Lawrence Lessig's Personal Past and Supreme Court Future
Slyfox writes "Ever wonder how Lawrence Lessig became one of the most notable figures in the fight over free speech and intellectual property on the internet? Wired has an excellent article about Lawrence Lessig's life; it beginings with his start as a right-wing Republican, and continues by following the events of his life through law school, contributing to the Microsoft anti-trust case, and becoming a top cyberlaw expert. The article describes both his successes and failures, and it forshadows Lessig's biggest challenge yet: arguing Eldred v. Ashcroft before the US Supreme Court in October."
There is no way the Supreme Court will award this one to the plaintiff (Eldred). The Constitution implies a sort of limit on copyright, but unfortunately it is totally ambiguous. In this sense, the case is already doomed. I expect the decision to be at least 7-2, and possibly even 9-0.
However, I suspect the justices are mostly sympathetic to the idea that there is significant erosion going on, that an intention of the Constitution is deliberately being ignored. To that end, the opinions will hopefully have harsh words for the legislators who passed this law, and may even contain a veiled threat to further extensions.
Its surprising no-one has put any numbers on the discussion - the Act "extended the duration of all existing and future copyrights for 20 years - just like that".
You'd have to imagine thats a gift of many many billions of dollars to the copyright holders. And while this is not a zero sum situation, someone has also suffered to some extent. That someone is the public domain, shich is us, the non-copyright holders.
I hope they win and overturn this foul legislation.
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Lawrence Lessig: Don't stand there gawping like you've never seen the Constitution before! Now, today, we're going to be fighting for our free speech ! That is, unless any of you got anything better to do. Well?! Anyone got anything they'd rather be doing than fighting for our free speech ?! Yes?!
Geek1: Well, to be quite honest, Mr. Lessig, I'd... rather be at home with the wife and kids.
Lawrence Lessig: Would you, now?!
Geek1: Yes, Mr. Lessig.
Lawrence Lessig: Right! Off you go! Now, everyone else happy with my 'lil plan... of fighting for our free speech a bit?
Geek2: Mr. Lessig!
Lawrence Lessig: Yes?!
Geek2: I've got a book I'd quite like to read.
Lawrence Lessig: Right! You go read your book, then! Now! Everybody else... quite content to join in... with my little scheme of fighting for our free speech ?!
Geek3: Mr. Lessig?
Lawrence Lessig: Yes?! What is it?!
Geek3: Well, I'm, uh, learning Perl.
Lawrence Lessig: Learning Perl?!
Geek3: Yes, Mr. Lessig.
Lawrence Lessig: And I suppose you want to go and practice, eh? Fighting for our free speech not good enough for you, eh?!
Geek3: Well...
Lawrence Lessig: Right! Off you go! Bloody geeks! I don't know what it's coming to. Right! Lawrence Lessig, fighting for our free speech !
As I understand it, one of the more important pieces of information considered in constitutionality cases like this is the "intent of the signers"---why it is that those guys wrote what they wrote. In this case, copyright- & patent-granting powers were given to the Congress "to promote the progress of science and useful arts". Like the article says, retroactively extending old copyrights will do nothing toward this end. On the contrary, extending copyrights will just make life more difficult for everyone who actively uses public-domain stuff, from Project Gutenberg to Moby (I assume. IANA Moby expert).
Damn. Just read the first few pages of the government's brief. I guess I should've realized that they've extended copyright terms before. All times but one, it seems, the extended term applied to all works currently under copyright. I guess that could count as precedent...
"The best argument against democracy is a five minute chat with the average voter."
--Winston Churchill
Here is a web page written by the remarkably unabashed copyright extenders. I agree with you that the retroactive extension does nothing to encourage the creation of new works. In fact, I strongly feel that it discourages new work, since new work often draws liberally on old works, often in ways that could be claimed to violate a copyright.
But, unless the web page I have linked to grossly misrepresents past copyright laws (which I doubt), there is incredibly strong precedent for new copyright laws to apply to preexisting works -- in fact, sometimes even to works which were not eligible for any form of copyright at the time of their creation.
For the Supreme Court to decide in favor of Eldred et al., it will have to invent a test which the Bono law violates, but which most previous laws do not. And the Constition provides little guidance for the specific parameters of this test.
