Slashdot Mirror


Project Gutenberg Blocks German Users After Outrageous Court Ruling (teleread.org)

Slashdot reader David Rothman writes: The oldest public domain publisher in the world, Project Gutenberg, has blocked German users after an outrageous legal ruling saying this American nonprofit must obey German copyright law... Imagine the technical issues for fragile, cash-strapped public domain organizations -- worrying not only about updated databases covering all the world's countries, but also applying the results to distribution. TeleRead carries two views on the German case involving a Holtzbrinck subsidiary...

Significantly, older books provide just a tiny fraction of the revenue of megaconglomerates like Holtzbrinck but are essential to students of literature and indeed to students in general. What's more, as illustrated by the Sonny Bono Copyright Term Extension Act in the U.S., copyright law in most countries tends to reflect the wishes and power of lobbyists more than it does the commonweal. Ideally the travails of Project Gutenberg will encourage tech companies, students, teachers, librarians and others to step up their efforts against oppressive copyright laws. While writers and publishers deserve fair compensation, let's focus more on the needs of living creators and less on the estates of authors dead for many decades. The three authors involved in the German case are Heinrich Mann (died in 1950), Thomas Mann (1955) and Alfred Döblin (1957).

One solution in the U.S. and elsewhere for modern creators would be national library endowments... Meanwhile, it would be very fitting for Google and other deep-pocketed corporations with an interest in a global Internet and more balanced copyright to help Gutenberg finance its battle. Law schools, other academics, educators and librarians should also offer assistance.

26 of 265 comments (clear)

  1. Germany.... by Anonymous Coward · · Score: 5, Funny

    What a bunch of Copyright Naz......

  2. Escalating renewal fees by jonsmirl · · Score: 5, Insightful

    First 20 years free. Then an escalating payment is required for each 20 year renewal afterward. Simply requiring a payment will solve the orphan works problem. This solution also lets Disney keep Mickey under copyright forever if they keep paying the escalating renewal fees. This is a simple solution to keeping commercially profitable works under copyright and letting everything else revert to the public domain.

    1. Re:Escalating renewal fees by jonsmirl · · Score: 4, Informative

      Also note that the payment database creates an authoritative record of what is protected and what isn't.

      This 150 years automatically for free is ridiculous. Copyright works turn into culture after a while. We can't have our entire culture being owned. Consider that photos and recordings of WWII will be under copyright until after most of us are dead.

    2. Re:Escalating renewal fees by Wycliffe · · Score: 5, Insightful

      First 20 years free. Then an escalating payment is required for each 20 year renewal afterward. Simply requiring a payment will solve the orphan works problem. This solution also lets Disney keep Mickey under copyright forever if they keep paying the escalating renewal fees. This is a simple solution to keeping commercially profitable works under copyright and letting everything else revert to the public domain.

      Although this is better than the current system, I don't see why we need to allow extensions at all. Patents don't allow extensions. 20 years seems to be plenty of time for a creator to be fairly compensated for their work. Most people who do work for hire only get compensated when they actually do the work. Residual income is great but it makes no sense to have indefinite residual income for something you created 2 decades ago.

    3. Re:Escalating renewal fees by Anonymous Coward · · Score: 4, Insightful

      If you don't end up fabulously rich & famous in the free 20 years it must not have been the best story ever.

    4. Re:Escalating renewal fees by fafalone · · Score: 3, Insightful

      Uh, yes we absolutely should make it impossible for Disney to retain perpetual copyrights no matter how much they're willing to pay. And the original 14 years is more than generous enough now that distribution is orders of magnitude faster than when that was enacted; so much so there shouldn't even be a renewal. Copyright is supposed to be a bargain to promote the arts, you've clearly fallen into the modern interpretation of it being a means for corporations to print money. There's no benefit to anyone except Disney for keeping Mickey locked up for centuries-- it's ludicrous to suggest limiting copyright to a term that covers 99% of total revenue for 99% of all works would discourage continued development.

    5. Re:Escalating renewal fees by angel'o'sphere · · Score: 3, Interesting

      they just can't stop others from using the content as they please.
      And exactly this is wrong in my opinion.

      Why feed a disney with free material to exploit to make movies? Sorry, if they want to use a book, and make a movie from it, they should pay.

      If you can't make money off of an artistic work within 20 years, there's a strong chance that your work simply sucks or you suck at marketing it.
      Of course. But what has sucking me in marketing to do with your idea that you can exploit my work for free?

      you'll be further compelled to make something that's newer and better instead of trying to sell your sucky eBook for your entire life.
      Are you really such an idiot?

      How exactly does one make a living, by working 40h the week, to pay his rent and feed the kids, and spend another 20h to write his eBook? And then you come and say: hey if he can not market it, it must suck? And now as he spent so much time for a work that sells bad at the moment he should write a new work?

      https://de.wikipedia.org/wiki/...

