The 2017 Hugo Awards (thehugoawards.org)
Dave Knott writes: The Hugo Awards, the most prestigious awards in science fiction, had their 2017 ceremony today, at WorldCon 75 in Helsinki, Finland.
The winners are:
Best Novel: The Obelisk Gate by N.K. Jemisin
Best Novella: "Every Heart a Doorway" by Seanan McGuire
Best Novelette: "The Tomato Thief" by Ursula Vernon
Best Short Story: "Seasons of Glass and Iron", by Amal El-Mohtar
Best Related Work: Words Are My Matter: Writings About Life and Books, 2000-2016 by Ursula K Le Guin
Best Graphic Story: Monstress, Volume 1: Awakening , written by Marjorie Liu, illustrated by Sana Takeda
Best Dramatic Presentation (Long Form): Arrival , screenplay by Eric Heisserer based on a short story by Ted Chiang, directed by Denis Villeneuve
Best Dramatic Presentation (Short Form): The Expanse: Leviathan Wakes , written by Mark Fergus and Hawk Ostby, directed by Terry McDonough
Best Series: The Vorkosigan Saga, by Lois McMaster Bujold (Baen)
John W Campbell Award for Best New Writer: Ada Palmer
This year's slate of nominees, unlike the drama surrounding the 2016 and 2015 Hugos, was less impacted by the ballot-stuffing tactics of the "Rabid Puppies", thanks to a change in the way nominees were voted for this year (including the fact no work could appear in more than one category) in an attempt to avoid tactical slate picks.
The winners are:
Best Novel: The Obelisk Gate by N.K. Jemisin
Best Novella: "Every Heart a Doorway" by Seanan McGuire
Best Novelette: "The Tomato Thief" by Ursula Vernon
Best Short Story: "Seasons of Glass and Iron", by Amal El-Mohtar
Best Related Work: Words Are My Matter: Writings About Life and Books, 2000-2016 by Ursula K Le Guin
Best Graphic Story: Monstress, Volume 1: Awakening , written by Marjorie Liu, illustrated by Sana Takeda
Best Dramatic Presentation (Long Form): Arrival , screenplay by Eric Heisserer based on a short story by Ted Chiang, directed by Denis Villeneuve
Best Dramatic Presentation (Short Form): The Expanse: Leviathan Wakes , written by Mark Fergus and Hawk Ostby, directed by Terry McDonough
Best Series: The Vorkosigan Saga, by Lois McMaster Bujold (Baen)
John W Campbell Award for Best New Writer: Ada Palmer
This year's slate of nominees, unlike the drama surrounding the 2016 and 2015 Hugos, was less impacted by the ballot-stuffing tactics of the "Rabid Puppies", thanks to a change in the way nominees were voted for this year (including the fact no work could appear in more than one category) in an attempt to avoid tactical slate picks.
So, it's official - the Hugo Awards have become the Harlequin Awards, much like Rock'n Roll Hall of Fame has become Pop'n Roll Hall of Fame.
That's well and fine, but it's time to drop the pretense, and make room for an award that celebrates the original art form. This doesn't.
Last I heard these awards are more about diversity and virtue signaling than any kind of merit.
So pushing progressivism for progressivism's sake is still alive and well at the Hugo's, even if it didn't exactly overwhelm the process this time.
When progressivism is the point, you've done it wrong.
"His name was James Damore."
This whole Hugo Awards flap is so hilarious yet so sad. It's the perfect case of a bad solution to a real problem.
I agree the scifi status quo was sexist, puerile, over-dense, plotless garbage. Something needed to change.
-simultaneously-
I also agree that there has been an over-correction almost as extreme as the original problem!
Both are true.
The original problem was sexist garbage scifi but the solution is not to promote insipid non-scifi fluff.
Thank you Dave Raggett
The Hugo is not the most prestigious award for Sci Fi. I would put the Nebula Award way ahead of it. In fact, over the last few years the Hugo Award has become meaningless.
-- Will program for bandwidth
Your comment shows that you don't know much about the Hugo Awards. They have been awarded to works of science fiction and fantasy since their inception in 1953. Go read the WSFS Constitution (the rules for the awards). It makes this crystal clear.
Your comment shows a lack of reading comprehension. Read my post again and tell me where I say anything about fantasy.
It's formula dreck vetted for social acceptability that I object to, whether it's fantasy or science fiction. I want the radical stuff. The "out there" stuff. Ignoring borders. Going out there, because it's speculative fiction, not a party handbook in prose form.
Yay! Arrival won! Let's hear it for deus ex machina time travel/knowledge, garbage sci-fi!
Make love, not reality television.