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New Flat Lens Focuses Without Distortion

yahyamf writes "Applied physicists at Harvard have created an ultrathin, flat lens that focuses light without the distortions of conventional lenses. 'Our flat lens opens up a new type of technology,' says principal investigator Federico Capasso. 'We're presenting a new way of making lenses. Instead of creating phase delays as light propagates through the thickness of the material, you can create an instantaneous phase shift right at the surface of the lens. It's extremely exciting.'" And by "ultrathin," they mean it — 60 nanometers thin. The big advantage for this technology, aimed at telecommunications signals, is that "the flat lens eliminates optical aberrations such as the 'fish-eye' effect that results from conventional wide-angle lenses. Astigmatism and coma aberrations also do not occur with the flat lens, so the resulting image or signal is completely accurate and does not require any complex corrective techniques."

56 of 202 comments (clear)

  1. But... by craftycoder · · Score: 5, Funny

    Will is make my ass look big?

    1. Re:But... by Cryacin · · Score: 5, Funny

      Thanks for bringing that into focus.

      --
      Science advances one funeral at a time- Max Planck
    2. Re:But... by Anonymous Coward · · Score: 5, Informative

      Have the cameraman back up, which lessens perspective distortion. When taking pictures of people you should always get as far back as possible and zoom in. Staying close and zooming out is bad.

    3. Re:But... by mug+funky · · Score: 3, Interesting

      depends on the effect you want. sometimes the photographer doesn't wish to be flattering.

      i've seen some stunning stuff shot on 16mm film with a 2mm lens up real close. it makes their nose look a metre long and their neck seem far away, but it's often just what you need.

      also, real estate pics.

    4. Re:But... by pedestrian+crossing · · Score: 3, Insightful

      Offtopic??? That was classic, should have at least been modded as Funny.

      The problem is that lately all you see for the first half of a discussion is an endless stream of jokes ("classic" and "not so classic"). Believe it or not, most people don't come here for the jokes, they come here for technical discussion.

      The problem is that slashdot has the "funny" mod, and as far as comment visibility, treats it the same as the "insightful" or "interesting" mod.

      To hack around this shortcoming in the mod system, some mods choose to mod down the jokes to try to improve the S/N ratio.

      --
      A house divided against itself cannot stand.
    5. Re:But... by Anonymous Coward · · Score: 3, Informative
      At least Funny no longer helps karma. It used to. But now getting modded funny put some karma at risk, as the down mod hurts but the up mod doesn't help.

      Potentially, a post could get alternately modded funny and overrated dozens of times, burning through a pile of karma. I'm a little bit surprised there haven't been coordinated attacks on an individual poster.

    6. Re:But... by mister_playboy · · Score: 3, Informative

      The problem is that lately all you see for the first half of a discussion is an endless stream of jokes ("classic" and "not so classic"). Believe it or not, most people don't come here for the jokes, they come here for technical discussion.

      The problem is that slashdot has the "funny" mod, and as far as comment visibility, treats it the same as the "insightful" or "interesting" mod.

      To hack around this shortcoming in the mod system, some mods choose to mod down the jokes to try to improve the S/N ratio.

      If you don't want to see "Funny" posts, adjust your modifier preferences and give "Funny" a negative value.

      I consider troll threads more disruptive than joke threads since they garner more responses. Half the replies in a story might be to such a thread when it is posted near the top.

      --
      Do what thou wilt shall be the whole of the Law ::: Love is the law, love under will
    7. Re:But... by mcgrew · · Score: 4, Informative

      Perspective distortion was used extensively in the filmimg of LOTR. It's how they made the hobbits look much smaller than the actors actually were.

    8. Re:But... by Forty+Two+Tenfold · · Score: 2

      the hobbits look like they are of different heights. Sometimes they look waist high, sometimes chest high.

      And after they smoke some weed they are high as kites!

