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Father of DVD Interviewed

Posted by michael on from the hard-disks-the-formidable-enemy dept.

An Anonymous Coward writes "Interview with Koji Hase. Talks about some of the interesting history behind the DVD format, copyright protection, and competing formats for audio."

94 comments

  1. BSD Haiku by Reikk · · Score: -1

    It is official,
    BSD is now dying
    Netcraft now confirms

    The crippling bombshell:
    BSD lost market share
    Once again this month

    You don't need kreskin
    Hand writing is on the wall
    BSD is dead!

    1. Re:BSD Haiku by Anonymous Coward · · Score: 0

      DVD is dying
      DVD will soon be dead
      Rest in Peace DVD

      Thank-yuo

    2. Re:BSD Haiku by my_name_is_steve · · Score: 0

      I bet you bought a HDTV and now yer real pissed.

  2. DVD by whirred · · Score: 1

    If only he could see what it has become. DVD 9 and pro-scan are marked improvements, but it still has a long way to go.

  3. Now THAT's the attitude I like! by Cyberdyne · · Score: 2, Funny
    Obsolescence will remain forever a problem, Hase warns, as long as companies continue to take proprietary approaches to home networking and automation.

    Somehow, I can't quite see that quote coming from the average corporate suit, where "proprietary" is regarded as a feature not a flaw...

    1. Re:Now THAT's the attitude I like! by cperciva · · Score: 3, Insightful

      Somehow, I can't quite see that quote coming from the average corporate suit, where "proprietary" is regarded as a feature not a flaw...

      You don't understand, do you? Obsolescence is a feature, not a flaw.

      --
      Tarsnap: Online backups for the truly paranoid
  4. Pet Peeve and question. by line-bundle · · Score: 5, Interesting

    The worst thing I find about DVD is region encoding. Why is it there? It seems they wanted to put something to replace the PAL/SECAM/NTSC barrier. But I feel it might not help at all because people will (are?) buying Region 1 DVD player (I am from region 6 or thereabouts and things only appear for our region after decades).

    And a question. Is the NTSC stuff encoded on the DVD or is it an artifact of the conversion from digital to analong of the image?

    1. Re:Pet Peeve and question. by Anonymous Coward · · Score: 0

      To stop massive piracy conducted in Asia and sold to American and European markets I would suspects.

    2. Re:Pet Peeve and question. by l1gunman · · Score: 5, Informative

      The 'logic' behind region encoding is to allow the motion picture industry to phase the release of movies across the globe.

      Not all movies are released at the same time in all countries. They usually are released in the US first, Europe and Japan next, etc. A movie may actually be released on DVD or VHS in the US before it hits the theatres in some countries.

      Regional playback controls are thus an attempt to keep DVD sales from eating into theatre revenues in countries where theatre release is significantly later in time than it is in the US.

      I don't agree with it, but that's the reason.

      What if the hokey-pokey really is what it's all about?

    3. Re:Pet Peeve and question. by Jordy · · Score: 5, Insightful

      I always hated this argument because old movies that are no longer in theaters are also put on region locked discs.

      Examples of region locked discs (from IMDB):

      * The Wizard of Oz (1939)
      * Gone with the Wind (1939)
      * Snow White (1937)
      * Tron (1982)
      * Star Trek 1 (1979)
      * Casablanca (1943)
      * The Maltese Falcon (1941)

      I could go on and on and on.

      The real reason for region control is price fixing, plain and simple.

      --
      The world is neither black nor white nor good nor evil, only many shades of CowboyNeal.
    4. Re:Pet Peeve and question. by cowbutt · · Score: 4, Insightful
      I always hated this argument because old movies that are no longer in theaters are also put on region locked discs.

      Examples of region locked discs (from IMDB):

      [snip]

      I could go on and on and on.

      The real reason for region control is price fixing, plain and simple.

      I kinda bought Hollywood's "we want to stagger DVD release dates because we need to stagger cinema releases because we don't have enough prints to go round" argument until I noticed this for myself a couple of months ago (not having really paid much attention to DVD until then...)

      This is basic economics; if you're able to artificially segment your market, you'll optimise the total revenue by charging the most each segment will pay for your product. Without region coding, europeans like me would probably be importing all our DVDs from S-E Asia or the US where they're cheaper.

      Playing the DVD game ensures you'll get screwed by the content publishers because the rules have been set by them entirely to their advantage. I've chosen not to play (apart from region-free discs such as music...)

      --

    5. Re:Pet Peeve and question. by sph · · Score: 5, Informative

      The worst thing I find about DVD is region encoding. Why is it there?

      The original idea was to prevent importing movies on DVD from other regions before they actually hit cinemas locally. The point has become somewhat vague, because many discs are released only on some region, so many people have to resort to importing to get all the stuff they like. Interestingly, lately many blockbusters have opened at cinema almost simultaneously worldwide, which is definitely a good development. I wouldn't be surprised if this was at least partly because of the DVD importing still being possible despite region codes.

      It seems they wanted to put something to replace the PAL/SECAM/NTSC barrier.

      That barrier still exists on DVDs, but it's easier to overcome than with VHS. There are PAL and NTSC discs. Every PAL player can also play NTSC discs, but only some NTSC players can play PAL discs. If component signal is used (RGB is very common in Europe) you don't have to bother with color encodings, only whether your television can sync to 50/60Hz and display all the lines needed.

      Is the NTSC stuff encoded on the DVD or is it an artifact of the conversion from digital to analong of the image?

      Picture on DVD is fully digital MPEG-2, hence it has no NTSC, PAL or SECAM color encoding. Picture resolution and FPS still match either NTSC or PAL (SECAM has same specs as PAL, so there are no SECAM discs), because almost every display device used with DVDs still uses them. NTSC resolution on DVD is 720x480, while PAL is 720x576. Player handles 2:2 (PAL) or 3:2 (NTSC) pulldown on film material, and is also responsible for generating actual NTSC/PAL/SECAM color encoding if something else than component signal is used in connecting player to the display device. Needless to say, using component signal gives the best image quality you can achieve without going progressive, because it requires no additional signal format conversions after DA-conversion.

      It's also good to note that because of the slight differences between NTSC and PAL discs, well-encoded PAL disc has better picture and smoother movement than well-encoded NTSC disc.

    6. Re:Pet Peeve and question. by MtViewGuy · · Score: 3, Insightful

      I think once digital projection for movie theaters becomes common by 2010, the idea of phased release of movies may become obselete.

      The reason for phased release is simple: the very high cost of duplicating movie prints (each complete set for a 120-minute movie costs about US$2,500 to US$3,000 and you have to make about 6,000 to 8,000 prints for a blockbuster movie; you also have to factor into the cost of shipping each 35 mm print set weighing 210 pounds each for a 120-minute movie).

      With the development of blue-spectrum LED lasers in the last few years, a theatrical-quality digital movie could probably fit on a single 300 mm optical disc; given today's technology to master and duplicate optical discs it'll probably be substantially cheaper to master and duplicate 8,000 optical discs than 8,000 film prints, not to mention shipping costs being a very tiny fraction of a 35 mm movie print! :-)

      With that substantial drop in duplicating and shipping costs simultaneous worldwide release of blockbuster movies may become the norm, not the exception.

    7. Re:Pet Peeve and question. by t_allardyce · · Score: 1

      And a question. Is the NTSC stuff encoded on the DVD or is it an artifact of the conversion from digital to analong of the image?

      Since NTSC is about 30fps (well 29.97) and PAL is 25fps they record DVDs in different formats i think (lets ignore SECAM). I thought a much smarter solution would be to store the film at 24fps on the disk (ie cinema speed) and then do the conversion in the DVD player itself. Since allot of new TVs can show both formats, it stands to reason that you could build tvs to show 24fps. Also, lots of newer displays have grown up with DVD - plasma and all that, so they could have designed them for 24fps. Not only that, but a good deal of people watch DVDs on their computers that can certainly play 24fps. Maybe im wrong, i don't know.... also, the tv-out on my computer will let me show mpegs etc. on my tv screen (PAL - old) at different speeds with no flicker.. I think its just another example of stupid old formats and conventions.

