UHD Spec Stomps on Current Blu-ray Spec, But Will Consumers Notice?
An anonymous reader writes Details have emerged on the new UHD Blu-ray spec and players set to start shipping this summer. UHD promises resolutions 4X greater than Blu-ray 1080p as well as much higher data rates, enhanced color space and more audio options. But, will consumers care, and will they be willing to upgrade their HDTV's, AV Receivers, and Blu-ray players to adopt a new format whose benefits may only be realized on ultra large displays or close viewing distances? The article makes the interesting point that UHD isn't synonymous with 4K, even if both handily beat the resolution of most household displays.
I don't even have a Blu-ray player. :)
Blu-ray only succeeded because of the advent of LCD TVs.
Without a comparable advance in technology on the TV side (4K does not count) this will never get off the ground.
I just upgraded to an HDTV (from a mid 90s tube tv), so no.
SJWs are the new boogeyman. -Me
The future is increasing frame rates for more realism. Unfortunately, the big manufacturers need to sell 4k televisions, and will keep pushing the dead horse of increased resolution, which is completely pointless for a massive majority of users..
Rarely works out well.
All that resolution for my 720i ? Take all of my money!
Oh wait, that's quite literally of no use to me.
When a slashdot submission asks a question, the answer is always no. And this case is no exception.
UHD promises resolutions 4X greater than Blu-ray 1080p as well as much higher data rates, enhanced color space and more audio options. But, will consumers care, and will they be willing to upgrade their HDTV's, AV Receivers, and Blu-ray players
No, no they won't. 1080p is already really good. What we will notice, however, is high-resolution monitors getting cheaper.
"You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
Yes! I'll notice. More pixels please.
I have a 1080p projector that I'm projecting onto a 116" screen. At 1080p, the results are acceptable to me, and it's the only video I ever look at that would really get much of a noticeable benefit from being 4K. So, when 4K projectors drop under $1600 CAD, I'll start to be interested.
Yes, I have 2 65" 4k TVs and will notice.
Anybody able to afford this upgrade is probably too old to be have eyesight good enough to see it.
>"But, will consumers care, and will they be willing to upgrade their HDTV's, AV Receivers, and Blu-ray players to adopt a new format whose benefits may only be realized on ultra large displays or close viewing distances?"
Nope
4K is such a crazy marketing gimmick. Most of the population can already barely tell the difference between a quality DVD upscale and a Bluray at any reasonable size or distance. The manufacturers *want* to keep making everything obsolete so people "have" to keep buying new stuff, and re-buying their content over and over.
I miss the days of NTSC, a standard that lasted half a lifetime. This upgrade-your-TV-every-6 months crap is getting old. And get off my lawn.
Never let a lack of data get in the way of a good rant.
I was one of the early (and later) adopters of HDTV. I've currently got a ~5 year old Pioneer Plasma (Kuro baby!) that does 1080p and, frankly, I'm fine with it. I've seen the 4K TVs and the additional resolution, to my eyes, doesn't seem to do much for the picture. I'm sure there's more detail there. I had the fortune of seeing the Hobbit in both the new HiDef projection screen (with LCD style panning, oooh) and in an IMAX theater back to back and I was amazed at how much more sharper and detailed the HiDef projection was vs the IMAX (EG I could see specific details and patterns on emblems on the clothing) But I only noticed it for a few seconds and then that was because I was specifically thinking about the picture quality. On a "smaller" screen (50" TV screens oughta be enough for anybody!) I just don't think those details are going to be noticed as much.
If I NEED a TV I'm sure I'll take 4k screens into consideration (especially if they're commonplace by the time I need one) but it's not going to make me jump from my current setup.
That said, do I want a 4K monitor for my PC? Oh yeah!
And again, my media PC combined with torrents is still better. It can already play 4k videos. Don't have to buy any new hardware, don't have to re-buy movies I've already bought. Don't have to worry about the kids breaking the disk. Don't have to worry if that disk you bought in Europe will work back in the States. DVDs were a large upgrade from VHS, the next step is better digital distribution. Blue-ray and UHD are just stepping stones to them realizing physical media is dead.
