWARE PATENTS.

      This bears no similarity to software patents at all. Software patents are patents on math and other things that are not patentable, while this is a copyright on a creative performance (one of the things copyright legitimately protects). It's a HUGE difference.

      tell that to the shit patents about overlapping windows, slide to unlock etc. (ok so they're not sw patents per se? but again, patenting the visual results)

      --
      world was created 5 seconds before this post as it is.
    8. Re:Actually important case by Anonymous Coward · · Score: 0

      Close enough.

  27. Oh noes, he copied him!!!! by mark-t · · Score: 2

    Imitation is a form of flattery. He should take it as such, or simply decide to not show off what he doesn't want people to copy. Magicians have been figuring out how other magicians do their tricks for centuries. Unless the secret was actually misappropriated (which means he would have actually broken the law to acquire it), the copier has done absolutely nothing wrong here.

    Oh.... and you can't copyright an idea.

    1. Re:Oh noes, he copied him!!!! by Babbster · · Score: 1

      "Imitation" would be one thing. If this guy was just doing the illusion on stage, Teller likely wouldn't bother suing. This guy, however, offered expensive kits for sale so that others could do it, and they don't have to go to the trouble of figuring it out for themselves or even appreciating Teller's part in its creation.

      I don't know if the suit can be won, but writing this off as sincere flattery is a mistake.

    2. Re:Oh noes, he copied him!!!! by Lunix+Nutcase · · Score: 1

      Except that he does have a copyright on the trick's performance. So.... it really doesn't matter what you say.

    3. Re:Oh noes, he copied him!!!! by mark-t · · Score: 2

      It doesn't matter what he says... what matters is what copyright says. What matters even more is what a judge says.

      I like Penn and Teller, but personally I'm rooting for this guy. Not just because he's the underdog in this case, but because what he is doing is absolutely no different than what other magicians have been doing to eachother for hundreds of years.

    4. Re:Oh noes, he copied him!!!! by Lunix+Nutcase · · Score: 1

      Since you obviously read the article, Teller registered a trademark for the performance of this trick in 1983. So, yes, he can copyright it since he already obtained the copyright 28 years ago.

    5. Re:Oh noes, he copied him!!!! by mark-t · · Score: 1

      And I suppose as a result of this we are about to find out if that copyright should have ever been awarded in the first place.

    6. Re:Oh noes, he copied him!!!! by Lunix+Nutcase · · Score: 1

      No, we won't. It's already well-establshed that you can copyright pantomine acts. You don't even have to take my word for it. Care to just admit you were wrong now?

    7. Re:Oh noes, he copied him!!!! by mark-t · · Score: 1

      Pantomine acts, yes.... the question is, just how similar is this guy's routine to Teller's? We have no video link to the guy's performance, so we don't know.

      Bearing in mind here that Teller actually initially offered this guy cash in exchange for keeping the trick secret, it seems that this is really far more about Teller not wanting the secret to a trick that he came up with being sold or distributed by somebody else than it is likely an actual issue of something copyrightable being copied without permission.

    8. Re:Oh noes, he copied him!!!! by Lunix+Nutcase · · Score: 1

      Yes and his copyright registration is for 'pantomine drama' hence it is copyrightable which is what I said in this first place. So, are you going to finally admit you were wrong about Teller being able to copyright the performance of this trick?

    9. Re:Oh noes, he copied him!!!! by mark-t · · Score: 1

      How about you wait and see what a judge decides?

    10. Re:Oh noes, he copied him!!!! by Anonymous Coward · · Score: 0

      Teller's "pantomime" is not merely dramatic... it is functional. It has a specific function beyond that of the simple motions it produces, which is to perform a particular trick. It is the trick itself, and not the precise pantomime which is the entertaining and dramatic portion of the presentation.

      Being able to copyright functional pantomime would enable one to, for example, copyright the gestures involved in walking, or running, or pitching a ball. Absurd, to say the least.

      Also, apparently Teller has not heard of the Streisand Effect. This whole thing is going to blow up in front of him so quickly that his wisest course of action is to simply publicly show how he did this particular trick (so that Dogge cannot reasonably profit as readily from it) and then turn around and come up with a new trick that is even better.

    11. Re:Oh noes, he copied him!!!! by pla · · Score: 1

      So, are you going to finally admit you were wrong about Teller being able to copyright the performance of this trick?

      No one has said he can't copyright the performance of the trick. Just not the trick itself.

      And as far as I can tell, no one has claimed Bakardy has tried to hawk the actual performance - Not even a himself doing a substantially similar "fan-recreation" of the trick - But only the underlying mechanics of the trick. Which differs from the performance of the trick.

