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Police, Copyright Industry Raid Movie Subtitle Fansite

Swedish Pirate Party founder Rick Falkvinge reports that a fansite providing subtitles for movies has been raided by Swedish police at the behest of the copyright industry. "The movie subtitle fansite undertexter.se, literally meaning subtitles.se, is a site where people contribute their own translations of movies. This lets people who aren't good at the original language of a movie or cartoon put those fan-made subtitles – fansubs – on top of the movie or cartoon. Fansubbing is a thriving culture which usually provides better-than-professional subtitles for new episodes with less than 24 hours of turnaround (whereas the providers of the original cartoon or movie can easily take six months or more). What’s remarkable about this raid is that the copyright industry has decided to do a full-out raid against something that is entirely fan-made. It underscores the general sentiment of the copyright monopoly not protecting the creator of artwork, but protecting the big distribution monopolies, no matter who actually created the art."

4 of 344 comments (clear)

  1. Re:Fuck 'em by Anonymous Coward · · Score: 5, Interesting

    Woah there... Who said anything about pirating? If you wanted to watch a movie you bought that was not in a language you can understand, wouldn't you want subtitles?

  2. Re:Derivative work by ArcadeMan · · Score: 4, Interesting

    And it's not only about language barriers but also about the disabled. If I were them I'd look up to see if there's any laws about making works accessible to the deaf. There's laws about government websites in the USA, surely there's a loophole somewhere about deaf people and movies.

  3. Sometimes the companies act differently by Aim+Here · · Score: 4, Interesting

    Heh, I've had experience with commercial film companies and fansubs.

    A few years back, I had too much time on my hands, and an itch to watch certain foreign movies that (then) had no publicly available English translation. Not to be outdone just because I was monolingual, I downloaded the films themselves from the internet, downloaded subtitles for *other* languages (French, Spanish and Portuguese) and proceeeded to convert the subtitles into English, using a mixture of google translate, perl, online dictionaries, hand-editing and mass rewatching of parts of the film, until I got something that looked roughly right to me, at the time. It took a pile of time, but as I say, I had too much time on my hands.

    When I was done I finally got to watch the film, then uploaded the files to some subtitle database on the internet in case others found it helpful, which apparently a few people did. No matter that what I did had a lot of wrong bits (the hardest part is catching local idioms, which aren't well-documented, even on a place as comprehensive as the internet).

    Fast forward a few years, and I spot DVD versions of one of these films on Amazon complete with English subtitles and buy it instantly. Finally, I'll get to see the film with properly translated subtitles, rather than some botch job by someone who didn't know what they were doing. And, of course, it turned out that the Korean company that packaged the DVD had just downloaded my subtitles from the internet, made some small alterations and slapped them on the DVD itself (sadly, not correcting the most obvious mistakes I'd made).

    Seems some of these film companies will happily take free fan labour (however shoddy!) and sell it on to paying customers without acknowledgement or royalty*, while others will send in jackbooted thugs to have you sent to jail. Such is life.

    *I'm not miffed about my work being used like this - I'm just embarrassed at the terrible job I did and hope the customers aren't upset by it!

  4. Re:Yes, all works are derivative. by Minwee · · Score: 4, Interesting

    True, all works are derivative. But not all works are derivative of something that is still in copyright. If you want to (by way of completely random example) do a translation of Les Miserables and then make an english-language musical out of it, there's nobody to stop you because the original source is long out of copyright.

    That's one way of looking at it. The other way is that there are other derivatives of Les Miserables which _are_ under copyright, and the people who own them would like to have a few words with you about exactly what you have created a derivative work of.