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Amazon Isn't Killing Writing, the Market Is

An anonymous reader writes: Amazon has been struggling for price control of the book and ebook markets for years, battling publicly and privately with publishers while making a lot of authors nervous. With yesterday's announcement of "Kindle Unlimited," a Netflix-like ebook subscription service, Amazon is reaching their endgame in disrupting the book-selling business. But there are other companies doing the same thing, and an article at TechCrunch makes the case that it's the general market, rather than any company in particular, that's making it harder for authors to earn a living. "Driving the prices lower isn't likely to expand the market of readers, since book prices don't seem to be the deciding factor on whether someone reads a book (time is). But those lower prices directly shrink the incomes of authors, who lack any other means of translating their sales into additional revenue. That's why I don't think the big revolution for writers and other content producers will come from Amazon, but rather from startups like Patreon, which allow producers to build audiences directly and develop their own direct subscription model with their most fervent fans."

192 comments

  1. Yep, how the music industry was killed... by Anonymous Coward · · Score: 0, Interesting

    My issue with subscriptions is that companies tend to not pay the content makers much.

    In the past, you made an album as a musician, you got $10-$15. Even a few listeners would more than pay for one's work. First came the $0.99 tracks, then the subscription "revenue" which is little to none, and now album sales are worthless, and musicians have to gig... which is damn hard in areas like Austin where if you are not a hipster crooning about your cat, you won't find anywhere to sing, period.

    Before this, we saw a lot of decent bands. Now, the ONLY thing pushed by mainstream labels is their own synthesized bands and nothing else. 20 year ago, people would laugh at a label making a band like The Monkees and refusing to sign Aerosmith or the Rolling Stones.

    Now, this market killer is now attacking the book ecosystem.

    1. Re:Yep, how the music industry was killed... by Anonymous Coward · · Score: 1

      Citation please: Less than 50 musicians in history have gotten $10-15 per album from mass sales. The ones who have are all truly indie artists, who are playing on the street and coffee shops.

    2. Re:Yep, how the music industry was killed... by Anonymous Coward · · Score: 4, Informative

      My issue with subscriptions is that companies tend to not pay the content makers much.

      In the past, you made an album as a musician, you got $10-$15.

      You are correct that companies don't pay content producers enough. However, your knowledge of how things 'used to be' is badly flawed.

      No one in the history of the music industry has ever gotten paid $10 per album sold. Even the biggest names rarely get as much as $2. Many 'big name' artists have sold millions of albums and were paid as little as 50 cents per album.

    3. Re:Yep, how the music industry was killed... by alexander_686 · · Score: 4, Insightful

      And even those are not earning much money.

      In a interview a few years ago with Ani DiFranco, the report was gushing on how much higher her margins, as a independent artist, than The Dave Mathew Band. Which made DiFranco laugh because The Dave Mathew Band was making so much more money. DiFranco pointed out that going independent was about freedom of control not about the money.

      It is not about margins it is about market structure. Piracy has trained consumers that music should be cheap.

    4. Re:Yep, how the music industry was killed... by JMJimmy · · Score: 4, Informative

      Not even big musicians ever got $10-$15. Artists typically would get anywhere from 8 to 14 percent and major stars would get 20 percent of album sales. Even after inflation adjustments you're only talking about $5 per album at the high end. What happened was album prices went down - If albums stayed in line with inflation they'd be $100 per album now. http://theunderstatement.com/p...

      Book prices are going the opposite direction! A mass market paperback in 1975 cost $1.35, adjusted for inflation that's about $5.97. The average mass market price now? Around $8. 25% higher. The issue with books is that publishers create these insane contracts to allow them to suck every last penny out before cutting a royalty cheque. So if you take the adjusted amount a 1975 author could typically expect $0.59 per copy sold, today's author should be able to expect $0.80 per copy sold right? In reality because of the contract loopholes they end up getting at most $0.32 per copy sold.

      So authors are typically being payed 60-70% less than in 1975. In addition to this the number of titles published per year has skyrocketed - 135,000 titles are published every year now. That's a lot of competition just within the industry let alone competing for peoples most valuable thing: time. There's going to be a major contraction in the book market to correct for this regardless of what Amazon does.

    5. Re:Yep, how the music industry was killed... by Anonymous Coward · · Score: 0

      See, he is right if you read it as $10-$15 TOTAL, just not per album.

    6. Re:Yep, how the music industry was killed... by gweihir · · Score: 1

      I think freedom of control is hugely valuable to artists. However are they going to experiment and evolve their craft without it?

      --
      Most ACs are not even worth the keystrokes to insult them. Be generically insulted by this and ignored otherwise.
    7. Re:Yep, how the music industry was killed... by AcidPenguin9873 · · Score: 2

      You're right. But most of the rest of them got big-enough advances from record labels though so that they could try making music for a living for a couple years. The money for those advances came from record sales of the few acts that did make it. Now, there's little money coming in from record sales from the acts that made it - only peasly subscription revenue and $0.99 tracks. Less money coming into the labels, less money going out as advances to artists.

    8. Re:Yep, how the music industry was killed... by Anonymous Coward · · Score: 0

      How are they to experiment and evolve without food?

    9. Re:Yep, how the music industry was killed... by Anonymous Coward · · Score: 1, Funny

      Well clearly, their first priority should be evolving photosynthetic capability.

    10. Re:Yep, how the music industry was killed... by AudioEfex · · Score: 3, Insightful

      That actually isn't what Happend at all. You need to go further back than 1998.

      Not to mention that your prices are way off - someone like Madonna gets $4-5 bucks an album, and that's the super-high end.

      Cheap singles are nothing new. Singles drove the industry from the 60's through the 80's. Then labels slowly stopped releasing singles, forcing folks to buy an entire album for one song. This really hit the mainstream when Britney Spears first album, "...Baby One More Time". The title song was a huge radio and MTV hit, but it was unavailable as a single, and was only available when they finally dropped the album, forcing folks to buy the whole album to get the song (with the album filled largely with filler like "Email My Heart"). This resulted in an instant #1 album.

      By holding back singles, they forced folks to spend much more on albums, which became standard practice - and it's no coincidence that this coincided with the rise of Napster because it was the only way folks could just get one single song without spending $15-20. It was a direct response to taking away choice from the market place.

      There is a lot more to it before and after, but that's the basic gist - how the labels basically created the whole download environment by manipulating the market just as the technology became available to circumnavigate the entire thing. Since then they have played catch up and obviously largely lost in the long run.

      This is also why your average AAA-list concert act sells tickets starting at $150-300 - because the record companies don't get a cut of that, and it's where they make the bulk of their money. Not that it hasn't always really been that way, of course.

    11. Re:Yep, how the music industry was killed... by Anonymous Coward · · Score: 0

      Refusal to deal taught a generation of consumers to pirate. Consumers once they found piracy liked the price.

    12. Re:Yep, how the music industry was killed... by Applehu+Akbar · · Score: 1

      So Robert Plant was way ahead of his time!

    13. Re:Yep, how the music industry was killed... by RabidReindeer · · Score: 2

      Piracy has trained consumers that music should be cheap.

      In case you hadn't noticed, these days people expect EVERYTHING to be cheap. Well, except CEOs, anyway.

    14. Re:Yep, how the music industry was killed... by davester666 · · Score: 1

      No. Naming yourself after something that does photosynthesis does not give you the ability to also do photosynthesis. That's just stupid.

      --
      Sleep your way to a whiter smile...date a dentist!
    15. Re:Yep, how the music industry was killed... by FatdogHaiku · · Score: 1

      So Robert Plant was way ahead of his time!

      Not to mention a head in his time, and, if he wanted it, getting head all the time.

      --
      You have the right to remain sentient. If you give up the right to remain sentient, you will be elected to public office
    16. Re:Yep, how the music industry was killed... by flargleblarg · · Score: 1

      Less than 50 musicians in history have [...]

      Fewer than.

    17. Re:Yep, how the music industry was killed... by Anonymous Coward · · Score: 0

      Less than 50 musicians in history have [...]

      Fewer than.

      Nice sentence fragment Mr. Pedantic.

    18. Re:Yep, how the music industry was killed... by Nyder · · Score: 2

      You're right. But most of the rest of them got big-enough advances from record labels though so that they could try making music for a living for a couple years. The money for those advances came from record sales of the few acts that did make it. Now, there's little money coming in from record sales from the acts that made it - only peasly subscription revenue and $0.99 tracks. Less money coming into the labels, less money going out as advances to artists.

      Having known musicians that have landed contracts, they do NOT give you enough to live on at all. They give you enough to get some new equipment, then gouge them with paying them for the studio, recording, editing, graphics, videos, etc. All which have to be pay back (and you are paying more if you would of found your own places to do that stuff).

      And record companies are still making plenty of money selling stuff these days.

      --
      Be seeing you...
    19. Re:Yep, how the music industry was killed... by Anonymous Coward · · Score: 0

      Piracy has trained consumers that music should be cheap.

      In case you hadn't noticed, these days people expect EVERYTHING to be cheap. Well, except CEOs, anyway.

      In case you hadn't noticed, these days most people can only afford anything beyond the utter necessities if it is cheap. If it's not cheap, they don't buy. (And that's not to mention the increasing number of people who can't afford even the necessities these days.)

      Music, and writing, are utter luxuries. Particularly when musicians and writers are literally giving their work away over the net. I have plenty of music tracks I got off youtube, provided for free. I read more fanfic these days than actual published writers, because the quality these days is about the same.

      If you're selling something that others are giving away for free, you'd better be lightyears ahead in quality. Neither music nor writing is, anymore.

    20. Re:Yep, how the music industry was killed... by sillybilly · · Score: 1

      I subscribe to emusic. Because they still provide DRM free mp3 tracks. As soon as DRM hits, I'm done. It's like $12/mo, for $0.50 tracks. Sometimes I don't feel like I want to get any music, but every 30 days I gotta work up the effort and make a selection. And it ends up being pretty neat stuff. Also, because I paid for it all, in the future when they create a total intellectual lockdown, and there will be police raids reviewing everyone's computer for intellectual property and copyright violating stuff, I get to keep the emusic stuff for sure. I also made a collection in a pile of boxed software like MS DOS and Windows 95, which I don't really use right now, but want to have the option to go back to if I feel like it, that they may raid my home and computers for and I'd still have official right to use. Prices for these oldschool things are very cheap on Ebay, and they are still very available, which may not be the case in 10 years, especially when the intellectual property raids become commonplace in your homes. They are probably gathering data about all your files through web browsers and operating systems, and eventually you will be forced to keep all of them on the cloud for free review, so in those days I can keep all my emusic downloads having paid for them as opposed to all the youtube videos and porn image samples that I found and downloaded for free. In fact I keep a separate folder just for youtube, knowing that that's the first thing to nuke or agree with the authorities to get nuked when you get raided. Porn the same. One of the reasons to save porn is that it's available in present computing technology with present formats, and if the future brings you some stupid format or hardware that's impossibly cumbersome to use, you can go back to it, sort of grandfathered rights, like you can go back to antique cars that are not chipped, therefore not remote controlled, where Da Man will send you into an accident and either kill you or blame the accident on you, when in fact he's remote controlling your car. Yeah chips makes cars more fuel efficient, but also unsafe from the remote control perspective. You don't know what a chip does, it's not possible to dissect a chip and figure out what it does, even a 3 legged device that looks like a transistor, could pretend being a transistor until some zero day when it switches on to being the equivalent of a whole supercomputer cpu, via serial communication on the printed circuit board tracks. Only if you made the chip do you know what it does, and even then you're vulnerable to it being replaced by an identical looking, identical acting, but payloaded fake chip, while you sleep. So anyway, you have some kind of grandfathered rights with antique jpg pictures, or at least you can bury them in your backyard from authorities doing house raids. Also a lot of the nude pictures say low resolution sample, subscribe for high resolution, so they are kinda like advertising, that you get for free, but the creator still retains copyright, so it gets complicated. It's like making a living on promotional samples when it comes to toothpaste, soap, shampoo, cookies, etc., especially when the market is flooded with free samples, and when it comes to porn, the market is indeed flooded, because it's easier to make a nude picture than to write a book. The basic issue with intellectual property pricing is that the incremental cost of production is zero, so the long term equilibrium price is zero. By the way I bought an organic chemistry book from Google play for like 5 or 8 bucks, having no idea it would be DRM'd, so I'm not buying anything from Google if they are pimping DRM crap, but surprisingly the book had a great quality, by authors from India, on the level of a $350 college textbook, for less than $10. When international competition sets in and the incremental cost of production is $0, what's driving down intellectual property prices is not entitites like Amazon, but simply massive global competition.