      Region encoding is much more than a format barrier replacement. Its simply there so the they can get more money. Staggered releases and different prices, its all evil capitalist/corporate pig stuff. The whole thing sucks

      --
      This comment does not represent the views or opinions of the user.
    8. Re:Pet Peeve and question. by squiggleslash · · Score: 3, Insightful
      That's a commonly held view, and is not the reason, though it may be "a" reason. Traditionally, motion picture producers have divided up the rights to distribute their movie to a group of studios, rather than just one. For instance, Universal might have the "North American" rights, and Fox might have the "Rest of world" rights. The studios in turn tend to farm out redistribution of films in home video format: one company might be given the rights to the VHS version, another laserdisc/special edition DVD, another DVD, etc. Quite often, the rights are given to multiple distributors within the same market, so you might find the same film released by Diamond and Criterion, for instance, as long as the two versions are aimed at different markets.

      What region encoding does it provide a means to prevent distributors who do not want to compete with one another from doing so. A producer can sell rights to a DVD producer in the US to produce US-only DVDs, knowing that they can sell to another in Europe without the European distributor believing that they'd be in competition with the US distributor. As the marketing plan for the European DVD may differ radically from the US distributor, there is a potential conflict, especially, if the US distributor is competing with another US distributor, and a price war spills over into the EU with people finding it cheaper to import dumped DVDs than buy from the EU distributor.

      That's why films like The Pit and the Pendulum, The Great Escape, etc, are being region coded, despite having been released around the world decades before DVDs were even a Valentian wet dream.

      This is the real reason. It has nothing to do with staged releases. It probably wasn't originally to do with screwing customers, though that's the ultimate effect.

      My personal opinion: Dixons, Currys, etc, the major consumer electronics retailers in the UK, should stop selling Region Two, or even Region Free, DVD players, and start exclusively selling Region One players - which are cheaper anyway. That would seriously screw up the market - DVD importers would have a field day, DVD player buyers would have more choice, Region Two distributors would essentially be forced to sell unlocked discs or bi-regional discs or face ruin in the UK, and long term the entire concept of region encoding would be discredited to the point I doubt any attempt would be made to implement it for DVDng.

      Well, I can dream...

      --
      You are not alone. This is not normal. None of this is normal.
    9. Re:Pet Peeve and question. by Anonymous Coward · · Score: 0

      If I'm not mistaken, the US DTV spec has 24fps support so you can go directly from film to digital (and back).

    10. Re:Pet Peeve and question. by zootread · · Score: 0

      At least most porno doesn't seem to be region controlled.

      --
      Zoot!
    11. Re:Pet Peeve and question. by Anonymous Coward · · Score: 0

      It's restraint of trade, pure and simple. New Zealand has already found it illegal. Other countries need to as well.

    12. Re:Pet Peeve and question. by robhancock · · Score: 1

      DVDs do store the film on disc at 24 fps (at least, for discs where film was the original source, and not TV). The DVD player is responsible for doing the conversion to the proper output frame rate for the TV, and also doing the conversion to interlaced format.

    13. Re:Pet Peeve and question. by nathanh · · Score: 3, Informative
      Since NTSC is about 30fps (well 29.97) and PAL is 25fps they record DVDs in different formats i think (lets ignore SECAM). I thought a much smarter solution would be to store the film at 24fps on the disk

      They do store the film at 24fps on the disc. The difference between a PAL disc and an NTSC disc is the resolution. PAL is 720x576 and NTSC is 720x480. The player converts the 24fps MPEG stream into 50fps or 60fps for the telly.

      Be aware there's an incredible problem with the frame rate conversion. NTSC is 3:2 (odd frames twice, even frames thrice) which converts 24 fps into 60fps neatly. PAL is 2:2 (show each frame twice) which converts 24fps into 48fps. But PAL TVs are syncing at 50fps! So PAL DVD players actually show the movie a little bit fast to keep the frames syncing. This pitch shifts the audio track enough to be irritating, especially if you are playing DVD music (meaning music on DVD, not DVD-A).

      Fortunately if you know the problem you can work around it. Some DVD players can output a bastardised format called PAL60. This is the PAL colour encoding at 60Hz. Almost any modern Australian TV supports this bastardised format.

      Though an even better solution would be consumer-grade multisync TVs. Then you could sync the TV at 24fps and ignore the upsampling process. I don't know if any consumer-grade DVD player can output 24fps.

    14. Re:Pet Peeve and question. by KH · · Score: 2, Insightful

      I see your point, but I thought the major reason of phased release is the time it takes to dub or sub-title the movies. Not everyone on earth can understand English. This could add, depending on the size of the market and resource in a particular area, significant time between the finish of the US version and others.

      Perhaps another thing to consider is that sometimes they have to edit a movie to comply to whatever regulations they have in a particular company. There are equivalents of MPAA in other countries, too.

      One more thing to consider might be, in relation to the above, each country may have their own distributors and depending on whatever the suit in the distributors think, they might want to edit. This could add some time between the releases.

      Not that releasing at the same time all over the world is not impossible, but it is true that the preparation for a release in a different country can take extra resources.

      On a bit off topic issue, I hate when local distributors change the titles. It's not just a matter of translating English title to German or Japanese (well, I have experiences only in those countries). They sometimes stick (sometimes extremely silly) ENGLISH title to movies that laready had an English title. Recent examples I encountered were: Miss Undercover for Miss Congeniality (couldn't spell, so I figure why they changed the title), and ``Crime is King'' for `3000 miles to Graceland.'' (Is there any law in Germany that prohibits the use of English system? BTW, the quarter pounder of cheese is called Royal TS in Germany. And yes, they sell beer in McDonnald's.) I feel pretty embarrassed when no one knows a popular movie that has an English title :(

    15. Re:Pet Peeve and question. by t_allardyce · · Score: 1

      Interesting, you've almost restored my faith in DVD. Atleast it means we (PAL) get getter quality than the yanks (who needs 30fps) oh... except the audio problem :( I know that on video they electronically lower the pitch of the audio to make up for this.. why don't they do the same for dvd?

      What about DVD on computers? surely they can output at 24fps... well i know they can if i rip the mpeg stream onto my hd :)

      --
      This comment does not represent the views or opinions of the user.
    16. Re:Pet Peeve and question. by nathanh · · Score: 2
      I know that on video they electronically lower the pitch of the audio to make up for this.. why don't they do the same for dvd?

      I don't know. What you say sounds possible but I've not heard of it being done.

      What about DVD on computers? surely they can output at 24fps

      As you say, computer DVDs can and do output at the correct framerate with no pitch changes.

    17. Re:Pet Peeve and question. by aonaran · · Score: 1

      The difference in "NTSC" and "PAL" DVD discs is the number of lines encoded to the disc, the hardware is what puts it into NTSC or PAL format.

  5. What's up with the subliminal messages? by empesey · · Score: 2

    From time to time, I see messages pop up on the DVD when pausing or stopping. From what I've read, everyone involved in the process has to sign an NDA to not talk about it

    So what gives?

    1. Re:What's up with the subliminal messages? by Anonymous Coward · · Score: 0

      That's just Tyler up to his usual antics.

    2. Re:What's up with the subliminal messages? by Anonymous Coward · · Score: 0

      We all have voices in our heads telling us to kill. The important thing is to drown them out.

    3. Re:What's up with the subliminal messages? by Anonymous Coward · · Score: 0

      I see this too, it appears as a faint row of text scrolling across the paused picture. It is too faint to read, but just clear enough to be recognizable as text.

      It could be interference from another signal that just happens to look like text, but it seems to "reset" itself if I single-step to the next frame.

  6. JESUS ROCKS! by Anonymous Coward · · Score: -1, Offtopic

    The God I know works just like this! Read on....

    A friend of mine was driving through an intersection one day and his little four-year-old son was in the car with him. The car door flew open and the little boy rolled out of the vehicle right into the middle of traffic coming from four ways. The last thing my friend saw was a set of car wheels just about on top of his son, moving at a very fast rate of speed. All he knew to do was cry, "JESUS!"

    As soon as he could bring his car to a halt, he jumped out ran to his son, who was perfectly all right. But the man driving the car that had almost hit the child was absolutely hysterical. My friend went over to him and started trying to comfort him... "Man, don't be upset!" he said. "My son is all right, he's okay... Don't be concerned about it. Just thank God you
    were able to stop!"

    "You don't understand!" the man responded. " I never touched my brakes!"