Give me a digital distribution system that will work even if the company goes out of business. One that I allows me to backup the media. One that allows for offline storage so I can watch when I don't have internet. One that works on all platforms. One that I can re-download the file if I do lose it. The only thing that satisfies all of that is DRM free files. Until they provide that, torrents will still win.
DVD, Blu Ray and UHD in the same box.
For only $10 extra, be even more future proof than with just dvd and blu ray!
Mostly people don't bother with all this stuff to start with, and the manufacturers are so busy trying to sell new TV's that they don't even bother to build good one to begin with.
For instance, I just set up a Sonos 5.1 surround system. During the process I checked compatibility with my TV and I found this list of televisions that don't pass 5.1 surround data out the TOSLINK port under various conditons: https://sonos.custhelp.com/app... . Some only pass it from specific sources and some don't pass it at all. I'm lucky, my TV works under all conditions. Never mind problems with HDMI/HDCP/CEC/ARC compatibility.
I don't care about increased resolution because I can't be sure that the next TV I'll buy will meet my minimum specs. Purchasing is a gamble these days and once you engineer a working solution why would you upgrade? I didn't jump on the 3D idiocy and I'll bet you didn't either. Even if you have a 3D TV did you buy extra, or any glasses for it?
The producers, in a genius move enabled by "vertical integration", will add a new broadcast or regional flag or change an encryption key or some shit and stop making media in the old format. People will run like lemmings to Walget or TarMart to buy new equipment because the old stuff has been artificailly obsoleted. It's enough to make me stop watching altogether. Good luck selling your advertising time when no one gives a shit assholes.
Just bought a UHD 4k set and streamed Blacklist and Marco Polo. The difference is without a doubt noticeable. It took a while to get used to the difference and it is almost uncomfortable to watch in comparison to 1080p. Although agreeably subtle, takes that much more of the "je ne sais quoi glow" from the older specs. Maybe the previous posters need to make some appointments with the optometrist?
The new spec also brings HFR (up to 60 fps, probably), wider colors (Rec. 2020), more accurate colors (10-bit seems to go mainstream) as well as double resolution. But hey yes, a BluRay looks pretty sweet already. In any case, it doesn't hurt unlike 3D that some - me included - just doesn't like. I just checked my local version of pricewatch and of 646 TV models for sale 102 now feature UHD. They even sell 40" UHD TVs for $500 now, which makes no sense at all and all this with Netflix being just about the only source of non-upscale UHD content. So I think it's beyond a doubt that mainstream TVs will go there eventually.
Besides, the trend is only bigger TVs. When I grew up we had a 20-something inch TV, now I have a 60" TV. When prices go down, sizes go up. It won't be quick and it's not urgent at all, but just like FullHD settled in - there were a lot of naysayers then too - UHD will too. It's not like SACD and DVD Audio where people listen on the go and want playlists, watching movies/series is still primarily a living room couch activity where you sit down to watch one for 40 mins - 3 hours.
Live today, because you never know what tomorrow brings
Will the standard contain provisions for unskippable items? Then I won't buy an UHD player.
not new disk player that will require the purchase of special 4K edition of Ernest Goes To Jail. Almost everybody wants easy access to all entertainment media yet these media douche bags refuse to do it.
Mr CEO I've got an awesome idea that will let every one around the world get access to all movies so cheap they won't care if they lose them and have to re buy them 10 times over. We'll be riiiiiich!!!
No no jr tech guy lets lock up the distribution, only make certain media available to certain regions of the world and lets charge them the same price as a Blu Ray disk and only have it playable on one device at a time so they have to buy 1 copy every time they want to watch on a different device We'll be riiiiiich!!!
by TheSpoom (715771) Uncaring Linux user here. I have nothing to add to this but please continue. *munches popcorn*
How about taking a Yacc-like approach and creating a meta-standard that has each "file" on the disk include a list of codecs required for that file and which has each disk include a description of the various video- and audio-decoding algorithms needed to play the "files" on the disk (excluding the common standards that existed when the "meta-standard" was finalized - those would be baked in to all players), then let the player figure out what to send to the output ports based on the data format, the data, the processing capability of the player, and if known (or presumed, for one-way "outputs" like analog) the capability of the display device.
