Christopher Nolan Returns Kubrick Sci-Fi Masterpiece '2001: A Space Odyssey' To Its Original Glory (latimes.com)
LA Times' Kenneth Turan traces Christopher Nolan's meticulous restoration of Kubrick's masterpiece to its 70-mm glory: Christopher Nolan wants to show me something interesting. Something beautiful and exceptional, something that changed his life when he was a boy. It's also something that Nolan, one of the most accomplished and successful of contemporary filmmakers, has persuaded Warner Bros. to share with the world both at the upcoming Cannes Film Festival and then in theaters nationwide, but in a way that boldly deviates from standard practice.
For what is being cued up in a small, hidden-away screening room in an unmarked building in Burbank is a brand new 70-mm reel of film of one of the most significant and influential motion pictures ever made, Stanley Kubrick's 1968 science-fiction epic "2001: A Space Odyssey." Yes, you read that right. Not a digital anything, an actual reel of film that was for all intents and purposes identical to the one Nolan saw as a child and Kubrick himself would have looked at when the film was new half a century ago.
For what is being cued up in a small, hidden-away screening room in an unmarked building in Burbank is a brand new 70-mm reel of film of one of the most significant and influential motion pictures ever made, Stanley Kubrick's 1968 science-fiction epic "2001: A Space Odyssey." Yes, you read that right. Not a digital anything, an actual reel of film that was for all intents and purposes identical to the one Nolan saw as a child and Kubrick himself would have looked at when the film was new half a century ago.
Now where's the 4K torrent of that beauty?
Sorry, but I find it one of the greatest movies ever made. It's one I often watch again. Except for the 20 min color montage toward the end, I fast forward through that. The movie uses perspectives that aren't often used in motion pictures any more, and rarely in the past. It works to put you into the perspective of the subject, and you only know what he knows. It doesn't explain the situation to you, you have to experience it and figure it out just as the subject does, too. People don't seem to like movies that make you think, they want everything handed to them so they can sit there like a lump.
I highly would recommend Meditation and/or Fishing to help with your monkey mind -- constantly jumping from thought to thought without taking a moment to analyze where the thought came from; unable to enjoy the moment for what it is.
Too bad the movie sucks. It's one of the most overrated movies of all time. It's slow, boring, and non-sensical.
I enjoy the film, but agree that these are totally valid critiques. A lot is open to interpretation, the ending especially so.
In defense of the slow and boring. That's how space travel would be. Clarke and Kubrick were striving to be realistic. This movie is a stark contrast to the shoot-em-up action of most science fiction movies. However, mixing that realism with its heavy metaphors was a confusing choice.
Although I think it's still incredible to this day, it should also be noted this was 1968. 2001 was revolutionary in its day. Not as much now. (I give the Beatles the same handicap. I don't think most of their music stands the test of time, but it was revolutionary in its day. Go ahead, flame me)
Hey Kubrick! Are you ever gonna get around to writing the second half of Full Metal Jacket? I like what I saw, but the projectionist swapped in a different film halfway through. Strangely, this mistake has been repeated on every video/DVD/etc. release I've seen so far. If you need some help finishing, maybe give John Kricfalusi a call, he's known for timely work!
Oh, yeah. There are is a major continuity issue with Full Metal Jacket. It feels like two separate movies, with the first being more enjoyable. I argue that it was likely done on purpose, to mark the contrast between training and actual war.
Kubrick was the kind of director that was in it for the art, like it or not. A lot of directors crank out film after film to keep a steady paycheck. He was slow and methodical, until it was the way he wanted it. (although he did edit 2001 after the first screening due to complaints similar to yours)
One of our competitors trademarked the term "hypothesis". From now on, we will call them "boneheaded ideas".