    21. Re:Yep, how the music industry was killed... by Casualposter · · Score: 1

      It takes time and effort to create a novel - even a crappy one. One of the authors that I read frequently puts out about two novels per year and spends 40-50 hours per week writing. It takes me a weekend to read her novel. Even if a musician gets $0.05/track, they get something and they can play a concert and sell t-shirts, or fan club memberships, etc. What can an author do? They don't do public performances, or have fan clubs, or sell T-shirts.

      There was never much money in creative writing, and the subscription service isn't going to put food on the table for authors. So I guess you give away your first few novels and hope you can raise enough to eat via Patreon.

      Sounds really bleak.

      --
      Creative Spelling Copyright (2002). May use without Persimmons
    22. Re:Yep, how the music industry was killed... by Anonymous Coward · · Score: 0

      Dude, you forgot to take your meds.

    23. Re:Yep, how the music industry was killed... by Shirley+Marquez · · Score: 1

      In the past, you made an album as a musician and you got $1 or $2. After you paid out your advances, and the accounting game was rigged to make it very difficult to do that. Now you make the album yourself, and you actually make $10 when you sell a copy of it at your gig. Or you put your songs on iTunes and make 50 cents per song sale. (This is all assuming you DON'T have a major label contract.)

    24. Re:Yep, how the music industry was killed... by Aighearach · · Score: 1

      You don't know about the music industry, that is okay. Here is how it works: the album sales go almost entirely to the record company. The artist might see $1 per album.

      The artist keeps most of the performance revenue. This is why there are old rockers like the Rolling Stones who keep playing from their deathbeds. It is great money, and the only great money the performers have access to.

      And the radio money is divided between the songwriter and the record company. Lots of musicians who are well known but not in the top-xx list actually make their money from being the songwriter on their own songs that get radio play. Or, very commonly, all their money comes from being the songwriter on covers! For example the song Jet Airliner was written and recorded by Paul Pena on one of his albums, and then the cover by the Steve Miller Band, who made it a radio hit. Paul Pena was literally living off those songwriter royalties as his health declined.

      Artists don't make anything significant from album sales. Sorry you guessed wrong.

    25. Re: Yep, how the music industry was killed... by wheeda · · Score: 1

      So I really want to be a male prostitute. The problem is that most males want to be having sex most of the time. This means that there isn't much market for the services I want to provide. Not only can I not give my product away, I have to pay people to take it.

      The technology we've created has democratized the creation of art, writing and music, in this case. People who want to can. It may be sad that your favorite writer isn't getting rich, but it is great that any idiot who want to try can publish an album or book, even if it never ends up being profitable.

      We are heading in the right direction.

    26. Re:Yep, how the music industry was killed... by RabidReindeer · · Score: 1

      I noticed. It's because most people are expected to be cheap, too.

    27. Re: Yep, how the music industry was killed... by steveg · · Score: 1

      Author Eric Flint makes the argument that it takes practice to get good at anything, including writing. If we want good quality creative work (books, music, etc.) then we have to create an environment where authors and musicians and other creative types can actually make a living while creating.

      If they can't, it doesn't mean we won't have books or music, but it does mean we won't have *good* books or music. Plenty of "idiots who want to try" can and will step up to publish albums or books, but Sturgeon's Law will have to be revised to say "99.9% of everything is crap."

      --
      Ignorance killed the cat. Curiosity was framed.
  2. "the market" = biz managers by globaljustin · · Score: 5, Insightful

    the whole "print is dead" meme is a myth

    people want relevant, accurate news more than ever

    people want entertainment that is not formulaic & trite more than ever

    the ***ONY*** reasons authors, musicians, journalists and other "content creators" are suffering is because of:

    ***bad business management of the companies they work for***

    these unscrupulous business managers are trained to understand "business" and "profit" as ONLY SHORT TERM METRICS that are abstracted into more "numbers" that they have to "hit"

    it's based on the **incorrect** concept that people don't care if their journalism, art, music is quality or not...they cynically assume that people will watch whatever is on TV, read whatver books are put in front of them, and listen to trite, predictable music indefinitely

    ITS NOT TRUE

    people want variety, they notice repetition...

    the only reason is that we, as consumers, have been conditioned by bullshit marketing to have ***REDUCED EXPECTATIONS OF VALUE***

    this is a hoodwink, plain and simple

    --
    Thank you Dave Raggett
    1. Re:"the market" = biz managers by ColdWetDog · · Score: 5, Interesting

      You are over generalizing. There has been, and likely will be, a market for high quality entertainment - both written word, movies, music. A problem is that this market isn't especially large nor lucrative.

      The big money is in mediocre crap. Always has been.

      What the Internet has done is to throw everything together into a large fungible pool of confusion. And the big actors are well financed corps, not individual artists. Just like always.

      It always has been a struggle for an artist of whatever stripe to make a living (at least while they're alive). There are the high profile exceptions, but the majority of artists don't make big bucks.

      --
      Faster! Faster! Faster would be better!
    2. Re:"the market" = biz managers by Kjella · · Score: 1

      people want relevant, accurate news more than ever

      No they don't, they gobble down the latest "rushed to the frontpage two minutes before the competition" and after being fed clickbait by clickbait that's wildly misleding they keep coming back for more. You're confusing it with that they want it two seconds after it happened, which is another thing entirely.

      people want entertainment that is not formulaic & trite more than ever

      The first Transformers movie made $700 million. "Transformers: Revenge of the Fallen" made $830 million, "Transformers: Dark of the Moon" grossed over a billion dollars and "Transformers: Age of Extinction" is 75% there after two weeks. Reality disagrees with you.

      the only reason is that we, as consumers, have been conditioned by bullshit marketing to have ***REDUCED EXPECTATIONS OF VALUE***

      No, most people mainstream because they want to since it involves the least effort. I could certainly find something I like better but a pizza from the popular pizza shop down on the corner will probably be fine. Those clothes I wear might not be a fashion statement but they work well enough. My car is certainly mainstream and it has its conveniences when it comes to service, repair, parts and resale market. Tried and true and not on the bleeding edge of anything. Maybe I could find one better or simpler or lower priced or lower on maintenance but at the risk of ending up with something I eventually won't like.

      Like everyone I've got a few things I really care deeply about, like what parts my computer have and the other 95% I don't really care, I just want a product that's decent and will work for me unless I have some sort of special needs. Like what brand of tooth paste I use, I barely remember it well enough to pick up the same tube next time and I certainly don't care - it's not brand loyalty it's brand apathy. There's a few I don't like the taste of so there's "lemons" in the market and I can't really say I know what the improvements would be. It's not like I'm going to start reading toothpaste reviews to pick the best one.

      --
      Live today, because you never know what tomorrow brings
    3. Re: "the market" = biz managers by Anonymous Coward · · Score: 0

      Look at the most popular and longest running TV shows over the last 50 years and there not crap. Mostly, it's original or well excited ideas, not drivitive crap. Granted, shows often go downhill over time, but that has little to do with why they where popular in the first place.

    4. Re:"the market" = biz managers by Opportunist · · Score: 1

      Why should we be amazed that something established by a religious right wing nut job is abused by another right wing nut job?

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    5. Re:"the market" = biz managers by Anonymous Coward · · Score: 0

      You must not deal with the public much. Meh. I wonder what your real take on this was 6 years ago. Everyone around here tries to act like they knew everything all along. By the way you guys talk you should all be billionaires with your mighty insight into human nature you should be raking in the benefits like a fortune teller. You guys act like you know everything short of the winning lottery numbers well before anyone else.

    6. Re:"the market" = biz managers by Anonymous Coward · · Score: 0

      Info is worthless in the Free Market, which is good thing.

    7. Re:"the market" = biz managers by Anonymous Coward · · Score: 0

      Everyone around here tries to act like they knew everything all along.

      That's because it was obvious to anyone with a brain, assuming we're talking about the NSA's activities. We had things like ECHELON a long time ago, and everyone with a brain already knew that mass surveillance of the Internet and phone calls were possible. Furthermore, we had reports that scraped the surface of the NSA's activities in 2006, and again, everyone knew that they were willing to do these things. So... how could you *not* know?

    8. Re:"the market" = biz managers by Opportunist · · Score: 1

      You guys? Odd, I'm alone here.

      I knew one thing: That it doesn't matter whether you pick candidate A or candidate B from The Party. Why the hell should it make any difference? I have to admit, as an European it may be the distance that makes tiny details disappear, but I just can't see the difference between what you claim to be two parties.

      Seriously, I watched a "debate" between the candidates (even though I'd be kinda hard pressed to call it a debate when the participating people are not allowed to talk to each other). And I was sitting there wondering why the fuck the show master (I have no better word for the buffoon sitting there asking the questions) kept asking ridiculously uninteresting and unimportant questions. Until I noticed: He can't ask anything else. At least not without revealing that they'd essentially give the SAME answer. Wars, unemployment, financial crisis, liberties and terrorism, no matter what "interesting" topic he would ask about, they'd essentially give him the SAME answer. So all that's left is petty stuff.

      So why the heck should it make a difference which turd you put into the white house?

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    9. Re:"the market" = biz managers by mattwarden · · Score: 1

      People pay for value relative to alternatives. When mediocre content is easily available for free, people pay less for good and great and excellent content.

    10. Re: "the market" = biz managers by pepty · · Score: 2

      Look at the most popular and longest running TV shows over the last 50 years and there not crap. Mostly, it's original or well excited ideas, not drivitive crap.

      Less true now than earlier.

      http://en.wikipedia.org/wiki/List_of_most_watched_television_broadcasts_in_America#Most_watched_U.S._TV_series

      The most popular TV show in the USA from 2003 to 2011 was American idol: definitely not original or exciting.

    11. Re:"the market" = biz managers by RabidReindeer · · Score: 1

      Because one group is a bunch of insane goons who'd eat their own babies.

      The other group claims to be their polar opposite. They're the insane goons who'd eat YOUR babies. It's got to be one or the other. No room for a middle. Exact opposites! You must choose whether to be one of the "good guys" or one of the "bad guys". You believe in babies, don't you?

      See? SEE?

    12. Re:"the market" = biz managers by westlake · · Score: 1

      The big money is in mediocre crap. Always has been.

      You might try telling that to HBO or Disney Animation.

    13. Re:"the market" = biz managers by Anonymous Coward · · Score: 0

      So... people want relevant, accurate news... except they don't, because they've been conditioned not to... by

      Evil business management that is too stupid to understand what people want, yet evil enough to engineer some sort of lowered expectations which generate them billions in profits, allowing the incompetent businessmen to "hit" their numbers, and produces stuff that's bought by billions of people.

      God damn, son, do you even remember what you wrote beyond the beginning of the sentence you're typing?

    14. Re: "the market" = biz managers by JMJimmy · · Score: 3, Insightful

      Genre Fiction in books sell 10:1 vs general fiction/literature.

      Using your argument though, most popular TV shows according to that wiki list vs highest rated on IMDB - only 1 title shows up in both lists: Friends. Same for IMDB's "movie meter", same applies to the "finale" list as well.

      Take the example of Firefly, amazing critical response, 9.2 imdb rating (#23 by user rating, #28 by number of votes, etc), an absolute fanatic fanbase that actually got the show to break Amazon's top 30 dvd sales list 196 weeks after release.

      Average viewers? 4.7 million - 98th on the Nielsen list. Cancelled before the first season ended.

      Meanwhile NCIS, one of the most predictable middle of the road bore fests gets 17 million average viewers 11 seasons, 2 spinoff series (5 seasons of NCIS:LA averaging 16.5 million viewers) all 3 are ongoing.

      Mediocre crap sells because it's cheap to produce, easy to market (cause people know what they're getting), and easy to keep churning out.

    15. Re:"the market" = biz managers by Opportunist · · Score: 1

      I agree on one thing: There is no room for a middle between those 2.

      There's just plenty of room outside of those two clones.

      And I hate babies.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    16. Re:"the market" = biz managers by Intrepid+imaginaut · · Score: 1

      You are over generalizing. There has been, and likely will be, a market for high quality entertainment - both written word, movies, music. A problem is that this market isn't especially large nor lucrative.

      The big money is in mediocre crap. Always has been.

      You're kind of putting the cart before the horse here. Marketing costs enormous amounts of money but it is effective, that's why publishers keep paying for it. People buy because of the marketing as much as the content.

      So if you were a publisher would you prefer to put all that money behind a) a formulaic, uninspired but proven work or b) a new, exciting, but unproven creation? There's a good reason they keep making remakes of remakes.

      If new and original content were to benefit from the kind of marketing muscle that gets put behind the formulaic stuff, it would probably have much more of an impact.

    17. Re: "the market" = biz managers by vakuona · · Score: 1

      I would add that this year, the most commercially successful movies at the cinema have been Captain America, X-Men, Transformers, Spiderman etc. These movies were not cheap to make. Unimaginative, maybe, but not cheap.