      Or put another way, any hack amateur magician can do a million and one card tricks, but only a pro with a kickass performance surrounding the trick will elicit anything but groans from the audience. Teller has the performance. Bakardy only has the trick.

    12. Re:Oh noes, he copied him!!!! by Anonymous Coward · · Score: 0

      If the term for copyright was still 14 years and an option 14 year extension, then the whole thing would be in the public domain next Jan 1.

    13. Re:Oh noes, he copied him!!!! by Anonymous Coward · · Score: 0

      As heavily used as that phrase is I can see why Teller doesn't feel overly flattered by someone copying his performance and selling a kit to perform it for $5000 a pop. As Teller has copyrighted the look of the trick apparently you're either wrong and you can copyright an idea or what's been copyrighted isn't an idea.

    14. Re:Oh noes, he copied him!!!! by mark-t · · Score: 1

      What's been copyrighted is the pantomime associated with the trick. Although pantomime can be copyrighted, I think that there's a few things to consider with that. For myself, I think both parties are being a bit stupid here; I think that Dogge is unlikely to make any actual money off of this, but I also think that Teller does not, and should not, have any sort of copyright claim against Dogge, and here's why:

      1. Teller tried to buy Dogge out to not sell the trick to anyone else. Only when Dogge scoffed at the amount of the offer (allegedly the price of a single kit is what was offered) did Teller persue the copyright angle. As a copyright case alone, this sequence of actions is very incriminating for Teller, since it reveals that Teller's ultimate reason for objecting to this is not because he has been copied but because Dogge is selling a secret to a trick he invented. Teller may be understandably upset about this, but if he was smart enough to invent this trick, then he is smart enough to invent new ones.

      2. The amount that Dogge is asking for the secret to the trick is not paltry... and is liable only to be paid by another professional magician. The problem is that it's unlikely that any honorable magician would send money to Dogge for the trick because they likely also realize that Dogge was not the inventor of the trick. Dogge is shooting himself in the foot with his choice of actions, and is unlikely to receive any payments for this.

      3. Although the trick is the same as Tellers, Teller's claim is that he copyrighted the pantomime of the trick, and not the trick itself (which is uncopyrightable). This may be fine, except that we do not know how similar Dogge's routine is to Teller's in terms of the actions performed. The only similarity may be the net effect of the routine, and Dogge may not have actually copied any of Teller's motions. It's also possibly arguable that one should not be able to copyright the entire set of pantomime sequences that have a particular net effect, at least not without enumerating every possible combination of them. I would speculate that there are probably hundreds, if not thousands of ways that this trick could be preformed, even though the actual secret behind the trick is the same in each, and no two of them would be remotely similar except in the underlying secret to the trick (which would not be pantomime and would thus not be copyrightable).

      4. Magicians have been figuring out how other magicians do their tricks and copying them for hundreds of years. This paper is interesting, and explains in fair detail how magcians have traditionally protected their investment in their works without relying on IP law. This paragraph, in particular, sums up why I don't think Teller should be allowed to persue this from a copyright angle:

      Yet, the more significant difficulty with copyright involves the fact that magic tricks themselves cannot be copyrighted. A magician could conceivably copyright the dramatic aspects of his show, and he could copyright a written description of the method behind an illusion, so that his written description of the method could not be precisely reproduced. But the magician could not copyright the method itself. The law excludes it emphatically: "In no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery regardless of the form in which it is described, explained, illustrated, or embodied in such work" (USC 102b). Copyright law thus fails to protect the most common expression of magiciansâ(TM) intellectual property -- live stage performance -- as well as magiciansâ(TM) most valuable creation -- the modus operandi behind each illusion.

    15. Re:Oh noes, he copied him!!!! by tokul · · Score: 1

      Imitation is a form of flattery.

      Not when you also tell others how you do it. Now any viewer can catch original performer, when he is trying to perform the trick and to amaze unprepared flock.

    16. Re:Oh noes, he copied him!!!! by mark-t · · Score: 1
      For what it's worth, you might find this paper enlightening. In particular, in the section on copyright...

      Yet, the more significant difficulty with copyright involves the fact that magic tricks themselves cannot be copyrighted. A magician could conceivably copyright the dramatic aspects of his show, and he could copyright a written description of the method behind an illusion, so that his written description of the method could not be precisely reproduced. But the magician could not copyright the method itself. The law excludes it emphatically: "In no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery regardless of the form in which it is described, explained, illustrated, or embodied in such work."[USC 102(b)] Copyright law thus fails to protect the most common expression of magicians' intellectual property -- live stage performance -- as well as magicians most valuable creations -- the modus operandi behind each illusion.

