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The Economics of Streaming is Making Songs Shorter (qz.com)

Popular music is shrinking. From 2013 to 2018, the average song on the Billboard Hot 100 fell from 3 minutes and 50 seconds to about 3 minutes and 30 seconds. From a report: Six percent of hit songs were 2 minutes 30 seconds or shorter in 2018, up from just 1% five years before. Take Kendrick Lamar. One of the world's most popular musicians right now. The average track length on Lamar's breakout 2013 album good kid, m.A.A.d city is 5 minutes 37 seconds. All are 3 minutes 30 seconds or longer. On Lamar's most recent album DAMN., the average song is 3 minutes and 57 seconds. DAMN. won the Pulitzer Prize for music, going to show that this trend isn't necessarily lowering the quality of music. It's not just Lamar. The trend can be seen in albums of music's biggest stars, like the rapper and singer Drake, perhaps pop music's most dominant force.

133 comments

  1. THis is stupid by goombah99 · · Score: 4, Insightful

    In the hey day of AM radio the songs aimed for 2 min 30 seconds. It's not economics. And on top of that, comparing averages to individual songs is also silly. Half fo them will be longer than the median. Lastly Album oriented music tends to be longer than radio/stream oriented music because the former has a larger story telling context and the latter is about a catchy vibe.

    --
    Some drink at the fountain of knowledge. Others just gargle.
    1. Re:THis is stupid by Darinbob · · Score: 1

      "Sooo... bye, bye, Miss Americ..."

    2. Re:THis is stupid by Anonymous Coward · · Score: 0

      In before someone says "This!" - but you made good points about why this is stupid.

    3. Re: THis is stupid by negRo_slim · · Score: 1

      Why does the title mention streaming is taking them shorter but the summary doesn't mention it all?

      --
      On the Oregon Cost born and raised, On the beach is where I spent most of my days
    4. Re:THis is stupid by gtall · · Score: 1

      Stop complaining, given the current state of popular music it is moving in the right direction. My hope is that it falls below 1 minute.

    5. Re: THis is stupid by Anonymous Coward · · Score: 0

      Congratulations. You are too dumb for slashdot.

    6. Re:THis is stupid by pgmrdlm · · Score: 2

      Or, Rush 2112. First song, first side. Or, In A Gadda Da Vida by Iron Butterfly. Hell, Rick Wakeman. Journey to the Center of the Earth

      --
      Anonymous comments are as pathetic as the anonymous "sources" that contaminate gutless journalism from the New York Time
    7. Re: THis is stupid by nedlohs · · Score: 1

      Why the fuck would you want the limited words in the title+summary to be wasted on pointless repetition?

      Too dumb to remember the title by the time you finish reading the summary?

    8. Re:THis is stupid by fermion · · Score: 1
      It is silly because there is no real statement of correlation.

      Music released on early LPs, for example, could be no more than 5 minutes long because a 78 was five minute

      When the LP came out, the album was 15-20 minutes or so per side. Multiple tracks were recorded per album, and it became customary for people to expect around 10 tracks per album. Radio was a force, and they also wanted tracks around 3 minutes so they would not lose the kids attention. As must as old people want to blame TV and computer for attention span, the Happy Days generation had the same 3 minute attention span that we do, The Theme song, as released is 2:40.

      The LP did allow some recording artists to release longer form tracks, and some people did. This was not done often due to radio play. Disco, which is club music, had much more common long tracks, such as Rapper Delight and King Tim. Hybrid tracks, such as Conga, which were promoted as club music, but meant for radio, were around 4 minutes.

      Of course the CD removed practical time limits for recorded music, and then digital formats made then meaningless.

      The time for songs then have fluctuated greatly over the 60 years or so that kids have been spending their pocket money on songs. It most often has to do with practical limitations. What I do believe is that an artist who wants to get more hits is going to make shorter songs. But this is not an artifact of streaming. The royalties on the radio are the same for Scenes from an italian restaurant or Happy Days. It has always been the artists choice to maximize cash or artistic expression.

      --
      "She's a scientist and a lesbian. She's not going to let it slide." Orphan Black
    9. Re:THis is stupid by cayenne8 · · Score: 1

      Or, Rush 2112. First song, first side. Or, In A Gadda Da Vida by Iron Butterfly. Hell, Rick Wakeman. Journey to the Center of the Earth

      Yep, this is another example of modern music going backwards.

      Modern music started out short, and then bands started pushing those boundaries with great songs that took much more time.

      I'm guessing we'll never seen the likes of the songs you mentioned, and never see another Bohemian Rhapsody, or Stairway to Heaven, etc, etc.

      The kids of today have the attention span of a gnat...I think social media and being connected all the time has helped push this detrimental new trait they have.

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
    10. Re: THis is stupid by Anonymous Coward · · Score: 0

      Recently a pop song is a one sentence verse followed by a one sentence chorus recorded once and looped 40 times.

      If you only look it 34 times, it dramatically increases the number of times someone can play it before they hang themselves.

    11. Re:THis is stupid by Dayze!Confused · · Score: 1

      You're mixing up means and medians. The mean does not necessarily correlate to the median. Given a set of song lengths in minutes S={1,1,1,1,11} the median length is 1 minute, the average length is 3 minutes. All songs are as long or longer than the median in this case, but only 1 song is longer than the average, while 4 are shorter.

      Given a different set, S={1,1,2,4,22}, Then the median length is 2 minutes, and we do see that about half are below, and half above, but the average is 15 minutes! With again, 4 values below the average, and 1 above.

      --
      "All tyranny needs to gain a foothold is for people of good conscience to remain silent." [Thomas Jefferson]
    12. Re:THis is stupid by Desler · · Score: 1

      So said the people that came before you, and the people that came before them. Yes, yes, the kids will get off your lawn, gramps.

    13. Re:THis is stupid by Solandri · · Score: 1

      Album oriented music tends to be longer than radio/stream oriented music because the former has a larger story telling context and the latter is about a catchy vibe.

      Album music is longer because customers would complain they were ripped off if they bought a typically-priced LP that could hold 45 minutes but only contained 25 minutes (to barely justify using both sides). Or a CD which could hold 70 minutes, but only had 30 minutes of music on it.