    18. Re:"the market" = biz managers by RabidReindeer · · Score: 1

      And I hate babies.

      You just haven't tried them with the right sauce.

    19. Re:"the market" = biz managers by Reziac · · Score: 1

      This topic recently came up on a writers' forum, and someone coughed up some astonishing hard numbers:

      Only about 1/2 of 1 percent of American adults read for entertainment. This is probably a fair representation of the literate world at large.

      Point being -- print fiction has been a niche market for a long time, with relatively few people interested in it in the first place. That half a percent of a lot of people is still profitable -- well, goes to show the value of niche markets. But expecting it to do more than hang on against today's competition for your entertainment dollars, let alone expand significantly, is a fantasy.

      --
      ~REZ~ #43301. Who'd fake being me anyway?
    20. Re:"the market" = biz managers by Opportunist · · Score: 1

      Sorry, I have my principles. I don't eat what I fuck.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    21. Re:"the market" = biz managers by aaaaaaargh! · · Score: 1

      The ebook sales statistics are forged anyway. Most book sales are still print books, and things will stay that way until there are cheap ebook reader that aren't destroyed immediately when you take them to the beach.

    22. Re: "the market" = biz managers by tlhIngan · · Score: 1

      Take the example of Firefly, amazing critical response, 9.2 imdb rating (#23 by user rating, #28 by number of votes, etc), an absolute fanatic fanbase that actually got the show to break Amazon's top 30 dvd sales list 196 weeks after release.

      Average viewers? 4.7 million - 98th on the Nielsen list. Cancelled before the first season ended.

      Meanwhile NCIS, one of the most predictable middle of the road bore fests gets 17 million average viewers 11 seasons, 2 spinoff series (5 seasons of NCIS:LA averaging 16.5 million viewers) all 3 are ongoing.

      A bit apples and oranges, because Firefly was on Fox and NCIS on CBS. Firefly was forced on Fox (by Joss Whedon, who did Buffy) by tying the next season of Buffy with Firefly - if Fox wanted another season of ever-popular Buffy, they needed to take on Firefly.

      It was doomed from the start - Fox execs basically did everything to kill it (the only obligation was to do barely enough to get Buffy).

      NCIS, meanwhile, appeals to CBS viewers who skew old. Just because it gets 20+M viewers every week (30M combined) doesn't mean squat - the Neilson ratings on it aren't that high and other shows with smaller viewerships do often beat it. NCIS (and CBS in general, actually) tends to skew old, which means shows like NCIS don't actually get that high a rating (the ad price is midrange for a prime-time show), at least in the 18-49 market to which Neilson (and thus advertisers) care about. Ratings wise, it really means the "core audience" that they care about is about 1/3rd to 1/4th the number of viewers.

      The Big Bang Theory is one of the highest rated shows on TV these days. And Firefly getting 4M viewers weekly would be considered quite good these days (well within the top rank, had Fox not decided to really just shit on the series as payback).

      And the vast majority of people don't care about literature - they rather go for pulp fiction rather than say, Shakespeare or other literary figure. Because books, movies, TV shows, they can serve multiple roles. From enlightenment, contemplation, to just plain old entertainment and escapism.

      So what if Transformers sells? (To be honest, the original TV series and movie weren't great to begin with - they were really half hour long ads and the movie was a way to force everyone to buy new toys). There's actually more depth in the remakes than the original.

  3. Again! by nospam007 · · Score: 1

    My grandfather had the same problem as a liftboy. The combined forces of Otis and Schindler forced him out of a job.

    It's called 'progress'.

    1. Re:Again! by Anonymous Coward · · Score: 4, Funny

      Ah yes, that tragic story was detailed in the Spielberg classic, "Schindler's Lift".

    2. Re:Again! by ArcadeMan · · Score: 1

      Virtual +1 Funny to you, sir.

    3. Re:Again! by viperidaenz · · Score: 2

      Or you could stop being a mouth-breather and become an engineer or technoweenie.

    4. Re: Again! by Anonymous Coward · · Score: 0

      Yeah, like... Fuck books? Because someone else is getting rich...? Is this Stockholm syndrome?

    5. Re:Again! by Nemyst · · Score: 1

      If progress means the end of books (be they virtual or physical) and the decay of culture around the globe, I don't want your progress.

    6. Re:Again! by aaaaaaargh! · · Score: 1

      Not every change is progress.

  4. Controlling prices? by Austrian+Anarchy · · Score: 2

    Any author can publish nearly anything he wants through Kindle electronically, or CreateSpace in paper and he has control of the price at either one. Both have competitors too, like LightningSource, that have better access to dirt-world bookstores and provide electronic publishing services. If these authors want to be paid more per book, there is not a blessed thing stopping them from doing it right now.

    --
    Time Bomber the Book coming soon.
    1. Re:Controlling prices? by Albanach · · Score: 2

      Then the problem is finding good work. Self publishing appears to come with a stigma, and many authors seem to be dismissed from receiving praise because their work is self-published, perhaps with an exception for authors who already had a publisher and have left simply to make money.

      Now I know some authors who make some money self-publishing, mostly in niche market areas where it might be easier to get noticed. But, for other markets I think people have become reliant on publishers acting as some sort of minimum quality filter, and their associated marketing departments for bringing books to the purchaser's attention.

    2. Re:Controlling prices? by Anonymous Coward · · Score: 0

      Then the problem is finding good work. Self publishing appears to come with a stigma, and many authors seem to be dismissed from receiving praise because their work is self-published, perhaps with an exception for authors who already had a publisher and have left simply to make money.

      Now I know some authors who make some money self-publishing, mostly in niche market areas where it might be easier to get noticed. But, for other markets I think people have become reliant on publishers acting as some sort of minimum quality filter, and their associated marketing departments for bringing books to the purchaser's attention.

      They could pay others for their marketing, editing, and payola too and discover how much money it costs to pay those people.

    3. Re:Controlling prices? by Anonymous Coward · · Score: 1

      Self-published books are looked down on for a reason.
      I've "bought" some self-published stuff for $0 on amazon.
      It's pretty bad.
      It's basically as if the author had an idea for a story, put it down on paper, and submitted the pdf.
      The stories have potential sometimes, but the writing is just bad.
      A mix of short 4 word sentences and half a page run on sentences.
      Descriptions that are just repeated every several pages. Whole books written in the format of:
      I walked through the door. I looked at the guy. I said this. He said that. I walked back to the other place. I shot the alien. I picked him up.
      The alien was gross and ugly. I carried him back to the first place.

      Just because you self-publish doesn't mean you don't need an editor.

    4. Re:Controlling prices? by Austrian+Anarchy · · Score: 1

      Self-published books are looked down on for a reason. I've "bought" some self-published stuff for $0 on amazon. It's pretty bad. It's basically as if the author had an idea for a story, put it down on paper, and submitted the pdf. The stories have potential sometimes, but the writing is just bad. A mix of short 4 word sentences and half a page run on sentences. Descriptions that are just repeated every several pages. Whole books written in the format of: I walked through the door. I looked at the guy. I said this. He said that. I walked back to the other place. I shot the alien. I picked him up. The alien was gross and ugly. I carried him back to the first place.

      Just because you self-publish doesn't mean you don't need an editor.

      Be that as it may, those are not the people we are talking about here. The topic is published authors at particular publishing houses whining about the retail price placed on their books. Books which they could have easily published, using exactly the same words, without a "publisher."

      --
      Time Bomber the Book coming soon.
    5. Re:Controlling prices? by sandytaru · · Score: 1

      They could have, but it would have been a lot more work. At the very minimum, you need to hire a second pair of eyes to proof read your novel before you toss it up on Amazon for anything more than $0. For someone who is going to take it seriously and do it properly, that alone can cost $400-500. At the 99 cent price point, you need to sell nearly a thousand copies just to break even. Unless you're a well known author, the odds of that happening are pretty low.

      --
      Occasionally living proof of the Ballmer peak.
    6. Re:Controlling prices? by Quirkz · · Score: 1

      I've tried a few dozen of the freebie books. Many have been bad, a few as bad as you say. I've also read a couple that I really enjoyed, and there's at least one case of an author where I bought a few of her sequels after reading the first freebie.

      What would be nice is a much broader rating and recommendation tool than currently exists. Not just a single star-rating, but some more reliable information about quality of writing and editing as well as content, to help people find the diamonds in the rough.

  5. The end of reading as culturally relevant... by west · · Score: 0

    The end of reading as culturally relevant is likely inevitable. It won't disappear, but it will become like poetry - practiced by a few, and written by as many people as read it.

    The sad part is that the book market as it stands today obviously makes it clear that there is a (somewhat) viable market. Unfortunately, the introduction of the electronic element means that customers would have to accept that they were paying for the content (whose price hasn't changed) rather than the physical book.

    The whole $30 for a hardcover, $10 for a paperback was merely the cover story that people used to allow themselves to spend a lot more money to get the content faster. Stripped of that, most would-be customers can't accept the idea of paying $25 for the first year and then $9 for the electronic copies. They need that tangible crutch to give themselves permission to spend.

    Of course, other industries have this problem as well. I will happily spend $30 on a program for the PC, but cannot bring myself to spend $10 for the app that does the identical thing because... my brain tells me $10 for the app is simply too much. So I go without and am less happy for it. Multiple this by millions, and you have the book industry.

    1. Re:The end of reading as culturally relevant... by murdocj · · Score: 3, Informative

      I don't see anything in the rest of your post that supports the idea that the reading is about to become a lost art practiced by only a few.

    2. Re:The end of reading as culturally relevant... by west · · Score: 3, Interesting

      Sorry, lost the thread.

      With e-books becoming more dominant and less money coming into the industry, the bookstores die (they're already highly marginal now). With bookstores' death, so go the publishers (after all, any established author will make more money from self-publishing and now the *one* (incredibly important) thing the publishers offer - shelf space - is gone).

      With publishers gone, we all essentially become slush pile readers. The books are nearly free, but the constraint is *time*, not money, and with the publishers gone, we're now looking at instead of 1 in 10 new books being decent, we're looking at 1 in 1,000. And quite frankly, there's movies and Angry Birds on our e-book readers that have a much higher payoff rate.

      Established authors do okay, but the discovery rate of new authors drops like a stone. Sure a handful get discovered each year, but the current book industry discovers thousands each year. (Where discover means they are distinguished enough from the crowd to have a *chance* at success.) As there are fewer and fewer new authors making it (but more and more authors writing for at least a generation while writing is culturally relevant), the signal to noise ratio keeps dropping.

      Even worse, businesses realize that while selling books doesn't make much money, selling services to desperate authors makes a killing. If you are browsing to find a new author you know nothing about, Amazon currently shows us the top 1,000 or so books from mainstream publishers, with a few self-published in the mix. At some point, it makes a *lot* more money by showing us the top 1,000 books from the authors willing to pay the most.

      And unfortunately, unlike mainstream publishers, who invest in a book not because they love it, but because they believe it will be what you want to read, would-be self-published authors aren't buying advertising based on the books quality, but on their own personal resources.

      Amazon, et al. will make a lot of money for decades even as the book market to readers collapse.

      Of course, old favorites won't disappear. They'll be a handful of new discoveries each year from self-publishing. Enough that books won't be "dead". But the idea that book reading will become marginal enough that it's cultural significance will essentially be irrelevant.

      i.e. like poetry.

    3. Re:The end of reading as culturally relevant... by nospam007 · · Score: 1, Informative

      "With publishers gone, we all essentially become slush pile readers."

      Sure, I decide which font I use on my device, which font size, margin, line spacing and so on, if the author knows where to click for the spellchecker, I'm good with the slush.

      All the 25 professions that got axed were just useful when printing on a specific size of dead tree.
      I say: Good riddance.

    4. Re:The end of reading as culturally relevant... by bmo · · Score: 1

      Bookstores aren't dying.

      BIG bookstores are dying. The independent bookstores seem to be multiplying, after what seemed like iminent death at the hands of Borders, B&N and BAM.

      Borders is gone. B&N is smaller, and BAM is simply disgusting and I won't go there ever again after going there once (it's a southern 'christian' company and it shows, especially in the whole two shelves of science books they had - I re-shelved Behe's "darwin's black box" in Fantasy). And when I was at BAM, I swear it was a whole lot of floor space for too few customers. Its days are numbered. Here in the Northeast, anyway.

      But indie book shops where you get personal assistance and customer service? There's a renaissance.

      Amazon isn't killing them. Amazon is killing the book-megastore.

      --
      BMO

    5. Re:The end of reading as culturally relevant... by CRCulver · · Score: 1

      BIG bookstores are dying. The independent bookstores seem to be multiplying, after what seemed like iminent death at the hands of Borders, B&N and BAM.

