Domain: detritus.net
Stories and comments across the archive that link to detritus.net.
Comments · 13
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Well, Barbie did get her start as a sex-toy...
http://detritus.net/projects/barbie/facts.htm
"In 1957 Ruth conceives of a three dimensional adult-like doll. The body is based on German doll called "Lilli" which is sold as a sex toy for men." -
Re:Moral Rights
I have a hard time reconciling the so-called 'moral rights' of an individual (as exercised by parasitic copyright-holders) against the moral rights of everyone else engaged in creative work to acknowledge and build upon their influence. Creative ideas, or any ideas for that matter, are not real estate.
Plagiarism: A Collective Vision -
Semantic web?
Or should we just play it safe due to the likelyhood of potential legal wranglings with large commercial interests and start calling it The Symantec Web before the boys in charge decide to open up a keg on your hippy ass!!! I'm sure El Capitan would be none too pleased, but hey! You certainly can't please everybody! These are the times we're living in!
Amazing how easy it is to feell like a gray haired grumpy old man at 35 when it comes to the web! eeehhh...when I was a kid, we had 4 KAAAAY of CORE MEMORY...1 MHz and NO SHOES! and we LIKED IT!!! -
Re:It's the deterrent, stupid.
CDs aren't the only source of royalties.
Just in case everyone is wondering artists like Moby make millions on licensing deals for commercials and movies. If they used something like a copyleft license (personal use/downloading for free and commercial uses being charged) I don't think we'd see much change in how much an artist can earn long term. Check out this copy of a NYTimes article for more. -
The other side of the RIAA's online efforts...
This incident is part of RIAA's overall online strategy. Here is a quote from a WSJ article from back in July:
"Music executives hope the legal attacks will be part of their broader Internet strategy, which has included rolling out more legal online services that include their music. The two major record-label-backed online subscription offerings, MusicNet and pressplay, have yet to rival the popularity of their free competitors. But they are both working to add more inviting features and broader music offerings. The record labels have also increased their licensing to independent online music services such as Listen.com Inc."
Full article at:http://detritus.net/contact/rumori/200211/0123
. htmlYeah... sure... whatever...
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Not really.
Not too much of a stretch. Microsoft has been a major contributor to the BSA since its inception. It harasses companies based on rumors of software non-compliance co-opting US Marshalls to act as a the gestapo. It is also growing power and influence worldwide.
Read this interview with Gates himself for more insight on Microsoft and the BSA.
To sum it all up, the BSA *is* Microsoft. -
illegal art
Been done.
If you ask nicely, I'll give you a good URL from where you can download it.
See also: illegal art, valenti cracks -
Did anyone consider this?From the Plunderphonic site:
Note: It costs us quite a bit of money to afford the bandwidth so that we can offer these files to you. Please consider a donation. Thanx for your support!
I'm sure a good slashdotting will really hit their pockets hard. -
Rap music, sampling, and Biz MarkieIf none of you know where to look, the case that established that unauthorized samples were always copyright violations is called Grand Upright Music Ltd. v. Warner Brothers Records, Inc.
The injunction handed down on December 17, 1991 forced Biz Markie's hit album, "I Need a Haircut," off the shelves for including a sample of Gilbert O'Sullivan's "Alone Again (Naturally)." This case marked the end of sound collage in popular music, since it firmly established that the number of notes that may be sampled without permission is zero.
The US Supreme Court was a little bit looser in Campbell v. Acuff-Rose Music, Inc (the 2 Live Crew / Roy Orbison "Pretty Woman" case), and allowed 2 Live Crew the affirmative defense of fair use, overturning past decisions that had held commercial appropriation to be presumptively infringing.
These are probably the cases of the early '90s to which Mr. Vaidhyanathan is referring.
-Isaac
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Really hot news.
Oh yeah, like nobody has been doing this for ages. Take The Evolution Control Committee and their 1994 mixtape Gunderphonic for example. You'll find Public Enemy mixes really well on top of Herb Alpert. Also: DJ Z-Trip.
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Warner: No Problem, Everybody's Doing It
In 1991, Warner was a defendant in the case of rap artist Biz Markie after he was accused of copyright violation for "sampling" a track...One of the defenses they put forward was that they "should be excused from liability for infringing copyright because others in the rap music business were also [sampling music].".
Maybe poor IIS didn't know about the "everybody's doing it" defense. -
Re:is this necessary?
The next generation of consumers will feel this way, and most of the economics surrounding the consumption of new creative intellecutal property will radically change. The music industry has been suing home recording facilities for years, but you can't sue an individual who creates at home without invoicing anyone. Digital recording is cheap and getting cheaper, and this is spreading to video too. TV and Films are next.
However, this cannot happen until A) New artists and personalities are consistantly broken by free music and video marketing and B) kids who actually USE the internet and are not so trained to devour CD's grow up and start making real money.
Since broadband adoption slowed down, this might take a LONG time.
Here is a good starting point http://detritus.net/illegalart/.
I wonder why PBS isn't trying to grab some of the music market... -
Here are mirrors:http://yesiwill.plagiarist.org
http://detritus/projects/yesiwill
Let's see how well they survive a slashdotting.