Linux Video Editor Cinelerra 1.0 Released
Ogerman writes "At long last, Heroine Virtual's Cinelerra 1.0 has been released. This successor to the discontinued Broadcast 2000 project is absolutely amazing and should give Adobe Premiere and others a run for their money as it continues to mature. So, fire up those digital camcorders, get to work on all your latent indie-film ideas, and help put ol' Jack V. out of a job. Here's the 1.0 Press Release." For those unfamiliar with Cinelerra, check out the screen shots.
I like the way this is headed. Software like this is going to be instrumental in creating competing products against the mpaa and such. If indie films can be produced and sold _online_ even easier, then there will be more.
Then the giant may begin to crumble...
I'd like to think that, but I'm probably just kidding myself...
Brian
My ATI tv-card works pretty well under windows, being able to capture 30 fps at a good resolution. What brands of capture cards work the best with linux?
What the gui toolkit is that?
Have these guys never heard of The Interface Hall of Shame? You should NEVER EVER utilize color in an interface where color correction is required. The UI hinders the user's ability to faithfully adjust colors.
I also wouldn't go as far as saying this application will give Premiere a run for its money because Premiere benefits GREATLY from its relationship with other Adobe applications. I can edit my work in Premiere then import the entire project, tracks, effects and all, into After Effects for post production work and final rendering. Not to mention the ability to import native Photoshop and Illustrator files without any special work arounds.
I also didn't see anything in the feature list which suggested this application is capable of editing web enabled video (QT, Real and/or WMV)
A lot of Nikon coolpix users have paid $50 for the famous eBook on using it, and Cinelerra / HV might be smart to make something similar. Canon makes some great video cameras that are widely marketed at the "prosumer" crowd (XL1, GL1), and even though that term may grate on the ears of anyone so labeled, there are a lot of prosumers (arrgh, the sound! the sound!) out there.
:)
... just like the people who buy the new "mid-range" (but still pricey) digital SLRs.
Heck, anyone who learned Blender reasonably well (not me) will probably *prefer* the Cinelerra interface to, say, anything made by Apple
And if you count that group as including both high-dollar amateurs (dentists, lawyers, even programmers with some extra money) with an interest in creative editing, and low-budget professional users (like the folks who do wedding videos and take your guided horse-ride video etc, as opposed to the makers of Waterworld)*, there really is a big potential audience. Money to spend on it + motivation to learn a rigorous interface
Also, Heroine Virtual's website is always fun to read, a little bit like Dr. Bronner's soap. When I have (garrh!) a dual 1.6GHz athlon system with a gig of RAM and a firewire card, I hope to find it usable for simple editing, because it looks rather fun.
timothy
* And those overlapping groups is just how I would define "prosumer" anyhow.
jrnl: http://tinyurl.com/c2l8yr / foes: http://tinyurl.com/ckjno5
Friend, everything you said is perfectly valid, but... video finishing is not audio finishing. Fire, DS, EditBox, et cetera are not audio finishing equipment. They have audio input and output capabilities, of course, and you can mix tracks and whatnot. But that's just for scratch audio. The real audio will get mixed and laid down by an audio professional in a ProTools (or similar) suite after the editor finishes the video.
Basically, the reason why nobody cares about audio in video editing software is because the guy doing the video work is never the same person as the guy doing the audio work. Instead, it's two different people, both highly trained professionals, with totally different areas of expertise.
Now, if you want to complain about how a particular audio finishing program is inadequate, be my guest. But complaining about how video editing software is a bad audio editing tool is kind of like complaining about what a poor job your screwdriver does of carving your Christmas goose.
I'm a video engineer who works out of a network Broadcast center in NYC on a syndicated news program. The company justed invested a huge sum of money into a newish Avid system call "Unity for News". No, this isn't for home or anyone who is not professional broadcast. But it is a fiber system with 7tb storage and a number of other cool features.
One of the more interesting (and stable) peices of this system is a box called an Avid Airspace. It's a box with some very fast RAID drives, a few fiber/GigE cards, and three NTSC/PAL video I/O cards. Each one of these cards can take in a 601 digital feed (this is better then D1 digital found on minidv/firewire cameras.) Each one can output a 601 feed too. In fact, the show I work on broadcast live from this box. (Lifetime network also baught a simalar system, I've been told. Aslo a few local news stations are switching over to this system.)
Now the interesting part - these boxes run FreeBSD and a custom WM on X. All the other peices of the new Unity system (all win2k) are flakly, but these BSD boxes not only run great, but they output live broadcast quality video to millions of people daily.
So, will Cinelerra support these cards? I don't think so. (I don't think you can buy one of these cards without the system and I don't think the drivers are Free/Open.) But know that FreeBSD is used in more then just the CGI for big budget films.
AND there are a whole host of good hardware video and audio cards coming out that enable a bunch of good realtime effects and whatnot for finalcut. Bottom line, avid is old news, and I think we'll quickly see FCP as the broadcast standard inside of 3 years.
The only software I've found that does this is M2-Edit by MediaWare Solutions, but its UI is awful and it's Windows-only.
Most Indie film is shot with minimal ADR, due to lack of time, money, and knowledge. Thus, it's important to get the best audio on the first try. Foley, of course, is done later, but that's signifigantly easier than doing ADR.
Audio is not a separate art from video, unless you're doing something like Koyannisqatsi.
And no, I would disagree that the audio tools in FCP are on a par with the video tools in FCP. While the video tools aren't up there with Fire boxes, they are pretty good. The audio tools are a joke, though... and I like FCP. Primere is worse.
Also, we're talking about people who are concerned about spending as little as possible on their film... hence the need for a free video editor. Let's talk about those, please, rather than multimillion dollar Hollywood productions.
-T
I don't know much about audio, though -- I would love to hear any suggestions or resources you could point me to, esp. regarding isolating human voices
The best tip I've heard on this is to get yourself a minidisc recorder. It is small enough to fit in a person's pocket, records decent quality sound (certainly good enough for spoken word, not bad even for music) and can power a small lavalier mic. When you begin shooting a new scene make a loud percussive noise (clapper, anyone?) so that you can line up the audio from the minidisc and the camcorder visually in your editing software. Poor man's SMPTE. : )
alex
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