      Streaming and a la carte music shopping has meant people can pick and choose the songs they want. Three's no longer any need to buy an entire album just to get one or two songs. Since the filler songs on the album are no longer needed to pad out the album length to justify the higher album price, the only remaining pressure is for musicians to make them as short as possible to minimize the work they have to do.

      If song prices were proportional to their length, I bet you'd see them becoming longer again.

    14. Re:THis is stupid by Anonymous Coward · · Score: 0

      So said the people that came before you, and the people that came before them. Yes, yes, the kids will get off your lawn, gramps.

      Says the punkass prick who will soon only be able to eat food through a straw, because he insulted the wrong person.

    15. Re:THis is stupid by Anonymous Coward · · Score: 0

      I eat your mom's pussy through a straw, go back to your meth faggot you don't know shit about this.

    16. Re:THis is stupid by Darinbob · · Score: 3, Funny

      If songs are too short, then we'll never find out what Meatloaf won't do for love!

    17. Re:THis is stupid by AHuxley · · Score: 1

      The average large music shop could only accept so much "new" physical music on CD, vinyl, cassette.
      That would have to be sold to pay off the production and recording loans the artist had with the music company.
      Quality mattered as the person had to go out and buy the product.
      A set number of product every month.
      Every artist could slowly work away at their loans.
      With digital its about more music and getting a person to listen to as much new music as they can.
      They might buy something.
      The digital network is 24/7 and more songs is just more sales.
      The limit is the time a person has to listen to music. More music per hour is more sales.

      --
      Domestic spying is now "Benign Information Gathering"
    18. Re: THis is stupid by Anonymous Coward · · Score: 0

      Yea basically what I was thinking. Imagine you only have to hear 10-15 seconds of that pop song. Then again now you have that many mix points or abrupt changes to the next song. Maybe at some point it will all turn to mush and we'll all hear Aum.

    19. Re:THis is stupid by gordguide · · Score: 1

      In the hey day of AM radio the songs aimed for 2 min 30 seconds. It's not economics. And on top of that, comparing averages to individual songs is also silly. Half fo them will be longer than the median. Lastly Album oriented music tends to be longer than radio/stream oriented music because the former has a larger story telling context and the latter is about a catchy vibe.

      Based on an interview I viewed (BBC, Top of the Pops, commenting on the "rule breaking song length" in the Who's first "Rock Opera" which featured long song lengths) Pete Townsend states (more or less) that "everybody knows a song should be two minutes fifty seconds".

      But yeah, you got it basically correct.

    20. Re:THis is stupid by quenda · · Score: 5, Informative

      I am the entertainer
      I come to do my show
      You've heard my latest record
      It's been on the radio
      Ah, it took me years to write it
      They were the best years of my life
      It was a beautiful song
      But it ran too long
      If you're gonna have a hit
      You gotta make it fit
      So they cut it down to 3:05

      Billy Joel, 1974

    21. Re:THis is stupid by fermion · · Score: 1
      Just to be clear, quality mattered so that is why brittney spears was so successful.

      I reiterate music profit is mostly made of kids with short attention spans buying what their friends buy so they can fit in and be popular.

      --
      "She's a scientist and a lesbian. She's not going to let it slide." Orphan Black
    22. Re:THis is stupid by lsllll · · Score: 1

      You're talking about the advent of 33 1/3 records after 45, which allowed much longer songs to be played without stop. Yeah, it's funny that we're going back.

      --
      Is that a roll of dimes in your pocket or are you happy to see me?
    23. Re: THis is stupid by sound+vision · · Score: 1

      The main problem is looking at the Hot 100, plenty of albums I got in 2018 had 10 and 12 minute tracks on them. But sometimes I'll take a good 4 minute song vs a 10 minute song that overstays its welcome. Since we want to fixate on 70s rock, I always liked the shorter greatest-hits edit of Pink Floyd's Echoes more than the full 20 minute version.

    24. Re:THis is stupid by Rockoon · · Score: 2

      I'm guessing we'll never seen the likes of the songs you mentioned, and never see another Bohemian Rhapsody, or Stairway to Heaven, etc, etc.

      Most modern music does not seem to be played, at all, by musicians. I think this is the key difference.

      Old bands like Pink Floyd, Iron Maiden, hell even David Lee Roth get on stage and put on a god damned show whereas Lady Gaga gets on stage and sings some songs while people that dont matter and wont be seen by you ever again dance beside her.

      The showmanship Lady Gaga has is changing outfits between sets.

      --
      "His name was James Damore."
    25. Re:THis is stupid by Powercntrl · · Score: 1, Interesting

      Old bands like Pink Floyd, Iron Maiden, hell even David Lee Roth get on stage and put on a god damned show whereas Lady Gaga gets on stage and sings some songs while people that dont matter and wont be seen by you ever again dance beside her.

      Translation: "Today's music sucks because I'm old".

      There was a lot of shitty music in the past too, it's just that the crap tends to get forgotten. Also, while Lady Gaga might not be your cup of tea, she is actually a very talented, classically trained musician. The vapid pop star thing is just an act*, which she's clearly very good at, because you obviously fell for it.

      * Also, Taylor Swift was never a poor ole country gal, with bills to pay and nothing figured out, in case you fell for that one too.

      --

      ---
      DRM is like antifreeze, to the MPAA/RIAA it's sweet, to the consumers it's poison.
    26. Re:THis is stupid by drewlake2000 · · Score: 1
      Have you used a time machine and travelling forward from 1976? Looks like you missed punk. They wrote some pretty short songs. You may have missed post punk too, they wrote some short and some long songs.

      When you were back in the time you came from, did you notice a lot of songs had tambourines in them? That's because the sound of the tambourine is at a frequency that works well in crappy am radio in the terrible gas guzzling steel boxes people used to drive around.

      The thing is it may be fashionable to write short songs with punch openings to get plaid on a playlist, but music is more than the fashion which will change in a few years anyway.

    27. Re:THis is stupid by Anonymous Coward · · Score: 0

      Short songs. Wagner's Der Ring des Nibelungen is 15 hours long.

