The Beatles, Bob Dylan and the 50-Year Copyright Itch
HughPickens.com writes: Victoria Shannon reports in the NY Times that fifty years ago was a good year for music, with the Beatles appearing on Billboard's charts for the first time, the Rolling Stones releasing their first album, the Supremes with five No. 1 hits, and Simon and Garfunkel releasing their debut album. The 50-year milestone is significant, because music published within the first half-century of its recording gets another 20 years of copyright protection under changes in European law. So every year since 2012, studios go through their tape vaults to find unpublished music to get it on the market before the deadline.
The first year, Motown released a series of albums packed with outtakes by some of its major acts, and Sony released a limited-edition collection of 1962 outtakes by Bob Dylan, with the surprisingly frank title, "The Copyright Extension Collection, Vol. I." In 2013, Sony released a second Dylan set, devoted to previously unreleased 1963 recordings. Similar recordings by the Beatles and the Beach Boys followed. This year, Sony is releasing a limited-edition nine-LP set of 1964 recordings by Dylan, including a 46-second try at "Mr. Tambourine Man," which he would not complete until 1965. The Beach Boys released two copyright-extension sets of outtakes last week. And while there's no official word on a Beatles release, last year around this time, "The Beatles Bootleg Recordings 1963" turned up unannounced on iTunes.
The first year, Motown released a series of albums packed with outtakes by some of its major acts, and Sony released a limited-edition collection of 1962 outtakes by Bob Dylan, with the surprisingly frank title, "The Copyright Extension Collection, Vol. I." In 2013, Sony released a second Dylan set, devoted to previously unreleased 1963 recordings. Similar recordings by the Beatles and the Beach Boys followed. This year, Sony is releasing a limited-edition nine-LP set of 1964 recordings by Dylan, including a 46-second try at "Mr. Tambourine Man," which he would not complete until 1965. The Beach Boys released two copyright-extension sets of outtakes last week. And while there's no official word on a Beatles release, last year around this time, "The Beatles Bootleg Recordings 1963" turned up unannounced on iTunes.
After all, don't J.S. Bach's descendants get to make profit on something they never had anything to do with? Shouldn''t that be only fair?
Copyright was conceived to protect musicians rights, not their great great great great grandchildren's.
The shepherds did so well protecting the flock that the sheep no longer believed that wolves existed.
Copyright extension is stealing.
Sums up the mickey mouse laws that Sony, Disney and their ilk have created in the industry. It has nothing to do with copyrights it has everything to do with control of content. If I want to include an RCMP officer in full dress uniform in a stage play even in the country where they come from then I have to get permission from Disney to use the image.
It is time for someone to challenge this nonsense and expose the practices of these charlatans for what they really are. Then perhaps the public will wake up to the real damage to freedom of expression in the entertainment industry that these corporate thieves and their myrmidons in government have foisted upon the audience.
This message was not sent from an iPhone because Peter Sellers really was a deviated prevert without a dime for the call
Another album -
Spite and Contempt for our Customers Collection, Vol I
Including tracks such as the ever popular tune; "We don't want this, but you can't have it [Feat. Bwaa Haaa ha ha...]"
This issue is a bit more complicated than you think.
The Beach Boys released two copyright-extension sets...
That's not true. "The Beach Boys" didn't release anything. The rights to their work were stolen in the 1960s by their manager and sold to A&M records:
http://en.wikipedia.org/wiki/S...
A&M is owned by UMG:
http://en.wikipedia.org/wiki/U...
The largest Music publishing company in the world who's owned by Vivendi:
http://en.wikipedia.org/wiki/V...
Who's worth nearly $50 billion, and has profits in the $3 billion/yr range...
and you wonder why copyright laws get changed in their favor... lol
When arguing about copyright law, always keep in mind... the people that "own" these copyrights are almost never the artists or their families. Business own then and the attempts to extend copyright into perpetuity has absolutely nothing to do with rewarding the creator of the music. It has to do with extending what was usually a theft from an artist, into a theft from mankind as a whole.
Watch the following movie for more details on that side of the business:
http://en.wikipedia.org/wiki/A...
I don't like 30 seconds to mars, but that movie matches what many of the musicians/bands I've met have said about the industry.
And here's an article written by Courtney Love 15yrs ago... and it's also pretty much dead on:
http://www.salon.com/2000/06/1...
The real pirates are the music labels.
Seriously, if they're out-takes, they weren't considered good enough to release. Releasing them goes against both the original musicians' wishes and foists crap on the general public because "otherwise you don't have the complete set."
Consider the out-takes as crappy code you would never release. You release the cleaned-up code and build a reputation - which is tarnished when someone releases your crappy code. Or maybe there's a politically incorrect comment in the crappy version that was there to remind you to fix something ... like "Duh! This code is crap! I must be having a blonde day!"
Do you really want YOUR out-takes published for someone else's financial benefit?
"Transparent" is a shit show that trades on every stereotype going. A man in drag is NOT a transsexual.
Mickey Mouse is a trademark.
Perpetual exclusive rights in a trademark cannot be used to extend the theoretically limited term of any of the exclusive rights under a U.S. copyright. Dastar v. Fox.
Let it be.