      Could you please cite evidence for this "renaissance"? While local smaller bookstores are hanging on, they aren't surviving as bookstores per se: they have massively cut the floor space dedicated to books and instead are selling hipster accoutrements: tea sets, Lomography cameras, vinyl records, and hip stationary. Reading is down considerably in recent years, and what books are read can be had cheapest online.

    6. Re:The end of reading as culturally relevant... by CRCulver · · Score: 3, Insightful

      Professional editing isn't just about the appearance of a text on the page, it can also be about making the text coherent and understandable. Kindle-only books on Amazon are often riddled with errors like one passage accidently moved to the wrong part of the book by a careless cut-and-paste operation, a footnote number linking to a different footnote that has nothing to do with the passage in question, or confusing, non-standard terminology for the field in quetion. Sometimes hyperlinks, whether because of improper formatting or negligence on the part of the publisher, don't go to the external sites they should. A spellchecker doesn't catch any of this.

      Furthermore, even within ebook publishing, there is still a need for someone more computer savvy than the average author to have a look at the manuscript. For hyphenation to work correctly in next-generation e-readers (ditto for audiobook support), someone has to tag foreign-language words with the right ISO-639 tags. Image floating is still difficult to get right and requires some human intervention.

    7. Re:The end of reading as culturally relevant... by bmo · · Score: 1

      Online shopping was going to kill brick and mortar entirely....

      At least that was the story 15 years ago.

      Brick and mortar retail is still there and taking up more real-estate than ever.

      >indie bookstores are only for hipsters

      Yeah, well, prejudicial bigotry gets you nowhere.

      --
      BMO

    8. Re:The end of reading as culturally relevant... by CRCulver · · Score: 1

      Way to misquote me. I never said that such shops were "only for hipsters". However, there's no denying that in certain markets, hipsters make up a powerful consumer force, and a shop can stay afloat by expanding its stock to meet their demand. However, I do wonder what will happen to these shops when fashion changes, as it inevitably will.

      Brick and mortar retail is still there and taking up more real-estate than ever.

      Yeah, I'm still waiting for a citation that the amount of floor space dedicated to books in retail stores (as opposed to other products) has actually increased in recent years.

    9. Re:The end of reading as culturally relevant... by jeIIomizer · · Score: 1

      So I go without and am less happy for it.

      Indeed, in order to be happy, you must Consume. Consume, Consumer! Consume! I command it! Waste all your money! Consume, Consume, Consume!

      --
      If something is so important that you feel the need to post it on the internet... It probably isn't that important.
    10. Re:The end of reading as culturally relevant... by bmo · · Score: 1

      Way to misquote me. I never said that such shops were "only for hipsters".

      What a disingenuous complaint.

      >mention a whole list of things such as lomography
      >claim you're not talking about hipsters.

      Yeah, whatever, man.

      --
      BMO

    11. Re:The end of reading as culturally relevant... by CRCulver · · Score: 1

      Damn, son, do you have any reading comprehension skills? Of course I mentioned hipsters. The point of my post above was that offering non-book items of interest to this lucrative demographic is one major way that bookstores are staying afloat. But how you got from that to your misquote "Indie bookstores are only for hipsters" is beyond me: bookstores continue to offer items that interest non-hipsters, but they simply aren't as powerful a profit centre.

    12. Re:The end of reading as culturally relevant... by murdocj · · Score: 1

      The tactile experience of actually holding a book in your hand, being able to flip the pages, is far better than anything offered by current electronic devices. Sure, the various e-readers are convenient, but convenience isn't everything. Book printing and book reading aren't disappearing anytime soon. In fact, I'm seeing more small bookstores pop up as people realize the limitations of the online experience and go back to browsing.

    13. Re:The end of reading as culturally relevant... by nospam007 · · Score: 1

      "Professional editing isn't just about the appearance of a text on the page, it can also be about making the text coherent and understandable."

      I have a copy of "Finnegan's Wake" on my coffee table saying otherwise. :-)

    14. Re:The end of reading as culturally relevant... by nospam007 · · Score: 1

      "The tactile experience of actually holding a book in your hand, being able to flip the pages, is far better than anything offered by current electronic devices."

      Flip pages? Such modern things are just for young whippersnappers. I prefer scrolls, one long page you can scroll. Even computers use that method.

      Although my father prefers stone tablets, he says the weight gives it a sense of importance that modern things like scrolls, papyrus and 'books' miss.

    15. Re:The end of reading as culturally relevant... by CRCulver · · Score: 1

      Finnegans Wake (note that there is no apostrophe) is entirely coherent and enjoyable as long as one has the linguistic background to understand the constant (and rather tiresome) punning in the book. In any event, this particular book is a case for the value of editors, as the Rose & Oâ(TM)Hanlon edition is vastly superior to the error-ridden text now in the public domain and widely sold.

    16. Re:The end of reading as culturally relevant... by Nemyst · · Score: 1

      This. As is often the case with /., it's an all or nothing deal. There's no way in hell that anything the publishers or record labels provide the authors and artists could actually be worthwhile. What antiquated notion! Anybody can produce a bestseller in their bedroom or record the best label of the year in their garage.

      Editors are very important. They're the sanity check of the author. They're a reliable and honest reader. They help form the books by taking the often jumbled and incoherent source material that was jotted down in hundreds of sittings, sometimes in the wrong order, and shaping that into the final product. While some authors can do without them, few books would be just as good (let alone better) without an editor's involvement. This is also why good publishers can be distinguished from bad publishers on multiple levels, not just on who they sign up.

      The same thing can be said about record labels, but I'm not going to go into detail. The point is: YES the publishers, record labels and all that have been exploiting content creators and taking a much too large part of the pie. That does not however mean that they are of no use whatsoever.

    17. Re:The end of reading as culturally relevant... by DNS-and-BIND · · Score: 2

      Poetry dug its own grave. It's hard to have sympathy with them.

      "Poetry is nobody's business except the poet's," wrote Philip Larkin, "and everybody else can fuck off."

      --
      Shutting down free speech with violence isn't fighting fascism. It IS fascism!
    18. Re:The end of reading as culturally relevant... by Anonymous Coward · · Score: 0

      what's it like being a retard?

    19. Re:The end of reading as culturally relevant... by 93+Escort+Wagon · · Score: 1

      Editors are very important. They're the sanity check of the author. They're a reliable and honest reader. They help form the books by taking the often jumbled and incoherent source material that was jotted down in hundreds of sittings, sometimes in the wrong order, and shaping that into the final product.

      If actual editing was still happening, I would agree with you - but my experience as an avid reader tells me publishers stopped doing any significant editing 20-30 years ago.

      --
      #DeleteChrome
    20. Re:The end of reading as culturally relevant... by phantomfive · · Score: 1

      But the idea that book reading will become marginal enough that it's cultural significance will essentially be irrelevant. i.e. like poetry

      Well, that's different; people don't read poetry now because no one is writing good poetry anymore. At best you'll get something on level of Longfellow's Hiawatha, but I can't think of any recent poetry that even reaches that level.

      The reason poetry is dead is because of writers, not because people aren't willing to read it.

      --
      "First they came for the slanderers and i said nothing."
    21. Re:The end of reading as culturally relevant... by bitingduck · · Score: 1

      If actual editing was still happening, I would agree with you - but my experience as an avid reader tells me publishers stopped doing any significant editing 20-30 years ago.

      They're depending on the author's agent to handle that now, and hand them a complete book ready to send for typesetting. It doesn't always work out...

      And with some authors you can see that as they got famous they got to tell the editor to get lost a lot more. JK Rowling is a great example-- the early books were fun reads and short. As the franchise got bigger, the books got longer and lots of fluff got left in. She also would introduce new characters at the drop of a plot hole, then abandon them later without explanation.

    22. Re:The end of reading as culturally relevant... by west · · Score: 1

      nospam007, can you name me a dozen self-published authors you read regularly? Half-dozen?

      I'm honestly hoping the answer is yes, but I think it's likely the answer is no. (Or you're a heavy fanfic reader, in which case as long as your tastes don't change, you'll do just fine.)

      Anyway, my point is that it's not the editing (okay, the editing is really, really useful), it's the acquisitions.

      Of a 1,000 books on the slushpile, about 10-20 are what I would call "publishable". i.e. they've got a decent shot at being enjoyable. (Books outside of that range might have an outside shot at being enjoyable, but are essentially part of the "million words of garbage" that each author needs to write just to get good enough at their craft that they have a chance at being successful.)

      So, the primary job of the publisher/editor is not so much to refine a book, and to act as the filter. Without them, I'm almost certainly spending at least 10 times as much time to find a book that I enjoy as much as I do now.

      And when the enjoyment/time ratio goes that low, I stop reading...

      And we see this. There are probably 10-100 thousand books self-published each month. How many new authors from the self-published world make it onto the radar of even a low midlist writer. One a month? Two? And it's not that there's not good stuff out there in the self-publishing world - it's that there's no means of discovering it without reading the hundreds of not-yet-ready-for-publication books that no-one wants to read without being paid for it.

      I'd love to see self-publication become a viable option. But better brains than mine have been trying for years, and the best they've come up with is something that's going to be a pale shadow of the size of the current industry, read by a societally insignificant number of readers.

      That's why I'm not optimistic for the book industry's future.

    23. Re:The end of reading as culturally relevant... by west · · Score: 1

      Oh come on. I got a good laugh out this, and I disagree with his premise.

    24. Re:The end of reading as culturally relevant... by west · · Score: 1

      Indeed, in order to be happy, you must Consume. Consume, Consumer! Consume! I command it! Waste all your money! Consume, Consume, Consume!

      There's no purpose to money if it isn't making you happy. Indeed, what *isn't* a waste of money?

      And sadly for my heirs, I am not one of those who is made happy simply by seeing a large number just sitting there in my bank account deposit book while I sit on a park bench with a discarded newspaper for company :-).

      So, yes. I'll keep consuming books as long as they keep publishing ones that I like and can find.

    25. Re:The end of reading as culturally relevant... by jeIIomizer · · Score: 1

      There's no purpose to money if it isn't making you happy.

      What makes me happy is financial independence. I save a large majority of my income, invest it, and spend extremely little compared to most others that make as much as I do all so I can retire 30 years before any of them likely do, without even taking into account social security.

      The real problem is that people do not live within their means (which includes saving and investing money) and buy things that do not truly make them happy. I seriously doubt you're any less happy when you aren't able to spend money on an app. If you are, you may need to find other hobbies.

      So no, my money is not just sitting in a bank account; it's going to guarantee that I can become financially independent and retire before a grand majority of the population.

      --
      If something is so important that you feel the need to post it on the internet... It probably isn't that important.
    26. Re:The end of reading as culturally relevant... by PlusFiveTroll · · Score: 1

      > - it's that there's no means of discovering it without reading the hundreds of not-yet-ready-for-publication books that no-one wants to read without being paid for it.

      That's strange, there's so many sites like metacritic, reddit, and even slashdot that allow people to rate the content they view/read. Too bad this can't be applied to books.

    27. Re:The end of reading as culturally relevant... by Aighearach · · Score: 1

      Not half as bad as what you've got.

    28. Re:The end of reading as culturally relevant... by west · · Score: 2

      That's strange, there's so many sites like metacritic, reddit, and even slashdot that allow people to rate the content they view/read. Too bad this can't be applied to books.

      And notice that despite hundreds of thousands of self-published books, it's not occurring now... Ever considered asking why?

      Almost nobody is willing to spend 100-200 hours to find a single book worth reviewing. And, sadly, the very few people who might be willing to do so on an occasional basis are completely eclipsed by desperate authors who have friends "review" or purchase reviews or whatever.. (Not that they are necessarily common, but given how few reviews occur, even 1 in 100 authors means false reviews will eclipse real reviews 10 to 1.)

      Closing your eyes and pretending that magic Internet pixies will happily do unpleasant work for free isn't working now. Why should it start working in the future?

      (And if you are wondering why it works for music, the answer (1) the investment by the reader/listener is vastly smaller for music - I can listen to music for 3 minutes and decide if I like a piece, as opposed to 2-3 hours for a book and (2) much of the discovery occurs in venues where someone else is doing the filtering for the audience. Open mike nights with no filtering are marginal now. Imagine how they'd do if they featured a single unknown band playing for 2 hours... How many would be willing to sit for weeks to hear one band that was actually decent? (And remember, no talking with friends while listening. This music requires your undivided attention.)

      Welcome to the challenges of self-publishing. Sadly, there's no magic here.

    29. Re:The end of reading as culturally relevant... by west · · Score: 1

      Well, that's different; people don't read poetry now because no one is writing good poetry anymore.

      How would you know?

      There are *thousands* of poems written and published on the Internet every day and I've no doubt that some of them are good by whatever standard you choose to measure with. The problem isn't that there aren't good poems out there, it's there's no way of filtering the good poems to make it viable for you to find them.