    28. Re:THis is stupid by Rockoon · · Score: 2

      Translation: "Today's music sucks because I'm old".

      If thats what you get out of pointing out that todays music isnt played by people... its played by sequencers.. what does that tell us about you.

      --
      "His name was James Damore."
    29. Re: THis is stupid by thepigwanker · · Score: 1

      I always liked the shorter greatest-hits edit of Pink Floyd's Echoes more than the full 20 minute version.

      I don't want to sound judgmental but you are uncultured swine and likely lack the ability to appreciate the full cut of 'Echoes', anyways.

    30. Re: THis is stupid by Anonymous Coward · · Score: 0

      This.
      BTW, for a lot of today's music, the shorter the better. ;-)

    31. Re:THis is stupid by Anonymous Coward · · Score: 0

      Parent said Median not mean. And if you don't think means and medians are correlated you are statistically unlike most mathematicians.

    32. Re:THis is stupid by Dayze!Confused · · Score: 1

      Perhaps it's being anonymous that reduces your reading comprehension. I'll quote him and add my own emphasis:

      In the hey day of AM radio the songs aimed for 2 min 30 seconds. It's not economics. And on top of that, comparing averages to individual songs is also silly. Half fo them will be longer than the median. Lastly Album oriented music tends to be longer than radio/stream oriented music because the former has a larger story telling context and the latter is about a catchy vibe.

      I also provided a few examples showing there isn't much correlation between the median and the mean, they can be vastly different as they are showing different information for the data. A standard deviation would be a bit more enlightening, as the average distance of each value from the mean.

      The mean is correlated to the data, and the median is correlated to the data, does not mean that the mean and median are correlated to each other. Given a mean you can't predict the median, and given the median you cannot predict the mean.

      --
      "All tyranny needs to gain a foothold is for people of good conscience to remain silent." [Thomas Jefferson]
    33. Re:THis is stupid by Anonymous Coward · · Score: 0

      Evidently you were absent in primary school education when they covered the definition of the word average. Hint it does not mean the same thing as Mean. There are many sorts of averages. And for that matter there's even different means too.
      You are acting the pedantic toad and embarrassing yourself by getting it wrong too.

    34. Re: THis is stupid by Anonymous Coward · · Score: 0

      Thanks. Came for this reference, glad I found it.

  2. Wouldn't that also by rossdee · · Score: 1

    be more profitable for compamies selling tracks for download at 99c ?

    whats the average 'album' length these days?

    I buy my music from amazon then download it - I don't stream

  3. Not economics by goombah99 · · Score: 1

    THe logic of the article also makes no sense. The article says that people are paid per song not per minute so this makes shorter songs better. ummm no. People are not looping your song to fill an hour, so the length of your song has nothing to do with how often it gets played. And if there were pressure from that economy then streaming companies would prefer to stream longer songs so they pay less royalties to fill an hour. Artists would prefer to make longer songs so their songs would occupy more time in the listeners attention. Now would short attention span millennials prefer longer or shorter songs? I don't know but since they pay bulk montly rates they aren't economizing by preferring shorter songs.

    SO there's no economic pressure here.

    With AM radio, the shorter the songs the more frequent the advertisements, so there was a little economic pressure there. But not on the seconds time scale like this silly article is measuring. And streaming services don't have ads so that pressure is gone.

    --
    Some drink at the fountain of knowledge. Others just gargle.
    1. Re:Not economics by Anonymous Coward · · Score: 0

      SO there's no economic pressure here.

      You think the music industry doesn't have a say in this? They are the major beneficiaries of shorter songs: More money per hour paid by the streaming services. Who cares what an individual artist gets. This is a bulk business.

    2. Re:Not economics by alvinrod · · Score: 2

      I'm not sure that most of your reasoning is valid.

      If everyone is producing shorter songs, it means that over some amount of time a user streams, they're more likely to have played some artist's song. All artists cooperatively adopting this strategy means that everyone gets paid more. You also assume that longer song lengths result in greater occupation of listener's attention (whatever that means), which even if true, doesn't result in more revenue (at least not directly) for the artists. Maybe you could claim it generates album sales, but you'd need to prove the hypothesis that longer songs do a better job of this.

      Consumers of the service pay a flat rate. They spend a certain amount of time listening regardless of how many songs play. There's no indication that they prefer songs of any particular length, but it seems reasonable there's a time range that most people enjoy since we neither have lots of 2 minute songs or lots of 10 minute songs. I believe that there are streaming services that still offer free ad-supported options. That means that the streaming platform would support shorter songs based on your comparison with AM radio, but contradicts your earlier claim that they would support longer songs as it means fewer payments on their part.

    3. Re:Not economics by Baloroth · · Score: 2

      The logic is pretty simple. Someone sits down to work for an hour and decides to stream some Lamar. If the average Lamar song is 5 minutes, only 12 songs are played. If the average song is 3 minutes, that's 20 songs. Almost twice as many plays, so twice as much money for Lamar. Even if they don't exclusively listen to just Lamar, if they're on a playlist with different artists and, say, 20% of it is Lamar, Lamar will get 4 plays instead of 2-3, so it ends up being better for everyone (in a per-song royalty world) if the average song is shorter.

      --
      "None can love freedom heartily, but good men; the rest love not freedom, but license." --John Milton
    4. Re:Not economics by Anonymous Coward · · Score: 0

      TLDR, alvinrod rambles. They have deals with the industry aggregators, royalties cost near nothing. If they wanted fewer songs per hour to avoid royalties, they'd be out of business in days. They make money per song, no question.

    5. Re:Not economics by nedlohs · · Score: 1

      It's not exactly uncommon to play through an entire album. A 15 song album hence earns 50% more than a 10 song album per such play through. That seems like an economic incentive to make albums of many short songs rather than fewer long songs.

      I'm pretty sure you can play everything by an artist on most streaming platforms too which would magnify that even further.

    6. Re:Not economics by mysidia · · Score: 1

      All artists cooperatively adopting this strategy means that everyone gets paid more.

