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Illegal Downloading Now a Crime In Japan With Increased Penalties
eldavojohn writes "Although downloading songs without paying for them in Japan used to be a civil offense starting in 2010, it is now a crime with new penalties of up to two years in prison or fines of up to two million yen ($25,700). The lobbying group behind this push for more extreme penalties is none other than the RIAJ (the Japanese RIAA). The BBC notes this applies to both music and video downloads which may put anime studios in a particularly uncomfortable position."
Except that the only way for anti-piracy to "win" is to take general purpose computers out of the public's hands and move everyone into walled garden ecosystems, which would kill open source software.
For as long as people can use computers to share files, they will. The only way around that is to replace the public's computers with devices that don't run unsigned software and don't play back unlicenced media.
If you think the anime studios are in a particularly uncomfortable position, you should see what happens to their characters.
Yes, and IMO this is pretty much the reason for such high penalties. Every now and then when someone gets actually caught it makes a sensation in the news.
One big thing about this law is a DMCA-like crack down on circumventing DRM and most Japanese language articles about this talk about it including making copies of movies or CDs that you rent. I didn't go to a rental store today, but it's always been one of my personal pleasures to walk into a movies store and the main display when you walk in is piles of blank CDs and DVDs. The largest chain Tsutaya often doubles as a bookstore with books and magazines teaching you how to rip CDs and DVDs were prominently displayed. I might go down tomorrow to see if it's changed at all. Though when the price of a new CD is generally $30+, it makes a lot of sense that most Japanese people would just rent and rip.
How about we don't wreck anyone's lives?
The artist is an art-producing AI, who was compiled from source code that is open.
Indeed - and it's no secret that the anime industry (both the Japanese creators and Western distributors) has often used levels of overseas piracy to determine which titles are worth licensing for release in the US/Europe.
It's not a foolproof method - it backfired badly during the industry-crash in the middle of the last decade when a lot of companies found that there are certain titles that people are just not going to walk up to a shop-counter with in the US or London, even though they'll nab them happily enough from a torrent. However, it can generally be a good way of spotting whether a title and/or similar titles are worth a subtitled streaming release, a physical DVD/BD release or potentially a fancy special edition box.
But yes, there's the reverse importation problem - and this is as relevant to gaming as it is for anime. For whatever reason, Japanese buyers of anime and video games are content to get ripped off to an utterly eye-watering degree. The "old" system for anime releases in the West was to set a price point of $30/£20 per volume of 4-5 episodes. These days, US/EU distributors struggle to get away with that model for all but the very biggest of releases (Puella Magi Madoka Magica is the most recent example I can think of) - it's more normal to get volumes of 13 or so episodes, for not much more than $40/£25 per volume. Meanwhile in Japan, that $40 equivalent gets you a volume containing... two episodes. The situation is broadly similar on games, where prices for many titles (particularly Japanese-developed ones) are utterly eye-watering in Japan.
Now if you've got a market that's willing to play along with prices like that, you're going to do everything you can to protect it - and that means doing whatever you can to block reverse importation. So yes, most Western (legal) streaming sites block Japanese IP addresses.
In the gaming sphere, Nintendo insist on full region locking (probably due to their Apple-style paternalist, authoritarian culture). Sony make it very hard to release region locked games on their console - there's only been one region locked PS3 game to date (Persona 4: Arena - and a worthy target for a boycott if ever there was one). But the 360... the 360 is more interesting. Microsoft neither ban nor mandate region locking; they leave it up to the publisher to decide (and don't lock the games they publish themselves). If you look at the trend for region locking on 360 games, while you can always find a few exceptions, a large of US releases will work on European consoles and vice versa, but very, very few will work on Japanese consoles. This at least partly explains why so many of the smaller Japanese developers have been willing to go the 360-exclusivity route during this console generation, despite the 360's poor installed base in Japan.
I used to be strictly anti-copyright-infringement, but when I learned how these **AAs buy laws from my politicians. And then look at my relatively small disposable income (not nearly enough to buy politicians), well, that's when I started to feel maybe it's time for some civil disobedience. It's at least time to not give the **AAs any more money.
Free Culture
http://archive.org/details/free-culture-audiobook
I get your point, but the kid didn't have $999 in the first place, and the purchasers of bootleg DVDs don't have that $1.3 million. If we accept those numbers, then we're just confirming the delusional math of the the "Associations" (pronounced "cartels").
If you were blocking sigs, you wouldn't have to read this.
It would be sort of like if you refused to ever prosecute any store break-ins or shoplifting
No, it's nothing like that at all.
A store owner has a store full of stuff. If the government disappeared, he'd still have a store full of stuff. He might have to protect the stuff himself, or he may have to pay someone to protect it - but nevertheless, he has stuff. If someone shoplifts, he loses some finite amount of that stuff, and he no longer sells it.
A songwriter has a pretty tune. If the government disappeared, he'd still have a pretty tune. There is no way to protect this pretty tune - but it doesn't really matter because even if someone "steals" it, he can still hum the pretty tune. If he's lucky, his pretty tunes will turn the head of a patron of some sort and he might actually make some money. He could also make some money by performing the pretty song.
Short of a patron or a performance, the only reason a songwriter holds anything of value at all is because of a government subsidy. Taking away the subsidy has no moral hazard at all. If the system isn't working to the benefit of society in aggregate, then the system should be changed.
W..w..W - Willy Waterloo washes Warren Wiggins who is washing Waldo Woo.