BBC Confirms 50% Bitrate Savings For H.265/HEVC Vs H.264/AVC (bbc.co.uk)
An anonymous reader writes: A research team from the BBC has done a series of tests to confirm earlier computations showing a ~50% savings in bit rate for H.265/HEVC compared to video using H.264/AVC at comparable quality. "The subjective tests used a carefully selected set of coded video sequences at four different picture sizes: UHD (3840x2160 and 4096x2048), 1080p (1920x1080), 720p (1280x720) and 480p (832x480), at frame rates of 30Hz, 50Hz, or 60Hz. The video content was chosen to represent diverse spatial and temporal characteristics, and then coded using HEVC and AVC standards at a wide span of bit rates producing a variety of quality levels." Here is the full published analysis. "The tests confirmed the significant compression efficiency improvements achieved in HEVC, verifying the results previously reported using objective quality metrics (PSNR based methods)." The team did not test against VP9, which is shaping up to be an impressive standard as well.
50% bitrate reduction vs H.264 sure, but not vs x264 which is the current gold standard for HQ video compression.
It's like comparing a new audio codec to the original fraunhofer MP3 encoder. LAME on the other hand is a significantly better MP3 encoder like x264 is a better H.264 encoder.
My own compression testing between HEVC and x264 show that at verty low bitrates, yes HEVC is better, but only at bitrates below what I would normally use and what I would consider "quality" encodes.
When you compare say a 10GB x264 encode of a full-length BluRay film, even 8GB for the HEVC does not provide an equal or superior copy.
Which, if you click through, is why the study performed subjective tests; by asking viewers to rate the quality of several videos at several bitrates on a 10-point scale in a series of tests. They found that PSNR systematically underestimated the perceived quality of H.265 (relative to H.264).
The problem is, HEVC is expensive. While the MPEG-LA made h.264 the way it is by making streaming free (if the viewer doesn't pay) and offering caps to the maximum license fees, thereby encouraging big users (Cisco, Apple, Microsoft, Netflix, etc) to switch to h.264 and merely pay the cap every year
Of course, MPEG-LA wanted to encourage the switch to HEVC by offering the same terms, and several patentholders balked which is why they pulled out of the MPEG-LA pool and created the HEVC Alliance which licenses without a cap, without free streaming (they want some money per HEVC stream), meaning the money you save in bandwidth might go straight to licensing fees.
And I'm sure the BBC streams under h.264 were basically cost-free since the streams were available at no charge (granted, you paid with your TV license, but the MPEG-LA doesn't count that), so switching will create costs.
HandBrake has x265 built in.
https://handbrake.fr/
It has some quirks though. It's GUI based, but some of the defaults are plain stupid. Someone wanting "simple" is at risk of getting "inferior" instead.
If you want to devote the time to learning the quirks, you can export a preset for your users once you've got the settings right.
I made a simple preset to get you (and anyone else) started. MKV container, no cropping/resizing, no filters, default x265 settings (which you'll need to play with), untouched audio (passthru), no subtitles, no guarantees it'll even work.
http://pastebin.com/61YyQNkv
Download it and change the extension to .plist before importing from the Preset menu. Even though it says Apple in there, it was created on the Windows build.
If a change you make undoes itself after the first encode, change it back, save the change as a new preset, load the new preset and see if your change stuck.