Negative Free Cash Flow Will Be an Indicator of Enormous Success For Netflix, Says CEO (barrons.com)
During Netflix's quarterly earnings call, in which it noted it had added more than five million subscribers in the last three months, CEO Red Hastings was also asked about the millions of dollars it burns every quarter. Hastings said that burning cash is a sign of success, in a way. Here's the money quote: Look, when we produce an amazing show like Stranger Things, that's a lot of capital up front, and then you get a payout over many years. And seeing the positive returns on that for the business as a whole is what makes us comfortable that we should continue to invest and integrate to basically self-develop many more properties as Ted (the content head) can find the appropriate ones. And then there's comfort with being able to finance it, and of course, our debt-to-market cap is incredibly low and conservative, so we've got lots of room there. And I think that combination that it's spent well and we can raise it is what makes us very excited. And the irony is the faster that we grow and the faster we grow the owned originals, the more drawn on free cash flow that we'll be. So in some senses, negative free cash flow will be an indicator of enormous success. On Monday, Netflix updated its estimate for negative free cash flow for 2017. While previously the company had said it would be $2 billion, Netflix now says it will be $2 to $2.5 billion (versus $1.7 billion in 2016).
That statement makes no sense. He's saying his cash flow will be negative because they will be investing in new products. However, new products are not an indicator for success. Sales is!
One of our competitors trademarked the term "hypothesis". From now on, we will call them "boneheaded ideas".
Works for Amazon.
This is the world's new business model, for better or worse. If you don't run a business this way, you can't compete (with the likes of Amazon & Netflix) and they will crush you. And if you do run a business this way, you might [spectacularly] fail, but if you are able to survive, then you'll be the only player. It's like running a monopoly before it's officially a monopoly (the way Standard Oil used to undercut competitors until they went out of business). You can use debt, equity and VC funding to do this today instead of a monopolist's war chest.
As a major plus to those who make these decisions--the board, the CEO, and the rest of the executive team--they don't care. They get paid handsomely win or lose, and if everything goes bust, they can just spin up the next one while coasting on their ludicrous money from the last job.
"Profits are so 90's, believe me. Losing is winning, and I win by losing bigly! I know more about losing than losers you never hear about. Ya never hear about em', right? They lose wrong, so sad. But everyone knows ME because I do the best losing, beautiful losing!"
Table-ized A.I.
Content costs something to produce once and the media companies milk it for ages to come. Thanks to copyright being extended essentially forever it's a great investment.
the only people who don't like the idea of spending X amount of money to make Y amount in returns over a few years time are idiot MBAs that continually screw us over for meaningless quarterly results. The Harvard Business School mentality is like some kind of plague on capitalism.
"We lose money on every sale, but make up for it in volume !"
If the rate of burn fuels the growth (and it is right now, Nflix is going gangbusters) THAT is the measure of success, NOT the rate of burn itself.
Silicon valley throws away 96+ cents on the dollar invested but because those few seeds mature into BIG trees, that's the win. Not the 96% of burned money.
I think he's saying that spending money developing new shows is better than resting on their laurels and collecting cash.
If so he is saying very wrong. Investing in the future is a great way to ensure success in the future but it is by no means an indication or guarantee of success in the present or future. It's entirely possible to invest heavily and be an utter failure e.g. if they invested in shows which were complete flops. The fact that their CEO equates investment in the future to automatic success is not a healthy sign since it suggests they have not planned for what happens if the investments go awry.
He is doing his job convincing people there is value created in all those properties. As long as the investors buy that story, it is all hunky-dory.
sed -e 's/Chuck Norris/Rajnikant/g' joke > fact
burning cash is a sign of success
Today I learned that I am personally very, very successful.
(But more seriously, he is not necessarily wrong. Sometimes it is better to re-invest income into things that can generate more of it in the future).
But that's ok - because banks give them more credit and all that money they're spending is going into products which bring in more money (but only enough to pay for the interest on the cards) So... y'know... we're SUCCESSFUL!! And here I've been doing this the hard way...
Wow, that is the new measure of low risk ?
5 out of 6 people enjoy Russian Roulette & 6 out of 7 Dwarfs are not Happy
These articles often become "It's the MBA's fault!" articles, which is hilarious to me. Imagine that you were on a forum dedicated to financial analysts, or corporate tax returns, and everyone on there was saying "My internets is no workie because my computer is unplugged. It's all the help desk guy's fault!"
