Yep, and that was wrong. I can think of about 100 things that were deeply wrong about the way religion was practiced in that era. Perhaps someone should nail them to the door of the Religious Technology Center so that they can catch up.
I teach a little community college on the side, and make a point to use the dry-erase board far more often than the projector. It establishes a certain pace. The more involved something is, the longer it takes me to draw it, the more time the students have to digest it and take notes. It's also much more convenient to change things up on the fly in response to students' questions, needs, and interests.
That being said, I do use the projector when more detailed graphics or animations are called for, and to demonstrate live various techniques using actual software tools.
Just like anything, it's all about choosing the right tool for the job, rather than leaning towards one-size-fits-all out of expedience.
Even if it failed, we'd have gained a whole lot of practical know-how about undertaking a project like that. Even if it ended up way over-budget and required tons of maintenance and so-on, I'd bet that the tourism revenues would have offset that in time.
Actually... IMO poorly mixed and mastered electronic music sounds better with lossy compression.
Fixed that for you.
A cluttered or muddy mix has a lot of different parts stepping over one another for the same pieces of spectral real estate. In this instance, by removing the information that it expects to be covered up by more prominent sounds, a lossy codec can winnow out some of the auditory confusion.
The root of the confusion is that you have different works jumbled together:
The text, graphics, and organization of your book.
The page design and layout of your finished output
The Ruby code and laTex extensions used to render your book into a PDF
If you had licensed them separately, the situation would have been clearer. The downstream author would need to grant you attribution for and share-alike any designs and layouts based off of yours, and any modifications to your code (assuming you use a copyleft license for the Ruby/laTex tools). However said author would be able to the actual content of his work (words, illustrations, and so on) however he chose.
Really, separating content from presentation is half of the point of things like Tex and CSS.
We keep our ASCAP and BMI site-license agreements posted on the refrigerator. It's only annoying when the auditors show up to sample set lists and expect to stay for dinner. Awkward.
I do get out (and play out) just fine, thank you.:) There's music being played and heard, certainly. Just the same, when was the last time you were walking down the street and saw a family sitting on their front porch playing and singing together?
Recording technology and radio obliterated small-scale performances and local music. They still exist, obviously, but have nowhere near the cultural prominence or respect that they once did.
While 180 day circumnavigation is possible, the travelers of the 16th-18th Centuries usually took three to four years to circle the globe. That's the basis for the comparison I was making.
If you measure distance in terms of transit times, the sustainable thrust potential of this technology would make the Solar System the same size to travelers as the Earth was during the Age of Sail.
Pressure from Disney caused no end of problems and weird artwork for Howard the Duck comics over the years. At least there's one silver lining to be found.
Slashdot Mirror
Allow me to be the first to volunteer for this bold new De$ktop Linux Initiative.
Yep, and that was wrong. I can think of about 100 things that were deeply wrong about the way religion was practiced in that era. Perhaps someone should nail them to the door of the Religious Technology Center so that they can catch up.
Two "Go"'s considered harmful.
So the statement was nearly accurate. ;-)
Two "Go"s considered harmful.
I teach a little community college on the side, and make a point to use the dry-erase board far more often than the projector. It establishes a certain pace. The more involved something is, the longer it takes me to draw it, the more time the students have to digest it and take notes. It's also much more convenient to change things up on the fly in response to students' questions, needs, and interests.
That being said, I do use the projector when more detailed graphics or animations are called for, and to demonstrate live various techniques using actual software tools.
Just like anything, it's all about choosing the right tool for the job, rather than leaning towards one-size-fits-all out of expedience.
Even if it failed, we'd have gained a whole lot of practical know-how about undertaking a project like that. Even if it ended up way over-budget and required tons of maintenance and so-on, I'd bet that the tourism revenues would have offset that in time.
No one is advocating deployment of Postgres95. Current PostgreSQL OTOH deserves the praise it gets.
Fixed that for you.
A cluttered or muddy mix has a lot of different parts stepping over one another for the same pieces of spectral real estate. In this instance, by removing the information that it expects to be covered up by more prominent sounds, a lossy codec can winnow out some of the auditory confusion.
The root of the confusion is that you have different works jumbled together:
If you had licensed them separately, the situation would have been clearer. The downstream author would need to grant you attribution for and share-alike any designs and layouts based off of yours, and any modifications to your code (assuming you use a copyleft license for the Ruby/laTex tools). However said author would be able to the actual content of his work (words, illustrations, and so on) however he chose.
Really, separating content from presentation is half of the point of things like Tex and CSS.
We keep our ASCAP and BMI site-license agreements posted on the refrigerator. It's only annoying when the auditors show up to sample set lists and expect to stay for dinner. Awkward.
I do get out (and play out) just fine, thank you. :) There's music being played and heard, certainly. Just the same, when was the last time you were walking down the street and saw a family sitting on their front porch playing and singing together?
Recording technology and radio obliterated small-scale performances and local music. They still exist, obviously, but have nowhere near the cultural prominence or respect that they once did.
The word you're looking for is "collage".
While 180 day circumnavigation is possible, the travelers of the 16th-18th Centuries usually took three to four years to circle the globe. That's the basis for the comparison I was making.
If you measure distance in terms of transit times, the sustainable thrust potential of this technology would make the Solar System the same size to travelers as the Earth was during the Age of Sail.
OK, now I'm curious. Film recorders perhaps, or maybe a high-end-but-older A/V conversion rig?
That was not an entirely settled matter when The Sentinel was written.
My God, it's full of stars.
You mean hawks?
Second rule: Don't make daily visits to a web community dedicated to tracking you down. Fail.
I wonder what their upload speed is? If it is asynchronus, they won't be able to touch the bird.
I would assume African, given the locale.
Pressure from Disney caused no end of problems and weird artwork for Howard the Duck comics over the years. At least there's one silver lining to be found.
"A what? Whatever, put it in the yard next to the giant wooden horse."