      Exactly the problem I foresee with books.

      (Small difference - there are poetry publishers. Unfortunately, their standard of good doesn't really match the general populace's, so effectively, poetry that would reach you and me is all self-published. And to no surprise, we don't bother searching.

    30. Re:The end of reading as culturally relevant... by phantomfive · · Score: 1

      I've no doubt that some of them are good by whatever standard you choose to measure with.

      I have doubts

      --
      "First they came for the slanderers and i said nothing."
    31. Re:The end of reading as culturally relevant... by west · · Score: 1

      Tens of millions of poems, millions of writers, and you think it unlikely any of them meet your standards?

      Wow. Talk about refined tastes :-).

    32. Re:The end of reading as culturally relevant... by phantomfive · · Score: 1

      Have you seen the internet? Allow me to introduce you to Myspace.com :)

      --
      "First they came for the slanderers and i said nothing."
    33. Re:The end of reading as culturally relevant... by west · · Score: 1

      Ah, but the glory and the tragedy of the Internet isn't that there is *no* gold among the dross, it's that there *is* gold, diamonds even, and we're never, ever going to find it.

    34. Re:The end of reading as culturally relevant... by phantomfive · · Score: 1

      If you find some, let me know.

      --
      "First they came for the slanderers and i said nothing."
  6. "A Patreon shareholder writes" by Anonymous Coward · · Score: 0

    Also, Amazon is a market leader, so blaming "the market" is blaming them.

    eBook publishers aren't even needed. Software to convert DOC/LaTeX to ePub &c. will do the trick, with proofreaders/editors employed separately, and hosting services a dime a dozen. All that remains is a searchable database, which is a high school project.

    1. Re:"A Patreon shareholder writes" by nospam007 · · Score: 1

      "eBook publishers aren't even needed. Software to convert DOC/LaTeX to ePub &c. will do the trick, with proofreaders/editors employed separately, and hosting services a dime a dozen. All that remains is a searchable database, which is a high school project."

      That's Calibre, database included. With a few torrents you have the library of congress on your machine.

    2. Re:"A Patreon shareholder writes" by gweihir · · Score: 1

      That is how I published my PhD. The "publisher" took a small cut to get it an ISBN and to have it added to some catalogs, but proposed a very reasonably priced printer that he has a deal with for it. (Physical copies were mandatory.) All rights for electronic publishing remain with me. The book itself is LaTeX, and for proofreading, I paid $1000 to a lady that offers this as a service and did a pretty good job of it. A fiction author could possibly get away with having some loyal fans do the proofreading for free in exchange for early access. And these days, a fiction author does not need to produce physical copies, those that want one could easily be served by book-on-demand systems.

      The only people that will suffer under this system is those that produce trash (not the genre) and the publishers that have become superfluous. Of course, editors still have value, and some authors will want to retain the services of one. But there is absolutely no reason to not hire them directly, either for a cut or for a fixed or per-effort fee.

      --
      Most ACs are not even worth the keystrokes to insult them. Be generically insulted by this and ignored otherwise.
  7. More the economics of publishing by Crashmarik · · Score: 4, Insightful

    There is literally too much content and most of it looks awful.

    I took a look Amazon's kindle unlimited this afternoon and what I saw were an incredible number of science fiction authors that I never heard of, pushing out what the blurbs and titles made look like bad romance novels in space.

    The functions of the editor and publisher are just missing from this mish mash. If you look at paper publishing it's a large financial commitment to publish and market any given book and most would never pay back the investment. Hence publishers to market the works and editors to select quality material were immensely valuable and helped make certain that if an authors work was published it had a better than random submission chance of earning back it's costs.

    Now the cost to "Publsish" as an e-book is minimal and much of what would never have been published in the past is flooding all over the place. So you have lots of "Authors" self publishing and not making money. This really shouldn't come as a shocker. The problem is there are so many of them they overwhelm everything else. If I read correctly Kindle Unlimited has 600,000 titles. It's just numbers but there really just aren't enough people in the world to see that most of those authors make a living from being published there.

    1. Re:More the economics of publishing by Anonymous Coward · · Score: 5, Interesting

      There is literally too much content and most of it looks awful.

      My problem isn't piracy, it's obscurity... --Cory Doctorow

    2. Re:More the economics of publishing by mbone · · Score: 1

      There is literally too much content and most of it looks awful.

      There always ways - Sturgeon's law* and all of that. There just used to be these people called "editors" and "publishers" who kept much (but certainly not all) of the crap from the market.

      * BTW, Sturgeon was an optimist.

    3. Re:More the economics of publishing by Ardyvee · · Score: 1

      I'm inclined to agree with you. As somebody who hopes to one day write a novel (or anything worthwhile, really), I would like to be published by the traditional route as it would be a validation that my book is "good". Of course, I am not dismissing self-publishing. It is a valid strategy if you believe you are good enough. I just know that a publishing house isn't going to pick my book just because. It is going to pick it because it is has chances to sell, which means it is probably better than the average produced by humanity.

      --
      I don't care if I'm wrong. I only care about everyone obtaining something from the discussion.
    4. Re:More the economics of publishing by Anonymous Coward · · Score: 0

      No. There's more.

  8. but..... by Anonymous Coward · · Score: 0

    every fiat currency bases its value on little more than reputation. The US Dollar is backed by the exact same thing that backs Bitcoins. Someone somewhere believes they have value. Heck most of the currencies in the developed world are fiat.... anything happens to the reputation behind them and they go from functional to not worth the value of the stock they are printed on just like that.

    1. Re:but..... by Anonymous Coward · · Score: 0

      And replied to the wrong post :P

  9. The issue is big publishing by BLKMGK · · Score: 4, Interesting

    Amazon has done a TON for indy authors and they've shared their profits. When the big publishers tried to force higher prices on Amazon I stopped buying. You would think these asshats would've learned from the music industry - especially since their wares are so much smaller when downloaded and lose no fidelity at all. Now they've all had to settle for big fines but do you think that this will bring readers back into the fold? I doubt it.

    This guy has some interesting information about what's going on with out the big publisher bias - other than the fact that his bias is he hates big publishing lol

    http://jakonrath.blogspot.com/

    --
    Build it, Drive it, Improve it! Hybridz.org
    1. Re:The issue is big publishing by hey! · · Score: 1

      I don't think it's as simple as Amazon is good or Amazon is evil. Amazon is powerful, and that needs watching.

      Now I have a number writer friends, one of whom is published both with traditional imprints like TOR and with Amazon's new in-house publishing imprints. She has good things to say about Amazon's imprints, but one thing you have to take into account is that nobody will stock your book *but* Amazon if you publish with them. That's giving up a lot, so they treat authors reasonably well. But that doesn't mean the corporation actually cares about authors. Amazon needs reliable mid-list authors to make their publishing ventures a success, and by cutting out the middleman can afford generous royalties. But if Amazon succeeds in putting a stake in the heart of traditional publishing, I wouldn't care to speculate on what will happen to authors.

      Nor should what traditional publishers do for authors be underestimated. I have friends who are successful indy writers, but it's not like being a writer, it's more like running a small publishing house yourself. They hire story editors, copy editors and artists, and manage promotion and publicity. It's a lot of work; that plus actually writing pretty much precludes a day job. It's not for everyone.

      It's a lot like being an engineer. Engineers are smart people who usually have a lot of insight into the companies they work for, but that doesn't mean that most engineers want to run businesses. Some do, but most would rather have other people take care of that stuff so they can concentrate on what they feel they're best at.

      Many writers choose the indy market because it's the only way they'll ever get published. They just dump their manuscript on the market without editing, design or promotion and hope for the best. They rarely succeed. Others choose the indy route because they thrive on running and controlling their own small business, the way some engineers step naturally into the role of entrepreneur. They're well positioned for the future. But most writers need support to reach their full potential.

      --
      Post may contain irony: discontinue use if experiencing mood swings, nausea or elevated blood pressure.
    2. Re: The issue is big publishing by BLKMGK · · Score: 1

      Read the blog I linked above. He self publishes on multiple platforms, Amazon doesn't stop him from doing that and in fact he has offered free downloads on his own site for some of the same content he sells on Amazon. If you told him that big publishing did all of those things he would laugh at you. Most of that can be outsourced and if you think the big publishing houses really do much promotion I've got a bridge you might be interested in. Certainly some authors get promoted but only a very select few. Considering the cost of their services no way would I consider any of the big houses. The worst thing is that when it goes out of print they still own rights, you cannot make money on it and they are now locking in ebook rights too. Ebooks on the other hand have no fee to be stocked and are always available. Read what he and others have had to say about wrestling with big publishing houses to get back their rights. Read about the ridiculous pricing and hugs cuts those same publishers take from authors. Also read about the freelance editors and artists he and others have employed. The guy writes books I'd hate to read but sells them like crazy, publishes his sales numbers, and helps out other authors. He also seems to really hate the big publishing houses and explains why in pretty good detail IMO. Yes, Amazon has gotten big and the big publishers want everyone to assume they will one day start ripping everyone off, maybe they will, but it's a sure thing the big publishing houses are ripping people off NOW. I'd stick with Amazon personally....

      --
      Build it, Drive it, Improve it! Hybridz.org
    3. Re: The issue is big publishing by hey! · · Score: 2

      I can only go with the experience of my friends, who've gone both routes successfully.

      It's true that traditional publishers expect mid-list authors to shoulder most of the promotion efforts these days. I never said they didn't. Fiction authors are now expected to maintain a platform, which used to be a non-fiction thing. Certainly traditional publishers have become more predatory and less supportive than they were twenty years ago. I don't have an inside track on why that is, but I suspect there are several causes. One is that POD allows publishers to make an reliable though modest profit from their mid-list authors, which ironically makes them more risk averse. But publishers still provide production and editing services on a MS that'd cost you maybe ten thousand dollars if you were contracting those services out. They also get your book in bricks-and-mortar bookstores, which is a bridge too far for most indy authors, even the successful ones.

      A lot of the bad feeling that publishers get from indy authors comes from two sources. First, a long history with rejection. Second the lack of respect indy authors get relative to traditionally published authors. We can see it in this discussion elsewhere, where one poster puts "authors" in quotes when referring to indy authors. And it's easy to see why because most indy authors just aren't good enough to get traditionally published. *Some* indy authors put out a product that's every bit as good as the mid-list authors from the big publishing houses, but most just dump their terrible manuscripts on Amazon with a clip-art cover and no copy editing, much less developmental editing.

      The statistic that most indy authors make their investment back plus 40% didn't impress me, because (a) that counts the author's labor as free and (b) most indy authors don't invest much cash in their projects. The percentage of indy authors that clear, say, five thousand dollars in profit are very small.

      It's not that indy publishing doesn't have its points, and my traditionally published friends are certainly thinking about dipping their toe in the water. But it's not as cheap as it looks if you want a comparable product, and you give up certain things. I was in Manhattan recently and went to the 5th Avenue branch of the NYPL. My traditionally published friends' books were either on the shelves our out circulating. The NYPL had *none* of my indy author friends' books, even though at least one of them has made the New York Times best seller list.

      --
      Post may contain irony: discontinue use if experiencing mood swings, nausea or elevated blood pressure.
    4. Re: The issue is big publishing by BLKMGK · · Score: 1

      I would bet that putting indy author's wares on display would lead to some backlash by big publishers if they found out, not seeing indy publishers who've made a name for themselves on bookshelves doesn't surprise me. As someone who reads books exclusively electronically I've likely lost some touch but the sense I have is that paper is slowly going away and that e-books are now selling well enough that having paper copies produced isn't a "must" in order to make a living. An author's goals play into their choices I think - do they want to see their book in bright lights or do they want to make a living? If you want fame then e-publishing is probably not going to get you to that same level. If you want to be able to support yourself, drop the second job, and not have to travel all over promoting then e-publishing isn't a bad path if you've got talent.

      I would point out that Konrath seems to take issue with that 40% figure. He has made far more than 40% and one of his biggest points seems to be that he will continue making money on that book pretty much forever. He has complete control of pricing and availability, something he certainly wouldn't have with a big publisher and 100% wouldn't have if the book were printed. Take a hard look at how long a print book gets shelf space and print runs, if it doesn't take off it's dropped BUT the publisher retains rights a very long time. The publisher can kill your ability to make any money simply by stopping the presses - not so with e-books.

      You have to read fairly deeply into his blog but there was a time when Konrath was fighting to get rights back for some of his books that were languishing. He has also made a great deal out of the fact that many of the books he was rejected on have made him a great deal of money as e-books. Certainly he has anger against the big publishers both because of this and because of some truly stupid marketing decisions they've made for him. Mind you, I've not read any of his books as the genre has zero interest to me but I find his blog to have some pretty fascinating insights into publishing.

