Star Wars' Han Solo Spinoff Directors Quit In the Middle of Shooting (theverge.com)
hondo77 writes: Due to "different creative visions," Phil Lord and Christopher Miller are no longer directing the Han Solo movie, despite filming having started in January. The film is still scheduled to be released in May 2018. "Phil Lord and Christopher Miller are talented filmmakers who have assembled an incredible cast and crew, but it's become clear that we had different creative visions on this film, and we've decided to part ways. A new director will be announced soon," Kathleen Kennedy, president of Lucasfilm, said in a statement. The Han Solo spinoff is set to star Alden Ehrenreich as a young Han Solo, with Woody Harrelson as his mentor, Donald Glover as a young Lando Calrissian, and unspecified roles for Emilia Clarke and Thandia Newton.
Wasn't a fan of the force awakens (ending on what was basically a third death star run ruined the movie for me. Sure it's better than 1-3 but that should never, ever be a benchmark for Star Wars.). Sure, Rogue One managed to have an original ending and it was a movie I even enjoyed but given the recent history of Star Wars movies I don't have high hopes at all for the Han movie given this move.
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Star Wars' Han Solo spinoff directors quit in the middle of shooting
They should have shot first, and then quit.
Although I think they should let Star Wars universe die (As well as the Star Trek Universe) as they are a fictional universe of a different age and the new storylines are hacked into the universe rules.
But if they are going to continue they should just move forward. The backstory will only lead us to conflict with our preconceived notions of the person. Han Solo for me while had some adventures before they were mostly just petty crimes and doing the odd jobs, getting involved with some bad people and trying to get money.
Now this could be an interesting story, but let's do it with an other person someone we don't know and watch them evolve. Not someone that we can observe like looking in the old photo album.
If something is so important that you feel the need to post it on the internet... It probably isn't that important.
The problem with Star Wars for the last couple of decades has been that the Timothy Zahn books and several of the LucasArts games have had far better stories than anything that the franchise has ever had on the big screen. Mind you, the extended universe has its own prequel trilogy in the form of anything written by Kevin J Anderson.
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Sorry, but that shit is actually owned by them. And yes, it sucks to invest your time into learning the lore of something only to see it thrown away by the next bozo coming in and saying "don't like that, let's do something completely different!" and does "all wrong".
The lesson to learn here is simple: Don't invest into something that isn't yours. Hard to do, I admit, but in the end, every moment spent learning about a universe you cannot make your own if you are fed up with the official one is a wasted one.
And yes, I'm fully aware that these hardcore fans that spent time and money to learn about the world, to amass amounts of merchandise, to recreate their favorite characters, create faithful costumes and so on, those are the ones that kept the franchise alive while their owners were pretty much abandoning them, milking them for all they're worth all the while and living off those fans that keep it alive and vibrant, drawing in new potential fans. I'm fully aware of that.
But studios will never learn if they don't learn the hard way. So yes, let them keep it, let them use it as they see fit and stop investing your time, money and energy into it. Wait until a studio learns that those things are not given freely but have to be earned.
We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
Rumors being reported suggest their attempt to interject revisionism into the Solo character were not appreciated by Lawrence Kasdan.
Kasdan is the screenwriter behind The Empire Strike Back, Raiders of the Lost Ark, and this movie (with his son, Jon).
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The story is that the directors had problems with Kathleen Kennedy, who runs LucasFilms and is their boss, from day one. Basically they couldn't get along with the CEO and she fired them. Kennedy has a pretty good track record in the industry and picking a fight with her was not a great plan. Plus, remember news leaked out that Rogue One had re-shoots and lots of people concluded that the only possible outcome was a disastrous movie that would fail spectacularly. Rogue One made half a billion at the box office. I thought it was pretty good. These guys' claim to fame is they made 3 comedy movies that turned a profit. Losing them with most of the shooting done is not a tragedy and the final result may still be pretty good and probably more in line with what the bosses expect than what they were planning on doing themselves.
Spinoff Directors Quit In the Middle of Shooting
I can only hope the difference in creative vision went something like this:
"You know what, fuck this sequel/prequel/spinoff bullshit. I've had enough of it. Every damn thing coming out these days is nothing more than a shitty recycle of an older movie that tries to justify itself with a half billion dollars worth of 21st century special effects, or the 17th movie in a drawn-out storyline that should have died long ago. Give me an original storyline with a new concept for once."
Here's your 2023 summer movie lineup to prove a point:
Resident Evil: Gotta Catch 'Em All, Part 2
Fast and Furious: Lunar Drift
Pirates of the Caribbean: Hanna Montana's Revenge
Transformers: Rise of the Transgender
Star Trek: Teen Spock and the Vulcanettes
Sharknado Mayhem 4D: Movie Theater Wetsuit Edition.
I disagree on the Rogue One ending though. Once it occured to me that they were really going to make the end of Rogue One match the start of A New Hope to the letter the end became much less interesting. Halfway through the end scene it was clear that all involved were doomed. Of course the transmissing HAD to happen. But Darth Vader HAD to find out. The two main characters HAD to die etc. Not very interesting.
Knowing where a movie is going ahead of time does not by itself make it less interesting. In virtually all superhero movies you know the main character is going to live and the ending will probably be a happy one. Most of the time the story is rather predictable too. Doesn't make it uninteresting as long as they make the journey getting there fun. To use the classic example, we all knew the Titanic was going to sink before anyone walked into a theater.
I was really hopefull afther The Force Awakens, since it was for me a great 'setting the scene' movie.
I suppose they had to get back to baseline after the prequels. Really it was just a reboot and the movie was for all practical purposes nearly a scene for scene remake/update of A New Hope. It was done well enough but this was ground that Star Wars has covered several times now which was disappointing to me at least. Predictable doesn't need to mean identical. The Force Awakens was something of a love letter to A New Hope and that's fine but I have to admit I wasn't expecting a remake.
I'd definitely watch GNU Wars. The evil Darth Vim getting his ass kicked by the furry little Emacs, Richard Starman and his GNU mind tricks...
const int one = 65536; (Silvermoon, Texture.cs)
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I don't think "superhero" movies are a good example. They're the epitome of high-budget junk with no original plot or quality of story. - just action.
What do you think Star Wars is if it isn't a super hero movie? Jedi are nearly the epitome of super heroes. Furthermore I completely disagree that super hero movies inherently lack original plots or good stories. Sturgeon's law applies to any genre of movie you care to mention. Some of the stories that are coming out of the comic books these days are absolutely awesome stories and only a narrow minded snob would think otherwise. You could argue that the story could have been realized better but the stories themselves are often great.
They sell well to kids wanting to watch their favourite marketing device, but you'll find very few superhero films on any critics "must watch" top films.
I can name quite a few superhero movies that are must see cultural touch stones. Star Wars and Empire Strikes Back are two of them.