      --
      Upward mobility is a slippery slope - the higher you climb the more you show your ass.
  2. A return to refractive telescopes? by a_hanso · · Score: 5, Interesting

    Does this mean that very large refractive telescopes will make sense again? If we sandwich a few of these with the metasurfaces tuned right, could we build a telescope that is a slab instead of a tube? How about telephoto lenses built into camera phones? Or cheaper orbital telescopes?

    1. Re:A return to refractive telescopes? by ceoyoyo · · Score: 4, Informative

      Nope. It's IR and down, and it sounds like it probably only works in a fairly narrow frequency band. It also seems like it's probably going to stay that way, since the feature size determines the frequency it's tuned for. Visible light may require impractically small features.

      You could probably build an IR telescope using it, but it would still be a tube, it's just the lens would be very thin (which is likely a problem, rather than an advantage for a large aperture - how do you keep it from flexing? Plus your telescope would probably only work properly in a narrow frequency band (and you'd have to filter out other frequencies).

    2. Re:A return to refractive telescopes? by DevotedSkeptic · · Score: 2

      this could see application on extreme close up technology similar to those found in videoscopes (like this http://www.rfsystemlab.us/vj-adv-4mm.html ) the wider the angle the greater the distortion. what is interesting is the method they used to create the lens effect. They coated the flat lens in concentric circles with slightly different coatings that would change the phase delay for each ring thus focusing the incoming light. Very interesting technology.

      --
      Chief Thinker www.devotedskeptic.com
    3. Re:A return to refractive telescopes? by mug+funky · · Score: 2

      sort of like a Fresnel lens, only using metamaterials and thus only applicable to a narrow range.

    4. Re:A return to refractive telescopes? by sconeu · · Score: 4, Funny

      Yeah, but then you wouldn't want to make them angry... you wouldn't like them when they're angry.

      --
      General Relativity: Space-time tells matter where to go; Matter tells space-time what shape to be.
    5. Re:A return to refractive telescopes? by Jafafa+Hots · · Score: 3, Interesting

      Flexing may be less of a problem in a telescope than problems with differential cooling of a thick lens.

      They even say to leave your camera out in the outdoor temperature for a while before shooting rather than taking it outdoors from inside, because the temperature difference can distort images during the cooling down phase.

      --
      This space available.
    6. Re:A return to refractive telescopes? by ceoyoyo · · Score: 4, Informative

      THz is LOWER than near IR in frequency (thus, in the wrong direction). They said "up to" in the article, which I suppose is accurate if you're talking about wavelength, but gives entirely the wrong impression.

    7. Re:A return to refractive telescopes? by ceoyoyo · · Score: 4, Informative

      Take a look at a spectrum. "Terahertz" is low frequency IR and below: it tops out at far infrared. So this thing is basically good for a good chunk of the IR spectrum and a maybe a little bit of the submillimetre stuff that isn't quite IR. Visible light is too high frequency.

    8. Re:A return to refractive telescopes? by ceoyoyo · · Score: 3, Informative

      IR and down in frequency. So you could make a tiny, easily concealable square to focus infrared rays at someone to irradiate them. Or use a magnifying glass, which is slightly bulkier but has much more light collection capacity.

    9. Re:A return to refractive telescopes? by ceoyoyo · · Score: 4, Interesting

      "because the temperature difference can distort images during the cooling down phase."

      If someone told you that they were either way to credulous or thought you were. You may want to let your camera adjust to the ambient temperature (either cooler or hotter), mostly to avoid condensation, which is a pain to wipe off constantly and will make all your pictures look like you took them in the fog. If you're doing astrophotography you want the sensor to be as cool as possible to decrease the thermal noise. But heating or cooling in a lens on a regular camera doesn't affect the image quality noticeably. Unless of course the lens actually shatters, which I've seen happen, but only growing up in northern Canada.

      But if you don't think flexing might be a problem take a piece of plastic wrap, stretch it across a five gallon pail and blow on it. Try and get it tight enough so it doesn't move but also doesn't tear. Now think that this lens is thinner than that.

    10. Re:A return to refractive telescopes? by ceoyoyo · · Score: 2

      What for? Making a narrowband IR camera with very little light gathering ability?