Some Supreme Courts have been willing to strike out new territory for the Constitution in this fashion. But this one is not. The conservative members are strongly against reading between the lines except when absolutely necessary. I am sympathetic to this view myself, but unfortunately this will work against us in this case.
If he were a democrat, would we have heard how he was a left-wing democrat? I'm just curious.
If you thought the profile of Larry was interesting, I'd encourage you to read the brief (PDF) he filed for the Eldred case. IANAL so I at first thought I wouldn't understand it and almost didn't read it, but eventually I did about a month ago. It is very clear. Extraordinarily clear.
It's also interesting to read the opposing brief (PDF).
Good luck Larry.
...for Robert De Niro's screenwriting contest. He may not be a scientist or an engineer by title, but his work/quest/crusade marks him as someone who will have more influence on the Internet and the computer industry than the vast majority of engineers.
Decision 6-3 for Eldrich
Majority decision(4 justices signing): Court of Appeals errored in deciding that the copyright law is immune from First Ammendment attack. Sent back to Court of Appeals for an actual trial
Minority supporting majority (2 justices signing): In addition to the majority statement, congress was incorrect in not considering the quid pro quo implied in the copyright section of the consitution. Giving to copyright holders, and not returning the favor to the public is inequitable and against the original intent of the signers.
Dissent (3 justices signing): What a bunch of quacks.. Congress can decide what limited means, what constitutes quid pro quo... Justices are writing the law... we love mickey mouse blah blah blah.
This is by far the most likely scenario. The copyright clause was written before the 1st ammendment, therefore ruling that it is immune from 1st ammendment analysis is quite wrong and getting 6 justices to agree on that should not be a problem. On the more general question of wether the law is invalid or not, the supreme court will not rule in general (although they will send very strong hints to lower courts), but sending it back to the lower court to reanalyze for first ammendment reasons is quite a good solution to the problem. In addition I suspect they will tell congress that they are being stupid and patents and copyrights were created under the same law, and giving 14 years to one, and 70 years + life of author to the other is rediculous.
If the Supreme court does say that the copyright laws are immune from first ammendment analysis it would contradict most of their previous rulings on the first ammendment. I feel this decision is basically open and shut on the 1st ammendment issue and a very long shot on the other 2 arguements.
-B
Ash and Hickory, straight-grained and true, make excellent bludgeons, dandy for the cudgeling of vegetarians.
Computer Science is no more about computers than astronomy is about telescopes.
-- E. W. Dijkstra
Would you select a computer scientist who doesn't know his shit to write mission critical applications?
Arguing a case before the Supreme Court entails completely different requirements than arguing at a trial court. Of the thousands of cases which are appealed to the Supreme Court, only a tiny fraction of them are reviewed by the court. You can bet that if anyone is going up there to argue, he or she have to be exceptional. I don't think just anyone can go up there, present the case, and then be grilled by nine of the best legal minds in the country.
Considering that Lessig clerked for Scalia, taught as a law professor, performed for years as a public speaker, and has command of the necessary background knowledge, I don't think he'll have issues.
Does anyone else get this strange picture of Professor Lessig jogging up the steps in front of the Stanford Quad and Mem Chu (Memorial Church... in the middle of the quad) in sweats with Eye of the Tiger playing in the background?
The article was not excellent. It was designed to marginalize him and turn him into a crazy guy tilting at government windmills. The headline in the print edition said Lessig wants to "smash" the copyright system. That's just plain false. He's a big believer in copyright-- he just doesn't want it to last forever. He wants there to be some balance between the public's rights and the copyright holder's rights. He's got a good compromise system that would force people to renew their copyrights if they were still valid. If people renewed, they would still get all of the protections today, but if they didn't the work would fall into the public domain. This is a great help for researchers, librarians and everyone else who needs to find a copy of something that's out of print. Did you realize that it's illegal to make a copy of something that's out of print? Yup. You could stilll get sued for $150,000 per copy! This proposals is just another dose of sanity for the system.
Wired didn't care about any of this. They didn't even mention it. They just painted him as a bit of a nutcase. Remember this is the same author (Steven Levy) who wrote a glowing review of the M$ Paladium system. Beware!