      If they did, then the one artist that doesn't cooperate and has the longer song STILL also gets paid more,
      and derives a benefit that listeners spend more time hearing their music = greater familiarity = greater probability of like/favorite button getting clicked.

    7. Re:Not economics by AHuxley · · Score: 1

      Song per hours. On average a song is then repeated again. A company has their selected artists played more times.
      More songs per hour, more play time for everyone on average.
      People cant make more time to listen to music.
      Put more different music in the same time.
      Thats a win.

      --
      Domestic spying is now "Benign Information Gathering"
    8. Re:Not economics by gordguide · · Score: 1

      SO there's no economic pressure here.

      You think the music industry doesn't have a say in this? They are the major beneficiaries of shorter songs: More money per hour paid by the streaming services. Who cares what an individual artist gets. This is a bulk business.

      Quite correctly, you point out that it's the music industry that benefits, and I think it's worth mentioning that he artists are the last to be paid, in most cases they are not paid, as they owe money to the label which is recovered through royalties or full-price album sales (discount album sales earn $0 towards the artist's account with the label). Also the labels own the copyrights to all the artist's music ( signing over the copyrights is the major condition of signing with a label). If (and that's a big if, more than 95% of artists never reach the point where they've paid the label all of the money advanced to the artist as wages, costs of recording and video production, etc) the artist does pay it's obligation to the label, then they might earn money from airplay. Not before.

      So it's clear then that this is all about profit to the labels and not about revenue for the artists.

    9. Re:Not economics by mobby_6kl · · Score: 1

      We also need to keep in mind that the current payment model isn't some sort of universal law of nature, and the streaming services can switch top paying per hour listed if people start making tons of 20 second songs.

  4. ELP's Karn Evil 9 should set the standard by mykepredko · · Score: 1

    If a song is less than 29 minutes and 37 seconds (which takes up one and a third sides of a record) then it's not worth listening to. Or at the very least, coding to as I am now (although to be totally accurate, I'm waiting for a build to finish).

    Three Minutes, thirty seconds? Bah! Poseurs.

    1. Re:ELP's Karn Evil 9 should set the standard by goombah99 · · Score: 1

      Yes but it is so monotonous it bzip compresses down to a 4KB file and you can put 180,000 copies of it on a digital CD

      --
      Some drink at the fountain of knowledge. Others just gargle.
    2. Re: ELP's Karn Evil 9 should set the standard by Anonymous Coward · · Score: 0

      Nobody wants to hear about Tales From Topographic Oceans. Even if it is Rush. ;)

    3. Re:ELP's Karn Evil 9 should set the standard by MrKaos · · Score: 1

      If a song is less than 29 minutes and 37 seconds Or at the very least, coding to as I am now

      Thank you - I'm going to have a listen to that. May I suggest a listen to Mars Volta's Cassandra Gemini at 32 minutes plus it is a work of genius. Features Flea from RHCP playing a Trumpet solo that has to be heard to believed.

      Just fucking awesome.

      --
      My ism, it's full of beliefs.
    4. Re:ELP's Karn Evil 9 should set the standard by Tapewolf · · Score: 1

      If a song is less than 29 minutes and 37 seconds (which takes up one and a third sides of a record) then it's not worth listening to. Or at the very least, coding to as I am now (although to be totally accurate, I'm waiting for a build to finish).

      Three Minutes, thirty seconds? Bah! Poseurs.

      To be fair, Karn Evil Nine is really three tracks welded together. It is certainly good for a coding marathon, though...

    5. Re: ELP's Karn Evil 9 should set the standard by Anonymous Coward · · Score: 0

      Ok, fair enough. But what if it were from Yes instead of Rush?

  5. Who? by Anonymous Coward · · Score: 1

    Who the fuck is Kendrick Lamar?

    1. Re:Who? by Anonymous Coward · · Score: 0

      He's the award winning guy that wrote this top-notch song. It makes me sad that it didn't go on for a whole hour.
      DNA
      https://www.youtube.com/watch?v=NLZRYQMLDW4

      I got, I got, I got, I got
      Loyalty, got royalty inside my DNA
      Cocaine quarter piece, got war and peace inside my DNA
      I got power, poison, pain and joy inside my DNA
      I got hustle though, ambition, flow, inside my DNA
      I was born like this, since one like this
      Immaculate conception
      I transform like this, perform like this
      Was Yeshua's new weapon
      I don’t contemplate, I meditate, then off your fucking head
      This that put-the-kids-to-bed
      This that I got, I got, I got, I got
      Realness, I just kill shit 'cause it's in my DNA
      I got millions, I got riches buildin’ in my DNA
      I got dark, I got evil, that rot inside my DNA
      I got off, I got troublesome, heart inside my DNA
      I just win again, then win again like Wimbledon, I serve
      Yeah, that's

    2. Re:Who? by Anonymous Coward · · Score: 0

      Some n1gger apparently.

    3. Re:Who? by Anonymous Coward · · Score: 0

      My thought exactly.

  6. Good work by Anonymous Coward · · Score: 0

    Keep at it, everyone. With enough streaming, eventually pop music tracks will shrink to 0 seconds.

  7. In a gadda da vida (1968) by Anonymous Coward · · Score: 0

    Fuck average. Listen to Iron Butterfly

    1. Re:In a gadda da vida (1968) by The+Grim+Reefer · · Score: 1

      If you like short songs like that, then Procol Harem put out "In Held 'Twas on I" on the Shine on Brightly album. Jethro Tull put out Thick as a Brick and A Passion Play. Both of which took both sides of an album at 22 minutes per side. Damn near any live version of a Led Zeppelin song will be around that long as well.

      If your looking for long songs and like classical music, 17 minutes isn't difficult to find at all. Wagner's Der Ring is a 15 hour opera. In the past it was all but impossible to find a reasonably priced copy of it. But I found one a couple of years back that was $35 on 10 CDs. It's not.the best version that I have, but for the price, it's a bargain.