    11. Re:A return to refractive telescopes? by ceoyoyo · · Score: 3, Informative

      The very same. It's possible these lenses might work well for things like that where regular lenses perform poorly. It's really aimed at telecom though - focusing fibre optic lasers.

    12. Re:A return to refractive telescopes? by Mkoms · · Score: 5, Informative

      Reposting what I posted as AC up above on accident: Just to clarify: the demonstrated lens operates at 1.55 micron (near-IR). The same phase-control concept has already been demonstrated in the mid-IR by the same authors, in the terahertz (THz) by some other authors. The approach is trivially generalizable to any longer wavelength (shorter frequency) which means millimeter wave, radio waves, etc, though it is unclear if it is very useful in the radio frequency region compared to conventional receiving/transmitting phased arrays.

    13. Re:A return to refractive telescopes? by Mkoms · · Score: 4, Informative

      I should also say that the concept is applicable to visible frequencies as well, though requires more intricate design and (as others in the thread has stated), suffers from additional optical losses.

    14. Re:A return to refractive telescopes? by Mkoms · · Score: 5, Informative

      No, unfortunately the concept is not generalizable to gamma ray frequencies (or xrays). It involves plasmonic components, which require metals with plasma frequencies above the operating frequency (otherwise the metals stops acting as a metal). There is no metal which would still behave "metallic" at gamma ray frequencies, I believe.

    15. Re:A return to refractive telescopes? by Solandri · · Score: 2

      Canon already has a couple production lenses which use a diffractive optic element. The construction of the diffractive optics is different from TFA, but the principle is the same.

      The results have been... mixed. They do yield smaller and lighter lenses, but also introduce new distortions of their own. The tradeoff is worth it in most photographic applications, but for precision astronomical work I think the loss of contrast and sharpness may limit its usefulness.

      Also note that DO reduces but does not eliminate chromatic aberrations (different wavelengths of light focus at different distances). Aside from lenses physically distorting due to their weight, that's the biggest advantage of reflectors over refractors. With a reflector, all wavelengths get focused at the same distance.

    16. Re:A return to refractive telescopes? by symbolset · · Score: 2

      OK, I was wrong about that. But it's still a 1mm aperture refracting lens. Actually looks like a mini Fresnel to me. Not going to be great for astronomy.

      --
      Help stamp out iliturcy.
    17. Re:A return to refractive telescopes? by XiaoMing · · Score: 4, Informative

      No, unfortunately the concept is not generalizable to gamma ray frequencies (or xrays). It involves plasmonic components, which require metals with plasma frequencies above the operating frequency (otherwise the metals stops acting as a metal). There is no metal which would still behave "metallic" at gamma ray frequencies, I believe.

      Quite right. More fundamentally, this won't work on any ionizing radiation, as you no longer achieve any cohesive refractive effect when your photons are randomly ejecting electrons via Compton or photo-electric effects, which become the dominant interactions at energies beyond UV.

    18. Re:A return to refractive telescopes? by JoeMerchant · · Score: 2

      An array of small thin flat lenses in the tube could do about the same thing as a big conventional lens. I suspect the new method isn't as stable as conventional lenses, even if you support it with a rigid grid.

      Also, if this is SWIR or thereabouts, those cameras and their thick lenses aren't exactly cheap nowadays - it could compete with the traditional IR lens materials pretty easily.

    19. Re:A return to refractive telescopes? by Bengie · · Score: 2

      I'm sure a telescope-sized 60nm-thick lense will have flexing problems in anything other than a vacuum. The weakest of air currents will cause it to flex all over the place. That is assuming it is flexible and doesn't just break once you get to certain size.

    20. Re:A return to refractive telescopes? by ceoyoyo · · Score: 2

      Um, yes. THz is a bit of the submillimetre usually considered part of the radio spectrum, and far IR. So it goes from very high frequency radio up to nIR. That does NOT include visible. It's "scalable" i.e. tunable, to anywhere in that frequency range. So it's narrowband - you have to make a new lens if you want to look at a different frequency.