The limited term argument is not as peripheral as you might suspect reading the above. There is a common law rule against perpetuities that says (harking back to law school) "no interest is good unless it must vest (if at all) within 21 years of some life in being at the time of creation of the intetest''. In effect, 21 years equals forever at common law, and forever is not a limited time such as the constitution mandates if Congress grants intellectual property rights at all, according to the grant of power to Congress by the constitution.
Before you ever get to look at the 1st amendment issues and balancing, you have to look at the limited grant of power to Congress in the case of IP, period. I would have to comment that I am not even vaguely familiar with the history of decisions in this area, but I suspect at lot of effort has been made to engage in the "balancing" types of consideration that has preoccupied the courts for the last century. Lawyers tend to cover all bases in a brief, and the longest and most convoluted arguments, making up most of the page count of the brief may be just make-weight, in the sense you are trying to argue there is no great harm (balancing act) if you rule as I suggest in my first paragraph. Arguing both law and fact, if you will.
The first copyright monopoly was for 4 years, if I remember correctly. There are fundamental limits on Congress' powers in this area in the explicit wording of the constitution, and the evidence is that the first congress understood what was meant by those limits. There seem to be good arguments that Congress does not even have the power to give an artist copyright on the artist's own works for the period of the artist's own life!!! In any event, there is a profound legal principle that nothing may last forever, and to say that the Gershwin heirs or Disney Inc. (or the heirs of Elvis or John Lenin) have any residual rights to their work more than 21 years beyond their death (or after the creation of Mickey Mouse, in the case of the inanimate Disney) violates the common law rule against perpetuities, and thereby certainly violates the limited power of Congress to grant monopoly rights for limited terms.
Sorry about the AC.
The article is at best an incomplete picture of Professor Lessig. While it is framed to show the roots of where he ended up, it could have been different.
Professor Lessig's primary interest, at least initially, was constitutional law. Actually, that makes the Eldred case a good case for him. If you read the briefs you will see that the parties are not especially approaching the case as a "cyberlaw" case.
I don't think the scope of his interest has been limited to being a great niche legal thinker. He wants to be broad, but is going to ride this particular wave for what it is worth. The article does do a good job of explaining why Lessig is important to a particular non-legal community now, and taken for that, it is nice.
Sorry, he's confused on the purpose of the 3 branches of US government.
The Legislative Branch makes the law.
The Executive Branch enforces the law.
The Judicial Branch interprets the law.
The Supreme Court specifically interprets the US Constitution. They have the last word on that.
Otherwise, there would be no "unConstitutional" laws... after all, Congress decided, so it must be right, right?
This is my sig. There are many like it but this one is... Oops. Frank, I've got your sig again! Where's mine?
As long as the publishing industry has the deep pockets to pay well, many of those lawyers who are rooting for Lessig will loose some of their youthful enthusiasm and they'll end up fighting on behalf of the industry.
/.ers have given money to the EFF? I'd be interested to see some numbers; I'd certainly hope they are high.
If we really believe that Lessig's arguement is just, we need to support him (and the EFF) financially.
What percentage of
Considering the bredth of slashdot's userbase, we should be able to come up with a ton of cash to compliment the posts, ideas, thoughts, humor, and time we spend here.
C
__
From the article: Some days he clocked 11 hours.
11 hours? Pussy.
It gets a little trickier when we consider "Hunchback" ... V. Hugo wasn't that long ago, but it is pretty clear that that stuff belongs in the public domain. I'm just not sure yet about Mickey & Donald.
Certainly copyrights can't be *forever*. But I do suggest people are making too much of this Disney business.
The vast majority of Disney's movies are on controlled release schedules, often not available for up to 20 years at a time. Some people consider this a good thing, but ultimately it's just a company milking old material for all it's worth (or more than it's worth if you really think about it). In fact, much of what Disney's done in my lifetime has simply been rehashing old characters for new series/movies. Is it really any different because Disney's doing it than if someone else was doing it? It's not like the original creators of most of these characters are still there.
-PainKilleR-[CE]
Well, at least eight and one Rehnquist operated puppet...
That is all.
For someone like me who hates copyrights, that's a hard thing to say - but the simple fact is this. The problem isn't the term of copyrights, but our very belief that it's allright gain benefit by restricting the copying practices of others to begin with. Copyright monopolies are like a vine that will never stop growing to choke off our freedoms until they are cut off at the root. The DMCA, infinite extensions, sentences worse than murders get, are only a symptom - not the cause.