    1. Re:JESUS ROCKS! by Anonymous Coward · · Score: -1, Offtopic

      Okay, let's pretend this actually did happen. So what makes you think that "Jesus Rocks" because of this? Do you have some bizarre explanation involving the existence of a western creation myth figure, and it is somehow linked to him "rocking"? Was Jesus Rocking so hard that he fell out of his wheelchair and as he fell he pushed the little boy out of the way and landed in the path of the car himself, getting terribly mangled in the process? Was that why the man driving the car was so upset, because he'd just run over Jesus?

    2. Re:JESUS ROCKS! by Anonymous Coward · · Score: -1, Offtopic

      Your friend showed criminal negligence by driving with his son in the front seat and without a seat belt. I think he is so stupid that he thinks this "miracle" condones his criminal and dangerous behavior. He will kill his child one way or another soon.

  7. Hmmm by Anonymous Coward · · Score: -1, Offtopic

    Hotjumbalee!!!

  8. Dream on... by Anonymous Coward · · Score: 0

    This guy claims that the future is Dataplay?!

    Okay, up until that point it was at least plausible.

    *sigh*

  9. Satansatansatansatan by Anonymous Coward · · Score: -1, Offtopic

    It was Satan, sending a signal. He wants your friend to sacrifice his son. That's why he saved his life. for now.

  10. Mr Entertainment by Anonymous Coward · · Score: -1, Redundant

    Few people can claim to have shaped our lives but Toshiba's Koji Hase is one of them. He's the man who has driven the success of the DVD format, first as an advanced developer with Toshiba, and then as the chairman of the DVD Forum.

    While at the helm of the DVD Forum, the peak body that represents everyone who stands to make a buck from DVD, he oversaw the development of DVD, DVD-Audio and recordable DVD.

    Sit down with Koji Hase and there's little about the mild-mannered middle-aged man in a dark suit that is remarkable. Until he starts to speak. Only then do you get the sense that while he might look like a corporate lawyer, Koji Hase is also a visionary.

    The first task Hase was given when he joined Toshiba 32 years ago was the miniaturisation of hi-fi systems towards the compact minis and micros we know today. In 1984, when he returned from a nine-year posting in Britain, he was entrusted with Toshiba's future.

    "I was told that the age of television was gone and that I was to find something more profitable which would go beyond the conventional consumer products," he explains.

    advertisement

    advertisement

    Among his pet projects were an early digital camera - too early, he now realises given the poor sales - a CD-ROM drive developed in conjunction with IBM, and tape-based and CD-ROM-based personal navigation systems.

    Hase says it was a chance meeting in 1992 that sparked the invention of the DVD. Toshiba had just taken a $A900million stake in Time Warner and Hase was part of the negotiating team. He says that over lunch, Warner Home Video president Warren Lieberfarb asked whether Toshiba could use optical disc technology to bring better pictures and sound to the home video market. That half-hour lunch developed into 13 hours of discussions.

    "When at midnight we finished, we must have been pretty drunk but I said: 'I will develop the system and you will give me the content, because without the content it is nothing'."

    He enlisted the support of Philips, which had invented the CD-ROM format in 1983 and, according to Hase, everything went well until Philips realised that Toshiba's patent on DVD might wreck their own patent empire. "That is the first time that I felt the war," he recalls.

    Philips teamed up with regular development partner Sony and in December 1994 they introduced the MMCD (Multimedia Compact Disc) format, a video-capable extension of their existing CD technology. Within four months Toshiba had formed an alliance with Hitachi, JVC, Matsushita, Mitsubishi and Thompson, introducing their own SD (Super Density Disc) format.

    "We fought this format war for several years. I always thought Toshiba's system would win because we had the backing of Warner Brothers, Disney, Paramount. All these content providers are behind us. The media talked as if it was a Beta/VHS war, but I don't agree. That was a war between two Japanese technology companies, JVC and Sony. This time the war was between content providers and Philips," Hase says.

    The ceasefire came in September 1995 through the auspices of the DVD Forum, a consortium of all parties interested in DVD, including movie houses, hardware manufacturers and computer companies. The chairman of the DVD Forum was none other than Koji Hase.

    "I think I was lucky that everybody understood that if there is a format war there'd be no market," he says.

    In 1996, DVD players went on sale in Japan. A year later they were launched in the US, selling 350,000 units in nine months. DVD was a hit even though many gave it little hope of success given its inability to record. Hase saw it differently:

    "Seventy per cent of the time, VCRs are used for rental video playback, not necessarily recording. We thought maybe recording may not be necessary and I think we were right.

    "Playback-only also had the backing of Hollywood With recordability you are going into a minefield of copy protection."

    Getting that Hollywood backing, however, came at a price, with movie houses insisting on region-coding to protect their software sales in different territories.

    Ask him about the laughable situation that has arisen with many big brands producing multi-region DVD players and some players even having the ability to disable Macrovision copyright protection, and he gets somewhat political.

    "Wrecking the Macrovision, region control or parental control is punishable and as manufacturers we (Toshiba) are staying away from that," he says.

    Although this has been pretty widespread both here and overseas, Hase had no recollection of the DVD Forum fining anyone for abusing their licensing agreement in this way.

    He does, however, admit that while Macrovision's days are numbered, copyright protection on DVDs is here to stay. "Thanks to the copy protection technology, which DVD introduced to the content industry, I opened a Pandora's box," Hase says.

    In part, it explains the slow release of digital audio discs on to the market, with Toshiba backing its DVD-A format against Philips and and Sony's rival SACD format.

    However, the real turf war is shaping up over recordable DVD. Hase claims that both Toshiba and Philips initially put aside their individual proposals for a recordable DVD format, which was to become DVD-RAM, but that Sony and Philips reneged on their agreement to ditch their rival proposal.

    The result is that none of the rival format recorders is selling in Japan. The only bright spark for Toshiba is that its pioneering DVD-RAM recorder combined with a hard-disk drive is generating some interest.

    "I don't think the consumer industry was ever aware that hard-disk drive would be their formidable enemy but now it looks like RAM combined with hard disk is the solution. You record your program on to the hard disk's 40 gigabytes and any programs you want to keep you burn to the DVD. This is perhaps why Sony is now going down that route," Hase says.

    What next?

    The man who predicted the present state of consumer entertainment, now sees it moving along three different paths: the merging of PC and TV technologies; interactivity of content; and what he calls "choose freedom", next-generation wireless and remote control applications.

    Hase feels that these areas will all merge with the introduction of home servers that receive signals from your cable, satellite and set-top box, storing them and distributing them to display devices around the home.

    He sees this as an evolution over the next three years, starting with simple remote-control procedures like turning on home air-conditioning from the car.

    Obsolescence will remain forever a problem, Hase warns, as long as companies continue to take proprietary approaches to home networking and automation.

    Hase's three big technologies for the future

    Data Play

    www.dataplay.com

    This new, compact, one-inch optical disc is the digital storage medium of the future for pre-recorded or user-recorded data or tunes. Capacities for these once-recordable discs run up to 500Mb, holding more than 11 hours of high-quality MP3 files or over five hours of CD-quality music. Priced at around $A20 in the US, they are more than 50 times cheaper than the same capacity compact flash media - if you can find any this size. Toshiba, Samsung and iRiver have all signed up to use DataPlay media, so expect portable audio, hi-fi systems, cameras, PDAs and the like to follow.

    The Pocket Server

    www.toshiba.co.jp

    Hase's dream of a "wireless Internet conduit" passing data around as easily as sending e-mails is inching closer. "It's the 1.8-inch hard-disk drive that we normally use for slim personal PCs but sold as a portable device. We sell it for $600 for two gigabytes capacity (and) $999 for five," Hase says.

    Toshiba claims the 5GB version stores almost 37 hours of MPEG-4 moving images or 1000 pieces of music. Bluetooth-enabled, it can wirelessly interact with other Bluetooth products, including TVs, cellular phones, PDAs, PCs and digital cameras.

    OLED TVs

    www.tmdisplay.com

    When it comes to what we'll watch, Hase is unequivocal: liquid crystal display (LCD).

    And the resolution? "High definition will happen, there is no question about that."

    Toshiba already has a compact, high-resolution, 20.8-inch full-colour LCD with the capability of 3200 x 2400 QUXGA display.