  3. It's always been possible by Grayhand · · Score: 3, Interesting

    Look at pin hole cameras. They actually lack lenses but focus to infinity. The trick is to filter out the incidental indirect rays that cause the blurring. The downside with pin holes is they only allow in a small amount of light. I'd love to see a fast lenses, something below F2.8 that doesn't require focusing.

    1. Re:It's always been possible by mug+funky · · Score: 3, Interesting

      why go with such big apertures if you want everything in focus? the beauty of such apertures is you can isolate your subject and blur the tits off everything else in the frame.

      sensor dynamic range is increasing all the time - i'd say by the time one of these lenses works for visible light, they'd be unnecessary.

      of course, there'd still be a need to focus with one of these - the focal point depends on where the subject is.

    2. Re:It's always been possible by viperidaenz · · Score: 4, Funny

      Sometimes you want to focus on the tits and blur everything else...

    3. Re:It's always been possible by smellotron · · Score: 4, Funny

      the beauty of such apertures is you can isolate your subject and blur the tits off everything else in the frame.

      Either I'm taking you too literally, or you're doing it wrong.

    4. Re:It's always been possible by vlueboy · · Score: 2

      why go with such big apertures if you want everything in focus? the beauty of such apertures is you can isolate your subject and blur everything else in the frame.

      Note to prospective camera geeks: don't take that at face. Consumer pocket cameras lenses and sensors don't provide that type of blur and the number means different things for different lenses. Besides, the fastest apertures they offered at brick stores a month ago were 3.5 to 3.1. My android phone does about the same --everything is "in focus". The end result is zero "blur" for your average group shots. My advanced point and shoot forces 2.0 whenever it can and has a large sensor... yet its "blur" effect looks more like normal sensor noise or slight myopia than helpful cinematic framing.

      To provide minor blur without huge, bulky DSLR lenses, the ratio of distance-to-background to distance-to-target has to be past 20:1. That's pretty good compared to most $300 point and shoots. Still, I must focus just inches from the camera to have the living room walls look blurry.

      For baseball-player-at-a-stadium photos that really isolate people in an that pretty, defocused background / pro look (even just this simple kind of shot), you need to carry a telephoto lens or some other big-camera gear. It is all fun, though. But I must share my camera with elders that are afraid of complex, bulky things and can't go DSLR to get my "blur" on.

  4. interestingly... by Tastecicles · · Score: 4, Informative

    according to this report it's not a lens, but a diffraction grating.

    From linked article:

    "Our flat lens opens up a new type of technology. We're presenting a new way of making lenses. It's extremely exciting," says principal investigator Federico Capasso, professor of applied physics at the Harvard School of Engineering and Applied Sciences (SEAS).

    Sorry, matey, it ain't that new, it's just a new application of a well established physical property. I do seem to remember using diffraction gratings to magnify light-bending effects at college in 1992 - specifically to fire an EM pulse at 450nm (near blue part of the visible spectrum) through a sample and use a calibrated* diffraction grating to amplify the signal to a photographic plate. What you end up with, essentially, is a highly magnified image (on the order of millions of times) with a very low distortion, with which you can determine the structure of the sample (be it a crystal lattice, eg. graphite, or a double helix, eg. DNA; each molecule has its own unique diffraction pattern). Generally you would use X-rays as pretty much anything is at least partially transparent to this wavelength, but since we had to use visible light from a very low powered lasing LED, we had to use visible-transparent samples. We got stuck with a quartz crystal. Still interesting physics, though, and some very pretty pictures.

    *calibrating a diffraction grating is very simple: all you do is make the spacing between the lines on the plate equal to the wavelength of the light you're using. For far blue, you'd use a 400nm grating, for red 700nm. These are but two of several calibrated plates available.