      I won't disagree that there are almost certainly some really bad books out there. Reviews help weed those out and Amazon often allows you to read small portions of a book you're considering. I'm okay with the existence of bad books out there since big publishing houses seem to cull a great deal of wheat with the chaff when they make their publishing decisions. The few authors I know seem to want to go the traditional publishing route, they seem to feel it's somehow "safe" and it's a norm they know vs an unknown leap. As a result they've only dabbled with e-books (if nothing it's a way to get me to read their stuff). If any of them became half as successful as Konrath at it they could be doing what they love full-time. IMO the path to that is e-publishing, the big publishing houses are too greedy and their terms too lopsided. If I were talented enough to author a book I'd have zero interest in the print houses

      --
      Build it, Drive it, Improve it! Hybridz.org
  10. Writing business is booming! by Anonymous Coward · · Score: 0

    FFS that is why Amazon is trying to solidify it's monopoly over ebooks. Because now more than ever, the number of authors and works available online are increasing at an astonishing rate.
    Amazon is trying to take over every corner of the market, but it's simply growing too fast.

    Also, while Amazon isn't a complete monopoly, it still has enough control to bring prices this low so far. That's on purpose, but not sustainable. They're getting desperate, bluffing, and they're going to lose.

    PS actual book prices doesn't matter as much as the author's royalties and rights actually do.

  11. And Apple are the bad guys by Anonymous Coward · · Score: 0

    Oh, Apple are trying to do price-fixing, watch out!

    Meanwhile, Amazon's race to the bottom is killing off the profits of authors because all they care about is selling Kindle hardware.

  12. Not Amazon's fault by ArcadeMan · · Score: 1

    As an example, I used to read a lot of magazines but once the Internet was invented it was much easier visiting websites than buying Playboy.

  13. how much are authors paid under this model by Anonymous Coward · · Score: 0

    With all the comment about this model of publishing, there is no information I can find how much authors are actually paid

    Amazon limits the amount of money it receives from individual customers who use this service, That's easy to understand.

    But what happens when a book has vast mass appeal.

    If millons of customers read this knd of book, is the author paid per view without an upper limit on payment.

    Does an author agree to a fixed price buyout for the rights to a book.

    Is an author paid per view up to a maximum royalty figure with everything over that going to Amazon.

    Does Rowling get the same deal as an unknown author.

    Can an author withdraw a book from this pay per view system once it is in it. For example, depending on the royalty rate, it might make sense for an author to place a book in the Amazon ecology to see if it has legs and then self publish outside of Amazon if the book is a big seller

    In responding to this, please try to indicate whether you have acutal factual knowledge of the payment schedule and authors contract terms as opposed to whether you are just commenting or speculating.

    1. Re:how much are authors paid under this model by viperidaenz · · Score: 1

      The author doesn't agree to anything, the publisher does *

      * speculation

    2. Re:how much are authors paid under this model by Quirkz · · Score: 1

      An email from Amazon, to authors:

      KDP Select authors and publishers will earn a share of the KDP Select global fund each time a customer accesses their book from Kindle Unlimited and reads more than 10% of their book-–about the length of reading the free sample available in Kindle books-–as opposed to a payout when the book is simply downloaded. Only the first time a customer reads a book past 10% will be counted.

      The numbers are always a little vague ahead of time. There's a pool of money allotted each month, and that pool is divided among books that are viewed. Originally KDP select was just for lending, but is expanded to include this, now, too. Historically I've seen values around $3+ per loan, often around $3.25. It depends on your pricing and royalty scheme whether this is "good" or not, but at 70% royalties, if you sell your book for around $4.64 or less, this is higher than what you'd make for a straight-up purchase, and if you sell your book for more you're probably "losing" a little money compared to a sale. The thing is, both the lending library and this Kindle Unlimited program basically make the books "free" to the user, so they may be more likely to try something new without the risk of committing money.

      I don't think Amazon differentiates royalties based on sales numbers. It's a flat 70% for most books, but 30% for some of the cheapest. (I forget what the cutoff is, but it's easy information to find.)

  14. When they say "market", they mean large corps by tristes_tigres · · Score: 1

    "Techcrunch" and particularly their head honcho Masnick are unapologetic corporate shills.

    1. Re:When they say "market", they mean large corps by tristes_tigres · · Score: 1

      Damn, confused them with techdirt

  15. Times change by Anonymous Coward · · Score: 1

    It used to be that if you wanted to learn a new skill picking up a book and reading about it was the most commonly available option. For many skills a quick how-to video on YouTube is sufficient. Books will never go away completely but they aren't always the best and/or only commonly available option.
     
    Anybody see where I left my buggy whip?

  16. Perhaps... by Anonymous Coward · · Score: 1

    The real problem is too many middle men. Publish a DRM-Free ebook on your own website and I will buy.

    1. Re:Perhaps... by bitingduck · · Score: 1

      I'm a small publisher, and we give good royalties to our authors (we provide actual publishing services free up front to the authors in return for the part of the sale we keep). They get a bigger royalty from our website than anywhere else (because it's just split between us and them). We sell everything DRM free in multiple formats and explicitly tell users they can format shift. You can figure out the name of the company from my username if you care to go and buy some books.

  17. Jack Conte, Nataly Dawn, Kickstarter, Patreon by bmo · · Score: 5, Informative

    Jack Conte and Nataly Dawn's experience with Youtube, and music publishers basically summed it up like this:

    You can either go to a studio, sign a contract and /maybe/ make back your advance and /possibly/ hit the lottery and fill arenas

    or

    Cut out the middle-man and get more direct support and actually make a living. Nataly set up a Kickstarter for her first album and got 5x more than she expected.

    Thus the motivation for Patreon.

    Watch this interview:
    Part 1 https://www.youtube.com/watch?...
    Part 2 https://www.youtube.com/watch?...
    Part 3 https://www.youtube.com/watch?...

    And skip (if you want, the cover is pretty darn good) to the end of this video:

    https://www.youtube.com/watch?...

    --
    BMO

    1. Re:Jack Conte, Nataly Dawn, Kickstarter, Patreon by kesuki · · Score: 1

      this sounds great on paper, but in the real world youtube content creators are subject to trolls, prudes, angry bigots, spam, false DMCA notices, people with a lack of humor, and market saturation. youtube starts as profitable but over time the benefits stop rolling in and some people completely go to a less public venue when ironically trying to reach out to new fans, simply because a less public venue will have fewer of these problems at first. online life is not that different from real life, but was often promoted as being different.

      market saturation is like this, someone collects fans who watch their content, perhaps multiple times. this nets them money, but then people learn people are making money making youtube channels and then there are millions of channels then billions because of this the consumer of this content doesn't grow as fast as the channel production supply grows. so eventually everyone has a youtube channel and all the viewers wind up spending so long trying to see the best videos that they get sick of the time sink that it is and thus revenues drop.

    2. Re:Jack Conte, Nataly Dawn, Kickstarter, Patreon by bmo · · Score: 1

      this sounds great on paper,

      No, it's not "on paper" and you seem to not know that Jack Conte (half of the duo Pomplamoose) is the CEO of Patreon. Patreon is the child of the experiences that Nataly Dawn and Jack Conte had with Youtube, and my posting of the interview on the BIRN and Nataly's closing of the other video was meant to be informative.

      If you bothered to watch them. Which you didn't.

      --
      BMO

  18. The patreon model could really work by gweihir · · Score: 5, Interesting

    It only takes something like 1000-2000 regular donors to keep a writer in reasonable comfort. In the age of the Internet, that is really not a lot. As good writers want to write and are typically not motivated by money unlike the publishers that just try to get rich on their backs, this is all it takes. Of course, publishers will fight this tooth and nail, as it threatens their existence. An existence that benefits absolutely nobody but themselves though, so their demise will be something eminently welcome. I predict this will not kill all publishers though. There are those that actually respect their authors and customers, are not primarily motivated by money, and have a positive effect on the overall process. These will remain. I doubt however that any of the large publishers will be among the survivors.

    --
    Most ACs are not even worth the keystrokes to insult them. Be generically insulted by this and ignored otherwise.
    1. Re:The patreon model could really work by Solandri · · Score: 2

      It only takes something like 1000-2000 regular donors to keep a writer in reasonable comfort

      Put another way, if the median income is $45,000, then 1500 regular donors giving 1/1500th of their annual income or $30/yr each will give an author a median income. (In reality, it's less than 1/1500th because the mean income is higher than the median, so the more affluent donors will allow the author to hit the median income with less than 1/1500th of each donor's income.)

      I think it's also important to keep in mind that the current book/music/movie pricing model does not scale. A DVD costs $18.95 whether they sell 10,000 copies or 10 million. In every other industry except the IP industries, price drops as sales increase. At first DVD players cost $150 and they only sold a few tens of thousands of them. As their success grew and sales reached into the tens and hundreds of millions, the price dropped to the $25 they're at now. The Patreon model brings this price scaling to the IP industry (much to the chagrin of the established players). If you're supporting an author in a niche market that you really enjoy, you'll be encouraged to donate a lot to him just to keep him writing. But if the author is enjoying J.K. Rowling-level success, you'll be less inclined to donate as much or won't donate at all, knowing that he's already getting plenty of money from other supporters.

    2. Re:The patreon model could really work by Intrepid+imaginaut · · Score: 1

      I just checked out Patreon, maybe I'm doing it wrong but when I clicked "writing" I got a mish mash of podcasts, comics, programming projects and art, with little writing to be found. Unless I'm missing a trick here they really need to get their categorisation sorted.

    3. Re:The patreon model could really work by david_thornley · · Score: 1

      2K donors? Assume a book a year, making the author $10 a sale. Then two thousand regulars is twenty thousand a year, which I don't consider "reasonable comfort". It is possible for a good author to be more prolific, but on the whole the ones I like best don't seem to write quite one book per year. This also ignores costs of doing business, and good books usually have benefited from editing, which costs money. (Editors also like to get paid regularly.) It may be necessary to spend some money on marketing and advertisements to get a loyal following. There are other expenses. I'm going to figure more like ten thousand devoted fans to support an author. That's going to take some work.

      All publishers are motivated by money. You may be distinguishing between those that squeeze their authors for short-term profit and those that take a longer-term view.

      --
      "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
    4. Re:The patreon model could really work by Quirkz · · Score: 1

      Once you've got an audience it may be doable, but there's still a huge grey area in the beginning where you need to somehow reach the hundred thousand people required to find two thousand people enthusiastic enough about your work to be willing to support you. Patreon makes the business more easily sustainable once you're famous, but it doesn't negate the need to first find a way to become famous.

    5. Re:The patreon model could really work by gweihir · · Score: 1

      You have failed to understand how patreon works. Congratulations, this invalidates everything you say.

      --
      Most ACs are not even worth the keystrokes to insult them. Be generically insulted by this and ignored otherwise.
    6. Re:The patreon model could really work by gweihir · · Score: 1

      Indeed. Patreon does not remove the need for the author to produce something others want and consider valuable, before the author can support itself completely by writing. That is as it should be.

      --
      Most ACs are not even worth the keystrokes to insult them. Be generically insulted by this and ignored otherwise.
    7. Re:The patreon model could really work by david_thornley · · Score: 1

      I see, I just looked it up on Wikipedia. Interesting. Thanks for referring me.

      This would appear to be asking people to pay more for artistic productions than they would for the same thing commercially. It is completely voluntary. It relies on some people paying a lot (your thousand people for a comfortable living suggests $40/year or so at minimum) while others pay nothing. Wikipedia also tells me that it was expected to have ten thousand artists as of about six months ago, and supporting them all at comfortable levels would require ten million donors, assuming that a thousand can comfortably support one.

      Interesting experiment, but I'd bet against it being an adequate replacement for the traditional pay-by-copy. We'll have to see.

      --
      "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
  19. In other words... by Anonymous Coward · · Score: 0, Troll

    the collusion [that wasn't collusion] between Apple and publishers wasn't bad for authors or the publishing industry as a whole.

  20. Price effects MY decisions! by sirwired · · Score: 2

    I can't speak for everybody, of course, but I DO let price dictate if I buy a book or not, even if it's an author I love. And if it's a debut author, or one I haven't read before, I'm unlikely to be thrilled with paying $8+ for a book.

    The vast majority of the books I read are on the Kindle. The vast majority of those books are either carefully-chosen self-published authors or books either Amazon and/or the publisher is selling for no more than $6. Publishers that want to continue to insist on "charging" more than $10 for a book are collecting precisely $0 of my reading dollars. (Meaning that they'll collect the same amount of money from me pricing e-books at a $1B/copy.)