      At best, Teller's copyright claim hinges on the similarity of Dogge's presentation to Teller's... and does *NOT* impact Dogge's ability to sell a kit and the secrete to do the trick.

      That said, however, I think Dogge should have taken Teller's offer to keep quiet about the trick, since I think it is unlikely Dogge will sell any copies of his kit. The reason I believe this is because of the amount that Dogge is asking for, which is large enough that only professional magicians are liable to take an interest in it. But professional magicians are liable to respect Teller's position as the inventor of the trick, and effectively ostracize Dogge for trying to profit from a trick that he did not create.

  28. Wasn't FOX sued over magic secrets revealed by Joe_Dragon · · Score: 1

    Wasn't FOX sued over that magic secrets revealed show?

    1. Re:Wasn't FOX sued over magic secrets revealed by mark-t · · Score: 4, Informative

      The claim against FOX was with respect to violation of the magician's code of honor to not reveal how their tricks are done.

      This code enjoys no legal protection, however, and the lawsuit against FOX for that show failed.

      Nonetheless, magicians could actually enjoy some legal protection for their tricks under trade secret status.

      However, trade secrets do not enjoy any protection at all against being reverse engineered by somebody who did not know the secret.

      The only allegation that would have had even the slightest chance of succeeding was to show that the masked magician in FOX's show had misappropriated trade secrets he did not own for broadcast.

    2. Re:Wasn't FOX sued over magic secrets revealed by Anonymous Coward · · Score: 0

      I'm pretty sure the lawsuit story was just to generate more hype for the show.

      The explanations were pretty much 'no duh'. It was just goofy dramatic music 'reality tv'.

  29. that may not be wise by v1 · · Score: 2

    to piss off someone that can make you disappear

    --
    I work for the Department of Redundancy Department.
  30. How libertarian by Anonymous Coward · · Score: 2, Insightful

    to sue for government protection of your ideas. I'm sure litigation over reverse engineering of a performance something very near to the heart of free men everywhere.

    1. Re:How libertarian by DC2088 · · Score: 1

      Pretty sure Penn's the libertarian of the two.

    2. Re:How libertarian by shutdown+-p+now · · Score: 1

      Many libertarians swear by Ayn Rand, and she was very much pro-IP, as evident in "Atlas Shrugged".

      Anyway, libertarianism doesn't see anything wrong with government protecting property - indeed, it is assumed to be the essential function of the government. The question then is whether an artistic work (including a performance) constitutes "property", and there's no single answer to that to which all libertarians can subscribe.

  31. Nice. by Mr.+Bones. · · Score: 2

    You stay classy Teller!

  32. anyone notice the bookmark bar by Anonymous Coward · · Score: 1

    Nice link to mantube for the world to see. Well-done.

  33. Seems to Be a Performance Copyright by eldavojohn · · Score: 4, Informative

    Not sure but I think this is not a filing over how it's done but rather a filing over whether or not the performance is a copy of or derivative of Teller's 1983 copyrighted description. I don't know how this trick works but I'm guessing if Bakardy had chosen a different flower, a different cutting device, a different setting, etc and changed it just superficially enough so that the mechanic is still relayed to the viewer he might escape the copyright. But it seems Teller has written this out like a play and it will be up to the courts to decide if Bakardy is infringing on that copyrighted material. You'll notice that this is about copyright and performance, not a patent and methodology.

    If this lawsuit is over how it's done, I agree with you. I see it similar to software patents where I see a program that does something -- say manages all ID3 tags of your library through HTML table interactions -- and I want to make something behave the same way. Even though I don't have the source code, I figure it out one way or the other. Maybe it's the same way your patent describes, maybe it isn't. It doesn't matter, I've never seen your source code and I'm not infringing on the graphics and layout so why should you be able to sue me when I write something that does (perceptually) the same thing? People who are smart enough to figure out their own solutions shouldn't be prohibited from employing that intelligence ...

    --
    My work here is dung.
    1. Re:Seems to Be a Performance Copyright by Anonymous Coward · · Score: 0

      Sorry, you lose the argument, because you used the word "shouldn't". Intellectual property *really* doesn't work *that* way.

  34. Teller not Penn by gelfling · · Score: 1

    Because Penn is such a lunatic libertarian he barely wants any laws at all.

  35. It comes down to The Magician's Code by Anonymous Coward · · Score: 1

    It's the code of ethics professional magicians agree to - it's kept Magic interesting over the years, and really forced Magicians to come up with their own routines.