      The united states should just switch to the german/european model. And then you for funk sake ask the original author or his heirs for permission and let them participate on the profits you make. I'm funk tired about this free rider attitude when it comes to copyrights in the US. You can not feed your poor, because you don't want higher taxes ... or what ever. But then again you want everything for free someone else made. Just because of "copyrights are to long" ????

      Tolkien made nearly no money at all during his life time. Sure, his works sucked in some way, but now they are world literature. And the movies brought in billions.
      Do you really think it is fair to not have the family participate in the revenue LOTR made?

      I don't.

      --
      Cost free eBook I read (by iBook/Kobo/Amazon/ObookO/Gutenberg etc.): "The Green Odyssey" by Philip Jose Farmer.
  3. Americans don't have the high ground by Anonymous Coward · · Score: 4, Informative

    America is the driving force behind copyright extensions and indeed copyright itself all over the world. This is just one of very few situations where works are locked away longer in a foreign country than in the USA.

  4. The outrageous part isn't really the ruling... by Anubis350 · · Score: 4, Insightful

    The outrageous part isn't really the ruling... that's about access, and while it's problematic, the root outrage here should be the ridiculous length of copyright in the western world in general, companies still profiting or restricting access and it's decades after the author has passed

    --
    "goodbye and hello, as always" ~Prince Corwin, from Zelazny's Amber series
  5. American courts do the same by Anonymous Coward · · Score: 5, Insightful

    American courts were first to apply american rules to the whole world for their own benefit. Now when the role are reversed an american website tell us it's now all bad. I say at this point this is only justice an American organisation feel a bit of heat. Also, them thinking they are somehow essential to the whole world is typical american hubris.

  6. Tell to Kim Dotcom by Anonymous Coward · · Score: 3, Insightful

    *Shrug*

    Tell that to Kim Dotcom, a German born New Zealand citizen and resident, about the US copyright.

  7. Re:Wonâ(TM)t somebody think of the organizati by elrous0 · · Score: 4, Insightful

    No, the issue is that every outlying country shouldn't get to determine worldwide copyright law for everyone else on the internet. It's bad enough that the U.S. has such sway on internet copyright. Now Germany wants to take it even further?

    So what happens when Botswana decides that copyright lasts forever, huh?

    --
    SJW: Someone who has run out of real oppression, and has to fake it.
  8. Perhaps by nospam007 · · Score: 5, Insightful

    "While writers and publishers deserve fair compensation, "

    But not their great grand-children.

    1. Re:Perhaps by Wycliffe · · Score: 4, Insightful

      "While writers and publishers deserve fair compensation, "

      But not their great grand-children.

      Exactly. And furthermore why should certain activities have longer protections that others? If I do a work for hire whether it is building a deck or writing an app, I get paid and that's it. If I create a new product, I get patent protection for 20 years and that's it. Why is copyright protection so much longer than other activities? If you publish a book or movie then you should be able to sell it for 20 years and then it should immediately go to the public domain and people should be allowed to make derivatives, stream it, etc... free of charge. 20 years exclusive rights for something you create is plenty fair and is much longer than most other forms of work.

  9. Re:I don't know. by ranton · · Score: 5, Informative

    I don't know what to think because the article doesn't even describe what enforcement options are open to Germany in this case. Of course Germany can claim whatever jurisdiction they want. They could claim copyright protection on Jupiter's moons for all I care. The only thing that matters is what enforcement options the US government provides Germany based on our trade agreements and other arrangements.

    The article seems to say that there isn't anything Germany can do other than pressure the US government to do something, so if that is true I could hardly care less about this ruling. China and Russia and Europe (and wherever) can make whatever crazy rules they want as long as the US government doesn't allow US companies and citizens to be restricted by them while operating outside of those countries.

    --
    -- All that is necessary for the triumph of evil is that good men do nothing. -- Edmund Burke
  10. Re:Won't somebody think of the organizations by fibonacci8 · · Score: 4, Informative

    The authors of the books were also under contract to publish the books in the United States, and elsewhere, and in those jurisdictions the books have since entered the public domain. In the United States, from which Project Gutenberg operates, the books in question entered the public domain prior to the equivalent in Germany. If the authors had only published in Germany, the German court would clearly have jurisdiction. As they entered multiple agreements contractually, it's not so clear as the plaintiff claims.

    --
    Inheritance is the sincerest form of nepotism.
  11. Re:Wonâ(TM)t somebody think of the organizati by Entrope · · Score: 4, Insightful

    The authors of these books have been dead for 60+ years. I don't they have valid contacts with anyone, not that the existence of such contacts has anything to do with the enforceability of copyrights.

  12. Re:Won't somebody think of the organizations by ZorinLynx · · Score: 4, Insightful

    In this particular case the authors of the books are dead, and have been pushing up daisies for a very long time.

    It's ridiculous to keep copyright enforced so long after the authors are gone. Copyright should expire; it's a sad testament to greed that these ridiculous lawsuits aren't thrown out.