  8. Relevant song lyric from 1974 by Anonymous Coward · · Score: 0

    “It was a beautiful song, / but it ran too long / If you're gonna have a hit, you gotta make it fit / So they cut it down to 3:05.”
    —Billy Joel, “The Entertainer”

  9. Long term trend is actually the reverse by vux984 · · Score: 5, Informative

    Long term trend is actually the reverse; although it might well be starting to turn around now for reasons that may or may not be related to streaming economics... but my grandparents and parents generations both lived with most hit music being sub-3 minutes. While my generation and my kids saw it climb to 4+ so its hardly a big deal its down a bit.

    2010's: 4'26"
    2000's: 4'10"
    1990's: 4'14"
    1980's: 4'08"
    1970's: 3'55"
    1960's: 2'59"
    1950's: 2'36"
    1940's: 2'41"

    https://thelister.blogspot.com...

    1. Re:Long term trend is actually the reverse by Anonymous Coward · · Score: 2, Insightful

      I think if you give this some thought you will see that it is exactly the format that has always driven the length of recordings.

      From the 20's 78 RPM records were limited to about 3:10 by the size of the disk and almost all were less than 3:00.
      When AM radio playing 45 RPM records became popular for music songs were 3:00 because that made the number of ads constant.
      When LP's and FM radio gained popularity in the later 60's and into the 70's songs got longer as the contemporary styles were no longer constrained by the length of the recording media at the single song level.
      CD's were essentially digital LP's and songs continued to grow overall but also MTV drove a need for songs that were "video length".

      While I do not know what effect streaming has had, I do expect the change in format to affect the length of songs. That it always has in the past is a reasonably good indicator of what to expect in the present.

    2. Re:Long term trend is actually the reverse by Mal-2 · · Score: 1

      If you work hard enough, you can fit six or seven minutes on one side of a 78. The most obvious way is by expanding it to 12" instead of 10". However, this means mastering it at a lower volume level (thus more noise) so generally it was just expansion of the disc without groove packing, and that gave only about 5 and a half minutes. Holst led a performance of The Planets that was much, much faster than anyone performs it today, specifically so each movement would fit on one side of such a record.

      --
      How is the Riemann zeta function like Trump rallies? Both have an endless number of trivial zeros.
    3. Re:Long term trend is actually the reverse by Anonymous Coward · · Score: 0

      I don't think the format you are talking about was ever in wide use. Hence, it had no impact on recording lengths overall.

    4. Re:Long term trend is actually the reverse by vux984 · · Score: 2

      There's just too much handwaving going on here. You are right, the format in the 20s sure, was limited by the 78.

      But everything since then? How do LPs, CDs, or FM radio affect track length? Radio programming is radio programming regardless of band and the push for ads over time has just grown stronger if anything; so there's simply no reason for the market to push to longer tracks. Radio wants ad breaks, and lots of tracks per hour so the audience stays enaged.

      Video's rise and fall with the rise and fall of MTV; sure that happened but again not seeing why that must pushed song length up. There isn't even a 1:1 correspondence between the video and the recorded song -- the videos often had lead-in/out that the song didn't have; so the video and single didn't even have to be identical... and often weren't.

      And the video medium is just as ad centric, so there would have been no market pressure on longer videos... and lots of 3 minute videos exist.

      Streaming likewise, is going to put a downward pressure on track length; studios will want shorter songs to get more individual streams per month, more ad breaks etc, etc. Lower bandwidth per ad delivery opportunity etc.

      I mean, in an alternate universe where they'd always been 2-3 minutes, and never got any longer we could have EASILY rationalized that too.

    5. Re:Long term trend is actually the reverse by coofercat · · Score: 1

      Indeed.

      The music industry is so old and 'legacy' that it still needs to think in terms of 'tracks sold'. They have a formula for counting streams and turning them into supposed tracks being sold (which they presumably then use to divide up the coppers down the back of the sofa to pay the artists). I believe it's something like 600 streams = one sale.

      So... if you're a record company, then shorter streams mean more money - a person listening to a playlist will get through more tracks, and so will burn through the 600 streams quicker than if the tracks were longer.

      If the record industry got it's head out of its collective buttocks and actually modernised, they might be able to cope with the idea of streams a bit better. We might see that happening by 2030 or so, I guess.

      The cynic and oldfart in me suggests that shorter tracks are good when you don't have much to say. Pop is, and has always been vacuous, but had to compete with an undercurrent of intelligent, thought-provoking stuff which came out alongside it. These days all that has gone away, so we're just left with the froth, which has no need to compete with the 8 minute wonders of yester-year.

    6. Re:Long term trend is actually the reverse by mjwx · · Score: 1

      Long term trend is actually the reverse; although it might well be starting to turn around now for reasons that may or may not be related to streaming economics... but my grandparents and parents generations both lived with most hit music being sub-3 minutes. While my generation and my kids saw it climb to 4+ so its hardly a big deal its down a bit.

      2010's: 4'26"
      2000's: 4'10"
      1990's: 4'14"
      1980's: 4'08"
      1970's: 3'55"
      1960's: 2'59"
      1950's: 2'36"
      1940's: 2'41"

      https://thelister.blogspot.com...

      1850's: 30+ (a concerto tends to go for half an hour).

      When recorded media came along, it introduced a little bit of a constraint over how much audio could be recorded, but this hasn't been a real issue since cassette tape, with streaming and digital media, there isn't a limit on length. Songs that were generally performed in concert were sometimes shortened for recording but songs that have been 4 minutes or more were commonplace since at least the 40's. They were just performed live rather than recorded.

      And I think that is where the problem is. Albums are taking less time to record in a studio then they are being edited post recording. To cut down on the amount of work and money required to produce a song, they're simply cutting down the length. Also given that most performers, especially in the pop genre are not writers, the writers get to sell more songs if they make them shorter.

      --
      Calling someone a "hater" only means you can not rationally rebut their argument.
  10. Gagga la vida by goombah99 · · Score: 1

    https://www.youtube.com/watch?...

    It's 5:15 sec, which reminds me The Who.

    https://www.youtube.com/watch?...
    but it's only 5 minutes

    --
    Some drink at the fountain of knowledge. Others just gargle.
  11. And we could use it shorter. by Anonymous Coward · · Score: 0

    Too much filler in music these days.

