The Power of Backroom Lobbying: How the Music Industry Got a Copyright Extension
An anonymous reader writes: The Canadian government's unexpected budget decision to extend
the term of copyright for sound recordings came as a surprise to most copyright watchers, but not the music industry lobby, which was ready with a press release within minutes. How did the industry seemingly know this was coming? Michael Geist reports that records show the extension is the result of backroom lobbying with monthly meetings between senior government officials and music industry lobbyists paving the way for copyright term extension without public consultation or debate.
Why should anyone surprised, given the industry's deep pockets and demonstrated penchant for bribery?
IMNSHO anyone "surprised" by this outcome is naïve.
Il n'y a pas de Planet B.
I'm not saying corporate lobbyists aren't burrowed like ticks into every major government, because they are. But let's be real. They were "ready with a press release within minutes" because they wrote both press releases, and read the one that fit the situation. That's how it works.
Bribes.
Calling it lobbying is just sugar coating it.
For some reason I read that as "paying the way for copyright term extension". After realising that I'd misread it I corrected myself. Then corrected myself again when I realised that the misread version makes more sense.
Bad patents prevent you from innovating on your own ideas - that, yes, have some basis in what came before (what doesn't?). Copyrights just prevent you from 'free as in beer' access to something that we all agree isn't ours.
"We all agree"? Not everyone agreed about the ruling in Gaye v. Thicke to apply exclusive rights to the overall feel of a musical composition. Not everyone agreed about the ruling in Bright Tunes Music v. Harrisongs Music to penalize someone for having copied a melody completely by accident. What steps should a songwriter take to keep from infringing (and remain a songwriter) in this sort of legal landscape? At least expiry keeps, say, the Shakespeare estate from claiming that the entire world is guilty or liable of "nonliteral similarity". It acts as one of the checks on "stupid cases".