Just because I can hook a shark from a boat, I do no offer to wrestle it in the water.
Its entirely possible for them to be burning cash creating content that subscribers aren't interested in watching (and from my subjective opinion that is the case).
While even lots of it may be content few really are about watching, do you truly deny that they have SOME content that subscribers are very interested in watching?
Even if you left off Stranger things, they still have a pretty decent number of exclusive Marvel shows that have all been pretty popular. And then they have more artistic stuff that can develop a cult following (like "The OA").
Heck they even have some very popular animated stuff, like the new Voltron...
All it takes are a few very popular properties created each year, and not only do you get a large stream of regular subscribers added each year, you get people who keep a subscription active.
This has been HBO's problem (for me), once a season of Game of Thrones is over I have exhausted entertainment from HBO and drop the subscription for a while. But there's just enough new and interesting stuff on Netflix to keep not just me, but hundreds of millions of others ticking around - and that is an objective fact.
"There is more worth loving than we have strength to love." - Brian Jay Stanley
If you do not invest today's profits in tomorrow's profits, there won't be any of the latter. A business can't survive just doing the same thing, because eventually there will be no demand for that same thing.
For example, let's say Netflix, in a bid not to have negative cash flow, decided not to upgrade its infrastructure ever. Where do you think Netflix would be now? It wouldn't be. That's the answer. How long do you think NFLX could have survived streaming standard definition and mailing you DVDs?
Growth requires investment. Investment requires spending cash. Hoarding cash does not grow a company. Free cash flow was all the rage in the 2000s when hoarding cash was cool. I remember our CEO going on and on about how awesome it was to have such high free cash flow, and how we should be happy we didn't get raises and that positions went unfilled, because it meant more cash.
Of course, hoarding cash is one of the principal causes of 2008, because companies refused to invest in the future, choosing instead to stop investment, lay people off, and hoard cash.
Credit Card Debt - to - Self Image ratio...
Both are astronomical... but the ratio is low.
5 out of 6 people enjoy Russian Roulette & 6 out of 7 Dwarfs are not Happy
Um.
Doesn't this entire train of thought completely contradict the reasoning Netflix execs gave for cancelling Sense8?
Remember just a month ago when that announcement was made, and one of the Netflix guys said [I'm paraphrasing]: "Our cancellation rate is much lower than it should be. It's a sign of creativity to be cancelling more shows. It's good to cancel shows"?
And now this guy is saying "It's good to spend lots of money on shows and invest in shows for future earnings".
Hollywood, Television, has become the dream machine. We need to take that back; each of us is a Dream Machine
1.) Acquire Customers
2.) ????
3.) PROFIT!!
This is so 1998.
Some of y'all are WAY too hung up on the language, rather than on the message conveyed. Just sayin'
Hastings is playing the long game. What I heard is pretty simple - the demand for home grown content is sufficient to forecast sustained profit while burning through cash in order to get there. So then by reason, their expenditures in the near term are indicative of that belief. AND I would agree.
While Hollywood is looking at everything in their catalog to merely remake (poorly), Netflix (and others) who traditionally just distributed others' content are seizing a massive opportunity to get into the game (directly or indirectly) of content creation. House of Cards (Netflix), Orange is the new Black (Netflix), The Walking Dead (AMC), Game of Thrones (HBO), Breaking Bad (AMC) for a few examples.
total freaking nonsense. what he's saying is, "hey, we can spend really well, and you don't hold us responsible. we like it." I can't get away with that, and neither can you.
kids don't know about budgets. investment analysts ought to.
if this is supposed to be a new economy, how come they still want my old fashioned money?
But shareholders don't want to hear about long term growth or longevity, they want quarterly stock gains and dividends at the expense of all else - which is why our economy is so skewed.
Must be why the funeral industry hired the mob to kill people.
From a bunch of idiots who couldn't manage a fucking lemonade stand.
amzn should buy nflx next market crash when nflx debt-to-market-cap goes 100%+
It assumes the value of the content will remain stable over time and by spending lavishly on a content portfolio there will be a long tail of revenue due to people watching the content. But with so much new content being produced, who is watching the old stuff? How many people are willing to pay for Friends episodes? Taxi? All in the Family?