  12. Makes perfect sense... by Rick+Zeman · · Score: 3, Funny

    ...the shorter a rap song is, the less bad it is. Now if they can hit 0:00 it'd be perfect!

    1. Re:Makes perfect sense... by Fly+Swatter · · Score: 1

      Then how will the bad guy make the last boy scout cry?

    2. Re:Makes perfect sense... by Anonymous Coward · · Score: 0

      the shorter a rap song is, the less bad it is.

      Calm down grandpa ... nobody is on your lawn, and while I'm sorry you think music has been in decline since Glenn Miller, but you're just going to have to deal with it and accept that the world has moved on, and that you're old and irrelevant.

    3. Re:Makes perfect sense... by Matheus · · Score: 1

      So you're saying that Rap is Homeopathic? :)

  13. Prisoner's Dilemma and Nash equilibrium by goombah99 · · Score: 1

    There's no incentive for any one artist to go shorter. An artist only benefits from other artists shortening their songs but you get no benefit from shortening yours. So why would any artist choose to shorten their art for the benefit of others but not themselves? Ad supported streaming services that I have seen simply display ads on the screen in the player not interrupt the music. Perhaps there are some but I'd doubt those would have any affect on the collective behavior of the industry as a whole.

    --
    Some drink at the fountain of knowledge. Others just gargle.
    1. Re: Prisoner's Dilemma and Nash equilibrium by Anonymous Coward · · Score: 0

      So why would any artist choose to shorten their art for the benefit of others but not themselves?

      Because they aren't artists and this isn't art we're talking about. They are throwing drum machine beats and lyrics they came up with on the fly together to produce the low effort crap that sells to dumbfucks.
      It's in their best interest to generate as much of it as they can as quickly as possible. Shortening the tracks makes their jobs eaisier.

    2. Re:Prisoner's Dilemma and Nash equilibrium by Anonymous Coward · · Score: 1

      Shorter song = less work, for the same pay. There's your selfish incentive.

      Then consider, it's not just the artists making these decisions. Producers and studios also get a say.

      Everyone involved has an incentive to make sure as many different songs get crammed into any given playing time as possible.

    3. Re:Prisoner's Dilemma and Nash equilibrium by stoborrobots · · Score: 1

      You get a slight benefit from shortening your own songs from people who play your albums/playlists, rather than compilation playlists/albums.

      However, the ratio of single-artist playlists played to compilation playlists played is probably heavily tilted in favour of the compilations...

    4. Re:Prisoner's Dilemma and Nash equilibrium by quantumphaze · · Score: 1

      There's no incentive for any one artist to go shorter.

      Not necessarily. Take 2112 by Rush for example, a 20 minute song. It would make sense to break it up into its scenes (Overture, The Temples of Syrinx, etc.) for more money. (Thankfully that they haven't as the poor shuffle only free Spotify accounts would suck even more.)
      An album may also have more numerous shorter tracks and get more money per full listen.
      The big record labels get money regardless of which of their artists gets played. It's a good chance that the next thing you play is under the same label.

      Ad supported streaming services that I have seen simply display ads on the screen in the player not interrupt the music.

      Spotify free accounts inject audio ads between tracks after some timeout is exceeded, usually between 1 to 3 tracks depending on track length. You aren't looking at your phone screen when listening to music and your phone is in your pocket. I assume other free streaming services do similar.

    5. Re:Prisoner's Dilemma and Nash equilibrium by goombah99 · · Score: 1

      granted that there's a some point where a song is so long it interferes with itself. But that's not ordinarily the case. And 20 minute songs really are in their own class

      --
      Some drink at the fountain of knowledge. Others just gargle.
  14. rap isn't a song by doginthewoods · · Score: 1, Interesting

    a song has melody and lyrics with some sort of form to it, like verse chorus bridge. Rap is "poetry" yapped over Loopz. Yo.

    --
    Republican leadership = Idiocracy
    1. Re: rap isn't a song by Anonymous Coward · · Score: 0

      This is a very original take, and very brave of you.

      Please note: A snob is someone who believes that the kinds of things they enjoy make them better than people who enjoy other things.

      Snobs that have never / barely experienced the thing they're talking shit about are xenophobes.

      I don't know you, so I won't pick which one you are, but I wanted to provide the vocab so at least you can label yourself.

    2. Re:rap isn't a song by Anonymous Coward · · Score: 0

      "Pale nazi faggot can't dance anyway, blames black people in general for stealing his girlfriend and mother for sexual escapades, news at 11"

    3. Re: rap isn't a song by Anonymous Coward · · Score: 0

      And yet again, someone trying to prove they're clever proves the exact opposite.

      I'm sure at some point the collective IQ of Americans has been lower, but I'm starting to wonder...

    4. Re:rap isn't a song by Anonymous Coward · · Score: 0

      You forgot to blame Trump and spray your pussy blood everywhere about him being a traitor and him being hanged.

    5. Re:rap isn't a song by Anonymous Coward · · Score: 0

      You should use the same verb they do, "spit". (Or in this case, "spat".)

  15. Nothing new by PopeRatzo · · Score: 4, Informative

    In the middle of last century, the 45 rpm record did the exact same thing. Before that, pop songs would have long intros and the singer might not come in until the third chorus. For example, here's a Tommy Dorsey/Sinatra record from the 40's that was a big hit (it's a cool tune, so you should listen to it):

    https://youtu.be/M_EPgmVaLWA

    I wish some Tommy Dorsey/Sinatra tunes could have made it into the Fallout games. The song still comes in at 3:19, but the structure is pure 78 rpm.

    Once the 45 rpm came out, it was one measure and the singer comes in. Verse/chorus/verse/chorus. Not even a bridge sometimes.

    https://youtu.be/-eHJ12Vhpyc

    It has been said that 3 minutes should be the outer limit for a pop song. One of the greatest records of all time had an average song length of about 2 minutes, and many songs much shorter. Here is a great song from The Ramones' self-titled first record that comes in at exactly 1:30. No fat, no filler, all pumping pure pop goodness.

    https://youtu.be/K6GAGdBiJF0

    --
    You are welcome on my lawn.
    1. Re:Nothing new by Anonymous Coward · · Score: 0
  16. Yes, let's take Kendrick Lamar by Anonymous Coward · · Score: 0

    What instrument does he play? :-)

  17. Obvious man is obvious by scdeimos · · Score: 1

    Of course songs are getting shorter due to streaming. When marketing wants to tout "streams per month" numbers the easiest way to increase that figure is by making songs shorter so streaming robots can loop them more times/month.

