Slashdot Mirror

An anonymous reader quotes a report from Open Culture: Every artist explores dimensions of space and place, orienting themselves and their works in the world, and orienting their audiences. Then there are artists like Vincent van Gogh, who make space and place a primary subject. [...] The opportunity to see all of Van Gogh's bedroom paintings in one place may have passed us by for now -- an exhibit in Chicago brought them together in 2016. But we can see the original bedroom at the yellow house in Arles in a virtual space, along with almost 1,000 more Van Gogh paintings and drawings, at the Van Gogh Museum in Amsterdam's site. The digitized collection showcases a vast amount of Van Gogh's work -- including not only landscapes, but also his many portraits, self-portraits, drawings, city scenes, and still-lifes.

The Van Gogh Museum houses the largest collection of the artist's work in the world. On their website you can read essays about his life and work, plan a visit, or shop at the online store. But most importantly, you can experience the stunning breadth of his art through your screen -- no replacement for the physical spaces of galleries, but a worthy means nonetheless of communing with Van Gogh's vision.

Long-time Slashdot reader Paul Fernhout writes: Archive.org has made available 355 issues of Galaxy Magazine for free access. Galaxy Science Fiction was an American digest-size science fiction magazine, published from 1950 to 1980 with stories from many sci-fi greats [including Harlan Ellison, Ray Bradbury, and Robert Heinlein]. At its peak, Galaxy greatly influenced the science fiction field. See also Open Culture and The Verge for more about the history of a magazine that help shape the imaginations of a generation of techies..
Meanwhile, Archive.org's Jason Scott -- who also founded textfiles.com -- says his own group of preservationists "plans large scale backing up of Soundcloud soon" -- or at least part of it. A placeholder page already informs visitors that "We are currently working on getting all the API data... We also are writing the scripts to get a good grab of everything we can." Scott told Motherboard Saturday "Our main concern is artists and creators suddenly finding their stuff gone, and making it so it's not in oblivion."

Anna Merikin writes In 1964, Richard Feynman delivered a series of seven hour-long lectures at Cornell University which were recorded by the BBC, and in 2009 (with a little help from Bill Gates), were released to the public. The three-volume set may be the most popular collection of physics books ever written, and now the complete online edition has been made available in HTML 5 through a collaboration between Caltech (where Feyman first delivered these talks, in the early 1960s) and The Feynman Lectures Website. The online edition is "high quality up-to-date copy of Feynman's legendary lectures," and, thanks to the implementation of scalable vector graphics, "has been designed for ease of reading on devices of any size or shape; text, figures and equations can all be zoomed without degradation." Volume I deals mainly with mechanics, radiation and heat; Volume II with electromagnetism and matter; and Volume III with quantum mechanics. Last year we told you when Volume I was made available. It's great to see the rest added.

Hugh Pickens DOT Com writes "Eric Barker writes at TheWeek that while high intelligence has its place, a large-scale study of more than three hundred creative high achievers including Leonardo da Vinci, Galileo, Beethoven, and Rembrandt has found that curiosity, passion, hard work, and persistence bordering on obsession are the hallmarks of genius. 'Successful creative people tend to have two things in abundance, curiosity and drive. They are absolutely fascinated by their subject, and while others may be more brilliant, their sheer desire for accomplishment is the decisive factor,' writes Tom Butler-Bowdon. It's not about formal education. 'The most eminent creators were those who had received a moderate amount of education, equal to about the middle of college. Less education than that — or more — corresponded to reduced eminence for creativity,' says Geoffrey Colvin. Those interested in the 10,000-hour theory of deliberate practice won't be surprised that the vast majority of them are workaholics. 'Sooner or later,' writes V. S. Pritchett, 'the great men turn out to be all alike. They never stop working. They never lose a minute. It is very depressing.' Howard Gardner, who studied geniuses like Picasso, Freud, and Stravinsky, found a similar pattern of analyzing, testing, and feedback used by all of them: 'Creative individuals spend a considerable amount of time reflecting on what they are trying to accomplish, whether or not they are achieving success (and, if not, what they might do differently).' Finally, genius means sacrifice. 'My study reveals that, in one way or another, each of the creators became embedded in some kind of a bargain, deal, or Faustian arrangement, executed as a means of ensuring the preservation of his or her unusual gifts. In general, the creators were so caught up in the pursuit of their work mission that they sacrificed all, especially the possibility of a rounded personal existence,' says Gardner."