    But beyond LCD, Hase believes OLEDs (organic light-emitting displays) screens will be even superior. "The technology is better than anything available and will handle big screen sizes. The display is thinner than LCD and power consumption is negligible."

    OLED displays don't need the backlight required by LCDs, as the display itself emits light.

    While these OLED screens will have applications in mobile phones, Hase feels the screen will be too small to watch television on. A prototype OLED screen has already been developed for mobile phones and Toshiba is talking to Warner about running CNN news updates or film trailers. An OLED screen for television is probably a couple of years away.

    This story was found at: http://www.smh.com.au/articles/2002/05/22/10220384 31333.html

  11. How big is a CD? by line-bundle · · Score: 3, Insightful
    In the section concerning dataplay.com he says: This new, compact, one-inch optical disc is the digital storage medium of the future for pre-recorded or user-recorded data or tunes. Capacities for these once-recordable discs run up to 500Mb, holding more than 11 hours of high-quality MP3 files or over five hours of CD-quality music.

    I had thought that one hour of CD quality music is about 600Mb, so how does he get over five hours of CD-quality music?

    1. Re:How big is a CD? by mrscorpio · · Score: 1

      At 5 hours/600mb, it sounds like he's talking ATRAC format audio as "CD quality", which it basically is, but it wouldn't make sense for Toshiba to use that Sony format. Sharp maybe, but not Toshiba.

      But that is a good question.

      Chris

    2. Re:How big is a CD? by Anonymous Coward · · Score: 0

      Audio CD's have aiff tracks burned on them, he's saying the dataplay discs use MP3 encoding? I think. Which is sorta amuzing/ironic. They'll use the tech their way, but won't give an inch any other...

    3. Re:How big is a CD? by The-Bus · · Score: 2

      256kbps MP3 files which can have CD-styled quality...

      --

      Small potatoes make the steak look bigger.

    4. Re:How big is a CD? by Cyberdyne · · Score: 2, Informative
      I had thought that one hour of CD quality music is about 600Mb, so how does he get over five hours of CD-quality music?

      One word: compression. Five hours in 500 Mb is 800 Mbits/hr, or just over 220 Kbit/sec. A well encoded MP3 at 320VBR averages less than that, and I can't tell the difference between that and the original CD.

      Even truly lossless (bit-for-bit reproduction) can be achieved with better than 2:1 compression, which would make 5 hours of CD music (just under 1.5 Mbit/sec bitrate) take 1.5 Gb, so reaching 6:1 shouldn't be a huge problem IMO.

    5. Re:How big is a CD? by evilviper · · Score: 2

      Sony's minidiscs are 140MB, and store 75 Minutes of CD quality audio... I've heard people say they've heard occasional artifacts, but I've got a great ear, and listen to very complex music, and have yet to hear a single artifact, so I chock those reports up to the green marker hysteria until I hear it for myself...

      Not to mention Sony's SA-CD format stores a CD worth of audio, at much higher fidelity, on a regular CD...

      Well I did answer your question... Either of those technologies could be imployed in this case.

      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    6. Re:How big is a CD? by Anonymous Coward · · Score: 0

      Obviously you don't have a great ear then, if you can't hear the artifacts. Or did that never cross your mind?

      I guess 160kps MP3s are 'perfect' too, eh?

    7. Re:How big is a CD? by seinman · · Score: 1

      SA-CD does not use a regular CD. it's the same size, but it holds much more data, kind of like a DVD.

    8. Re:How big is a CD? by Anonymous Coward · · Score: 0

      I've got a great ear
      I listen to very complex music
      arent you so much better than the rest of us... you saying that the high hat DONT sound like a rain stick to you??? listen closely sometime

    9. Re:How big is a CD? by evilviper · · Score: 2

      No, the reason it holds more information is that it uses a lower bit rate, with a higher sample frequency...

      You are correct that SA discs are (4 times) larger capacity than CDs, but that is only so that they can hold a 5.1 Channel layer, a stereo layer, and a legacy CD layer, on the same disc!

      The fact is that the disc is 4 times larger, while the sample rate is 64 times a standard CD!

      Don't get me wrong, it is very cool technology, but Sony decided to include a watermark, so I'll never be buying one.

      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    10. Re:How big is a CD? by patiwat · · Score: 1

      Sony's SACD watermarks are better than DVD-Audio watermarks.

      SACD watermarks are in the physical pit grooves of the SACD. They are transparent to the user, i.e., even a perfect ear can not hear them.

      DVD-Audio watermarks the actual data, i.e., inserts watermarks into the music. The DVD-A people claim that most people can't hear the difference. But DVD-A is being marketed at audiophiles, which claim to hear what most people can't, and who appreciate hi-fidelity for its own sake. DVD-A is destined to be a failure in the audiophile market.

      - patiwat

    11. Re:How big is a CD? by evilviper · · Score: 2

      I never even considered audio quality an issue. My concern with watermarking is purely the inability to make backups, rip them and play it on a PC, MiniDisc, or other portable (I never considered CDs portable).

      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
  12. first pr0n by Anonymous Coward · · Score: -1, Troll

    Score:-1, Offtopic)/b>

    You are outside doing yard work on a hot summer day. It's too hot for that shit, but you want to get it done today so you can be free all day tomorrow. I stop by the house unexpectedly and you invite me to join you for a beer and ask if I'd mind sitting out back with you - you're too dirty to sit inside. So I join you out back and we throw a blanket down over the fresh cut grass and grab a couple beers.

    By the end of the second beer, I'm losing track of the conversation and just watching the sweat roll from your neck down to the waistband of your cut offs. You are totally into telling me about the rest of your landscaping plans until you roll up to grab me another beer out of the cooler, and notice that my eyes are on your cutoffs.

    You laugh it off, but I can see the thought of me watching you is making your cock swell. You hand me my beer with a comment about how hot it is. Now, me being me, I can't resist cooling you off and I take a long drag on the beer before leaning over and dragging the beer bottle down the inside of your thigh. You jump so quickly in surprise that you end up dumping half your beer down my chest and now we have both gotten cooled off. This sends us into gales of laughter. But our eyes aren't laughing; your boner is practically crawling out the bottom of your cutoffs and my nipples are so hard they ache.

    Your eyes stay intently on mine as you lean in and pull my hair loose of the pony tail holder making my hair tumble down all over my shoulders and back. You draw a couple strands thru your fingers...and then pull on one of the strands drawing me in for a kiss. My hands come up against your chest for balance, and feeling you all sweaty, I just let 'em slide down to your waistband and around your back. Your lips press gently to mine, and your tongue finds mine and strokes.

    Like a magnet my hair is drawn to your sweaty shoulders and chest, and we're making a whole new kind of heat. You push me down onto the blanket and follow me down. Your kiss is turning harder, more passionate and your hips are rocking with the rhythm of your tongue. You pull on the strings of my bikini top and kiss my neck until my back arches with my moan. You quickly reach under and pull the lower string loose too. Kissing my quickly down my neck, across my shoulders you lick the beer off my chest. Apologizing in a whisper for getting my top wet, you lick the beer off my nipples at the very tips.

    My back arches and I whisper that more than my top is wet. You reward me by sweetly swirling your tongue against the nipples till they are both standing at attention and begging for more. My hips arch and I moan your name. By now I have forgotten where we are but as you lift up to pull my shorts off you notice your neighbor out in his yard with his eyes locked on us (and his hand jacking his lawn hose). You sink back down and kiss me firmly, letting me know exactly how much you want me. Then you whisper that your neighbor is watching, and ask me if we are going to cum inside or out. I laugh gently and whisper that I will cum inside and you can cum wherever you want. Kissing me firmly again you roll slightly to the side and say, "Take a look".

    Peeking over your shoulder I see Mr. Middle America standing dumbly in the middle of his lawn. I quickly pull back and kiss you passionately till you have forgotten that he is there, and are reaching for my shorts again. Unable to resist my playful mood, I scream "Oooooh God, baby, ohh yes make me cum!" and then jump off the blanket and grab my top and run in the house. You curse and start to run after me, catching me just inside the house panting "You're not getting off that easy". "Definitely not, I'm planning on getting off on your very hard, very long cock baby" and I grab you and kiss you with my tongue simulating exactly the stroke and rhythm I want you to make me cum with.