This way the only "hardcoded" part of the standard would have to deal with the raw laser I/O from the disk to the laser pickup on the player, basic things like the layout of error-correcting code, slightly-less-basic things like the filesystem-layout or equivalent, and a standard way for the player to understand the disk and file meta-data. Then the player could take it from there, creating codecs (or more accurately, de-coders) as needed based on the information on the disks.
The same technique could be used for future-proofing display devices. For display-devices with 2-way communication, the display could communicate its capabilities to the player in a standardized format, and possibly even communicate as-yet-undefined capabilities to the player as well (UV/IR, specialized color gamuts, infra/ultrasonic capability, alarms and sensors, etc.). These capabilities could be matched up with the format of the disk.
Example:
If the disk has a codec that says "supports SENSOR_STD_2019a" and the meta-code for the standard "SENSOR_STD_2019a" says
"if SENSOR_STD_2019a data NO_WARM_BODY_PRESENT becomes TRUE then execute GO_BACK_15_SECONDS_AND_PAUSE"
and the display tells the player
"SENSOR_STD_2019a:NO_WARM_BODY_PRESENT=TRUE"
then the player can act on it, even if the player was manufactured well before SENSOR_STD_2019a even existed.
Knowledge is how to play a game, intelligence is how to win, wisdom is knowing what game to play.
The original Ghostbusters film from years back recently had a '4K' remaster released in a 1080P Bluray edition. The film had no more detail than a good DVD version, because the 'original' negative was obviously in a horrid state, and the film had been shot mostly partially out of focus. The 4K did wonders for the GRAIN, though.
4K is great for nature documentaries. Everything else, less so. 4K tears apart the compromises in CGI and VFX, for instance, and the cost of improving the production so it appears 'perfect' in 4K just isn't worth it when ordinary people with ordinary vision watching in the cinema or at a standard viewing distance at home just won't notice the improvement.
Older movies never reached 4K on film, because of lens imperfections, camera judder, film grain, and other 'mechanical' issues. The Bluray transfers of the best 70mm anamorphic movies of the 60s and 70s have been variable, but the best of them definitely benefit from 1080P. Beyond this resolution, almost all of these older movies gain nothing.
Most films shot in the 80s and earlier 90s are noticeable WORSE in image quality than the best from the previous two decades. Their masters are also usually in a terrible state today, and so-called 'digital restoration' largely adds fake detail like edge 'enhancement'.
New material shot digitally CAN exploit any improvements in resolution, but as I said, at a horrible increase in production costs. Sets, costumes, props etc have to be so much better made, and the pipeline skills for doing this don't exist. The DREADFUL Hobbit movies show the problem. Razor sharp images of cheap sets and CGI, with 4K 'detail' of a shoddy and pleasing nature.
The IMAX trick of switching to much higher film quality on specific scenes, like landscapes and crowds, works best for 4K- real detail that isn't created for the movie obviously contains minute elements that 4K captures better. But the synthetic scenes that are crafted for most of the movie will always look WORSE as the resolution increases.
... I've often thought "I wish the content/story were better", but never "I need to see more pores".
I want large-data formats to succeed because I want my "boxed sets" to take up less shelf space. Give me an entire season at as-broadcast resolution on a single disk (13 episodes of HD or 3-4 times that for a very-good-quality digitization of old stuff that only exists on broadcast-quality NTSC tapes would be nice), including bonus material, and I'll be happier than if the large disks are used only for higher-definition content. My eyes aren't what they once were and neither are my ears.
For the same reason I wish all CD players (especially those in cars) were replaced with "audio disk" players that could play audio from video DVDs, DVD-audio, and all common computer audio formats in addition to the current CD-audio/MP3/WAV formats that seem common for new players today.
Knowledge is how to play a game, intelligence is how to win, wisdom is knowing what game to play.
The content providers have threatened to require the new HDCP 2.x DRM system on the HDMI outputs instead of the existing HDCP 1.x. HDCP 2.x has required all of the IC providers to design new chips, and the standard is much more restrictive and much more fragile than the existing HDCP 1.x.
HDCP 1.x took several generations of product to get to function ( most people's problems with HDMI in the first few years was due to the HDCP DRM failing, not HDMI, which only specs how to send data).