  18. 'Love to Love You Baby' Album Version by magusxxx · · Score: 1

    Cause I'm gonna get my money's worth dammit!

    --
    Care killed the cat, but satisfaction brought it back.
    1. Re:'Love to Love You Baby' Album Version by Anonymous Coward · · Score: 0

      Sleep - Dopesmoker has way more value.

  19. Correlation is still not causation by chrism238 · · Score: 3, Insightful

    The popular singles may be getting shorter, and streaming may be becoming more common, but where's the proven connection? Perhaps shorter songs are simply more "attractive" to the demographic with a reduced attention span, and artists and their record companies are aiming for that market?

    1. Re:Correlation is still not causation by umafuckit · · Score: 1

      The popular singles may be getting shorter, and streaming may be becoming more common, but where's the proven connection? Perhaps shorter songs are simply more "attractive" to the demographic with a reduced attention span, and artists and their record companies are aiming for that market?

      You can't formally prove it without either an experiment or an admission by the people producing the stuff. However, the shift reported in the article is large and is likely to have a solid reason behind it. Saying that shorter songs are more attractive sounds like a bit of a fluffy explanation: they listen to whatever they're fed. I would suggest by Occam's Razor that the large reported shift is best explained by the music industry seeking to cash in as much as possible, since this is consistent with previous known behavior.

  20. Royalties by crow · · Score: 1

    I'm under the impression that royalties are per-play. So if songs are shorter, fans will listen to more songs, many of them from the same record company, so the record company wants shorter songs.

    I would think that royalties should be for the amount of time streamed. If your song is six minutes long, you get twice the royalties of a three minute song, but only if it's streamed as many times and listed to all the way through. (And if someone skips, they get the royalties for the portion listened to.)

    Someone who knows exactly how the royalties work should correct me if I'm wrong or confirm my theory.

  21. It is not the song duration, but the intro. by willy_me · · Score: 4, Insightful

    Streaming has changed modern music - but it is the song introduction that has changed, not the duration. A song has to "hook" people within the first 15 seconds or else the listener will hit next. When this happens, the streaming service does not have to pay the artist. With traditional radio, songs could start up slowly. This gave artists had more flexibility in how the music was presented. With streaming, artists have around 15 seconds to sell their tune. It is limiting - but the price one has to pay for the way streaming currently operates.

    **Note; I have forgotten the exact time so 15 seconds might be off. But it is close to 15.

    1. Re:It is not the song duration, but the intro. by mentil · · Score: 1

      This phenomenon started before streaming. There was a post on Slashdot a couple years ago about how the time before the lyrics start up is way down compared to the 80s. The conclusion was the same in that the idea was to hook the listener quickly. However, the reason was different, likely so that you pay attention or don't switch to another radio station.

      My suspicion is that the mix of 2018 music leans more toward genres that typically run shorter. Another possibility is that songs are being made shorter to lower production costs (i.e. the artists who put in synthesized/sampled sounds in the background, takes much longer than banging on an instrument for 3 minutes unless it's 1-sample synth keyboard).

      --
      Corruption is convincing someone that the selfless ideal is the same as their selfish ideal.
    2. Re:It is not the song duration, but the intro. by Anonymous Coward · · Score: 0

      Surprisingly, this is not that much different from YouTube ads. I remember a discussion at my workplace about wanting to do a YT ad, but the hook must be done within the first 5 seconds before the user hits "Skip Ad".

  22. song legnth by Anonymous Coward · · Score: 0

    To bad no one can make an album worth listening to. With autotune, everyone is a one hit wonder...

    I dont want a good song, I want an entire album of good songs, like we had in the 70s.

  23. That's actually not new by Anonymous Coward · · Score: 0

    The 'ideal' for a radio song's length used to be 3:30, so much so that it was an actual cliché ('I'm looking for a song / about 3:30 long'). They used to edit longer songs to this length for radio play (hence, 'radio' edits). This began to change in the 90s. You are obviously a millennial. Yawn.

  24. weather is not climate by Anonymous Coward · · Score: 0

    weather is not climate

  25. I'd do anything for love, but I won't cheat on you by tepples · · Score: 2

    Even in the chorus before the first verse, listeners learn two of the things Meat Loaf's character won't do are "lie to you" and "forget the way you feel right now". Later "do it better than I do it with you" and "be screwing around" are added. I understand all this to mean he won't "cheat", or swing without Lorraine Crosby's character's permission. It wouldn't be infeasible for a shorter edit of the song to keep the same message.

  26. So what's your point? by p51d007 · · Score: 1

    30 minute shows on television use to be 22 minutes. Now some are 16-17 minutes.

    1. Re:So what's your point? by mentil · · Score: 1

      Advertisements now have a few minutes of 'show' inbetween them, you mean.

      --
      Corruption is convincing someone that the selfless ideal is the same as their selfish ideal.
    2. Re:So what's your point? by houghi · · Score: 1

      TV was about selling soap for a long time. They even made operas about it. Nothing has changed. You where always the product.

      --
      Don't fight for your country, if your country does not fight for you.
  27. While we on the subject by Anonymous Coward · · Score: 0

    "Rap music" is an oxymoron

  28. Hey grandpa by Anonymous Coward · · Score: 0

    Everything the prog rock people did has been done big and better by prog metal.

    https://www.youtube.com/watch?v=3YAzmLfOqMg

  29. You call that short? by worf_mo · · Score: 1

    Kids these days...

    When we wanted a short song we'd sit back and listen to Napalm Death's You Suffer (2 seconds), or S.O.D.'s Diamonds and Rust -- full 6 seconds of acoustic glory.

  30. Drake? Really? by Anonymous Coward · · Score: 1

    I thought the only reason I kept hearing his crap music was because I had the misfortune to have landed in Toronto. Is he really pop musics most dominant force?