    You let me take the lead and I reach down and firmly cup your cock before letting my fingers find your zipper. Taking my time, I release you and listen to you moan your appreciation as you lean back against the kitchen counter and drop your head back. Your cut offs sound loud as they hit the floor, but not as loud as your breathing. I slowly engulf your warm sweaty cock in my mouth and listen for the catch in your breathing. Sure enough, your breath halts and then with a whoosh starts back up again, louder and harsher than a moment ago. You widen your stance, giving me plenty of room to lick and suck your cock. My tongue bathes you and I moan my appreciation of your taste. I suck you deep and stroke firmly with my hand at the base, letting my fingers ease under your balls and stroke behind them. I feel your legs tense and you moan loud and reach out and stroke my head and hair and start whispering to me. Over and over you tell me how good it feels, how hot and slick my tongue is, how badly you want me, how beautiful I am, how hard you are.

    With every word I am more aroused, moaning and panting around your cock. My moaning and panting is driving you crazy and you pull me up for another torrid kiss, our lips and tongues mating wildly. You don't bother with my zipper, just running your hand down the inside of my shorts and find my bikini bottoms. Cursing you pull your hand out and reach with both hands for my button and zipper and then push the shorts and bikini bottoms off at once and slide your hand right into my furry mound. You waste no time and sink a finger deeply inside me, never letting go of my mouth and tongue. I moan and melt against you, my mouth going slack, unable to feel anything except your hand. Quickly you insert another finger and at the same time brush my clit with your palm and I shudder and squeeze your fingers with my love muscles.

    I drag my lips up your neck to your ear and pant and whisper in your ear "now, now!" gasping and melting on your fingers. "Oh, no baby" you whisper back and stroke your fingers in and out of me, then spreading my juices over my clit. "My turn to tease you baby" you grin as you take your hand away and pick me up and slide me onto the kitchen counter. "Spread your legs and I'll make you cum" you tell me. Suddenly I feel open and exposed, until I notice that somewhere along the way you unzipped your pants and are slowly jacking your cock. Its rock hard, and all my attention is centered on it. When you lean close and spread my legs, my thighs part like melted butter. I lean back on my hands and let my head drop back until my hair is brushing the counter top. "Ohhhh yes, what a sweet juicy pussy you have baby" you moan. You swirl your tongue along my clit and down into my now sopping slit. The sound of your voice so rough and uncontrolled is like lightning in my soul. You take notice that I tense and shiver when you talk, and immediately start a rolling dialogue pausing only to flick your tongue on my clit. You slide your fingers in circles around my slit, not sliding them in, just around and around.

    "Yes, I'm going to make your sweet pussy cum baby, you know I am. I want to feel this pretty pussy tighten all over my cock baby". I gasp and close my eyes, sinking deeper into the electricity your creating. You suck on my clit and continue to tease my slit until I moan that I can't hold back any longer, "I wanna come on your cock, pleeeeease baby". You immediately slide me off the counter and I wrap my legs around your waist and begin kissing you like tomorrow doesn't exist. You push me against the cold refridgerator door and split me open with your cock. I shudder and immediately begin cumming from the cold on my back and the heat in my slit. My pussy milks your cock hard until you start to cum too. It feels like one very long, very wet cum. I can't tell where mine stops and yours begins. Suddenly there is loud silence as the refridgerator momentarily pauses running. "Lets go to bed" you whisper. "What about the lawn?" I enquire and you laugh and tell me there's nothing left to do but take care of a bush while your hand strokes my furry mound again

  13. Uhhhhh.... by bigbadwlf · · Score: 1

    You record your program on to the hard disk's 40 gigabytes and any programs you want to keep you burn to the DVD.

    Wow. Does he honestly think content providers will really let us do that?
    It's a nice thought, but I have my doubts.

    1. Re:Uhhhhh.... by Technician · · Score: 2

      From what I've been hearing, that's partialy true. You may either get a regular DVD, A copy once DVD, an uncopyable DVD, or a DVD CSS encoded to a unique key in that recorder, playable only on that machine. The details are still in the works.

      Too busy reading slashdot to research links and press.

      --
      The truth shall set you free!
  14. Father??? by Anonymous Coward · · Score: 1, Insightful

    Father? Like this is a big invention?

    B**locks. The technology was there for the next generation laser disks. "Father of DVD" is father of the standard that made it : encrypted, region coded, specialized for Video, made a deal with Hollywood for the new big thing that will boost the move sales.

    What an important person indeed!
    What a great inventor!
    Thanks to this man, mankind can enjoy "digital videos with the use of a laser disk on a computer that was designed for much more than just movie viewing"

    I vote the next nobel award to be given to the father of DVD.

    1. Re:Father??? by Nintendork · · Score: 1

      DVD is what we use today. Laser disc never really was a competing product in most consumers eyes.

      Taken from http://www.starlaser.com/dvd-lasr.htm

      Laser Disc Disadvantages

      Laser Discs are too expensive for the average consumer to own. With the exception of MCA, and Warner, most Laser publishers have raised list prices to $40.00 and up for a first-run movie. Worse, many titles are only available as "special box-set editions" at prices over $100.00. To justify the price, these box sets often include CD soundtracks, posters, books, and other stuff you may not want.
      Laser Discs are large, heavy, and fragile. Great care must be taken in storage to prevent warpage, jacket damage, and deterioration of the disc's aluminum coating. With even the best of care, a few poorly manufactured discs will loose their aluminum reflective qualities over time, resulting in increased video noise. This problem is aggravated by many publishers who refuse to take defective discs once they have "gone out of print". Caught in the middle are the dealers (like us) who have angry customers on one side and suppliers refusing defective returns on the other.

      Laser Discs are "hard encoded" in NTSC video. Even though many LV players have S-video outputs, all laser discs, exhibit a characteristic "crosshatch" distortion caused by the NTSC color subcarrier. This is most noticeable in small text, where the letters seem to be "floating" amidst background of moving fine-grain diagonal mesh. Since all NTSC broadcasts have the same distortion, many Laser Disc owners don't notice the distortion until they compare it with component video or true S-video.

  15. Frst Super 12 Final post! by Anonymous Coward · · Score: -1, Troll

    Crusaders RULE!

    Final score: Canterbury Crusaders 31 - ACT Brumbies 13

    3 tries to the Crusaders,
    Vudembarker #14
    Leon McDonald
    Calim Ralph #11

    1 try to the Brumbies,
    George Gregan #9

    Other scores Crusaders
    3 Penalties kicked by Mertens, 2 conversions.
    1 Drop kick kicked by Aaron Major

    Other scores Brumbies:
    2 Penalties kicked by Andrew Walker

    Crusaders WIN the super 12 for the 4th time in 5 years!

    New Zealand Rules over Australia again!

    (This post typed at the Holy Grail in Downtown Christchurch, where the Crusaders are Celebrating!

  16. Origins of region coding by Anonymous Coward · · Score: 2, Funny
    "When at midnight we finished, we must have been pretty drunk but I said: 'I will develop the system and you will give me the content, because without the content it is nothing'."
    When asked for the reasons behind the region encoding, Hase said:
    "I'm afraid I was very drunk at the time."
  17. Interview: SE by The-Bus · · Score: 1
    I'm not going to read that interview. In a few weeks they're just going to release the 2-disc special edition of it. I'm really looking forward to the behind-the-MPAA featurette and the director's commentary by Matt Preston and David Lynch.

    I'm really hoping for a new anamorphic transfer because the currently panned article I have to "scan" downwards to see the entire thing! That and where is the DTS?

    --

    Small potatoes make the steak look bigger.

  18. Interesting ... but he supports DataPlay.... by C+A+S+S+I+E+L · · Score: 1

    ...which, with its built-in copy protection, is marketed as the solution to all these format wars: we all just go and adopt another new format (with the RIAA et al's blessing).

  19. How could he be proud of his work? by Veteran · · Score: 2, Insightful

    DVD is the bastard created when our beautiful innocent High Tech was brutally raped by the RIAA. The engineer who created it ought to be deeply ashamed of his actions as an accomplice in that rape.

    The copy protection and region encoding on DVD's have nothing to do with preventing commercial pirating and everything to do with controlling what the customer can do with the product that he bought. Claiming that copy protection has to do with piracy is a flat out lie. Commercial pirates are not inconvenienced in the least by copy protection - they make a bit for bit copy of the disk and stamp them out as fast as they want. Only you - the customer is affected in what you can do with your own property . According to the RIAA 'fair use' doesn't exist, and they won't be happy until the courts agree with them.