Given the past history of HDCP it could be years before you can reasonably expect multiple pieces of consumer electronics from different vendors to play together well. I'm sure the message "HDCP violation" will look much nicer in 4K.
I bought a UHD monitor/TV, not for video but to replace a bunch of 1080p monitors.
And I love it.
If this drives UHD monitor prices down, I'm all for it even though I have never owned a BR player. I totally could use a dual UHD setup in place of a triple 1080p.
Standardizing the interconnects and protocol for higher pixel count and frame rate (dream of a replacement for VGA as the next generation least common denominator) will be wonderful but manufacturers will fight tooth and nail for proprietary and patent encumbered solutions.
Sony used to be ultra-proprietary, but they made up for it with very high quality and original stuff. Now SONY is still ultra-proprietary, but their stuff is meh.
Up with the new standard!
As the article states, two of the most important changes in this standard are high dynamic range (HDR) and wider color gamut (Rec. 2020) images. I have been working on this with Dolby Laboratories for the last few years, and whenever we bring in movie directors, cinematographers, colorists, or studio executives to see our ridiculously HDR wide-color-gamut display, their jaws hit the floor. The ability to reproduce the dynamic range and color gamut of real life is breathtaking. One of the studio executives, when asked if she could see the difference said "Do I look like a potted palm?"
You will see the difference, and you'll be able to see it from across the room. HDR and wide color gamut combined with UHD resolution is a revolution.
I know this sounds like a sales pitch (ok, it is!) but I've been working in the film business for 30 years before I started working on this; I know what creatives want, and this is it. I spent that time working on CG visual effects, and I think that HDR will have a comparable impact on filmmaking that VFX did.
The Dolby Cinema theaters opening in the next few months will have similar extreme dynamic range and wide color gamut. They look astonishingly better as well.
Wait and see. It's coming, and it's not far away.
I love Mondays. On a Monday, anything is possible.
What is wrong with the MBA's and business types out there, consumer space is obviously the wrong initial market for this product.
Where is my 40-42 inch 4K 60 Hz MONITOR with DISPLAYPORT? Heck, even 4 ports that cut the screen in quarters would be useful. Previous generation cards can drive that at acceptable rates for office work and the cards just released would have no trouble at all even for video, etc. There is exactly one 40 inch 4K monitor I am aware of that is timidly putting its toe in the water in limited markets.
A 4K 42 inch monitor directly replaces my dual 1920 x 1200 monitors and would give me about 50% more real estate in the same desk footprint with text at a useful resolution for work. We are a tiny, poor shop and we'd be picking these up for any replacements so I can't imagine anywhere worth working wouldn't do the same in short order. Once the price became commodity we would spec these to our industrial customers (why not same for commercial business?), its a market trying desperately to happen.
Once you are at scale, people would see these things at work and think they would be great for home and you would get your second bump. Your third bump is the same thing curved with faster response time same as 1080p.
Anyone know of a sub-$1000 device that will record and play back "raw" ATSC signals?
In short,
* a recording device that will take an arbitrary digital TV channel, convert it from analog to digital (all airwaves are inherently analog at some level), and record the bits verbatim, along with some meta-data like the time of day, the frequency recorded, and maybe some extracted data like the digital sub-channels in the stream and information about what is playing on each sub-channel now and in the near future.
* ideally, DVR-like timer recording capability.
* a playback device that will put that recording onto a specific RF frequency. If the RF frequency is the same as the originally recorded frequency, my television should be fooled into thinking it is a channel that the TV already has mapped (e.g. RF channel 14, "display" as channel 20).
* ideally, a DVR-playback capability that would make the box act like a DVR, albeit one that uses a lot more disk space than your typical DVR. The output would go to the TV over a dedicated AV connection not the RF "CATV/Antenna" connection.
* ideally, the ability to recognize a USB device and copy the raw recording to it for storage or analysis/playback on a computer that can read the format.
Q: The use of such a device for legal and engineering purposes is obvious, but why would any normal consumer want such a thing?
A: Because at least then I'll KNOW for sure that I recorded what my receiver (or more specifically, the receiver in this magic box) received, not some partially-processed intermediate version. It will also allow me to record content encoded in formats that haven't been developed yet (as of January 2015), so I can play them back on a TV that supports that format.