    Take a look:

    On May 8, 1993, the International Brotherhood of Magicians Board of Directors approved the following Code of Ethics jointly with the Society of American Magicians. This was the result of a cooperative effort to work together for the betterment of magic.

    All members of the International Brotherhood of Magicians agree to:

    1) Oppose the willful exposure to the public of any principles of the Art of Magic, or the methods employed in any magic effect or illusion.
    2) Display ethical behavior in the presentation of magic to the public and in our conduct as magicians, including not interfering with or jeopardizing the performance of another magician either through personal intervention or the unauthorized use of another's creation.
    3) Recognize and respect for rights of the creators, inventors, authors, and owners of magic concepts, presentations, effects and literature, and their rights to have exclusive use of, or to grant permission for the use by others of such creations.
    4) Discourage false or misleading statements in the advertising of effects, and literature, merchandise or actions pertaining to the magical arts.
    5) Discourage advertisement in magic publications for any magical apparatus, effect, literature or other materials for which the advertiser does not have commercial rights.
    6) Promote the humane treatment and care of livestock used in magical performances.

    1. Re:It comes down to The Magician's Code by nedlohs · · Score: 2

      And how does Penn and Tellers "let's do the trick with transparent cups/walls/sheets" fit with that first one?

    2. Re:It comes down to The Magician's Code by Anonymous Coward · · Score: 0

      7) Violations of this code shall result in suspension from the applicable professional organizations and transformation into a chicken.

    3. Re:It comes down to The Magician's Code by Anonymous Coward · · Score: 0

      I am sorry, but 1) directly contradicts 2).

      I'm sure this is in order of importance to the magicians, but it is inimical to the precepts of an intellectual and scientific society, of which they are a part.

      Regards.

  36. Libertarian my ass by Anonymous Coward · · Score: 0

    Penn is only "a libertarian" when it increases his profits and the profits of his buddies at the Cato Institute. Whenever something reaches into their wallets (or dominates a market and they aren't able to break into it), they cry foul and demand that the government do something about it (case in point, the "Cheerleading" episode of Bullshit).

  37. Just remember by alexo · · Score: 1

    Telling a joke is a copyright infringement.

    1. Re:Just remember by Anomalyst · · Score: 1

      Did you mean "Tellering"?

      --
      There is no right to feel safe thru security vaudeville at the expense of everyone's freedom, privacy and tax money.
  38. That trick puzzles people? by Animats · · Score: 1

    It doesn't seem hard to do. You just need piano wires threaded up the rose stem, which are withdrawn to make parts of the rose fall off. Either some mechanism under the table or an assistant is pulling the wires.

    This illusion puzzles people? It's an elegant performance piece, but easy to figure out.

  39. Is Magic Useful? by Anonymous Coward · · Score: 0

    The US Constitution grants Congress the power to legislate patents and copyrights "To promote the Progress of Science and useful Arts".
    Are magic tricks a science or useful art? I think not.

  40. check what he's suing over by l2718 · · Score: 5, Informative

    Teller is NOT suing over the technical aspects of the trick (how the rose petals are actually made to fall). They are not copyrightable, and indeed are not described in his copyright registration. Rather, he is suing over the dramatic presentation; essentially he is claiming coypright in a short (2-minute) theatrical performance.

    I don't think Teler would have protested his competitor adopting the trick itself (magician interacts with shadow on screen but affecting the physical object casintg the shadow) -- he'd have expected credit ("This trick was invented by Teller") but wouldn't have claimed legal ownership. But Teller should be able own the theatre he creates.

    1. Re:check what he's suing over by Megane · · Score: 2

      The other day I was reading a scan of an old (1982?) issue of Byte magazine where an article talked about copyrights and object code (in the context of 1982, of course). One of the cases mentioned was a video company (Midway?) who bought the US rights to a Japanese coin-op video game had filed a video of the (same every run) attract screen with the copyright office. They were able to use the audiovisual presentation of the attract screen to win the case against people using copies of the ROM to make bootleg coin-op machines, at a time when computer object code was not considered copyrightable because it wasn't human readable.

      --
      #naabhaprzrag, #sverubfr-000, #agi-fcbafberq, negvpyr[pynff*=' negvpyr-ary-'] { qvfcynl: abar !vzcbegnag; }
    2. Re:check what he's suing over by SteveFoerster · · Score: 1

      I don't think Teler would have protested his competitor adopting the trick itself (magician interacts with shadow on screen but affecting the physical object casintg the shadow) -- he'd have expected credit ("This trick was invented by Teller") but wouldn't have claimed legal ownership.

