Inside the Spaceflight of 'The Martian'
benonemusic writes: Science writer Michael Greshko partnered with a team of scientists and engineers to explore the spacecraft and mission plans in The Martian (novel and movie), down to the rescue plan itself. Incorporating the help of Andy Weir, the novel's author, he comes up with a calendar of events for The Martian, explores the hazards of going back to save Mark Watney, and explains how a real world interplanetary spacecraft would pull off a rescue maneuver.
It's a movie > Maybe a fun movie, but a movie. Nothing in it real, and the big stuff is not even remotely possible, or for that matter, what it may be like if insanity prevails and we trip to Mars. It's fun for engineers to traipse off into fantasy with movie directors, but most of the time it's just that, fantasy, like Doctor Who...
If you want news from today, you have to come back tomorrow.
what we see are the shadows on the screen.
I know they have sandstorms, sometimes dense enough to hide the surface. But with an atmosphere that never exceeds 2% the density of Earth's, can it blow people down and topple spaceships?
I'd like to watch it when does it become available on VOD services so I can buy and watch it online?
Still can't find a date anywhere...
Minimum threshold fixed. Thanks!
Stanley Kubrick's " 'Dr. Strangelove or: How I Learned to Stop Worrying And Love The Bomb' " while released as a parody and satire of the early 1960's American obsession with 'nuclear death by B-52H and the "Red Scare in Hollywood' is a consummate analysis of Post-STS NASA and NASA's fixation on a thing called 'MARS'.
Ha ha
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Ever since 1977, when a little movie called Star Wars caught the public’s attention, the space opera has been the go-to subgenre for mainstream movie sci-fi. There’s room for other takes, like Duncan Jones’ 2009 cult hit Moon or this year’s excellent Ex Machina, but those are usually tiny films that play at the edges. When it comes to big studios and big budgets, it’s all about action and sweeping melodrama (with a little futuristic dystopia thrown in from time to time) — with little to no time for philosophical ponderings or scientific details.
Boy are you humorless. It's Science FICTION. The whole "scientific accuracy" part is just PR, and to the extent it interests people in science it is good - because everyone (even scientists) has massive misunderstandings of science and reality and it is good to get people engaged in discussions.
Surprised you didn't include one of your biased rants against Assange.
Well, for starters, they wouldn't leave someone behind who wasn't dead and buried. "Dead" in the sense of "injuries incompatible with life" and/ or "failure to revive" and/ or "decomposing". This has been established by long history of mountain, cave and other remote area search and rescue incidents. If you want a ball-shrivelling account of how hard it can be to tell, read Joe Simpson's "Touching the Void" (the film wasn't too bad either; but remember that despite having been filmed by Hollywood, the events were reality. Including the crawling through the shit garden).
I suppose I'd better go and RTFA, but having just come back from a 2-million dollar/day operational planning meeting, the plan of "don't get into that situation" plays a really important role here.
Birds are not dinosaur descendants;birds are dinosaurs, for all useful meanings of "birds", "are" and "dinosaurs"
What about that? For me, that was the weakiest idea in whole movie. Almost vacuum outside - 0.6 kPa (0.6% of Earth's atmosphere pressure), lowest possible inside (if pure oxygen): 56 kPa. Hole diameter about 2 m, which gives 176 kN (or more easy to imagine 16 tons of Monty Python's sudden weight)...
Wow...I do hope that slashdotters realize that this was a MOVIE...FICTION. Geez...it's not Star Wars, which really was scientifically accurate, down to the ability to vulcan mind meld. oh...wait. Wrong movie. oops...Beam me Up!