    1. Re:How could he be proud of his work? by Anonymous Coward · · Score: 0

      Wow, thank you for saying this. It had to be said, and you're absolutely right.

      I'm constantly told I'm a Luddite when I say I refuse to get a DVD player. I usually respond by saying you're just supporting a repressive technology. The success of DVD has guaranteed worse things for the future--the suits have seen that they can "get away" with intrusive crap like Macrovision and Region Encoding (which is nothing more than restraint of trade)....the next time around, things will be worse. Will Slashdot gladly support the next standard too?

      And please--don't tell me I an "hack around" these "features". I shouldn't HAVE to, that's the point. And no matter what, my money STILL goes to support those that thought this stupidity was a good idea. No thanks.

    2. Re:How could he be proud of his work? by Veteran · · Score: 2

      The only additional comment that I would like to make is that DVDs are not the result of stupidity; they are not an accident nor are the problems caused by DVDs an unintended side effect.

      DVDs are an example of deliberate, intentional, malevolence at work - as is the DMCA - which makes things like DVD's possible.

      The phrase : 'never attribute to malice that which may be explained by stupidity' applies to neither the DMCA nor DVDs.

    3. Re:How could he be proud of his work? by Veteran · · Score: 2

      Sorry, I was wrong; I would like to make one more point. Probably the biggest problem with the formal system of higher education is that it teaches a perspective which causes people to miss deliberate malice in action.

      In my opinion one of the fundamental changes which needs to occur in the educational system is to teach people how to critically differentiate accident or 'stupidity' from deliberate malice. Failing to do so grants malevolent people a license to mask their work as 'stupidly' and thus get away with it.

      The reason that I put the word 'stupidity' in quotation marks is that the problem in the intellectual world is not intellectual weakness - the problem is the misapplication of intellectual strength. The strong in any field always blame the weak - not because it is the weak's fault - but because the weak can't prevent them from doing so.

      It is easy to ridicule the weak - and it shifts blame from where it belongs - with the strong - to people who don't deserve it. If intellectual problems were caused by intellectual weakness then surely dirt is the cause of all intellectual trouble - since I know of few things dumber that dirt.

      We - the intellectually strong - need to accept the blame for what is wrong with the world. We are the ones who have the power to change it, and we are the ones who are responsible for the problems in the first place.

    4. Re:How could he be proud of his work? by Anonymous Coward · · Score: 0
      Ok, ignoring the absurd and extreme comparison of publishing control to one of the most unpleasant types of violent assault in existance, a type known to cause physical and emotional pain to the victims for decades afterwards, can you explain in what way the problems with DVDs are the result of malice?

      Specifically, what is the motivation? What happened that would have meant that movie producers want to imprison people in the open source community? What is their hatred of people who buy a film while on holiday, or from another country because it isn't available in their own and never will be, based upon?

      Remember, you're saying this is the result of malice - not profiteering, not trying to avoid being ripped off, but malice. What does Hollywood have to be malicious about?

    5. Re:How could he be proud of his work? by Eccles · · Score: 1

      DVDs are an example of deliberate, intentional, malevolence at work

      It's greed, not malevolence per se. Thus the old saying doesn't apply.

      --
      Ooh, a sarcasm detector. Oh, that's a real useful invention.
    6. Re:How could he be proud of his work? by Anonymous Coward · · Score: 0

      The RIAA's sole purpose is NOT to take away the consumer's right to make a back up copy. As much as I hate the RIAA, I recognize that piracy is rampant. There is a problem.

      If you make copying easy to do, it _will_ be abused. The average Joe won't hesitate to make a copy for his friend, who will then make a copy for his friend, etc. It's human nature.

      Copy protection for DVD's is necessary. Having no copy protection is tantamount to leaving your car door unlocked all the time. You can bet someone passing by will take the liberty to open it and help himself to whatever is in your car.

    7. Re:How could he be proud of his work? by Anonymous Coward · · Score: 0
      As much as I hate the RIAA, I recognize that piracy is rampant. There is a problem.

      The problem is that audio CDs and DVDs are sold far, far above cost. Of course, there will be piracy. If the industry stopped its price fixing, prices would come down to the point where it isn't worth pirating anymore. A CD and DVD should, perhaps, cost $3 each, and a downloadble song should cost maybe a dime each.

  20. Operating System Sonnet by Anonymous Coward · · Score: -1, Offtopic
    Izzo (O.S.D.O.A.)
    Jay-Z

    AI to the izz-O, X to the izz-AY: Fo' shizzle my nizzle, no longer gettin' biz-AY
    Amiga to the izz-O, OS to the izz-AY: Dayz be numbad, get'cha damn hands up
    BS to the izz-O, D to the izz-AY: Losing market share, ya'll got-ta feel me
    Be to the izz-O, OS to the izz-AY: Dayz be numbad, get'cha damn hands up
    CP to the izz-O, M to the izz-AY: Fo' shizzle my nizzle, no longer gettin' biz-AY
    D to the izz-O, OS to the izz-AY: Dayz be numbad, get'cha damn hands up
    Free to the izz-O, BSD to the izz-AY: Losing market share, ya'll got-ta feel me
    GNU to the izz-O, Hurd to the izz-AY: Dayz be numbad, get'cha damn hands up
    HP to the izz-O, UX to the izz-AY: Fo' shizzle my nizzle, no longer gettin' biz-AY
    IR to the izz-O, IX to the izz-AY: Dayz be numbad, get'cha damn hands up
    Infern to the izz-O, o to the izz-AY: Losing market share, ya'll got-ta feel me
    Lin to the izz-O, ux to the izz-AY: Dayz be numbad, get'cha damn hands up
    Lynx to the izz-O, OS to the izz-AY: Fo' shizzle my nizzle, no longer gettin' biz-AY
    MIN to the izz-O, IX to the izz-AY: Dayz be numbad, get'cha damn hands up
    Mac to the izz-O, OS to the izz-AY: Losing market share, ya'll got-ta feel me
    Ma to the izz-O, ch to the izz-AY: Dayz be numbad, get'cha damn hands up
    Micro to the izz-O, C/OS to the izz-AY: Fo' shizzle my nizzle, no longer gettin' biz-AY
    Nach to the izz-O, OS to the izz-AY: Dayz be numbad, get'cha damn hands up
    Ne to the izz-O, XT to the izz-AY: Losing market share, ya'll got-ta feel me
    Neme to the izz-O, sis to the izz-AY: Dayz be numbad, get'cha damn hands up
    Net to the izz-O, BSD to the izz-AY: Fo' shizzle my nizzle, no longer gettin' biz-AY
    Net to the izz-O, Ware to the izz-AY: Dayz be numbad, get'cha damn hands up
    OS to the izz-O, 400 to the izz-AY: Losing market share, ya'll got-ta feel me
    OS to the izz-O, 9 to the izz-AY: Dayz be numbad, get'cha damn hands up
    OS/ to the izz-O, 2 to the izz-AY: Fo' shizzle my nizzle, no longer gettin' biz-AY
    Ober to the izz-O, on to the izz-AY: Dayz be numbad, get'cha damn hands up
    Open to the izz-O, BSD to the izz-AY: Losing market share, ya'll got-ta feel me
    Palm to the izz-O, OS to the izz-AY: Dayz be numbad, get'cha damn hands up
    Plan to the izz-O, 9 to the izz-AY: Fo' shizzle my nizzle, no longer gettin' biz-AY
    p to the izz-O, SOS to the izz-AY: Dayz be numbad, get'cha damn hands up
    QN to the izz-O, X to the izz-AY: Losing market share, ya'll got-ta feel me
    R to the izz-O, TEMS to the izz-AY: Dayz be numbad, get'cha damn hands up
    SCO to the izz-O, UNIX to the izz-AY: Fo' shizzle my nizzle, no longer gettin' biz-AY
    So to the izz-O, laris to the izz-AY: Dayz be numbad, get'cha damn hands up
    Sun to the izz-O, OS to the izz-AY: Losing market share, ya'll got-ta feel me
    T to the izz-O, RON to the izz-AY: Dayz be numbad, get'cha damn hands up
    Thread to the izz-O, X to the izz-AY: Fo' shizzle my nizzle, no longer gettin' biz-AY
    Tiny to the izz-O, OS to the izz-AY: Losing market share, ya'll got-ta feel me
    U to the izz-O, nix to the izz-AY: Dayz be numbad, get'cha damn hands up
    V to the izz-O, MS to the izz-AY: Fo' shizzle my nizzle, no longer gettin' biz-AY
    Vx to the izz-O, Works to the izz-AY: Dayz be numbad, get'cha damn hands up
    Windows to the izz-O, 2000 to the izz-AY: Losing market share, ya'll got-ta feel me
    Windows to the izz-O, 3.11 to the izz-AY: Dayz be numbad, get'cha damn hands up
    Windows to the izz-O, 95 to the izz-AY: Fo' shizzle my nizzle, no longer gettin' biz-AY
    Windows to the izz-O, 98 to the izz-AY: Dayz be numbad, get'cha damn hands up
    Windows to the izz-O, CE to the izz-AY: Losing market share, ya'll got-ta feel me
    Windows to the izz-O, ME to the izz-AY: Dayz be numbad, get'cha damn hands up
    Windows to the izz-O, NT to the izz-AY: Fo' shizzle my nizzle, no longer gettin' biz-AY
    Windows to the izz-O, XP to the izz-AY: Dayz be numbad, get'cha damn hands up