      Has he actually said this somewhere, or are you just kind of making stuff up?

      --
      Space game using normal deck of cards: http://BattleCards.org
    3. Re:check what he's suing over by Loadmaster · · Score: 2

      Two cases like that actually. First is Midway Manufacturing Co. v. Artic International, Inc. and the second is Williams Electronics, Inc. v. Artic International, Inc., 685 F.2d 870 (3d Cir. 1982). Artic was selling Defender like ROMs with extremely similar code (we're talking pixels here) on them so others could make bootleg copies. Their argument was that the code or presentation was not copyrightable. The visible element or attract screen, Artic said, was not "fixed." The court, in both cases, held that it was fixed because the code was in the chips from which it can be perceived using the other game components.

      Those cases, at least Williams, is still taught in law school today.

    4. Re:check what he's suing over by Devoidoid · · Score: 1

      I don't think Teler would have protested his competitor adopting the trick itself (magician interacts with shadow on screen but affecting the physical object casintg the shadow) -- he'd have expected credit ("This trick was invented by Teller") but wouldn't have claimed legal ownership. But Teller should be able own the theatre he creates.

      The process would have been, the guy asks for Teller's permission. Maybe Teller grants it, maybe he doesn't. Maybe he sells a license to the guy. Same as with any other theatrical performance. But selling the trick to other people is akin to putting your name on the script to a recent play, running off copies and it and selling them.

    5. Re:check what he's suing over by Anonymous Coward · · Score: 0

      I call bull$h!7

  41. Pot meet kettle by heptapod · · Score: 1

    Penn and Teller revealed secrets of tricks in many of their shows and televised specials. Not really getting why Teller's all bent out of shape and claiming copyright. Did the duo get permission from other magicians to reveal their stunts to audiences which makes it okay?

  42. Right by alphred · · Score: 1

    And so I suppose that Teller has never ever ever performed a trick that someone else developed and everything he has done is truly original work.

    1. Re:Right by Anonymous Coward · · Score: 0

      As mentioned in other comments. It's not the trick, it's the performance. The dude copied it right down to the props. (Even marketed it with P&T's names!) Whether people agree with IP laws or not, we need to have some limited protection on your IDENTITY. Otherwise no rights exist at all. What you say, do, how you dress, call yourself, etc. need a level of protection.

  43. Re:Reminds me of this awesome show I watched befor by Eponymous+Hero · · Score: 1

    what a horrible show. they're so full of their namesake, it's worse than mythbusters. when they do get it right it's because they're a broken clock, not because they have any clue what the scientific method is.

    --
    insensitive clod overlords obligatory xkcd car analogy russian reversals whoosh pedant fanbois ftfy in 3...2...1..PROFIT
  44. The actual claim seems a bit dodgy by Rui+del-Negro · · Score: 1, Insightful

    Here's the problem with Teller's claim:

    "As a direct and proximate result of such unfair competition, Plaintiff [Teller] has suffered, and will continue to suffer, monetary loss and irreparable injury to his business, reputation, and goodwill."

    I give him the last one; his goodwill definitely comes out of this injured, but how exactly has Teller suffered "monetary loss and irreparable injury to his business [and] reputation" ? Teller wasn't selling a kit with the trick, so he's not going to lose any "potential sales". No one seriously believes that people planning to go see or hire Penn & Teller will change their minds and hire Gerard Bakardy instead, and Bakardy made it perfectly clear that his trick was inspired by Teller's, so there's no damage done to Teller's "reputation", either (i.e., there's no suggestion that Teller may have copied Bakardy).

    In other words, this smells like a pure "copyright troll", trying to deny someone else a chance to do something similar even though that person is in no way a competitor or a threat.

    1. Re:The actual claim seems a bit dodgy by ZeroSumHappiness · · Score: 1

      Monetary loss and injury to business: If a thousand magicians do this trick it's no longer as interesting to watch. If it's no longer as interesting to watch you're less likely to buy tickets to a show featuring Teller performing what was once a signature trick of his.

      Injury to reputation: If he had 500 unique and exclusive tricks but now only has 499 he is a step lesser than he was before.

    2. Re:The actual claim seems a bit dodgy by Anonymous Coward · · Score: 0

      Tellers value comes directly from the fact that he was not selling a kit showing how it is done. The more tricks Teller creates and preforms that no one else knows, the greater a value his preformance has. David Blane was famous for his street levitating trick. You wanted to watch Blane do his tricks because no one else did them. Penn and Tell have acts that no one else does. That is the difference between Mike the magician doing street magic and a sold out theater show. Chris Angel does a bunch of stupid shit that people like for some reason... Okay, that one falls apart.