    That's fucking depressing.

  31. "songs" by Iamthecheese · · Score: 1

    Modern "music" tends to involve 40 seconds of original lyrics. 20 seconds are given at the beginning, and 20 are repeated over and over again for 2 minutes. Cut out 30 seconds of this mindless repetition and nothing (more) of value will be lost.

    --
    If video games influenced behavior the Pac Man generation would be eating pills and running away from their problems.
    1. Re:"songs" by kingbilly · · Score: 1

      Yes, I just posted basically the same. I think repeating the chorus more than twice is starting to get old. We can do better. If that makes the song even shorter, so be it.

  32. Fewer repetitions by iTrawl · · Score: 1

    So they'll repeat the same lyrics 3 times instead of 4 or 5? Is that what you're saying?

    --
    "Everybody's naked underneath" -- The Doctor
  33. That's why I pass by nospam007 · · Score: 1

    As an old fart, I prefer to listen to a local BC that plays even Pink Floyd's Echoes and Atomheart Mother, both of them over 23 minutes.

    1. Re:That's why I pass by Anonymous Coward · · Score: 0

      Try Meat Loaf's Paradise by the Dashboard Light, in full concert mode. Depending on the tour, it can go well over half an hour.

  34. pop songs by sad_ · · Score: 1

    who cares about the length of pop songs? certainly not the people listening to them or the mentioned 'stars' wouldn't be the stars they are.

    --
    On a long enough timeline, the survival rate for everyone drops to zero.
  35. Kendrick Lamar? Musician? by Anonymous Coward · · Score: 0

    What is the word coming to?

  36. Re:I'd do anything for love, but I won't cheat on by pslytely+psycho · · Score: 3, Insightful

    "You think songs are about message?"

    Only the truly great songs. Regardless of length.
    If there's no message, it's just fluff.
    And fluff is just fine, fluff becomes the filler in-between, and must outnumber songs with a message in order for those songs to transcend the mundane and become the great songs in the first place.

    Without the fluff, the meanings would just be lost in the noise.

    It is hardly infantile.

    --
    Donald Trump, on a crusade to make Nixon look respectable
  37. 90's film references by Anonymous Coward · · Score: 0

    Anyone remember 'Demolition Man' where the most popular music was 20 second advertising jingles from the 1970s? That was in addition to pavement data portals, electric vehicles, videoconferencing, automated voice systems, and a completely dysfunctional political system, it's looking increasingly like a prescient plot of the future.

    Except for the three seashells thing.

  38. If they could reduce the play time to zero seconds by Anonymous Coward · · Score: 0

    ...that would be great.

    Also, if Juke Boxes in bars and such would carry John Cage's 4'33 I'd often pay to have all the other crap stop for a while.

  39. Re:I'd do anything for love, but I won't cheat on by Anonymous Coward · · Score: 0

    > You think songs are about message?

    Read up on Jim Steinman. His are. Hint (to put things back into context): His collaboration with Meat Loaf resulted in his biggest hits.

  40. ...and by Anonymous Coward · · Score: 0

    your wise men don't know how it feels
    to be thick as a brick.

  41. Neutral by kingbilly · · Score: 1

    For some songs I get tired of hearing the chorus repeated. Did I say tired? Sometimes it is downright annoying/painful, once it goes from background to conscious (can't unhear).
    Perhaps for some genres I would prefer a shorter track length.

  42. It's not like there is any content by Shotgun · · Score: 1

    There is a limit to the number of ways you can repeat a warble of "oh-oh-oh" before even the most mindless teenager gives up.

    --
    Aah, change is good. -- Rafiki
    Yeah, but it ain't easy. -- Simba
  43. Re:I'd do anything for love, but I won't cheat on by Rockoon · · Score: 0

    You are confusing lyrics with music, dipshit, and before you go googling for the message, a popular name given to piano sonata no. 14 in C minor is not "Quasi una fantasia" .. it was later named "Moonlight Sonata" but that isnt going to tell you its meaning.

    The translation of the name is roughly "sonata in the style of a fantasy" -- one of the greatest musical pieces ever written, and there is no fucking meaning is sight.

    Are you now going to claim that this isnt one of the, and I quote you, "truly great songs" ... no, you arent, because you've just realized that my first sentence here is true. You fucking confused lyrics with music. An extremely fucking infantile mistake.

    --
    "His name was James Damore."
  44. Re:I'd do anything for love, but I won't cheat on by pslytely+psycho · · Score: 2

    Ohh, I'm a dipshit for disagreeing with you
    So we now see the true definition of infantile.

    I'm a musician, and I disagree. The sonic and the lyric are intertwined to create the work.

    Since you cannot argue like a rational human being, we can safely ignore your opinion.

    --
    Donald Trump, on a crusade to make Nixon look respectable
  45. RTFA by Bite+The+Pillow · · Score: 1

    The article concludes with many different possible explanations. You're attacking a straw man, not the article logic.

  46. My collection by Anonymous Coward · · Score: 0

    What I noticed in my personal collection when searching for a song that is the same but from different sources was the following:

    Album version = normal length
    Extended version = even longer than normal and maybe with full intro (eg: from the music video version), usually as a special release where by you paid more of much the same thing.
    Radio edit = A 'demo' version missing part of the start, end or even whole sections in the middle that the Album has.
    Compilations (in general) = usually somewhere between the album version and radio edit with the start and end cut or a radio edit with some weird editing, usually so all the songs fit onto the CD.
    Online previews = hard cut 30seconds of the song, no editing or some basic fade in fade out used.

    Since broadcast radio is free to air the music they play is a short version you hear and is more like getting those free shareware CDs. I also noticed that places like SoundCloud the same shortened rubbish on the radio is there too.

    Also separate is the music video which would contain sound effects or noise from the video mixed in. Newer music tends to have these long intros full of credits at the start like it's some kind of Hollywood movie now which shits me to tears! Music videos can change wildly in length depending on how much padding they put at the start and end of their video.

    Michael Jackson Thriller is a good example of all this.

  47. Ramones songs by Anonymous Coward · · Score: 0

    Now 25% longer!