    Born Sean Carter in Brooklyn, N.Y., nimble-tongued rapper Jay-Z started out as the Jaz's rhymin' partner, rapping on the hit single, "The Originators." Jay-Z went solo in '95 with the Payday/ffrr single "In My Lifetime" but didn't release a solo album. Jay-Z then touched mainstream in 1996 with the single "Dead Presidents" b/w its enormously successful b-side, "Ain't No Nigga," featuring Foxy Brown. Later that year his solo debut, Reasonable Doubt, came out; featuring cameos by SWV and Notorious B.I.G., the album soon went gold and spawned the Top 40 single "Can't Knock the Hustle," with Mary J. Blige. In 1997 Jay-Z returned with Vol. 1 In My Lifetime, featuring production work by Sean "Puffy" Combs and appearances by Babyface, Foxy Brown and Lil Kim. Jay-Z has since released the The Streets Is Watching soundtrack album and 1998's platinum-selling Vol. 2 Hard Knock Life, which catapulted Jay popward with the Annie-sampled "Hard Knock Life." The album featured cameos by DMX, Foxy, the Lox, Jermaine Dupri and Timbaland. Jay-Z's fourth full-length, Vol. 3--Life and Times of S. Carter, was released in late 1999 to favorable reviews.

  21. The format of the future... by evilviper · · Score: 2

    Everyone likes to throw their hat in the ring saying either which format is the format of the future, or why nothing out there makes the cut, and their up-and-comming format will.

    I'll settle this all right now and tell you what the freaking format of the future is... It's a damn hard drive in a USB2/FireWire case. If only I could find a combined FireWire/USB2 case for a Hard Drive so I could use a decent interface on my own machine, and USB on other machines.

    Just think about it, if someone would just make a USB2 case that you stick a notebook hard drive in, it gets it's power from the interface rather than require a seperate power cord, and it will work in every system out there, who would want anything more?

    Smaller than CDs, rewritable without any extra software, you don't erase the damn thing to change one line in a text file, huge capacity, cheap, and bootable in newer systems.

    Anyone A) Know of any cases (2.5" HD cases or USB/FireWire combined cases) and B) Have any problem with that cheap, universal system, which doesn't have copy protection and beats out all others?

    --
    Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    1. Re:The format of the future... by Anonymous Coward · · Score: 0

      They are available for $40-$60 U.S. a piece in Hong Kong and comes in attractive aluminium cases.

  22. Other reasons for zoning by David_R · · Score: 2, Insightful

    1. a lot of "extra features" (commentaries, documentaries, trailers) are licensed for one particular market, so can't appear on discs destined for other regions for legal purposes

    2. certain zones cover a whole heap of different languages, and more subtitle / alternate soundtracks mean more physical disk space is required. As a result, some "extra features" may disappear to make room for these other languages (you may also find that the bitrate encoding of the film is also significantly less on these disks as well). This can also be applied to the differences between NTSC and PAL/SECAM pictures.

      Why the manufacturers don't just make different language releases, I don't know (presumably to keep costs down), but for whatever purpose, they have divvied up the zones along language lines, as well as geographical and release date-ical.
  23. DVD is the answer... by usurper_ii · · Score: 1

    DVD is the solution to the content industries problems. Instead of forcing copy protection on every format, all content should be released on DVD, which is secure and built from the ground up to prevent copying. No wait...

    Usurper_ii

    -=-=-=-

    Success is the journey...
    not the destination

    --
    Ron Paul
    1. Re:DVD is the answer... by Anonymous Coward · · Score: 0

      *drooooool

  24. You forgot one part. by BlackTriangle · · Score: 1

    Price discrimination can only be undertaken by monopolies like RIAA companies.

    1. Re:You forgot one part. by Anonymous Coward · · Score: 0

      Copyright is a grant of limited monopoly, so anyone who holds a copyright (including you or I) can engage in price discrimination.

      The political status of the MPAA has nothing to do with the fact that consumers are willing to pay more for a Casablanca DVD in different markets.

    2. Re:You forgot one part. by g4dget · · Score: 2
      so anyone who holds a copyright (including you or I) can engage in price discrimination.

      Copyright does not absolve you from fair business practices. Furthermore, copyright could, in principle, be revoked for specific creations if it is not found to be in the public interest.

      With the doctrine of first sale and ownership of DVD players, your reasoning also doesn't really justify the industry's attempts at controlling the players.

    3. Re:You forgot one part. by Anonymous Coward · · Score: 0

      Price discrimination and charging what the market will bear is not considered an unfair business practice. I suggest you go foment socialist revolution, or upload some rips to morpheus, or something other than engaging in pointless twaddle.

    4. Re:You forgot one part. by Anonymous Coward · · Score: 0
      Price discrimination and charging what the market will bear is not considered an unfair business practice.

      That depends on who charges what to whom, and it also depends on where you live (different countries have different rules).

      I suggest you go foment socialist revolution, or upload some rips to morpheus, or something other than engaging in pointless twaddle.

      I suggest you get a clue.

  25. WTF are you talking about? by glrotate · · Score: 2, Interesting
    DVD - Video (primarily)


    RIAA - Audio.


    The RIAA had nothing to do with developing tthe DVD format.


    /. just cotinues to go down the tubes.

  26. Are you really trying to figure these idiots out? by glrotate · · Score: 1
    They think the studios are acting out of malice by not letting them see all of the Anime that they want.

    This whole thread is based on a false premise and has descended downward.


    Anyone thats taken basic microeconomics can could tell you that region encoding is price descrimination in action. Some countries will pay more than others for a DVD, so lets charge them more.

  27. Flash or HTML by captaineo · · Score: 4, Insightful

    The one thing I wish were done a little differently with DVD (from the perspective of one who occasionally needs to author them) is the menu system. Instead of DVD's convoluted, proprietary menu implementation, I'd really prefer to see something like Flash or even dynamic HTML with Javascript. Imagine what DVD creators could do if they knew every DVD player had a Flash interpreter... (acknowledging of course that Flash was in a much more primitive state back when DVDs were being developed, if it even existed at the time :])

    1. Re:Flash or HTML by edwdig · · Score: 2

      Wait, you're objecting to the DVD menu system because it's proprietary, yet you think Flash would've been a better choice? I could see the DHTML/JS combo, but Flash?

    2. Re:Flash or HTML by captaineo · · Score: 3, Interesting

      I don't particularly care about proprietary as in "controlled by one company," but I do dislike proprietary as in "different from standard practice for no good reason." I think it was unfortunate that the inventors of DVD went off and created their own half-baked UI system when better alternatives were in already in use. (yeah, that's about par for the course for most consumer electronics standards... =)

      Nor do I really like how most DVD releases use the menu UI system. I hate wading through un-stoppable movie menus to get where I want to go. I really wish DVD had the feature of laserdisc where you could just punch in "take me to frame #18275" and it would jump there immediately.

      (BTW I believe the specs for the Flash .swf file format are freely available, although I am not aware of any complete Free Software implementation.)