      But by taking Tellers trick, packaging it and selling it exactly how he does it devalues the original.

    3. Re:The actual claim seems a bit dodgy by Anonymous Coward · · Score: 0

      I'll also note that they claim jurisdiction in Nevada by claiming he does business in Nevada, however the main complaint appears to be that the defendant was placing ads in Belgium.

    4. Re:The actual claim seems a bit dodgy by Anonymous Coward · · Score: 0

      If having watched the trick before made it "no longer interesting to watch", then this would be the least valuable trick in P&T's show, since they've done it on thousands of live shows and TV appearances.

    5. Re:The actual claim seems a bit dodgy by Anonymous Coward · · Score: 0

      Bakardy is selling the same effect, not the same method. He did not "steal" Teller's engineering, he simply created a similar effect using his own design (he even describes it as "more impossible", so presumably he improved on the mechanics). And there's nothing special about the original trick anyway, any magic prop designer can do it. It's just meant to look "pretty", not technically impressive.

      And if you paid to watch "David Blane" I have a feeling you were conned.

  45. I thought this was fine... by Anonymous Coward · · Score: 0
    ...up until here.

    started selling a kit — for about $3,000

    Performing a trick is one thing, but selling something you didn't even come up with?
    Only Apple can get away with that.

  46. NDA by eclectus · · Score: 1

    Given Teller's persona on stage, I'm really trying hard not to make a Non-Disclosure Agreement joke....

    --
    This signature is a waste of 42 characters
  47. corporate by Anonymous Coward · · Score: 0

    Whats with these corporate types always suing everyone? Let the creativity go.

  48. Assholes by interkin3tic · · Score: 0

    Penn and Teller seem like some of the most self-righteous, annoying celebs out there. And now they're using copyright law on something that doesn't seem like it should be copyrighted. (slow clap)

    1. Re:Assholes by ZeroSumHappiness · · Score: 1

      doesn't seem like it should be copyrighted

      Works subject to copyright law: "Pantomimes and choreographic works"

    2. Re:Assholes by interkin3tic · · Score: 1

      doesn't seem like it should be copyrighted

      Works subject to copyright law [wikipedia.org]: "Pantomimes and choreographic works"

      doesn't seem like it should be copyrighted.

      Why do people by default assume everyone is a lawyer or legal expert? I was making a normative statement, not a factual statement about laws. Everyone runs around pointing out IANAL, we should really just assume by default that people are not offering legal advice or interpretation unless they say they are.

  49. IP law is a farce and a damaging one at that. by Anonymous Coward · · Score: 0

    As much as I like P&T this is Bull$#!^. What's next I'm going to sue people for thinking the same thoughts as me. It's one thing to take a work written word for word and reproduce it but copyrighting concepts, patenting math and natural processes, where does it end, in thought crime?

  50. As the saying goes by suso · · Score: 1

    stage name Gerard Bakardy (real name: Gerard Dogge)

    Can't teach an old Dogge new tricks?

  51. Hah! by Nrrqshrr · · Score: 1

    Troll Mage specialised in the Patent school...

  52. Teller's Rose Trick Video by Cito · · Score: 1
    Here is video of Teller's Rose Trick

    http://www.youtube.com/watch?v=un1pNtmYguA

    For those that were interested.

    1. Re:Teller's Rose Trick Video by Cito · · Score: 1
      Found link to Teller's original copyright where he explains how the trick is done to the copyright office

      http://ia601207.us.archive.org/28/items/gov.uscourts.nvd.86951/gov.uscourts.nvd.86951.1.1.pdf

      Interesting read

    2. Re:Teller's Rose Trick Video by Legion303 · · Score: 1

      He doesn't explain how it's done, but how it looks (i.e., just the performance part). From watching the video, it's clear that his non-dagger hand is manipulating wires or thread, presumably attached to the flower at various cut points, but damned if anyone I know could pull off a trick that smooth.

    3. Re:Teller's Rose Trick Video by Cito · · Score: 1
      Yea, loved the video, I seen the screenshots from the other guy's vid where he was doing it and wasn't as smooth and his room was much brighter so the atmosphere wasn't there.

      Teller is master of "atmosphere" or setting the ambiance just right for a trick

  53. Aha! by PPH · · Score: 1

    Teller, the silent half of the well-known magic duo Penn and Teller,
    ...
    then called Bakardy to demand that
    ...

    So, Teller can speak! You're so outed, dude!

    --
    Have gnu, will travel.
    1. Re:Aha! by ZeroSumHappiness · · Score: 1

      Maybe he used a teletype service?

