Netflix Remaking Lost In Space (ew.com)
An anonymous reader writes: Classic sci-fi show Lost in Space is making a comeback. Netflix is developing a new version of the series, according to Kevin Burns, the executive producer in charge of the project. "The original series, which lasted three seasons and 83 episodes, is set in a futuristic 1997 and follows the Robinson family's space exploration. After the villainous Dr. Smith (Jonathan Harris) sabotages the navigation system, they become helpless and, yes, lost. (The robot tasked with protecting the youngest child, the precocious Will, utters "Danger, Will Robinson!" — a phrase that still tortures this reporter.)" Burns has been trying to bring the series back for more than 15 years, and it looks likely he'll finally get his chance.
The bottom of the barrel, we scrape it here.
What next, "My Mother, the Car"?
The shepherds did so well protecting the flock that the sheep no longer believed that wolves existed.
There was an attempted remake in 2004 http://www.imdb.com/title/tt07... but the pilot was so terrible it was never picked up. You can find some clips on Youtube but it's painful to watch.
Some of the shows Netflix has made have been hailed as great programming. I personally can't speak for what I haven't seen, but Daredevil was fantastic. I highly doubt that any network TV station could have produced anything of that quality. It would have degenerated into Criminal Of The Week stories, forced pre-commercial cliffhangers, post-commercial recaps, and a story that didn't flow as nicely from episode to episode. Only HBO might have been been able to do Daredevil as well as Netflix did. (Which isn't a coincidence as Netflix wants to have more original programming like HBO does.)
On the comedy/sitcom end, Unbreakable Kimmy Schmidt was funny in a way that I wish more sitcoms were. Again, no commercials meant they didn't need to pause the episode's story to show ads.
This doesn't mean a Netflix produced Lost In Space is guaranteed to be fantastic, but - based on their past successes - it means there's a good chance that it'll be good.
My sci-fi novel, Ghost Thief, is now available from Amazon.com.
I often wondered why there is such a tendency for reboots in TV and movies. Why re-make something when you could make something new? Then I realized something. In today's society of perpetual copyrights it is nearly impossible to create something new that would not be considered derivative of some existing work. The path of least resistance is to license a known entity to shield the show creators from a nearly inevitable barrage of lawsuits from people with rights to any movie, show, novel, comic book, or whatever, seeking to get a piece of the profits.
The creators of the reboot can then derive freedom to re-invent the premise with even wildly variations on the theme so long as they retain enough of the character names, plot elements, and so forth that they can logically claim it is still a derivative of the original. The ability to bring in fans of the original work no doubt allows for some insurance of success for the series.
This is why, IMHO, we can't have anything new. We've built up such a history of copyrighted works that anything that is not completely foreign to a potential audience will no doubt be considered a derivative of some existing work. Anything that is so foreign to be considered truly novel is so unlikely to be successful that the chances of finding someone willing to fund the effort would be very small.
Lost in Space sounds like a basis upon which someone could build a very entertaining universe. It could also turn out as badly as the original and the movie.
I am armed because I am free. I am free because I am armed.
Back in the 60's, Star Trek had to compete with Lost in Space as some viewers and a lot of TV execs considered them basically the same. Which is silly. Star Trek rarely had costumed monsters of the week. Lost in Space never missed them.
Both shows shared some writers, directors, guest stars, and even monster props by the same people. So the two shows DID have some things in common. But not premise or most content.
And now, Netflix is remaking Lost and CBS is launching a new Star Trek series. They shall compete again.
Nothing changes.
Sig for hire.