    Self-publishing is really the way to go these days for new authors. The average traditionally-published manuscript makes $0, as the average manuscript isn't picked up by a publisher at all. And the ones that do get published receive far less support from publishers than they used to, as they have so many imprints now that the effort that can be expended on a random debut author is just about zilch; they get a few review copies sent out, minimal editing services, and maybe a short blurb in a trade rag. With that limp level of support, it's not surprising few debut authors clear their initial advance, when they are only clearing 15% royalties.

    Contrast that with the 70% (of a lower price) Amazon is offering on anybody that chooses to post a book. The only additional effort authors must expend is doing their own cover and editing. They were already largely responsible for their own promotion anyway, so that doesn't really change.

    In the "good 'ol days" publishers served a real function. They provided substantial editing support, decent promotional effort, and were, in any case, the only game in town. Now the number of books published per year by the traditional publishers has gone up, and the services they provide authors have gone down. They have reduced themselves to nothing more than middlemen between authors and retailers. Nowhere but books and music do we tolerate the middlemen taking such a large chunk of the available money for little more than distribution.

    1. Re:Price effects MY decisions! by zippthorne · · Score: 1

      Price is definitely a big factor in my own reading decisions as well. As a result of price, I typically go on reading "binges" where I will read something, remember how much I like to read things and go through another few things on my list until I notice I'm thinking about buying something for $14 and I just bought three or four other books in the past couple weeks, and do I really need to read this thing right now? Maybe I can wait until it's been out for a little bit and see if my library gets it or the price comes down.

      Then my library doesn't have it, and I exhaust all the things on my list that they currently have (or I sign up for a few things and am in a queue that is likely months long...) and stop reading. After a few weeks, I will continue to not read until it occurs to me to check on a book, and maybe that $14 book is down to $9 (still not great, but I haven't read anything in a while (i.e. my budget has recovered), so what the hey)

      The middlemen taking a big chunk of the money for distribution made sense when distribution was the difficult and expensive part of the proposition. It hardly makes sense for this to continue when the cost to produce a copy of an ebook is vanishingly small and half of it is the customer's responsibility.

      --
      Can you be Even More Awesome?!
    2. Re:Price effects MY decisions! by thetoadwarrior · · Score: 1

      Authors and publishers should ignore skinflints like yourself. Society can't advance when tight fisted selfish people listened to.

    3. Re:Price effects MY decisions! by Anonymous Coward · · Score: 0

      Authors and publishers should ignore skinflints like yourself. Society can't advance when tight fisted selfish people listened to.

      And we readers will continue to ignore publisher-middlemen who steal and over-value the process.

      The reality is that the vast amount of good fiction that has already been created is sufficient to last me and everybody else in the world for the rest of our lives. Entertainment is fungible. We don't need a single new piece of entertainment to be created.

      In other words all new fiction being created is vanity publishing. Go for it you like but don't expect me to pay for your hobby.

  21. Automation by Anonymous Coward · · Score: 0

    Liberals jobs will be automated LOL. ;-]]

  22. "hard(...) for authors to earn a living" by Mister+Liberty · · Score: 1

    What with 99% of today's authors being business people first, marketing experts second, and authors last, this is a good development.

  23. Wal-Mart proves you wrong by globaljustin · · Score: 1

    A problem is that this market isn't especially large nor lucrative.

    you are believing the marketing...you are accepting *their* framing of the situation

    it is a false choice...many excellent films are also hugely popular **when they get the marketing push**

    producing shitty movies still costs alot of money, ex: ***TRANSFORMERS SERIES***

    end of discussion

    The big money is in mediocre crap. Always has been.

    absolutely hook line and sinker...you are part of the problem

    YES...people often just want to be distracted...busy people working hard dont have time to curate their entertainment like some of us

    THAT DOES NOT MEAN YOU ARE RIGHT

    just because people will accept the best of what is available doesnt mean that ***if they had a choice*** they wouldn't choose the better option

    your point is like saying "People go to Wal-Mart...it's hugely popular...that proves that people would rather have a cheap chinese made bicycle rather than a US made one"

    Wal-Mart gets all the customers not because of quality, but because of *******ARTIFICIAL SCARCITY IN THE MARKET*********

    it's an engineered lack of options...it's obvious and you are a dupe for not seeing it

    --
    Thank you Dave Raggett
    1. Re:Wal-Mart proves you wrong by Anonymous Coward · · Score: 0

      it is a false choice...many excellent films are also hugely popular **when they get the marketing push**

      Such as? Which "excellent films" have been as hugely popular as any one of the recent Transformers films?

      your point is like saying "People go to Wal-Mart...it's hugely popular...that proves that people would rather have a cheap chinese made bicycle rather than a US made one"

      Except that's *exactly* what happens - Wal-Mart didn't spring into existence as a multi-billion dollar behemoth, friend. They started as a small chain that optimized the SHIT out of their logistics, which allowed them to reduce prices below their competitors (the mom & pop stores & other smaller chains), which drew in more customers, because people wanted the cheapest prices. When people DID have the choice, they CHOSE to go to Wal-Mart, and spent their money there, rather than at the mom-and-pop stores. And now, people have no choice, because Wal-Mart has out-competed all those stores.

      Pretending that somehow, Wal Mart managed to suppress the existence of competing stores and become a massive success without offering something that brought customers in is just ludicrous. They competed, and they won, on their slightly-lower prices. Your revisionist assertions don't change that.

  24. Economies of Scale -- A$$hats! by Anonymous Coward · · Score: 0

    Assuredly I'm exaggerating, but would you want a billion readers paying a dollar each for your book or 100,000 readers paying 15 to 20 dollars each. (The asshats here being the publishers using the dead-trees business model.)

  25. false choice by globaljustin · · Score: 0

    I responded to another person like you, but since you mentioned TRANSFORMERS...

    The first Transformers movie made $700 million. "Transformers: Revenge of the Fallen" made $830 million, "Transformers: Dark of the Moon" grossed over a billion dollars and "Transformers: Age of Extinction" is 75% there after two weeks. Reality disagrees with you.

    that proves my point, actually

    Transformers remakes are shit

    they grossed alot of money

    that ****does not prove you right****

    because there is ***NO CHOICE***

    moviegoers couldn't choose between different versions of the remake...you are taking a false choice and twisting it to prove a non-existent point

    if they want to see Transformers with updated special effects, there is only one option...seeing the ones with horrible writing

    also, we're several iterations into this now...people have been conditioned to accept lower quality by artificial scarcity

    lastly, it doesn't matter that some people will watch anything...YES...I admit that is a true fact

    just because people will watch whatever shit gets most marketing doesn't mean that they wouldn't ***choose a better option if they had one***

    you logic is backwards...by your logic, a zoo animal *must* like their food because they eat all of it...forget the fact that *it's all the food they get*

    --
    Thank you Dave Raggett
    1. Re:false choice by diamondmagic · · Score: 1

      Who the hell are you to tell other people which movies, or any products for that matter, they must and must not like?

    2. Re:false choice by Anonymous Coward · · Score: 0

      just because people will watch whatever shit gets most marketing doesn't mean that they wouldn't ***choose a better option if they had one***

      There ARE 'other' options available that man people say are much better. Yet most people choose the "popular" option, giving all the superhero movies this year hundreds of millions of dollars, while critically acclaimed movies languish.

      If people are so easily blinded to alternatives by a little marketing that is trivially easy to research alternatives to, then I submit to you that people *are* largely choosing what they consider to be the "best" option, despite your snobbish insistence that everybody who doesn't watch the movies you like are "sheeple."

  26. More the economics of publishing by Anonymous Coward · · Score: 0

    There is literally too much content and most of it looks awful.

    There is literally as much content as the market will bear, no more, no less.

  27. Call it what it is by Anonymous Coward · · Score: 0

    Amazon doesn't want to kill writing. They want to kill publishing. BIG difference.

  28. false choice by Anonymous Coward · · Score: 0

    If that's the case, then explain Twilight. It's not like there aren't choices of books out there...

  29. Uh, that's not how it works by rsilvergun · · Score: 1

    not at all. You need to ask yourself who has disposable income. It's mostly teenagers, They're young, and stuff that's repetitious to you is brand new to them. . There's a smattering of young married women (who, as it turns out, make most of the buying decisions in a family after the teenage years, and yes I know not all of them are married any more). But a more discerning is usually made up of middle aged men who don't have much in the form of disposable income (nerds aside)

    --
    Hi! I make Firefox Plug-ins. Check 'em out @ https://addons.mozilla.org/en-US/firefox/addon/youtube-mp3-podcaster/
  30. Another invisible hand failure by manu0601 · · Score: 1

    Market invisible hand fails here, it seems better suited at destroying value than creating it.

    And we even know why: market invisible hand theory relies on a few assumptions, one of them being that products are identical and that buyers' choices are only driven by price. Once we say that "book prices don't seem to be the deciding factor on whether someone reads a book", we know it will not work. If producing books is considered important, then the market should be regulated.

    1. Re:Another invisible hand failure by Anonymous Coward · · Score: 0

      So many wrong things here. Supply and Demand is working. Regulate what? - The number of authors, or the fact they they cant do deals with whoever they choose?

      But supply is booming, as almost anyone can do it, and the crowd rating systems are murdering the 'safe traditional choice' and 'bread and butter' bestsellers, as enough are distracted by something else.

      What is working is tours and concerts and personal signings, active blogs and self promotion. Being an airport best seller, is becoming harder now, as less people are reading books when in corralled into the hostage waiting areas also known as departure lounges.

      The invisible hand is easy to identify - crap content, lack of facts, product substitues. Hell, 99.9% of the population did not get excited/enraged by the Snowden leaks, and it is safe to assume that a good percentage of these can even read.

      My personal position, is that I can pick up 2nd hand material and used books/videos real cheap or by the lb (weight) at sales.
      I don't even look at electronic, as I have years of reading to catch up on, should I loose my 2nd job. That may even be the problem - the economy, shit employment, working thy ass off, and having no leisure time at all, with books well down the list of priorities.

      The market is improving (but still restrained by 200 year old regulations).

  31. Grow a victory garden and go to jail by tepples · · Score: 2

    They tried that. Several cities ended up outlawing it, threatening to put people like Julie Bass in jail for growing victory gardens in their front yards.

  32. How much does an editor cost? by tepples · · Score: 1

    I agree with you that an editor provides valuable service. This means an author needs to work this service into her budget. How much does it typically cost for a private author, as opposed to a major publisher, to hire an editor?

    1. Re:How much does an editor cost? by Quirkz · · Score: 1

      It varies a lot, but freelancers often work for a fraction of a cent per word, maybe around .2 or .3 cents. Some work by page count or other means. I paid about $3k for a very long novel.

      Also depends if you're looking for a full-on editor, just a proofreader (or eventually end up with both).

      There's also cover design, which can run a few hundred to a thousand.

      And if you're not going strictly digital, you may need to hire layout services for the book, which can be another several hundred to a thousand.

      So, roughly speaking, a short book might only cost you a few grand, a long book with lots of extras, or multiple revisions, could easily run five grand or more. And that's assuming if you print it's on-demand (the most expensive in the long run, but cheaper than shelling out for a large batch up front).

  33. No more superstars by aNonnyMouseCowered · · Score: 1

    "Of course, old favorites won't disappear. They'll be a handful of new discoveries each year from self-publishing. Enough that books won't be "dead". But the idea that book reading will become marginal enough that it's cultural significance will essentially be irrelevant."

    More books or at least book-length works are being published now than in the past. So a few percentage of good books out of a couple of million bad books is still a lot.

    This development parallells the development of culture in other fields, such as music. Before the nineteenth century, you could probably count on your fingers and toes the number of composers who were as good as Beethoven and Mozart, since any would-be Beethoven would need not just be talented but had to live near a place where he could hear good live music that he could learn to imitate first then later surpass with masterpieces of his own.

    With the development of recorded music and mass-produced musical instruments, any middle-class person of even mediocre musical talent could listen to good or nearly good music just just by switching on the turn table and later the cassette and CD players.

    Today, people have greater access to writing and greater access to a possible audience. Many of today's "books" are actually written in "submarine" form, probably serialized in the writer's blog or written as fan faction. And so, the audience even gets access to the act of writing itself. Writers who blog their novels get feedback from readers whose collective comments effectively make them "crowd" editors, similar to the way Wikipedia works.

    What you lament is the coming demise of writing and culture is no more than the death of the rock star, or the Shakespeares or Beethovens of the past because their numbers have multiplied through the spread of mass culture.

    1. Re:No more superstars by west · · Score: 1

      Today, people have greater access to writing and greater access to a possible audience.

      And yet statistically, we're reading less than we have in the past century.

      What you lament is the coming demise of writing and culture is no more than the death of the rock star, or the Shakespeares or Beethovens of the past because their numbers have multiplied through the spread of mass culture.

      Not quite, it's the death of 100,000 somewhat notables, replaced by 100,000,000. And that substitution will almost certainly mean that the tens of millions who enjoy reading today will becomes tens of thousands...