    2. Re:Aha! by Anomalyst · · Score: 1

      Not a surprise, I've witnessed him exchanging pleasantries with fans while signing programs after a performance in Vegas.

      --
      There is no right to feel safe thru security vaudeville at the expense of everyone's freedom, privacy and tax money.
  54. In Soviet Russia by Roachie · · Score: 1

    Magician Disappear!

    --
    This sig is not paradoxical or ironic.
  55. I think less of him by Snaller · · Score: 1

    I think less of him for having a video removed from youtube - he didn't make, he had nothing to do with it, and even if it resembles his trick its non his to remove.

    Fuck you Mr. Teller i hope you lose.

    --
    If Google really cared they would fix Android Chrome to reflow text, instead of discriminating
    1. Re:I think less of him by XxtraLarGe · · Score: 3, Interesting

      Mr. Teller i hope you lose.

      It wouldn't surprise me if Teller hopes he loses too. Penn & Teller strike me as just the type of guys who would sue someone in hopes of losing in order to set a precedent against a bad law. Would that make them anti-copyright trolls?

      --
      Taking guns away from the 99% gives the 1% 100% of the power.
    2. Re:I think less of him by Anonymous Coward · · Score: 0

      The problem is, what if they win?

    3. Re:I think less of him by toddestan · · Score: 1

      I suppose they could drop the suit if it looks like it might go that way, though the whole premise seems to be a stretch.

  56. Is it just me? by Anonymous Coward · · Score: 0

    Or did somebody else notice the 'mantube' bookmark in the screenshots (linked PDF)...

  57. Statutory damages. by Anonymous Coward · · Score: 0

    If you don't register your work of art and someone copies it, and you can prove prior art, then the judge/ law can demand the copycat to stop. But it will be difficult to recover damages from such "copy," because it will be a fight of my-word-against-his.

    Copyrighting your work establishes a "hard date" when your work originated, then the burden is on the other person to prove otherwise.

    IANAL, but lawyers typically don't take cases unless you have copyrighted your work. Or have tons of money and fame to begin with.

    1. Re:Statutory damages. by Devoidoid · · Score: 1

      "Prior art" is patent law, not copyright law. Copyright law relies on proof of prior existence, but I don't know if there's a like term to prior art.

      IMO he'd have a better case if he'd patented the trick; then he'd be an automatic winner if Dogge's version uses the same method. I think. On the other hand, there's a (probably weak) case to be made that Teller's copyright covers all methods of creating that same illusion.

  58. How can you sue over magic tricks? by Zaiff+Urgulbunger · · Score: 1

    How can you sue over magic tricks? I mean, everyone knows they're not real. Duurrrrrrr

  59. Michael Jordan by Anonymous Coward · · Score: 0

    So michael Jordan should have copyrighted his moves?
    And no other basketball player would be allowed to drive for a layup/
    dunk and switch hand in the process

  60. OK I'm confuzzled. by Anonymous Coward · · Score: 0

    Today we're FOR copyright? I really need a schedule of when we're for it or against it. Someone shoot me a memo.

    1. Re:OK I'm confuzzled. by Manos_Of_Fate · · Score: 1

      Copyright is a complex issue with many applications and rules, and even in this thread there appears to be very little agreement as to which parts, if any, do or should apply here, and whether one or both parties are doing something wrong. To ask whether all of Slashdot is for or against copyright is a gross simplification in several ways.

      --
      Isn't enough that I ruined a pony, making a gift for you?
  61. What Me Worry? by Anonymous Coward · · Score: 0

    You know with less than 100 views between the three referenced videos FTFA I wouldn't be worried. Personally if the views were higher someone might become a little bit more paranoid.

  62. He just copied the idea by cjonslashdot · · Score: 1

    "If nature has made any one thing less susceptible than all others of exclusive property, it is the action of the thinking power called an idea." - Thomas Jefferson

  63. I'm Not an IP Lawyer by Greyfox · · Score: 1
    But it seems to me a magic trick is something that would fall under Trade Secret and Patent law. I'd think one would either patent it and then either license it or sue people for performing it for 20 years, or keep it a trade secret. In the latter case, there are some specific things people can't do to obtain the secret but if someone figures it out without doing one of those, it's tough luck to the guys keeping the secret.

    I'd be pretty surprised if the copyright angle will work in this case.

    --

    I'm trying to teach myself to set people on fire with my mind... Is it hot in here?

  64. Lesson on Screenshots by Anonymous Coward · · Score: 0

    From the PDF linked in the article; some interesting bookmarks in those screenshots. I wonder if that was the handy work of the lawyer, paralegal or Teller?