Knowledge is how to play a game, intelligence is how to win, wisdom is knowing what game to play.
we will buy anything. Every time we come close to market saturation in the latest Video display resolution and the accompanying disc/digital library, they come out with something new...that we all just have to own. I once worked in R&D for a global consumer electronics company...this has all been planned out, decades in advance because...suckers!
The USA is only 4X older than me...perspective
Aside from baking in ever worse DRM, I would imagine that increasing file size is also desirable to make it less convenient to download and store on HDDs.
As an audio-visuophile, all I can say is, seriously, just like the megapixel war in digital cameras, we're now having a megapixel war in TVs. But, what most people realize is that these new, super high resolutions are useless to most people, because while they may have the 4K TV, all of the equipment around it fails to deliver the content to the TV properly.
Cables are a simple example of this. Your run of the mill $10 HDMI cable from Walmart is not going to faithfully reproduce the digital signal between a UHD Bluray player and a 4K TV. No oxygen-free copper. No gold plating (or maybe just a few microinches of it). No super high twists per inch. The bits are just going to get fuzzy between the source and the TV and this makes it impossible to reproduce 4K content accurately.
Even more jitter and fuzz is introduced by poor power conditioning, inadequate and noisy power cables, and lack of solar irradiance dampers (lab tests have shown that even having the sun shine on equipment introduces noise and inaccurate pixels).
It's nearly impossible for a home A/V setup consisting of crap you get from Walmart or Bestbuy to do a good job of presenting UHD or 4K content in the truest, deepest form and with the most clarity.
Movies have already started to skip DVD. Ishtar, for example, is on Blu-ray but not DVD. You'll notice the difference between Blu-ray and no movie at all unless perhaps you're deafblind.
I thought The Hobbit was shot in high-motion. Besides, a lot of more expensive TVs have an option for motion interpolation to turn 24 fps source into (artifacty) 120 fps.
Unless you're seriously only concerned with being able to locate the edge of straight lines
The edges of objects in a photograph are fairly close to straight lines, especially once you zoom in. So when you double the width and height, edge detail doubles and texture detail quadruples. You might be thinking of the latter.
Will the displays calibrate themselves?, and provide some useful fudge setting for people that like their display brighter to see the details easily. :-)
Most people badly set their brightness or whatever it is (and they don't want me to turn it down) whereas that's really glaring to me as I'm used to deep blacks.
If there were gamma in the TV manus instead of just "brightness" it would be a good thing already (that's what I like anyway, in small amount).
With HDR, you'll vitally need some "smart" setting I believe as we risk to be aggressively blinded by other people's TVs instead of just being annoyed
It is good to see an article for once use the correct terms. UHD is a consumer format. When you ask for 4k don't be shocked when price has an extra 0 added to it. UHD screen $2000, 4k screen if you are lucky $20,000.
PAL/NTSC doesn't really exist in DVDs (yes, I know people will argue that, but I can put any DVD from any region, NTSC or PAL into my old DVD player and it'll output what NTSC or PAL based on a software switch).
Not all DVD players can do that. I own a copy of Wobbl and Bob, which is "region: all" and encoded in 576i/50. I've owned three "consumer" DVD players: an Apex, a PlayStation 2 slim (NTSC U/C), and a Magnavox, all region 1. Of the three, only the Apex would play it. The PS2 froze on a black screen with an error message "TV system doesn't match", and the Magnavox displayed a similar message with different wording.
"Hi-fi"larious!
Forget the resolution. Increase the frame rate!
Every fast action movie or sporting event is just so choppy. I want 120 frames per second.
Crap. Are you replicating the processed-to-hell loudness wars of audio into the video realm by processing the shite out of the filmed colors?
Artificially manufacturing a difference for the sake of difference (or, worse, for the sake of marketing) deserves to burn in the ninth level of hell.
The Dolby Vision TVs will have reasonable controls to set brightness and contrast, but one of the selling points to the studios is that we will strive to maintain the artistic intent of the original. The blacks will be black, the whites will be white, and there will be an unprecedented (but realistic) amount of contrast.