  13. Huh, interesting... by XSportSeeker · · Score: 5, Informative

    Gutenberg was german, he invented the printed press process with movable type, which effectively took literacy as a skill away from nobles and the church and started a revolution of book access to the masses. He died largely unknown and with merrits unrecognized.

  14. Re:I don't know. by samkass · · Score: 5, Insightful

    Basically, there are a bunch of people who just want stuff for free.

    * The Gutenberg crowd wants people to give them their books for nothing.

    * The publishers want people to give them money for nothing.

    You're all a bunch of wankers.

    The US Constitution grants the power to the Government "To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries." Note "for a limited Times". It's the right of the creator of a work to get paid for it for awhile, but after a time it is owned by Humanity and yes, everyone should be able to copy it for free. All Project Gutenberg seems to want is for the "limited Times" to not keep getting extended indefinitely, and to be judged under the Constitution of the country in which they live and operate.

    --
    E pluribus unum
  15. Re:I'm Shocked by fibonacci8 · · Score: 4, Insightful

    You've got that the wrong way around...
    Imagine having to obey Singapore's littering laws in the United States.
    Suppose you bought a brand of tissue available in both Singapore and the United States.
    The packaging has a label that contains English, Malay, Tamil, and Mandarin.
    You then discarded it in a public area in the United States.
    You post videos to Facebook and someone in Singapore notices you discarding a tissue.
    You then receive notice that you have a trial date in Singapore because the brand of tissue is available there.

    --
    Inheritance is the sincerest form of nepotism.
  16. Re:I don't know. by Applehu+Akbar · · Score: 5, Informative

    Why should Project Gutenberg have to block German users? If Germany wants to go to the expense of building a Great Firewall, let it do so.

  17. ... HAS NO COPYRIGHT LAW! We have Urheberrecht! by Anonymous Coward · · Score: 5, Interesting

    Urheberrecht is not the same as copyright, no matter how much the Content Mafia would love it to be!

    Urheberrecht is an AUTHOR's privilege, while copyright is a DISTRIBUTOR's privilege (at the expense of the actual author, mostly deliberately so).
    Urheberrecht is NOT transferable, copyright IS transferable (and mostly is).
    Urheberrecht is IMPLICIT, copyright is EXPLICIT. Meaning, you don’t have to add a stupid (c) everywhere. The only thing that matters is the treshold of originality ("Schöpfungshöhe").

    This makes Urheberrecht a vastly different law.
    Give it the short time frames of when it was new, and privileging people to enforce a monopoly to some record of information suddenly seems a lot more sensible, no? (Apart from the fact, that causality makes it impossible to enforce, its infinite no-cost abundance makes it worthless, and the fuckin' cokeheads should just do a proper service business contract in advance, like literally every other business since the dawn of the economy, instead of making up imaginary delusions of “owning” or "stealing" patterns/information/data, of course.)

    Also, there was a time, when Germany had no such laws AT ALL, while the UK already had copyright. And as a result, the UK suffered what is now called an information dark age, while Germany got the name "the land of poets and thinkers" as a result. ... settles it, doesn't it?

  18. Re:I don't know. by Hognoxious · · Score: 4, Insightful

    The modern corporation didn't exist in the 18th century.

    Leaving aside the obvious truism that by definition *modern* anything didn't exist in the 18th century, corporations certainly existed long before - notably the British & Dutch East India Companies.

    --
    Confucius say, "Find worm in apple - bad. Find half a worm - worse."
  19. Re: ... HAS NO COPYRIGHT LAW! We have Urheberrech by chaboud · · Score: 3, Informative

    Not true.

    It *did* have to be stated, but that is no longer the case. Inclusion of notice per regulations precludes certain infringement defenses (e.g. innocent infringement), but no notice is required by U.S. law.

  20. Re:Seems reasonable by cpt+kangarooski · · Score: 3, Interesting

    US has signed the Bern Convention, hence the European copyright rules hold for european works, even in the USA.

    No. We signed it but don't take it seriously. The Berne (there's an extra 'e') Convention has no independent legal effect here. Copyright is fundamentally national law; each nation might be obligated under the treaty to pass particular laws, but they're meant to do it themselves.

    In the US we even have a law that says that Berne is not a law that people can enforce. It's 17 USC 104(c), if you're curious.

    We also don't comply with it. Our "moral rights" statute at 17 USC 106A is mere lip service and our infamous exceptions to copyright at 17 USC 110(5) (allowing for public performance of certain works without a license) not only violates it, but there was a lawsuit against the US at the WTO, we lost, and we still haven't done a damn thing about it because we don't care.

    Sucks that so many people here talk trash who never even bothered to learnt the basics about copyright how greatly it differs in other countries from the stupid american idea of "work for hire".

    I'm a lawyer, practiced copyright law for years, not only did I study it in regular law school, but also got a master's degree in it. I'm reasonably familiar with how it differs. I also know that the US has the best fundamental principles of copyright law, even if our implementation is lacking, and that the entire European copyright model is crap. Knowing more than the basics helps me talk a higher level of trash.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.