    --
    Operation Guillotine is in effect.
    1. Re:interestingly... by Mkoms · · Score: 2

      I apologize, but you are not correct. This is certainly not a diffraction grating. In a diffraction grating you are repeating a unit cell over and over (usually a thinner region, then a thicker one, and so forth) and using the fact that light scattered from each one of these regions will end up constructively interfering in some regions, destructively in others, etc. While I don't want to say that you can't use a diffraction grating to magnify an image (there are some approaches with some particularly designed gratings -- though one can argue that they are not really gratings), there isn't a convenient direct method that I am familiar with. I should also say that you seem to be confusing magnification of an image with seeing its diffraction pattern; they are not the same. In this work, individual elements are designed which operate as phased scatterers (they absorb light, and then re-emit it with some designed phase), which allows you to arrange them to make a phase plate which operates as a lens (or another device, if you wish).

  5. no by SuperBanana · · Score: 4, Informative

    If we sandwich a few of these with the metasurfaces tuned right, could we build a telescope that is a slab instead of a tube?

    Only in limited cases, because it's only applicable from near-infrared to terahertz frequencies. UV and visible band are pretty much all out from the sounds of it.

    Also: the lens is very thin. Nothing else is - just the lens. Ie, the objective or sensor still has to be some distance behind it, and I'm sure there are limitations with respect to angles. So you still need a tube - especially if the lens is very large in diameter.

    This is fascinating, because it sounds like it is operating as a phased array; they *delay* the light depending on where it strikes on the lens. Wild! Phased arrays work by delaying the signal, thus steering the electromagnetic wave, but that's when you're generating or receiving...not modifying and retransmitting!

    However, they're doing it in this case by physical manipulation of the gold/silicon structures at construction time. It's not tuneable afterward.

    That's fine for telecom / fiber applications, where you only have a fixed number of specific wavelengths. However, astronomers might not mind being restricted to imaging just that one wavelength or that high in the light spectrum.

    Sadly, this limitation also makes it useless for semiconductor lithography, which is UV to x-ray range.

  6. Misleading article title and blurb! by cyn1c77 · · Score: 3, Informative

    The lens is tuned to a single wavelength of light and was demonstrated with a laser.

    It's not apochromatic and not instantly useful to most lensing applications.

    The authors say that it could potentially be, in the future. But that often means "give us more funding."

  7. Re:What about chromatic aberrations? by Anonymous Coward · · Score: 2, Informative

    That's really all that matters these days. Everything else can be easily corrected in software. Chromatic aberrations are more difficult to deal with nicely.

    -Matt

    Nope Matt...

    Every optical aberration suppresses the system's Modulation Transfer Function (MTF) fundamentally resulting in a loss of information. Despite what CSI has taught you, you can never fully "correct it in software" after the fact. How well you can do depends primarily on signal to noise ratio (SNR), your detector's linearity calibration, and your prior knowledge of the objects power spectral density (usually just a rough semi-educated guess). Therefore, it's still important to have low-aberration systems for good imaging.

    Now to answer your question... The principle of operation for this "lens" is similar to a fresnel lens / zone plate. This means it really only works at the single wavelength it was designed for (i.e. if you shove broadband light into it, you'll get a metric fuckton of chromatic aberration)

  8. Really? by SuperKendall · · Score: 3, Insightful

    ?

    Really? No, REALLY?

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
  9. Uncomfortable as hell by SuperKendall · · Score: 3, Insightful

    Screw glasses, what about Contact Lenses?

    I'm not sure how many people demand perfectly flat contact lenses, but it can't be many...

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
  10. Re:Better Than Glasses by fuzzyfuzzyfungus · · Score: 2

    Or could you just implant metamaterials in your cornea to correct your vision?

    I wonder how many nurses it would take to hold the patient down once they learned of your plan to go after their cornea with an ion-beam rework system?

  11. Plasmonic devices=a bit far from any practical use by Yevoc · · Score: 5, Informative

    My colleagues work on the exact same gold-based nano-antennae used by this work. All of the nano-antennae on the lens' surface are basically arranged to absorb and re-transmit the incoming light into a near perfect spot. Because it uses metal on nanoscopic scales to manipulate light in a way other than pure reflection (like a mirror), it's in the field of plasmonics. (Below a certain frequency [of light] the electrons in a metal react like a plasma, hence the name.)

