FBI Informant: Ray Bradbury's Sci-fi Written To Induce Communistic Mass Hysteria
v3rgEz writes: The FBI followed Ray Bradbury's career very closely, in part because an informant warned them that his writing was not enjoyable fantasy, but rather tantamount to psychological warfare. "The general aim of these science fiction writers is to frighten the people into a state of paralysis or psychological incompetence bordering on hysteria," the informant warned. "Which would make it very possible to conduct a Third World War in which the American people would believe could not be won since their morale had seriously been destroyed."
"Communistic mass hysteria"? Not clear what that means. It looks like they played with the idea that making people think about society made people more susceptible to Communism. Probably true in some cases.
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Most people get so caught up in the fantastical stories of science fiction they don't stop to think about how science fiction came about. It's writing in which the environment has been exaggerated in some fashion by science and technology, and this is used to make certain moral and ethical arguments more blatantly obvious.
Authors during the Cold War were grappling with the issues of nuclear war, ideological combat and widespread authoritarianism. This hasn't really subsided all that much even today.
It is important to note that normally this type of agent does not care if what he is doing makes sense. What matters to him is to ensure that the lie told by his boss to be accepted as absolute truth at all costs. It's the same in my country, I live seeing people being bombarded by things so absurd that you would find that they are lobotomized, and yet they not only believe in such absurdities as still harm you if you say something against.
Religion: The greatest weapon of mass destruction of all time
Maybe the FBI were just reading too many actual Marxist manuals?
""religious illumination," says Benjamin, must be shown to "reside in a profane illumination, a materialistic, anthropological inspiration, to which hashish, opium, or whatever else can give an introductory lesson." At the same time, new cultural forms must be found to increase the alienation of the population, in order for it to understand how truly alienated it is to live without socialism. "Do not build on the good old days, but on the bad new ones," said Benjamin.
The proper direction in painting, therefore, is that taken by the late Van Gogh, who began to paint objects in disintegration, with the equivalent of a hashish-smoker's eye that "loosens and entices things out of their familiar world." In music, "it is not suggested that one can compose better today" than Mozart or Beethoven, said Adorno, but one must compose atonally, for atonalism is sick, and "the sickness, dialectically, is at the same time the cure....The extraordinarily violent reaction protest which such music confronts in the present society ... appears nonetheless to suggest that the dialectical function of this music can already be felt ... negatively, as 'destruction.' "
The purpose of modern art, literature, and music must be to destroy the uplifting—therefore, bourgeois — potential of art, literature, and music, so that man, bereft of his connection to the divine, sees his only creative option to be political revolt. "To organize pessimism means nothing other than to expel the moral metaphor from politics and to discover in political action a sphere reserved one hundred percent for images." Thus, Benjamin collaborated with Brecht to work these theories into practical form, and their joint effort culminated in the Verfremdungseffekt ("estrangement effect"), Brecht's attempt to write his plays so as to make the audience leave the theatre demoralized and aimlessly angry."
Basically the long and the short of it was these these people were and apparently are trying to infect the arts and entertainment in order to get everyone bummed out enough to turn to communist revolution, by salting the depression with political statements. I'm not sure how bummed out you'd have to be to go that far but that didn't stop them trying. I mean why do you think that modern art is, sometimes literally, such a pile of shit?
Now just for clarity I don't agree with everything in that article, in particular his connecting art with religion - there may be a connection but it's far from as pervasive as he seems to think, however what I'm seeing happening in the arts and entertainment industries these days does appear to match the claims he's making.
The government is taking the position that saying things that disagree with the official government position on things are subversive, anti-American, defeatist, comfort-to-the-enemony traitors? Color me surprised!
It was the McCarthy era - the American Inquisition. He wasn't hauled up in front of HUAC (The House {of representatives} Un-Ameracan Activities Committee), so I presume, if he was investigated, the FBI (and the other witch-hunters) didn't find any evidence of an actual association between Bradbury and any of the Communist regimes.
Having said that: Bradbury's dystopias always struck me as an attempt to transplant mainstream literature's techniques and biases into Science Fiction.
SF is the art of the technical class. The central message is "You can fix it or create wonders by applying intelligence and dilligence to the problem." Even the dystopias a subset of "cautionary tales", with the central message being "Be careful not the break it THIS way, because that could wreck it so badly you CAN'T fix it.
Mainstream fiction is the propaganda of control of the general population: The central message is futility: "Do what the authorities tell you to do. No matrer HOW badly they're doing and HOW bad things get, don't try to improve them. Anything you try will make them worse."
My impression of Bradbury is that he tried to use mainstream fiction techniques and in the process imported the mainstream fiction message.
Bantam Dominique roosters crow a four-note song. Once you've heard it as "Happy BIRTHday" you can't NOT hear it that way
I think this FBI informant had a geek crush on Ray Bradbury. He wanted to stalk him at all costs. He invented this elaborate "Communist-angle" ruse to justify to his superiors the inordinate amount of time he used obsessing over Bradbury's every move, admiring him from afar. I imagine it's easier to maintain this fib than do actual work of any value.
This would make a good comedy sketch, actually! Like a variant of The Tailor of Panama.
"Love heals scars love left." -- Henry Rollins