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Movie Ticket Sales Hit A 22-Year Low in 2017 (msn.com)
An anonymous reader quotes the Los Angeles Times:
Hollywood is celebrating the end of 2017 with astronomical sales from "Star Wars: The Last Jedi," which is on track to soon exceed $1 billion in global ticket sales and eventually become the biggest movie of the year. But that won't be enough to write a happy storyline for the industry. Although movie ticket sales in the U.S. and Canada are expected to dip just below last year's record of $11.38 billion, the number of tickets sold is projected to drop 4% to 1.26 billion -- the lowest level since 1995, according to preliminary estimates from studio executives.
The falloff in ticket sales can mostly be explained by a handful of movies that flopped, especially during the dreary summer season that posted the worst results in more than two decades. Even such massive hits as "Wonder Woman," "Thor: Ragnarok" and "It" couldn't make up for a lackluster summer lineup populated by rickety franchises ("Alien: Covenant") and poorly reviewed retreads ("The Mummy"). However, the long-term decline in attendance reflects systemic challenges facing the industry. Audiences are spending less time going to the movies and are consuming more entertainment on small screens and through streaming services such as Netflix and Amazon that are spending billions on original video content. At the same time, while higher ticket prices have helped to offset attendance declines, they have made consumers pickier about what movies they're willing to go see. And those increasingly discerning consumers turn to social media and Rotten Tomatoes to decide what's worth their time and money.
The falloff in ticket sales can mostly be explained by a handful of movies that flopped, especially during the dreary summer season that posted the worst results in more than two decades. Even such massive hits as "Wonder Woman," "Thor: Ragnarok" and "It" couldn't make up for a lackluster summer lineup populated by rickety franchises ("Alien: Covenant") and poorly reviewed retreads ("The Mummy"). However, the long-term decline in attendance reflects systemic challenges facing the industry. Audiences are spending less time going to the movies and are consuming more entertainment on small screens and through streaming services such as Netflix and Amazon that are spending billions on original video content. At the same time, while higher ticket prices have helped to offset attendance declines, they have made consumers pickier about what movies they're willing to go see. And those increasingly discerning consumers turn to social media and Rotten Tomatoes to decide what's worth their time and money.
Why would I spend twenty dollars to sit next to an asshole teenager who is texting the whole time. Or some jackass who brought a three year old to an r rated film. After watching twenty minutes of commercials and spoiler trailers, having my ears blasted out... And while being able to hear the movie playing next door even in quiet moments of my movie. Because louder is better? Why? I can't move seats to get away from jerks because seats are assigned now. I have to kick people out of my seat quite often because people sit in my assigned seat. The quality of food and drink continually declines, the kitchens are often filthy messes, theatres do not even provide unsweetened tea anymore, the workers seem suicidally depressed, and the remaining customers often seem like self entitled rich jackasses who are not there to see a film, but to be waited on and catered to. Why would I want to go anymore? My best experiences were in the second run theatre tbh. Don't know what had happened but it's.profoundly unpleasant nowdays to go to films.
Hollywood doesn't make movies for the United States. They're targeting Asian audiences and competing with Bollywood, where it is pretty typical to see serial-style films with the same characters and plot lines over and over. Not to say that doesn't happen in the US and western film (Bond, Star Trek, Star Wars, etc), but it is on a whole new level.
The difference is that the US produces spectacles using a lot of technology. Bollywood produces spectacles using a lot of people.
"Well, good luck finding a judge that doesn't run a bestiality site."
Here are the cinematic options that Hollywood gives me today:
1) Superhero sequel #2986--this time with slightly improved explosions
2) Disney movies where men/boys are always either the buffoon or the villain
3) Indie darlings about black/gay/lesbian/transsexuals fighting evil white people over slavery/oppression
4) Remake of decent movie that you liked 20 years ago, but now with an all-woman cast and much shittier writing!
Now which should I spend $50-$80 to take my wife and son to, when I could just stream something at home on my 4K home theater?
SJW: Someone who has run out of real oppression, and has to fake it.