  65. I can simplify it for you. by Anonymous Coward · · Score: 0

    Whenever it is used by a hated enemy (ex. Microsoft) or it hampers one of /.'s heroes, we are against it.

    Whenever one of our idols uses it (ex. Linus), of course we are for it. Whether the copyright is correct or not is not the issue. The issue is whether it benefits OUR pet subject.

  66. Re:Reminds me of this awesome show I watched befor by Anonymous Coward · · Score: 0

    Zombie Feynman is awesome, how do they come up with this stuff?

  67. Are we sure this is real? by Anonymous Coward · · Score: 0

    Given Penn and Tellers's penchant for exposing and satirizing laws that they feel are unjust in their nature or application (see "Penn and Teller's Bullsh!t"), I'm wondering if this isn't simply a setup to expose copyright proceedings from a plaintiff's perspective.

  68. Teller Uses The Phone? by StoneyMahoney · · Score: 1

    Gerard could've recorded that conversation then blackmailed Teller (back) into silence.

  69. putting aside the legal aspect... by luckymutt · · Score: 1

    ...I find this awkward for teller considering how in several of their acts they do a "how it's done" act, even boasting they've been kicked out of the Magic Castle for revealing tricks.
    for example

  70. But only when fixed. by Anonymous Coward · · Score: 0

    If that dance or play has not been fixed in some medium, then copyright does not apply.

    When it is, then that fixed medium version is what is copyrighted.

    But if I see you do a trick, work out how it happened and then do the trick myself, then this is no more copyright infringement then seeing the SMB protocol for "reading a file" over the wire and reverse engineering the protocol.

    In fact, this method of reverse engineering someone else's magic trick is how most magicians get their acts.

    Plus, when Penn or Teller show up how some "genuine magic" was faked, when anyone debunks a claim, the one being debunked coud, by Tellers reading of copyright, sue them for copyright infringement and remove all documentation of this debunking.

    Teller is full of shit here. He should STFU and get on with doing HIS act, and let others do theirs.

    1. Re:But only when fixed. by Devoidoid · · Score: 1

      Teller apparently registered copyright in 1983. Therefore it must be fixed in some form. Your argument is moot.

    2. Re:But only when fixed. by Halo1 · · Score: 1

      If that dance or play has not been fixed in some medium, then copyright does not apply.

      That is incorrect, see Article 2 of the Berne Convention. A simple example: if I come up with a poem and recite it, and you hear it and start using it in performances, you infringe on my copyright. Copyright protects the creative work itself, not a medium it has been fixed in.

      But if I see you do a trick, work out how it happened and then do the trick myself, then this is no more copyright infringement [..]

      That's probably true. The point in this case was however not just that the guy figured out how the trick worked, but he basically copied the entire act.

      --
      Donate free food here
  71. Penn and Teller are hypocrites by TheMathemagician · · Score: 2

    For many years Penn and Teller have publicly revealed how tricks are done on their television shows. This is in defiance of organisations of professional magicians such as The Magic Circle (who they deride). In nearly all cases they were not the original devisors of the effect but by their actions they, in a small way, spoil it for everyone. OK, so be it, magic is not very important and they have successful showbiz careers. For them now to complain about someone revealing how one of their tricks is done, and try to use the law to copyright it, is just incredible hypocrisy.

  72. And next likely troll: by gsx-rob · · Score: 1

    Deli sues competitor for copying the process for assembling a ham sandwich

  73. Damn submit button is too close to preview!!! by mark-t · · Score: 1

    The last two paragphs, above, are *NOT* from the paper I quoted... I mistyped </blockquote> in my response at the end of what I intended to quote, and as a result it simply put the remainder of my post into the quote.

    Slashdot really needs a window of opportunity to edit posts that are accidentally sent... even if only a couple of minutes wide.

  74. This is stupid by Anonymous Coward · · Score: 0

    Magic though magicians say that it is an illusion it is really just a lie. You know this if you have been to any number of magic shows including Chris Angel. You can see right through most of the so called "illusions" if you are observant in the very least. Anything based on a lie should not be patentable. If it turns out that lies are all of a sudden patentable I will be sure to patent the idea of a lie as it would be sure to make it through.

  75. I wonder... by mordejai · · Score: 1

    ...how would Slashdot have reacted to this if Teller wasn't the one suing. Or even better, if he was the one being sued.

  76. Wow by DanielBMS · · Score: 1

    Wow that's a shame. I often look up to Penn & Teller.

  77. Re:Reminds me of this awesome show I watched befor by flimflammer · · Score: 1

    You deserve mod points, AC.