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The Cassette Returns On a Wave of Nostalgia (theguardian.com)
An anonymous reader quotes a report from The Guardian: Pause. Stop. Rewind! The cassette, long consigned to the bargain bin of musical history, is staging a humble comeback. Sales have soared in the last year -- up 125% in 2018 on the year before -- amounting to more than 50,000 cassette albums bought in the UK, the highest volume in 15 years. It's quite a fall from the format's peak in 1989 when 83 million cassettes were bought by British music fans, but when everyone from pop superstar Ariana Grande to punk duo Sleaford Mods are taking to tape, a mini revival seems afoot. But why?
"It's the tangibility of having this collectible format and a way to play music that isn't just a stream or download," says techno DJ Phin, who has just released her first EP on cassette as label boss of Theory of Yesterday. "I find them much more attractive than CDs. Tapes have a lifespan, and unlike digital music, there is decay and death. It's like a living thing and that appeals to me." Phin left the bulk of her own 100-strong cassette collection in Turkey, carefully stored at her parents' home, but bought "20 or 25 really special ones" when she moved to London. "I'm from that generation," she says. "It's a nostalgia thing -- I like the hiss." "Vinyl has got so expensive to manufacture these days, especially if it's only a seven-inch you're putting out. You'll only lose money on a seven-inch release," says Tallulah Webb, who runs cassette-only label Sad Club Records. "Cassettes are an exciting way to put music out, in the same way that seven-inch singles were exciting for punk. They have always been a crucial part of the DIY scene."
On the flip side, Peter Robinson, founder and editor of Popjustice, believes the trend for tapes is a gimmick gone too far. "Cassettes are the worst-ever music format, and I say that as someone who owns a Keane single on a USB stick," he says. "I can understand the romance and the tactile appeal of the vinyl revival, but I'm actually quite amused by the audacity of anyone attempting to drum up some sense of nostalgia for a format that was barely tolerated in its supposed heyday. It's like someone looked at the vinyl revival and said: what this needs is lower sound quality and even less convenience."
"I think labels know full well that almost every cassette they sell is going straight on a shelf as some sort of dreadful plastic ornament," he says. "I don't think it's much different to the recent trend for pop stars adding pairs of socks to their merchandise lines, the crucial difference being that, for better or worse, socks don't count towards the album chart."
"It's the tangibility of having this collectible format and a way to play music that isn't just a stream or download," says techno DJ Phin, who has just released her first EP on cassette as label boss of Theory of Yesterday. "I find them much more attractive than CDs. Tapes have a lifespan, and unlike digital music, there is decay and death. It's like a living thing and that appeals to me." Phin left the bulk of her own 100-strong cassette collection in Turkey, carefully stored at her parents' home, but bought "20 or 25 really special ones" when she moved to London. "I'm from that generation," she says. "It's a nostalgia thing -- I like the hiss." "Vinyl has got so expensive to manufacture these days, especially if it's only a seven-inch you're putting out. You'll only lose money on a seven-inch release," says Tallulah Webb, who runs cassette-only label Sad Club Records. "Cassettes are an exciting way to put music out, in the same way that seven-inch singles were exciting for punk. They have always been a crucial part of the DIY scene."
On the flip side, Peter Robinson, founder and editor of Popjustice, believes the trend for tapes is a gimmick gone too far. "Cassettes are the worst-ever music format, and I say that as someone who owns a Keane single on a USB stick," he says. "I can understand the romance and the tactile appeal of the vinyl revival, but I'm actually quite amused by the audacity of anyone attempting to drum up some sense of nostalgia for a format that was barely tolerated in its supposed heyday. It's like someone looked at the vinyl revival and said: what this needs is lower sound quality and even less convenience."
"I think labels know full well that almost every cassette they sell is going straight on a shelf as some sort of dreadful plastic ornament," he says. "I don't think it's much different to the recent trend for pop stars adding pairs of socks to their merchandise lines, the crucial difference being that, for better or worse, socks don't count towards the album chart."
Couldn't have a better name for it. This one is utterly ridiculous. I mean, you had tapes originally so that you could record off your friend's record player, or maybe later to put in your car. That was an end to it, and they were never really loved as such.
On the other hand, get past the 80sness and listen to C30, C60, C90, Go! as a perfect description of when the writing was on the wall for physical record shops.
I lived through the cassette era, and I really don’t get it. Setting aside the bad sound quality... it was not uncommon for the tapes to get “eaten” by players and recorders. It also was not uncommon for the tapes to get folded inside the cassette, and for the tapes to just break. I spent numerous hours, back then, attempting various repairs on cassettes which were messed up, one way or another... and even if you were “successful”, so to speak, your reward was a tape with fade outs or fuzzy sound or gaps...
The only medium which was worse was 8-track tapes, where it was a common experience to have at least one song on an album which overlapped a track change by design.
#DeleteChrome
"Cassettes are the worst-ever music format, and I say that as someone who owns a Keane single on a USB stick"
Says someone who has never had to use 8-track.
You don't know suck unless you have ever had a 8 track where the song fades out in the middle and you hear a loud ka-chunk and the song fades back in where it left off. The idiots who mastered it spread the song over two tracks.
Well, just measured by convenience, sure. But reel to reel could attain extremely high audio quality, something 8 tracks could not do even at their best.