It turns out that in high dynamic range content creation, the most important thing is not that the picture be brighter overall; but that there is an increased range between midtones and highlights. In current production, skin tones are set to about half the maximum brightness in the scene. This means that the brightest things in the image (say, a glint off of a chrome bumper) can only be twice that bright; where in real life it's more that 100 times that bright. So, leaving the midtones about where they are, and giving brighter highlights makes the image look better in a way that you have to see to understand. Or, you can just look out the window.
I love Mondays. On a Monday, anything is possible.
"Do I look like a potted palm?"
Well, did she?
Why did they not support 4K?
This is the same vertical resolution as 4K, but slightly lower horizontal resolution. Why not support both 4K and double HD? It just seems silly not to try to match the resolution that movies are being produced in.
Blu-Ray isn't even the majority of discs being sold, so how will another format compete?
There was an unknown error in the submission.
Blockbuster will love this news!
The shepherds did so well protecting the flock that the sheep no longer believed that wolves existed.
What is that? I only have DVD players and even that is dying off. What the hell is blueray and why do I need it?
I only hope that formats like these drive production of more UHD displays, bringing their price down. I don't want to watch UHD movies. I want cheap, high-res monitors for my computers.
Program Intellivision!
Watching any type of movie, with the exception of real life footage or stylized full CGI moves (not trying to look life like) - such as nature shots, or real world scenes, or Toy Story type movies, look cheap and hokie on ultra high definition formats. Anything computer generated, or a prop, or costume, or makeup is easily noticeable. Anything fake, you can see is fake. Personally I think the 1080p high definition is about the pinnacle of combining a good crisp look with still being able to suspend one's visual cues and pretend they are watching something real.
Until they separate sound and voice into unique channels and allow me to decide how load the background noise,err music will be I don't give a rats ass as I'm going to rip them to lower quality anyroads.
ATSC PVRs already record the raw bitstream received from the broadcaster. what you're describing can be bought for around 70$
http://www.bestbuy.ca/en-CA/pr...
Windows Media Center serves the same purpose in my living room.
I've got better things to do tonight than die.
Obligatory Onion Article: Area Man Constantly Mentioning He Doesn't Own A Television.
All in good fun!
If it doesn't take at least 30 seconds to get to the unskippable warnings and ads, I'm not going to switch.
I have a cheap knock-off of the very box you pointed to.
It works fine as a DVR but as far as I can tell, it's just recording one of the programs not the entire stream. Also, there is no indication of whether it is recording meta-data and other data or if it's discarding it before recording it. In other words, it's not what I am looking for.
Knowledge is how to play a game, intelligence is how to win, wisdom is knowing what game to play.
VLC is especially nice because I can play DVDs that I have placed on my harddrive for personal use. a 3TB harddrive holds quite a few DVDs. Then I can keep my massive collection in storage instead of having my living room cluttered with DVD racks. (Blu-ray too)
“Common sense is not so common.” — Voltaire
The new format is on a harddrive. It is data. Can we be done with these discs? Just period.
What would it cost to put the data on a thumb drive instead of a disc? It doesn't need more space then the movie takes up and it doesn't need to be writable. What would it cost to make a crap thumb drive with the movie on it that wasn't even writable?
Just go with that. We're not going back to the dvd collection days. That's through.
I've decided to stop wasting my time responding to AC trolls/sockpuppets... so if you want a response from me... login.
better: hd-homerun (silicon dust). network based tuner, stream to any recorder or play 'live' to a computer. cant' go direct to hdmi, you do need a pc or equiv to do that, but its better to have the pc there to buffer so you can 'pause live tv' etc.
watching live is just stupid, these days. even if you don't record, at least buffer a few minutes ahead so you can skip thru commercials.
--
"It is now safe to switch off your computer."
as are many people (mostly males). So better color space really doesn't matter to me.
Hi! I make Firefox Plug-ins. Check 'em out @ https://addons.mozilla.org/en-US/firefox/addon/youtube-mp3-podcaster/
I hear the ultra-fucking-high-def (UFHD) standard will be out in 5 years. I'll wait to upgrade my TVs and players when they support that standard. That way I can watch Ultraporn
Harrison's Postulate - "For every action there is an equal and opposite criticism"
I tend to use a monitor for my TV viewing habits, and I tend to keep my brightness down. Even on my computer monitor that I use for computer-stuff. It might be a preference, or I'm lazy to find a better setting.