    3. Re:Flash or HTML by HamNRye · · Score: 2

      The reason they don't have that feature, is they want to force you to sit through all of the Copyright info, and watch all of their trailers. As a father with a one year old who loves snow white, I can tell you that 3 minutes of FF'ding through DVD Garbage annoys me.

      (That's why I rip 'em to VCD...)

      Jason

    4. Re:Flash or HTML by clheiny · · Score: 1
      I'd really prefer to see something like ... dynamic HTML with Javascript


      Check out products incorporating the NUON processor (formerly from VM Labs, recently bought out by Genesis Microchip), such as the Toshiba SD-2300 and Samsung N-2000, N-501, and N-504. NUON-enhanced DVDs contain additional info in the form of (tada!) HTML and Bob scripts - the DVDs play normally on regular players, the enhanced features are available on products like those above.


      There are some NUON-enhanced DVDs available. You can also play games on these units, although it is by no means intended as a PS2/XBox/etc competitor. You can even download the NUON SDK and hack your own NUON programs! Check out the NUON dome for more info.


      Disclaimer: I used to work for VM Labs. I don't anymore (left in September 2001), and have no business or financial connection with either VM Labs or Genesis Microchip. I still think the technology is pretty cool, though.

      --
      Racing is an addiction that makes heroin look like a vague hankering for something crunchy.
  28. DVD isn't what it could've been by realmolo · · Score: 1

    What we really need is an *uncompressed* video format.

    That said, DVDs look pretty good. I do wish that they would've made the standard for the format a disc in a cartridge, though. I HATE having to deal with bare discs that can get scratched easily.

    1. Re:DVD isn't what it could've been by Sloppy · · Score: 1

      I do wish that they would've made the standard for the format a disc in a cartridge, though. I HATE having to deal with bare discs that can get scratched easily.

      When MPAA decided they wanted DVDs to be super-cheap to manufacture, they set the stage for it being a low-use distribution media rather than a many-use playback media. (This was predictable in advance, as audio CDs had been in use for many years, and almost everyone has at least one sad scratch story to tell.) The best way to deal with the fragile distribution media problem, is to only expose/read the media once. After that, play the content from your file server. This is one of the many reasons that DVD purchasers need to have things like DeCSS.

      That's how I solved the scratched-CD problem (most of the CDs I've bought in the last couple of years have only been read once), and as hard disk capacities continue to increase, that's how I'll solve the scratched-DVD problem too.

      --
      As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
  29. Prediciton that DataPlay will be a lasting format. by SuperKendall · · Score: 3, Insightful

    In the article he states near the end that he sees DataPlay becoming a widespread technology (note to others - that does not mean he nessicarily supports the format, just that he sess a future for it).

    I don't with that prediciton though - for MP3 use, I'm pretty sure small HD's will remain on top. The 10 GB iPod is about the size any DataPlay player would be, and holds a lot more... plus as the tech gets better and better, the iPod advances in capacity much faster than DataPlay. He said in the interview that HD + RAM will take over for home video use, I'm not sure why he doesn't follow the same line of reasoning for audio players (or just about anything else!).

    As for the other possibly use of DataPlay, cameras - I can possibly see this as the cost of a DataPlay disc (about $20) is a lot cheaper than CompactFlash... but the question is will DataPlay be used in devices much before ~500Mb compactFlash cards come down near to the price of a DataPlay disc? Furthermore, I see 500mb as being way too small to be meaningful in the future digital camera market, as resoultion and color depth improves the storage needs will grow quite a bit. Here again, I have to wonder if a HD solution will not win in the end - either an HD embedded in the camera, or seperate bluetooth enabled HD packs that you wear somewhere and that the camera transmits pictures to.

    In the end, I have to think that while he might have been good at bringing a particular technology to the market, he doesn't seem like a true visionary - most of his predicitons listed in the article seem pretty simplistic to me.

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
  30. Re:Now THAT's the attitude I like! What a Sahm !! by geekster_2000 · · Score: 1

    Doctor Mel Dyke invented the LASER DISK in 1970's
    which probably helped this JAPANESE GENT'S CLAIM. JAPANESE HAVE A HABIT OF CLAIMING "FIRST INVENTIONS".
    Now the truth is out and that's that. Read em and weap Japanese gent !

  31. You'd be looking for this then by spell · · Score: 1

    http://www.firewiremax.com/usbfir13come.html

    Not that I've tried it....but took all of 30 seconds on Google to find one....

    1. Re:You'd be looking for this then by evilviper · · Score: 2
      30 seconds on Google

      That's usually my line! I guess if I'd actually been interested I'd have found it too... The price certainly isn't very attractive.

      Thanks for the site in any case... I also found the 2.5" USB powered case (which also supports firewire) and strangely enough can be powered by the PS/2 port? The single drawback is that it only supports USB 1.1, not 2.0... Guess I'll have to look a little bit more.
      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
  32. It's even more easy than that. by Inoshiro · · Score: 3, Interesting

    In Canada, a DVD of a certain movie could be about 14.99$.

    In the US, that same region 1 DVD is 14.99$.

    However, Canadian dollars cost less than US dollars. This is why US people should import all DVDs from Canada and never pay for them in the US, because the MPAA is just trying to segment Canada/US (which, considering NAFTA, shouldn't happen) for greater profits.

    This is also why any Canadians that do online shopping will be boned hard if they don't go to the ONE Canadian DVD site online that exists: cnl.com. They have great, Canadian prices and will ship titles to the US too.

    --
    --
    Internet Explorer (n): Another bug -- that is, a feature that can't be turned off -- in Windows.
    1. Re:It's even more easy than that. by Anonymous Coward · · Score: 0

      OH yes then i can get cliped on import taxs. use tax, which is just a way to tax stuff you buy out of state unless you pay tax in that other state, that my great state of NC has. Then plus international s&h between countries. Then dont forget customs. Would be nice. Probley could get away with most of those 'taxs' not being paid. But still. It would end up costing me about as much. However you are correct though. WHY are they cheaper there? Plus NAFTA was just a joke to export jobs that had been here for a hundred years to cheaper places like mexico where they are definatly glad to have the job. But what about our own people?! Should we begger our own country so others people can have jobs? but thats waaaaaaaaay off topic :)

  33. Re:Prediciton that DataPlay will be a lasting form by Anonymous Coward · · Score: 0

    The only problem I have experienced with high res picture with low compression is that storing the picture (~1.4MB) takes way too long. I would love to see faster processors (probably DSP) and faster flash/HD in my next camera.

  34. Re:Prediciton that DataPlay will be a lasting form by HamNRye · · Score: 2

    Plus all of our legacy CD-RW drives should make adopting a new proprietary format with less capacity seem ludicrous.

    They've been hyping DataPlay for years now, even prior to the widespread use of CD-R's. I remember a spokesman for the company talking about how DataPlay discs could be sold for 50-75 cents each. (Yes, cents) At the time this was cheaper that CD-R media.

    I'm not sure that the numbers quoted in that article are correct. It may be cheaper than compact flash for $20, but that's a bunch of money for write-once media.

    Stick with the cheap storage medium, human brain. There's alot of it out there, and hardly anyone uses theirs.

    Jason

  35. Re:Are you really trying to figure these idiots ou by Anonymous Coward · · Score: 0

    'price descrimination'

    This is SO true. Other parts of the format also HELP with it. Such as the CSS part of it which is the implementation of it. It was also a way to control who could make the video players. As most of the mpg formats patents that make them up will expire some day soon. Then you have the possiblity that they would have a format that any old person could make a player for. So they also 'encrypted' it in the name of protecting themselves from piracy. But that is also a false thing on their part, as it was just a way to get the studios onboard. Because if you copy every single bit off the disc how would the player be able to tell the difference? The VHS 'standard' lasted nearly 25 years. The DVD format _could_ do the same. The reason they are pissed that CSS was cracked is now just about anyone, with a bit of effort, could make a player for it. Should be interesting when they start pushing HD-DVD. The price descrimination is not just for the discs. It was also a way to lock other companies out of making players for it with out paying the dvd tax.

  36. Re:Prediciton that DataPlay will be a lasting form by Anonymous Coward · · Score: 0

    I'm very confused. Are you talking about millibits (mb), megabits (Mb) or what? :) Remember, one Mb is 128kB. One MB is 8Mb.