    Whenever us optical engineers hear about plasmonics, we internally roll our eyes, because metal almost always absorbs far too much light to be useful. Even tens of nanometers of penetration and/or propagation can extinguish almost all of the light. This essentially relegates the entire field to the realm of theoretical curiosities and nothing more. (This work uses 60nm thick gold)

    The authors of this paper admit that absorption is their biggest obstacle, as this lens only passes 10% of the incoming light. There are other issues for making this work a reality, but they pale in comparison to the classic brick wall you get when passing light through metal.

    --
    AccountKiller
  12. Re:What about chromatic aberrations? by Skapare · · Score: 3, Interesting

    It's just a giant antenna, minus the feed. Think of a massive yagi array, flattened. Works best in a very narrow spectrum.

    --
    now we need to go OSS in diesel cars
  13. Co-author checking in. by Mkoms · · Score: 5, Interesting

    Hi everyone. I'm a co-author on the article, and I'd be happy to answer any questions you may have, though probably tomorrow. I'm hoping that this goes better than the last time I tried this (see here: http://slashdot.org/comments.pl?sid=1747464&cid=33185134), where no questions were asked and most of the discussion centered around mildly funny jokes. I appreciate those as much as the next person, but if anyone likes, we can discuss science =].

    1. Re:Co-author checking in. by Mkoms · · Score: 4, Informative
      Can it be adapted to work with visible light? Yeah, though it will take some re-design.

      Can it be adapted to be *useful* with visible light? Unclear for a variety of reasons. The first is that shifting to the visible will increase metal losses, so more of the light will simply be absorbed instead of focused. Not that the efficiency isn't an issue already: from the article you can see that with the current design, the maximum attainable efficiency is ~10%, with the rest of the light being absorbed (not that much actually) and scattered somewhere else (this is the big one). In fact the presently demonstrated lens has an even lower efficiency, though scaling it up to the 10% figure is fairly trivial. Anyway, in the visible the 10% figure probably drops with the current design, though some design improvements could likely be made. I don't want to give you an upper bound on the efficiency because frankly I'm not sure. Anyway, do you want a lens that only focuses some percentage (say between 10% and 40% just to have some numbers) of the light and throws away the rest? We've gotten so good at making regular old lenses in the visible, that I'm not so sure. On the other hand go to a different frequency range where good lenses are less common, and all of a sudden the present approach may have some value.

    2. Re:Co-author checking in. by jeti · · Score: 3, Interesting

      There's a type of lens called Beugungslinse in German. I think the english term is diffraction lens. It is similar to a Fresnel lens, but the size of the structures are below the wavelength of visible light. What are the differences between these lenses, diffraction grates and the type of lens you're working on?

    3. Re:Co-author checking in. by jasonataylor · · Score: 2

      For starters, how about supplying a link to a free preprint of your paper. Without that, all you are going to get are /. jokes, since there is no tech to discuss.

      --
      jason.arthur.taylor at gmail dot com;240-471-5613. I respond to all emails, if only with "ok." If I did't respond, I did
    4. Re:Co-author checking in. by Mkoms · · Score: 2
      An open version of the article can be found here: http://arxiv.org/abs/1207.2194

      As an FYI, many articles that are pay walled can be found on the arxiv pre-print server for free.

    5. Re:Co-author checking in. by Mkoms · · Score: 2
      Hi John,

      Thank you for your comment. It's not true though that we're making small micro-lenses. A micro-lens is still a regular lens; at the very least that means that it is larger than the wavelength of light. The antennas used here are smaller than the wavelength of light, made of metal, and change the phase of the light due to a resonance behavior. You can see the particular shapes and sizes of the structures used in Fig. 2 of the paper (http://arxiv.org/abs/1207.2194)

  14. Its all about latitude... by FlyingGuy · · Score: 2

    and I don;t mean those little lines on the globe.