Anyway, such shows as Supernatural, Arrow and the like, I'll have to turn the brightness up to normal. Maybe I need to mess with contrast. But it can be difficult to see in the dark scenes. No idea if blame lies with production or not.
Will that kind of technology solve that issue, or is it unrelated? I don't know much about this stuff.
Never, ever be the first person to volunteer to be the guinea pig for new tech. Especially expensive or niche tech. ( cough 3D cough ) You'll regret it when, a year later, you can buy the same gear at a fraction of the cost you spent to be " first ". Assuming they haven't trashed the standard and are moving onto another one.
With a few exceptions, what is even ON TV these days that is worth spending $$$$ on to upgrade all your gear every year or so ? I bought all my favorite movies that I wanted when we switched from VHS to DVD. I didn't even bother when Blu-Ray happened. ( Remember Blu-Ray hardware prices first year or two ? LOL What are they now ? ) Will likely donate the whole collection as I watch the new standards come and go. I don't -think- you'll be streaming UHD or 4K anytime soon as we can barely get decent HD quality across the networks due to compression and bickering over bandwidth consumption. It will only get worse for the newer formats I think. ( US markets only, you folks overseas with enviable high speed symmetric bandwidth, ymmv )
Dunno about you all, but I'm just about done with TV. When the one we have dies, I'll just put the aquarium in its place and be done with it.
I've been burnt or nearly burnt with new tech over the decades and consider myself a bit of an early adopter.
4K and UHD are interesting ideas, but I'm really not interested in replacing my entire hardware investment (including the current HDMI cables in the walls) just for a better picture. (Though the improved colorspace is somewhat tantalizing.)
Also, I've just recently gotten comfortable buying bluray discs in any quantity since I know I can rip them to my home media server. What sort of advanced copyright protection are the newer formats going to have? How many years of having to rely on a dedicated player? (I've just detached my dvd player from my TVs and likely will detach the bluray players as well.)
Help! I'm a slashdot refugee.
Thanks.
In particular I believe there should be some sort of wizard with test patterns, helpful and concise language (user tested), easily accessible from the TV's UI and remote, saved profiles maybe, all in good taste.
Maybe such stuff already exist in recent TVs but I'm very far from a TV enthusiast. I wouldn't even want a 55" or 65" TV. But I like something with even remote fidelity.
A high end 32" that looks perfect, with the new improvements, and line out separate from headphone out to plug high quality stereo speakers, that I would find interesting (even if it needs to take 4K input and downsample it to show on a 1080p panel). But I'm fairly atypical.
Some people just don't want to watch Hollywood stuff or the Bellisario family products, or sport. It seems there isn't much else, and if there is, its in plain old PAL anyway.
Sent from my ASR33 using ASCII
Most panels in higher end screens are actually real 120fps panels. However that is just used for 3D and for reduced motion blur. The only set I know that advertises support for 120fps input is Vizio. Others could do it, if they wanted to, however.
As you say, the issue with higher refresh rates isn't in the display technology.
Part of it is just getting people used to the idea I think. We've seen shitty, jerky, frame rates in moves for so long people start to associate that with being "cinematic". People need to get used to the idea that's bullshit and maybe they'll start to like it more.
Hopefully sports and such will get shot at 60fps some day and that may help.
Why shouldn't they continually improve their products? Even with NTSC sets this was done. New ones would be larger, have better focus, more clearly resolve the signal, have better phosphors, and so on. Why shouldn't this continue? They should keep trying to improve their products as technology allows.
None of that means you need to buy a new toy all the time though. You can stick with what you have until it breaks, or until the new stuff is a big enough leap that you wish to own it.
I think a lot of the whining from people comes down to simple jealousy. They'd like to own the new stuff, but cannot afford it, or do not wish to. So they try and hate on it and act like a luddite. You see it practically any time Slashdot has a story on new technology. People complain about it like it is somehow a bad thing that there might be something new.
