Enemy Number One is Netflix: The Monster That's Eating Hollywood (business-standard.com)
From a WSJ report: Tara Flynn, a rising star at a TV production unit of 21st Century Fox, walked into her boss's office last August and told him she was quitting and joining streaming-video giant Netflix Inc. The news was not well-received. "Netflix is public enemy No. 1," said Bert Salke, the head of Fox 21 Television Studios, where Ms. Flynn was a vice president, according to a Netflix legal filing. When Netflix finalized Ms. Flynn's hire a few weeks later, Fox sued, accusing it of a "brazen campaign" to poach Fox executives. In response, Netflix argued Fox's contracts are "unlawful and unenforceable." The ongoing legal battle is just one sign of the escalating tensions between Netflix and Hollywood as the streaming-video company moves from being an upstart dabbling in original programming to a big-spending entertainment powerhouse that will produce more than 70 shows this year. It is expanding into new genres such as children's fare, reality TV and stand-up comedy specials -- including a $40 million deal for two shows by Chris Rock. The shift has unnerved some TV networks that had become used to Netflix's original content being focused on scripted dramas and sitcoms. Netflix's spending on original and acquired programming this year is expected to be more than $6 billion, up from $5 billion last year, more than double what Time Warner Inc.'s HBO spends and five times as much as 21st Century Fox's FX or CBS Corp.'s Showtime.
They make more shows than HBO does so you don't cancel your sub in between Westworld and Game of Thrones.
Daredevil? House of Cards? Fuller House? Arrested Development? All of them are reboots/sequels or remakes. What makes them good or bad is not whether they are remakes. Hollywood has been doing remakes from the beginning (The Wizard of Oz and The Maltese Falcon are both remakes of earlier, less successful attempts to adapt those books to the screen).
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In fact, Roku began life as a Netflix streaming box idea that a group within Netflix had. Netflix eventually decided not to pursue the project and it was spun off as a separate company, albeit one with Netflix as the primary application draw. IIRC, early on Roku was boasting that they'd have 10 channels by the end of the year. They hit that number and then rocketed up in popularity soon after.
My sci-fi novel, Ghost Thief, is now available from Amazon.com.