      I don't deny that those who enjoy fan-fic/amateur market won't be devastated by the loss of the book industry. But that's a niche market in the same way as knitting. Vibrant inside the community, but a niche, and certainly not the cultural force that books have been for centuries.

  34. Books over $10 by tepples · · Score: 1

    Publishers that want to continue to insist on "charging" more than $10 for a book are collecting precisely $0 of my reading dollars.

    Where did you get $10 as your price ceiling? For example, if you attend school and discover that a class you're taking requires a textbook that costs more than $10, do you drop that class? I say this in the context of having bought a DRM-free copy of Edenics, an etymological science fiction book by Isaac Mozeson, for $15.

  35. Editing and promotion by tepples · · Score: 1

    Apart from distribution, publishers used to perform two important services: editing manuscripts into something enjoyable to read, and promoting worthy books. How would Amazon prefer that those services be performed?

  36. false choice by Anonymous Coward · · Score: 0

    Your ideas are just so wrong. If people didn't want to watch those movies, they don't have to go to the movies at all. There is plenty of other things to do that cost a whole hell of a lot less money.

    People went to see those movies because they wanted to see those movies. That is the only reason.

    You're making a gigantic assumption that people have to go to watch a movie, when the reality is there is many other options available that have zero to do with movies.

  37. How much does an editor cost? by Anonymous Coward · · Score: 0

    good luck finding that info, because I doubt it exists, since like everything else in the publishing industry, 99% of editors work for publishers, and the other 1% work for various other publication types.

  38. eBook sales have pretty much plateaued at 15% by matbury · · Score: 1

    AFAIK, eBook sales went up to around 15% and stayed there. Does anyone have any more up to date info? Of course Amazon reports that its sales overtook physical books but that's the business they're in and it isn't representative of sales overall.

    I love gadgets and totally get the potential for eReaders and eBooks, however, my experiences with them have been so poor (buying, reading, trying to find passages to cite, dealing with DRM, etc.) that I only buy physical books now. Even with academic papers, I'd rather print them out (I don't own a printer so I have to go to the print shop down the road) so I can comfortably and conveniently annotate and highlight texts. Yes, it's technically possible to do it on an eReader but it just isn't practical enough to be productive.

    eReaders and eBooks will have to get a whole lot better to compete with physical books.

  39. another transformers film? by globaljustin · · Score: 0

    There ARE 'other' options available that man people say are much better.

    tell me, what other Transformers remakes are out there?

    but that's parenthetical (you and I both know there isn't one)

    my *original main point* was that TFA's diagnosis is just dead wrong

    a certain number of people are "sheeple" yes...but that does not prove TFA's assertions ***AT ALL***

    just because **some** people will watch "whatever is on" doesn't mean that they wouldn't choose a better option, when put in front of them

    --
    Thank you Dave Raggett
    1. Re:another transformers film? by Anonymous Coward · · Score: 0

      tell me, what other Transformers remakes are out there?

      Sorry, you're asserting that the reason people spend money on the latest Transformers movie is because there aren't 17 other shitty Transformers remakes that they could watch instead? Are you fucking kidding me?

      just because **some** people will watch "whatever is on" doesn't mean that they wouldn't choose a better option, when put in front of them

      Actually, it DOES mean that - if they have the choice between watching "whatever is on," then they are actively choosing to not give a SHIT about what's put in front of them. Forcing them to watch something you consider "better" would either: 1) make them go "wtf, I don't want to watch this," (giving the lie to your assertion), or 2) make them go "i don't care," in which case, the argument that quality is lacking due to an "engineered" lack of alternatives is bullshit.

      People largely CHOOSE to go see the Transformers movies - why? because they find them fun. There are lots of other films they could go see, but they choose to spend their money at that movie. In fact, they get up from their houses, go to the theater, and pack the theater full to choose to go see the movie, rather than sit at home and watch "whatever else is on."

      You really have curious notions about how the world works. I wonder if you've ever been out in it.

  40. i can explain... by globaljustin · · Score: 0

    my original comment, and the point of this thread is not to explain every shitty film/book franchise out there

    there's taste, personal preference, etc...

    but what I *can* explain is why the idea that "print is dead" and TFA's assertions about why are dumb and wrong.

    it's bad business decisions made from the managers who think their job is to hit abstract "numbers" instead of facilitate their talent

    *that's what i can explain*

    --
    Thank you Dave Raggett
  41. Wal-Mart are cheating criminals by globaljustin · · Score: 1

    Wal-Mart is a know exploiter of labor & is roundly hated for their business practices

    the fact that you somehow idealize their outsourcing of small town America indicates further discussion with you will be unfruitful

    Watch this documentary to start educating yourself: Wal-Mart: The High Cost of Low Price (2005)

    --
    Thank you Dave Raggett
    1. Re:Wal-Mart are cheating criminals by Anonymous Coward · · Score: 0

      the fact that you somehow idealize their outsourcing of small town America indicates further discussion with you will be unfruitful

      That you try to pitch my commentary as a "defense" of Wal-Mart's business practices suggests more about you than it does about me, friend.

      Regardless of whether or not you "like" Wal-Mart - MILLIONS of people shop there every day. And before there were thousands of Wal-Mart's to shop at, people had the choice: shop at Wal-Mart, or shop at the mom&pop local store.

      People chose to shop at Wal-Mart - not because of marketing (they certainly don't do that much 'marketing' other than to say 'lowest prices around!', and they're - as you correctly note - roundly vilified by the press and public on a regular basis) - but because of cheaper prices.

      People largely CHOOSE to shop there. Even now, people can go find the same stuff they'd buy at Wal-Mart at a bunch of other stores... but they'd spend more money at those other stores than I would at Wal-Mart. If people found Wal-Mart's practices as proportionally abhorrent as they found their low prices attractive, Wal-Mart would not, and could not, exist on the scale it does. The simple fact that it does suggests that people find the low prices far more compelling than they find their business practices distasteful. Insisting otherwise does not make you right - it makes you blind to the simple facts of reality.

  42. Authors by phorm · · Score: 1

    I've found the opposite. My local Chapters is good at stocking mostly big names. However, since I picked up a Kindle a few years ago, I've found tons of good authors I'd not heard of before. Yes, there is some formulaic drivel, but the biggest problem for the most part is a few typos here and there.
    How often do you review a book before buying it at a bookstore? At least online, I see a bunch of reviews and can read what people have to say before I buy. The worst book I got was actually from a bookstore. Perhaps it might have come up with a good plot, but the terrible repetition and generally poor editing made it unreadable

  43. protesting downmods by globaljustin · · Score: 1, Funny

    some crooked fsker went and downmodded all my responses

    ***i protest these downmods b/c they are not deserved***

    my posts have always been on topic, IMHO interesting, and at least involves direct clash of ideas

    I WAS DOWNMODDED FOR PERSONAL/POLITICAL REASONS NOT BECAUSE OF MY IDEAS BEING WRONG

    cowards show yourselves, and explain as an AC or GTFO

    --
    Thank you Dave Raggett
  44. Wal-Mart = evil business practices by globaljustin · · Score: 1

    you're reductive notion, that anything that sells is therefore 'awesome' and worthy of praise

    People largely CHOOSE to shop there.

    HORSESHIT

    you're blatantly wrong about this, and it's common knowledge

    Wal-Mart is easily an evil, despotic purveyor broken dreams

    --
    Thank you Dave Raggett
    1. Re:Wal-Mart = evil business practices by Anonymous Coward · · Score: 0

      you're reductive notion, that anything that sells is therefore 'awesome' and worthy of praise

      once again, you totally misread and misrepresent my point.

      What I am saying is that "anything that sells is largely sold because people CHOOSE to buy it." There are PLENTY of things I could do with $15 on a Friday night. If I *choose* to go see a particular movie, it's not because there are no alternatives to that movie.

      The fact that people CHOOSE to buy things that aren't particularly high quality has nothing to do with it - I never said that the Transformers are "awesome" and worthy of praise. In fact, what I'm saying is that it's a relatively sad commentary on the taste of humans that we CHOOSE to support crummy films - people have bad taste. That doesn't mean they don't have alternatives, they just aren't particularly discriminating when it comes time to decide what to watch. It has nothing to do with lack of alternatives.

  45. Real estate agents by wheeda · · Score: 1

    They are like real estate agents. There are more of them chasing the same pie. Markets forces will win eventually and we'll get fewer new books because that is what the market is asking for.

    Don't blame this on Amazon.

  46. Like a Public Library by sir-gold · · Score: 1

    How is renting a book for a month any different than borrowing that same book from the library for a month (as far as the publisher is concerned)?

    As long as Amazon has bought enough "copies" of the book to cover everyone who is reading that book at any given time, then the publisher has already made their money.

    It's possible that amazon IS screwing over the publishers, by either paying too low of a price per copy or by not paying for all the copies in circulation, but that has nothing to do with the legitimacy of the rental service itself.

  47. i call BULLSHIT by Anonymous Coward · · Score: 0

    wtf the authors get squeezed? Pub copsts are down as they mergered and laid off thousands of employees. Then jacked up book prices blaming cost of paper. Look at textbook prices since the 90s-its criminal. FYI I ran the retail floor of my college's off campus textbook store so I know this market.

    Now publishing is \going more electronic so no paper and I cant afford book prices so my book come from Half Price Books clearance shelves for $1-2 each and my public library.

    1. Re:i call BULLSHIT by messymerry · · Score: 1

      I agree. It's the publishers and the retailers that have been raping the readers and the writers forever. I'm self publishing on the internet. Let THEM eat cake...

      --
      Dear Microlimp: I give you 2 valid product keys for win7 and you reject both of them. Piss off you wankers!!!
  48. It seems like a reasonable number by sirwired · · Score: 1

    Given that there is a wealth of high-quality material (more than enough to completely fill how much time I have to read) for less than $10, why pay more?

    1. Re:It seems like a reasonable number by tepples · · Score: 1

      Because there exist no close substitutes for a particular work copies of which cost more than $10. Of course, instead of buying a copy and using it, you can choose to publicly whine about the price and get nothing done. Not all reading is purely for entertainment.

  49. I believe this is how capitalism works by sirwired · · Score: 1

    If publishers choose to charge more than I'm willing to pay for a book, that's their business. And if I choose to not buy said book, that's my business.

    Clearly I am advocating for the collapse of civilization as we know it, suggesting that authors get paid more at the same time readers get to pay less.

  50. Knuth's TAOCP by tepples · · Score: 1

    In in case you prefer a concrete example: I don't think you'll find a lot of people will be sympathetic to whining that The Art of Computer Programming by Donald Knuth costs $36.49 on Kindle.

  51. Seriuosly? by sirwired · · Score: 1

    I wasn't talking about small-press-run reference works, or college textbooks. I, and everybody else in the whole debate, is referring to general-interest fiction and non-fiction works.

    That said... why, nearly 30 years after the last time it was edited (or even typeset), does K&R cost $50? For that kind of money, they could at least typeset the thing using technology more recent than what was available in the mid-80's!

  52. Get a card... by niftymitch · · Score: 1

    Get a card... yes a library card.
    Donate the 12x Amazon fee to the local friends of the library
    and have at it.

    --
    Truth is stranger than fiction, but it is because Fiction is obliged to stick to possibilities; Truth isn't. Mark Twain.
  53. Technology and Evolution by micromuncher · · Score: 1

    I'm in the process of trying to self-publish some short stories now. The old way of doing this was to find a magazine or anthology related to short works - most of which are extinct today. Like Wikipedia killed Britannica and Encarta, the flood of free quality content today is killing the traditional ways of becoming renown. Trouble is there is so much (and more crud) its getting harder to find - drowning in entropy. The bigger shops like Amazon have done a good job on Kindle Direct Publishing, but the problem is it only seems to work for established authors. And its a fractured market. Even with the Kindle App, a lot of people won't use it... so as a self-publisher you've got to explore other publishing media too (like Kobo, B&N [that doesn't support Canadian authors], iBooks [that requires a Mac and multiple publish steps], and Google Play books [that is so awkward to use many people don't bother]. A publish, stream service kind of makes sense. Writers are burned by royalties anyway. (http://www.forbes.com/sites/georgeanders/2014/07/21/why-amazon-terrifies-publishers-lets-look-at-royalty-statements/)
    Amazon - 30% for under $1. Kobo is 45%. And who would pay $1 for a short story when they can buy a novel for a $1? Or even get something free. The price is becoming less meaningful. Amazon will still likely push work through the service that is promoted - leaving out self publishers.

    Shameless plug: I'm blogging about my experiences trying these things here (http://selfloathingit.blogspot.ca).

    --
    /\/\icro/\/\uncher
  54. Mersin Escort by Anonymous Coward · · Score: 0