The cause of all these problems is our own moral failure to see copyrights not as some type of incentive or property rights, but as the evil form of controll that they are. It reminds me of indentured servitude - it started out as short term, un-inheritable, for all races, and usually offered land at the end of the term. But unfortunately it set the seeds for a system of slavery that became unbearable and ripped the USA apart, now I see the same with "intellectual properties" - if we don't cut it off at the root, it will just come back to destroy us in another form.
In reading the opposing (government) brief, I found this interesting point: the CITA was designed to harmonize US Copyright with international copyright. Going back to the original establishment of Federal copyright, the original intent was to unify copyright among the States and common law. The CITA could be argued to continue the tradition by having the United States participate in a world-wide unification of copyright. This means that a content creator would not have to worry as much about the differences between US and European copyright.
Not exactly "something for nothing."
Also, these thoughts are a little late for the government to include in its argument to the court, so I don't feel as though I'm hurting that anti-CITA efforts by discussing them here.
I previewed, I submitted, I goofed.
Please remember that the folklore Disney built on was hundreds of years old, if not thousands.
Wrong. Some of it like the classical music in Fantasia was hundreds of years old, but many others were much more recent. The last of the Grimm brothers died in 1863, not hundreds of years before Disney. Disney even released some works such as a short Cinderella film in 1922, which would not have been allowed if the Grimm brothers were granted "life plus 70 years" on their copyright. And Disney's "Steamboat Willie" film was based on Buster Keaton's "Steamboat Bill".
A lot of people want to make a quick buck selling merchandise based on characters they didn't have the creativity to invent themselves.
So, Walt Disney didn't have any creativity because he made works based on characters he didn't create himself? Like Snow White, Alice in Wonderland, Cinderella, and the rest? You seem to forget that artistic creativity can exist on top of previous creativity, just as scientific accomplishments are almost always based on someone else's prior accomplishments. Once material enters the public domain, people won't be able to make "a quick buck" very easily because anybody else in the world has the same material from which to do the same thing. The ones who will make any significant money are those who can use their own creativity to add value to the original creation, not the ones who merely disseminate what is already infinitely available elsewhere.
---------
There is inferior bacteria on the interior of your posterior.
The article does point out-- correctly-- that Disney's lobbying for copyright extentions has a lot to do with the Steamboat Willie and a many other early shorts. Willie stands out because of it's historical signifigance (all the more reason for it to enter public domain, IMHO), but it's often misquoted as being the first "Mickey". I hope Lessig doesn't use this misquote in his case against the Supreme Court. I'm all for the idea of copyright, but the lengthening of copyright extentions to protect such documents has gotten way out of hand. Obviously, this issue has been discussed in the animation industry for years, and there are many animators-- both working and retired, corporate and indie-- who are against the Copyright Term Extention Act, simply because it is detrimental to the cause of film preservation. Disney is supposed to have an incredibly well-maintained archive, but there are many, many non-Disney motion pictures that are deteriorating due to their owners' negligence.
Okay, I understand that there are many reasons to dislike current copyright laws, but that is not to say that intellectual property right protection, be it patents or copyrights are a bad idea. It is their misapplication and abuse that result in the mess we often see today. Otherwise what do you propose to take their place?
Without some sort of protection guaranteeing that I can recoup the investment costs of creation (be it research and development or simply the creative costs of writing a novel), what incentive do I have to create anything to begin with? Why should I contribute *my* ideas so that you can do whatever you want with them, without my permission and without my compensation? If I labor, I am entitled to require payment for my labor -- it is trade. If my labor is then primarily mental rather than material, why should I expect less for my work?
The need for proper balanced intellectual property protection is needed now more than ever because with today's technology is it easier now more than ever to reproduce someone's mental labor. Now, balanced protection is important, and arguing what is balanced is difficult and honestly I don't currently have a better solution. However, to claim that all copyright protection is wrong only shows that one wants to do nothing but be a freeloader, feeding off the creative works that *others* produce claiming that you, who have produced nothing, have some divine right to benefit as well.
Who said Freedom was Fair?
What frightens me about the remote-controlled puppet is that he (almost) never questions the lawyers.
He listens, but doesn't participate. Is it because, as some suggest, he usually has his mind made up already, before the proceedings? Or does he lack the mental equipment to participate?
Not idle questions. What is up with Thomas?