    I have been an amateur photographer most of my life. The holy grail of photography, for me, has been to find film or techniques that bring film images as close to the latitude of the human eye. In Film Speak the human eye can handle around 12 to 14 f-stops around a given lighted scene. Which is to say that the information that your retina takes in ( given a central point that has lighted value of n ) can be discriminated 12 to 14 f-stops darker or brighter.

    We have all experienced taking a picture of a brightly or darkly lit scene. Sunsets are a great example. We as a viewer can enjoy a sunset and see all the detail ( quite clearly ) around us AND enjoy the sunset. This is one of the hardest, if not impossible, things to do with any camera, digital or otherwise for the simple reason that to correctly expose for the sky ( the sunset ) we will always drastically underexpose everything else around us by a large factor.

    I think this can be solved with a digital camera, but not until computing speeds drastically increase and not just by a little bit, but by several orders of magnitude since it would mean that each individual pixel would have to be processed and recorded for the sufficient amount of time to record the detail level in a still shot. So in a Nikon D5100 the sensor has ~16 million pixels. To obtain a shutter speed of 1/125 of a second ( .008 seconds ) each pixel who have to be processed in about 5 pico seconds ( 16 million / .008 = 1 * 5 -10th) and of course faster shutter speeds, well you get the point.

    --
    Hey KID! Yeah you, get the fuck off my lawn!
    1. Re:Its all about latitude... by FlyingGuy · · Score: 4, Informative

      Best explanation I have found that says it succinctly. I hope it helps.

      Dynamic range = difference between highest and lowest(brightest/darkest) value that can be recorded on a medium.

      Latitude = The degree of variation allowed above or below a certain setting, derived directly from dynamic range. i.e latitude a film is for a certain exposure, how many stops of headroom it has above and below before you lose details.

      And just for fun...

      Contrast = the difference between intermediate tonal values within a certain range. Generally, contrast is inversely related to dynamic range. A wider range allows finer graduations and hence lower contrast if desired. Contrast is directly related to the tonal response of the medium and can be visualized as a curve from light to dark. The steeper gradient of the curve, the higher the contrast at that point.

      --
      Hey KID! Yeah you, get the fuck off my lawn!
    2. Re:Its all about latitude... by Teun · · Score: 2

      Hey thanks for introducing me to the concept of latitude, I've been photographing for many years and hadn't heard of it.
      But when I look at raw pictures of my D800 they have significant information hidden in the dark and bright parts of an exposure and with software it can be brought out, effectively lowering the contrast for the whole picture.
      Meaning the limiting factor is the contrast range of the screen or printed media, contrary to our eyes they are not dynamic.

      --
      "The likes of Facebook and WhatsApp are free to those whose privacy is of zero value."
    3. Re:Its all about latitude... by tibit · · Score: 2

      The issue is not about processing speed, but about sensor manufacturing processes. Your 5 ps figure is correct but meaningless: you don't have to serially "process" pixels like you imply, it'd be useless to do so.

      In the current sensors, it's hard to put significant electronics for every pixel without making the pixes less efficient. To have the ultimate sensor, you'd want something like an HP multislope A/D coverter right behind every pixel, so that it wouldn't matter how much light falls on it -- it could be appropriately measured over a dynamic range of more than 6 decades. A multislope A/D is fairly light on transistors, you could probably pull one off in an amortized 1E3 transistors per pixel. The currently-made sensors share an A/D converter across many pixels, and such A/D converters can't be both very fast and have large dynamic range. A camera with 3 decades per pixel (10-12 bits) is about all you get so far, IIRC, and that's where the problem lies.

      --
      A successful API design takes a mixture of software design and pedagogy.
  15. Re:Better Than Glasses by azalin · · Score: 2

    Or could you just implant metamaterials in your cornea to correct your vision?

    I wonder how many nurses it would take to hold the patient down once they learned of your plan to go after their cornea with an ion-beam rework system?

    This is why you inject them with Happy Juice (tm) before telling them the details.