NTSC stuff is so bad when viewed on a large TV. It is amazing how blurry things look when you flip back and forth between the HD and SD channels. That is part of what lead to the rise of big screen TVs was actually having content for them. With NTSC, a large TV just meant a big blurry image. With ATSC it can mean a nice large image.
Here's the reason why: the cost of above-55" flat screen panels have been dropping rapidly, and you can now get a very good 70" LCD flat panel at surprisingly reasonable prices. Once you go past 60" screen size, you can start to see the pixels on even a 1080p display; I've seen Ultra HD display on a Sony 55" monitor and wow, it's so clear you feel like looking through a window. As such, Ultra HD Blu-ray will have a surprisingly fast uptake, especially since the technology is not significantly more expensive that Blu-ray is now, given they didn't have to go to a purple-spectrum reading laser, which would have made the cost exorbitantly expensive.
Sony and the other set manufacturers need some sort of excuse to force us to all run out and buy new sets. UHD is the latest marketing campaign of many. With BluRay, I could argue that we now had a format that would let us have all the Charlie Chan movies on a single disk. I'm afraid I can't make such a claim for significant technology advance for UHD disks over Blu Ray.
br-dl are 50gb. no 1080p movie actually comes close to using this capacity unless it was rip/encoded at a stupidly high bitrate that is much higher than the original which just increases size with no increase in quality. Even an 8k movie would fit just fine on Blu-ray without compression artifacts. The large size of Blu-rays was created for games, not a single video ~2hrs long, even at crazy high resolutions. Also, to the people so naively confused on the frame rate "problem", anything above about 40-60fps tops actually appears less "realistic" since the human eye can't even process life beyond those rates. If youve ever watched a movie at 120fps (usuallyaartificially achieved by the new tvs) youd know just how not realistic it becomes and easily ruins any movie experience. We can increase quality all we want and i don't really see any end to it soon since, yes we can and most definitely do notice the difference. Finally, to settle the resolution to size ratio, its called DPI or PPI and is the main factor in determining observed "quality" on any screen. This is why a cellphone 1080p screen only 4inches in size looks better than even 4k resolution on some stupidly large screen >60". in the case of screens and quality, bigger is not better, which so many people fail to realize when they go buy their idiotic 70 inch 1080p tvs and think they have the best tv in town when really it's a horrible picture.
You'll still notice the difference between a movie and a "wrong region" error. I know the difference is not technical in nature, but one must still work around non-technical problems or do without.
1080p looks great on an iPad Mini
No, because they don't actially offer "SD only service", it's all HD now.
Cable TV is all digital, but not necessarily high-definition. Operators of digital cable systems can and do use conditional access in the digital cable platform to give 480i or 1080i versions of a particular channel to particular customers. For example, Comcast charges a "monthly HD technology fee" if an XFINITY TV customer has HD in his plan. This was true as of this forum post three years ago, and another forum post from three months ago confirms that it still is being charged. Or was it very recently discontinued?
And here is the perverse effect - I'm 50, been watching the boobtube since forever, it seems.
I got a new 4K TV, and it's got too much detail. Really. I watch the old movies again, and I don't like them so much, because the characters look TOO real. There's a hangover effect from all my years of staring at the screen - the old ones look NORMAL to me, the new ones just look weird.
I watch Back to the Future 1, and I don't like being able to see the makeup and skin tone of all the actors.
It's too distracting. I want to go back to my mindless state of non-contemplative absorption - I don't want to think about how their hair colour is uneven now that I can see it.
I want my cathode ray tube back, and get off my fucking lawn.
How about "high frame rate"? (whether that is 48, 50, 60 or higher)
If you want video to look "life-like" you need a better frame rate than 24 FPS. Every gamer knows it (and I wish that every movie-goer knew it too).
Is this new format going to support higher frame rates? Each of color depth, frame rate, resolution and 3D independently multiplies the required bandwidth, so current blu-ray can't even do full-HD @ 60p, never mind 3D at the same time.
It would be nice if there was a format compatible with the Hobbit trilogy as it is meant to be seen (and hopefully more films like it in future).
(and BTW, a motion-interpolating TV is *not* the answer!)
Dreambox/Vu+?